| Beronä, David A. "Wordless Comics. The Imaginative Appeal of Peter Kuper’s The System." In: Critical Approaches to Comics and Graphic Novels. Theories and Methods. Hrsg. v. Matthew J. Smith und Randy Duncan. London, New York: Routledge, 2012, S. 17–26. |
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| Brown, Jeffrey A. "Ethnography. Wearing One’s Fandom." In: Critical Approaches to Comics and Graphic Novels. Theories and Methods. Hrsg. v. Matthew J. Smith und Randy Duncan. London, New York: Routledge, 2012, S. 280–290. |
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| Carpenter, Stanford W. "Ethnography of Production. Editor Axel Alonso and the Sale of Ideas." In: Critical Approaches to Comics and Graphic Novels. Theories and Methods. Hrsg. v. Matthew J. Smith und Randy Duncan. London, New York: Routledge, 2012, S. 167–177. |
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| Coogan, Peter: "Genre. Reconstructing the Superhero in All Star Superman." In: Critical Approaches to Comics and Graphic Novels. Theories and Methods. Hrsg. v. Matthew J. Smith und Randy Duncan. London, New York: Routledge, 2012, S. 203–220. |
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| Duncan, Randy: "Image Functions. Shape and Color as Hermeneutic Images in Asterios Polyp." In: Critical Approaches to Comics and Graphic Novels. Theories and Methods. Hrsg. v. Matthew J. Smith und Randy Duncan. London, New York: Routledge, 2012, S. 43–54. |
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| Gibson, Mel: "Cultural Studies. British Girls’ Comics, Readers and Memories." In: Critical Approaches to Comics and Graphic Novels. Theories and Methods. Hrsg. v. Matthew J. Smith und Randy Duncan. London, New York: Routledge, 2012, S. 267–279. |
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| Gordon, Ian: "Culture of Consumption. Commodification through Superman: Return to Krypton." In: Critical Approaches to Comics and Graphic Novels. Theories and Methods. Hrsg. v. Matthew J. Smith und Randy Duncan. London, New York: Routledge, 2012, S. 157–166. |
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| Jenkins, Henry: "Should We Discipline the Reading of Comics?" In: Critical Approaches to Comics and Graphic Novels. Theories and Methods. Hrsg. v. Matthew J. Smith und Randy Duncan. London, New York: Routledge, 2012, S. 1–14. |
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| Lefèvre, Pascal: "Mise en scene and Framing. Visual Storytelling in Lone Wolf and Cub." In: Critical Approaches to Comics and Graphic Novels. Theories and Methods. Hrsg. v. Matthew J. Smith und Randy Duncan. London, New York: Routledge, 2012, S. 71–83. |
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| McLaughlin, Jeff: "Philosophy. “The Triumph of the Human Spirit” in X-Men." In: Critical Approaches to Comics and Graphic Novels. Theories and Methods. Hrsg. v. Matthew J. Smith und Randy Duncan. London, New York: Routledge, 2012, S. 103–115. |
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| Merino, Ana: "Intertextuality. Surrealist Intertextualities in Max’s Bardin." In: Critical Approaches to Comics and Graphic Novels. Theories and Methods. Hrsg. v. Matthew J. Smith und Randy Duncan. London, New York: Routledge, 2012, S. 252–264. |
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| Molotiu, Andrei: "Abstract Form. Sequential Dynamism and Iconostasis in Abstract Comics and Steve Ditko’s Amazing Spider-Man." In: Critical Approaches to Comics and Graphic Novels. Theories and Methods. Hrsg. v. Matthew J. Smith und Randy Duncan. London, New York: Routledge, 2012, S. 84–100. |
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| Murray, Christopher: "Propaganda. The Pleasures of Persuasion in Captain America." In: Critical Approaches to Comics and Graphic Novels. Theories and Methods. Hrsg. v. Matthew J. Smith und Randy Duncan. London, New York: Routledge, 2012, S. 129–141. |
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| Nyberg, Amy Kiste: "Journalism. Drawing on Words to Picture the Past in Safe Area Goražde." In: Critical Approaches to Comics and Graphic Novels. Theories and Methods. Hrsg. v. Matthew J. Smith und Randy Duncan. London, New York: Routledge, 2012, S. 116–128. |
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| Ricca, Brad J. "History. Discovering the Story of Jerry Siegel and Joe Shuster." In: Critical Approaches to Comics and Graphic Novels. Theories and Methods. Hrsg. v. Matthew J. Smith und Randy Duncan. London, New York: Routledge, 2012, S. 189–200. |
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| Rifas, Leonard: "Ideology. The Construction of Race and History in Tintin in the Congo." In: Critical Approaches to Comics and Graphic Novels. Theories and Methods. Hrsg. v. Matthew J. Smith und Randy Duncan. London, New York: Routledge, 2012, S. 221–234. |
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| Rogers, Mark C. "Political Economy. Manipulating Demand and “The Death of Superman”." In: Critical Approaches to Comics and Graphic Novels. Theories and Methods. Hrsg. v. Matthew J. Smith und Randy Duncan. London, New York: Routledge, 2012, S. 145–156. |
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| Singer, Marc: "Time and Narrative. Unity and Discontinuity in The Invisibles." In: Critical Approaches to Comics and Graphic Novels. Theories and Methods. Hrsg. v. Matthew J. Smith und Randy Duncan. London, New York: Routledge, 2012, S. 55–70. |
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| Smith, Matthew J. "Auteur Criticism. The Re-Visionary Works of Alan Moore." In: Critical Approaches to Comics and Graphic Novels. Theories and Methods. Hrsg. v. Matthew J. Smith und Randy Duncan. London, New York: Routledge, 2012, S. 178–188. |
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| Stuller, Jennifer K. "Feminism. Second Wave Feminism in the Pages of Lois Lane." In: Critical Approaches to Comics and Graphic Novels. Theories and Methods. Hrsg. v. Matthew J. Smith und Randy Duncan. London, New York: Routledge, 2012, S. 235–251. |
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| Swafford, Brian: "Critical Ethnography. The Comics Shop as Cultural Clubhouse." In: Critical Approaches to Comics and Graphic Novels. Theories and Methods. Hrsg. v. Matthew J. Smith und Randy Duncan. London, New York: Routledge, 2012, S. 291–302. |
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| Witek, Joseph: "Comics Modes. Caricature and Illustration in the Crumb Family’s Dirty Laundry." In: Critical Approaches to Comics and Graphic Novels. Theories and Methods. Hrsg. v. Matthew J. Smith und Randy Duncan. London, New York: Routledge, 2012, S. 27–42. |
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