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Displaying 1 - 15 of 15 (Bibliography: WIKINDX Master Bibliography)
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Collection:  The Blacker the Ink. Constructions of Black Identity in Comics and Sequential Art
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Anderson, Reynaldo: "Critical Afrofuturism. A Case Study in Visual Rhetoric, Sequential Art, and Post-Apocalyptic Black Identity." In: The Blacker the Ink. Constructions of Black Identity in Comics and Sequential Art. Hrsg. v. Frances Gateward und John Jennings. New Brunswick: Rutgers Univ. Press, 2015, S. 171–192.  
Last edited by: joachim 05/15/2019 12:47:04 PM
Carrington, André: "Drawn into Dialogue. Comic Book Culture and the Scene of Controversy in Milestone Media’s Icon." In: The Blacker the Ink. Constructions of Black Identity in Comics and Sequential Art. Hrsg. v. Frances Gateward und John Jennings. New Brunswick: Rutgers Univ. Press, 2015, S. 153–170.  
Last edited by: joachim 05/15/2019 02:00:53 PM
Davis, Blair: "Bare Chests, Silver Tiaras and Removable Afros. The Visual Design of Black Comic Book Superheroes." In: The Blacker the Ink. Constructions of Black Identity in Comics and Sequential Art. Hrsg. v. Frances Gateward und John Jennings. New Brunswick: Rutgers Univ. Press, 2015, S. 193–212.  
Last edited by: joachim 05/15/2019 02:01:55 PM
Fisher, Craig: "Provocation Through Polyphony. Kyle Baker’s Nat Turner." In: The Blacker the Ink. Constructions of Black Identity in Comics and Sequential Art. Hrsg. v. Frances Gateward und John Jennings. New Brunswick: Rutgers Univ. Press, 2015, S. 255–273.  
Last edited by: joachim 05/15/2019 02:02:39 PM
Francis, Conseula: "American Truths. Blackness and the American Superhero." In: The Blacker the Ink. Constructions of Black Identity in Comics and Sequential Art. Hrsg. v. Frances Gateward und John Jennings. New Brunswick: Rutgers Univ. Press, 2015, S. 137–152.  
Last edited by: joachim 05/15/2019 02:03:29 PM
Goldstein, Nancy: "Fashion in the Funny Papers. Cartoonist Jackie Ormes’s American Look." In: The Blacker the Ink. Constructions of Black Identity in Comics and Sequential Art. Hrsg. v. Frances Gateward und John Jennings. New Brunswick: Rutgers Univ. Press, 2015, S. 95–116.  
Last edited by: joachim 05/15/2019 02:04:38 PM
McWilliams, Sally: "Sex in Yop City. Ivorian Femininity and Masculinity in Abouet and Oubrerie’s Aya." In: The Blacker the Ink. Constructions of Black Identity in Comics and Sequential Art. Hrsg. v. Frances Gateward und John Jennings. New Brunswick: Rutgers Univ. Press, 2015, S. 45–62.  
Last edited by: joachim 05/15/2019 02:05:38 PM
Means Coleman, Robin R. und William Lafi Youman: "Graphic Remix. The Lateral Appropriation of Black Nationalism in Aaron McGruder’s The Boondocks." In: The Blacker the Ink. Constructions of Black Identity in Comics and Sequential Art. Hrsg. v. Frances Gateward und John Jennings. New Brunswick: Rutgers Univ. Press, 2015, S. 117–134.  
Last edited by: joachim 05/15/2019 02:06:30 PM
Nishikawa, Kinohi: "Daddy Cool. Donald Goines’s Visual Novel." In: The Blacker the Ink. Constructions of Black Identity in Comics and Sequential Art. Hrsg. v. Frances Gateward und John Jennings. New Brunswick: Rutgers Univ. Press, 2015, S. 215–234.  
Last edited by: joachim 05/15/2019 02:07:32 PM
Walter, Patrick F. "A Postcolony in Pieces. Black Faces, White Masks and Queer Potentials in Unknown Soldier." In: The Blacker the Ink. Constructions of Black Identity in Comics and Sequential Art. Hrsg. v. Frances Gateward und John Jennings. New Brunswick: Rutgers Univ. Press, 2015, S. 63–92.  
Last edited by: joachim 05/15/2019 02:14:39 PM
Wanzo, Rebecca: "It’s a Hero? Black Comics and Satirizing Subjection." In: The Blacker the Ink. Constructions of Black Identity in Comics and Sequential Art. Hrsg. v. Frances Gateward und John Jennings. New Brunswick: Rutgers Univ. Press, 2015, S. 314–332.  
Last edited by: joachim 05/15/2019 12:46:20 PM
Whitted, Qiana: "The Blues Tragicomic. Constructing the Black Folk Subject in Stagger Lee." In: The Blacker the Ink. Constructions of Black Identity in Comics and Sequential Art. Hrsg. v. Frances Gateward und John Jennings. New Brunswick: Rutgers Univ. Press, 2015, S. 235–254.  
Last edited by: joachim 05/15/2019 02:17:43 PM
Yezbick, Daniel F. "No Sweat! EC Comics, Cold War Censorship, and the Troublesome Colors of “Judgment Day!”." In: The Blacker the Ink. Constructions of Black Identity in Comics and Sequential Art. Hrsg. v. Frances Gateward und John Jennings. New Brunswick: Rutgers Univ. Press, 2015, S. 19–44.  
Last edited by: joachim 05/15/2019 02:18:45 PM
Young, Hershini Bhana: "Performance Geography. Making Space in Jeremy Love’s Bayou, Volume 1." In: The Blacker the Ink. Constructions of Black Identity in Comics and Sequential Art. Hrsg. v. Frances Gateward und John Jennings. New Brunswick: Rutgers Univ. Press, 2015, S. 274–291.  
Last edited by: joachim 05/15/2019 01:24:06 PM
Ziegler, James J. "A Secret History of Miscegenation. Jimmy Corrigan and the Columbian Exposition of 1893." In: The Blacker the Ink. Constructions of Black Identity in Comics and Sequential Art. Hrsg. v. Frances Gateward und John Jennings. New Brunswick: Rutgers Univ. Press, 2015, S. 292–313.  
Last edited by: joachim 05/15/2019 02:20:07 PM
WIKINDX 6.4.7 | Total resources: 13353 | Username: -- | Bibliography: WIKINDX Master Bibliography | Style: Comicforschung-Bibliographie Stil (CFB)


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