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Displaying 1 - 10  of 10 (Bibliography: WIKINDX Master Bibliography)
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Brie, Stephen. "The struggle to survive without spandex in Harvey Pekar’s American Splendor." Critical Engagements 3.(2009): 73–90.   
Last edited by: joachim 13/12/2012, 12:07
Cortsen, Rikke Platz. "Post-modern Joker – Semiotics, Interpretation and Identity in Arkham Asylum." Critical Engagements 3.(2009): 31–50.   
Added by: joachim 24/03/2012, 20:31
Kahn, Ariel. "Double Trouble: Interrogating Masculinities in the work of Asaf and Tomer Hanuka." Critical Engagements 3.(2009): 123–55.   
Added by: joachim 24/03/2012, 21:44
Lightman, Sarah. "Diary Drawing." Critical Engagements 3.(2009): 157–79.   
Added by: joachim 24/03/2012, 21:52
Parte, Christina. "Mad, Maddening and Madly in Love: The Representation of Gender Fluidity and Desire in Jaime Hernandez’s Locas and Akimi Yoshida’s Banana Fish." Critical Engagements 3.(2009): 91–122.   
Last edited by: joachim 29/07/2020, 16:10
Perna, Laura. "rePRESENTing the Past: Three Graphic Histories of the Italian Post-WWII Resistance Movement." Critical Engagements 3.(2009): 202–26.   
Added by: joachim 24/03/2012, 22:08
Porro, Simona. "Architecture, Time, and Narration in In the Shadow of No Towers by Art Spiegelman." Critical Engagements 3.(2009): 223–41.   
Last edited by: joachim 24/03/2012, 22:28
Round, Julia. "Contrariwise!: Breaking rules in Bryan Talbot’s Alice in Sunderland." Critical Engagements 3.(2009): 180–201.   
Last edited by: joachim 24/03/2012, 21:55
Tew, Philip. "Re-reading the DC Universe(s) of Super Heroes: Tracing the Spectacular, Malice and Sacrifice through the Crisis on Infinite Earths (1985)." Critical Engagements 3.(2009): 10–30.   
Added by: joachim 24/03/2012, 20:25
Wiseman-Trowse, Nathan. "Marvel or Miracle: (Re)Placing the Original in Alan Moore’s Marvelman." Critical Engagements 3.(2009): 51–72.   
Last edited by: joachim 24/03/2012, 20:39
WIKINDX 6.8.2 | Total resources: 14514 | Username: -- | Bibliography: WIKINDX Master Bibliography | Style: Modern Language Association (MLA)