| Beronä, David A. "Wordless Comics: The imaginative appeal of peter kuper’s the system." Critical Approaches to Comics and Graphic Novels. Theories and Methods. Eds. Matthew J. Smith and Randy Duncan. London, New York: Routledge, 2012. 17–26. |
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| Brown, Jeffrey A. "Ethnography: Wearing one’s fandom." Critical Approaches to Comics and Graphic Novels. Theories and Methods. Eds. Matthew J. Smith and Randy Duncan. London, New York: Routledge, 2012. 280–90. |
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| Carpenter, Stanford W. "Ethnography of Production: Editor axel alonso and the sale of ideas." Critical Approaches to Comics and Graphic Novels. Theories and Methods. Eds. Matthew J. Smith and Randy Duncan. London, New York: Routledge, 2012. 167–77. |
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| Coogan, Peter. "Genre: Reconstructing the superhero in all star superman." Critical Approaches to Comics and Graphic Novels. Theories and Methods. Eds. Matthew J. Smith and Randy Duncan. London, New York: Routledge, 2012. 203–20. |
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| Duncan, Randy. "Image Functions: Shape and color as hermeneutic images in asterios polyp." Critical Approaches to Comics and Graphic Novels. Theories and Methods. Eds. Matthew J. Smith and Randy Duncan. London, New York: Routledge, 2012. 43–54. |
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| Gibson, Mel. "Cultural Studies: British girls’ comics, readers and memories." Critical Approaches to Comics and Graphic Novels. Theories and Methods. Eds. Matthew J. Smith and Randy Duncan. London, New York: Routledge, 2012. 267–79. |
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| Added by: joachim 3/11/14, 5:22 PM |
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| Gordon, Ian. "Culture of Consumption: Commodification through superman: return to krypton." Critical Approaches to Comics and Graphic Novels. Theories and Methods. Eds. Matthew J. Smith and Randy Duncan. London, New York: Routledge, 2012. 157–66. |
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| Jenkins, Henry. "Should We Discipline the Reading of Comics?." Critical Approaches to Comics and Graphic Novels. Theories and Methods. Eds. Matthew J. Smith and Randy Duncan. London, New York: Routledge, 2012. 1–14. |
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| Added by: joachim 8/15/16, 11:45 AM |
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| Lefèvre, Pascal. "Mise en scene and Framing: Visual storytelling in lone wolf and cub." Critical Approaches to Comics and Graphic Novels. Theories and Methods. Eds. Matthew J. Smith and Randy Duncan. London, New York: Routledge, 2012. 71–83. |
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| McLaughlin, Jeff. "Philosophy: “the triumph of the human spirit” in x-men." Critical Approaches to Comics and Graphic Novels. Theories and Methods. Eds. Matthew J. Smith and Randy Duncan. London, New York: Routledge, 2012. 103–15. |
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| Merino, Ana. "Intertextuality: Surrealist intertextualities in max’s bardin." Critical Approaches to Comics and Graphic Novels. Theories and Methods. Eds. Matthew J. Smith and Randy Duncan. London, New York: Routledge, 2012. 252–64. |
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| Molotiu, Andrei. "Abstract Form: Sequential dynamism and iconostasis in abstract comics and steve ditko’s amazing spider-man." Critical Approaches to Comics and Graphic Novels. Theories and Methods. Eds. Matthew J. Smith and Randy Duncan. London, New York: Routledge, 2012. 84–100. |
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| Murray, Christopher. "Propaganda: The pleasures of persuasion in captain america." Critical Approaches to Comics and Graphic Novels. Theories and Methods. Eds. Matthew J. Smith and Randy Duncan. London, New York: Routledge, 2012. 129–41. |
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| Nyberg, Amy Kiste. "Journalism: Drawing on words to picture the past in safe area goražde." Critical Approaches to Comics and Graphic Novels. Theories and Methods. Eds. Matthew J. Smith and Randy Duncan. London, New York: Routledge, 2012. 116–28. |
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| Ricca, Brad J. "History: Discovering the story of jerry siegel and joe shuster." Critical Approaches to Comics and Graphic Novels. Theories and Methods. Eds. Matthew J. Smith and Randy Duncan. London, New York: Routledge, 2012. 189–200. |
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| Rifas, Leonard. "Ideology: The construction of race and history in tintin in the congo." Critical Approaches to Comics and Graphic Novels. Theories and Methods. Eds. Matthew J. Smith and Randy Duncan. London, New York: Routledge, 2012. 221–34. |
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| Rogers, Mark C. "Political Economy: Manipulating demand and “the death of superman”." Critical Approaches to Comics and Graphic Novels. Theories and Methods. Eds. Matthew J. Smith and Randy Duncan. London, New York: Routledge, 2012. 145–56. |
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| Singer, Marc. "Time and Narrative: Unity and discontinuity in the invisibles." Critical Approaches to Comics and Graphic Novels. Theories and Methods. Eds. Matthew J. Smith and Randy Duncan. London, New York: Routledge, 2012. 55–70. |
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| Smith, Matthew J. "Auteur Criticism: The re-visionary works of alan moore." Critical Approaches to Comics and Graphic Novels. Theories and Methods. Eds. Matthew J. Smith and Randy Duncan. London, New York: Routledge, 2012. 178–88. |
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| Stuller, Jennifer K. "Feminism: Second wave feminism in the pages of lois lane." Critical Approaches to Comics and Graphic Novels. Theories and Methods. Eds. Matthew J. Smith and Randy Duncan. London, New York: Routledge, 2012. 235–51. |
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| Swafford, Brian. "Critical Ethnography: The comics shop as cultural clubhouse." Critical Approaches to Comics and Graphic Novels. Theories and Methods. Eds. Matthew J. Smith and Randy Duncan. London, New York: Routledge, 2012. 291–302. |
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| Witek, Joseph. "Comics Modes: Caricature and illustration in the crumb family’s dirty laundry." Critical Approaches to Comics and Graphic Novels. Theories and Methods. Eds. Matthew J. Smith and Randy Duncan. London, New York: Routledge, 2012. 27–42. |
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