| Abate, Michelle Ann: "“A Gorgeous waste”. Solitude in Calvin and Hobbes." In: Journal of Graphic Novels and Comics 10.5-6 (2019), S. 488–504. |
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| ---: "‘Always gettin’ in trouble’. The Li’l Tomboy comic-book series, the good female consumer, and the fifties bad girl." In: Journal of Graphic Novels and Comics 6.1 (2015), S. 59–90. |
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| Abdel-Raheem, Ahmed: "The multimodal recycling machine. Toward a cognitive-pragmatic theory of the text/image production." In: Journal of Graphic Novels and Comics (2019). |
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| Adana, Francisco Saez de: "Attachment and grief. The case of the death of Raven Sherman." In: Journal of Graphic Novels and Comics (2018), S. 1–16. |
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| Adolphson, Jeremy V. "Creative expression or compulsive exploitation in underground comix. The scapegoating of Mike Diana’s Boiled Angel." In: Journal of Graphic Novels and Comics 4.2 (2013), S. 297–308. |
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| Aggleton, Jen: "Defining digital comics. A British Library perspective." In: Journal of Graphic Novels and Comics (2018), S. 1–17. |
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| Albiero, Olivia: "Between free movement and confinement. Overcoming boundaries in Simon Schwartz’s drüben! and Colleen Frakes’s Prison Island." In: Journal of Graphic Novels and Comics 11.1 (2020), S. 96–116. |
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| ---: "Interview with Simon Schwartz." In: Journal of Graphic Novels and Comics 11.1 (2020), S. 134–141. |
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| Aleixo, Paul A. und Krystina Sumner: "Memory for biopsychology material presented in comic book format." In: Journal of Graphic Novels and Comics 8.1 (2017), S. 79–88. |
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| Allocco, Katherine: "Could Guinevere ever be a superhero? Depictions of a warrior queen in Camelot 3000 (1982–1985)." In: Journal of Graphic Novels and Comics 9.1 (2018), S. 75–92. |
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| Aman, Robert: "When the Phantom became an anticolonialist. Socialist ideology, Swedish exceptionalism, and the embodiment of foreign policy." In: Journal of Graphic Novels and Comics (2018), S. 1–18. |
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| Amihay, Ofra: "Passing under separation. Comics representations of the Holocaust and the Berlin Wall." In: Journal of Graphic Novels and Comics 4.2 (2013), S. 278–296. |
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| Antola, Laura: "Transnational Adaptation of a Marvel comic book event. The case of X-Men: ‘fatal attractions’ in Finland." In: Journal of Graphic Novels and Comics (2021), S. 1–14. |
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| Anwer, Megha: "Beyond the photograph. A graphic history of lynching." In: Journal of Graphic Novels and Comics 5.1 (2014), S. 15–28. |
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| Asimakoulas, Dimitris: "Synchrony issues in comics. Language transfer and gender-specific characterisation in English translations of Greek Aristophanic comics." In: Journal of Graphic Novels and Comics (2017), S. 1–23. |
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| Austin, Sara: "Sita, Surpanakha and Kaikeyi as political bodies. Representations of female sexuality in idealised culture." In: Journal of Graphic Novels and Comics 5.2 (2014), S. 125–136. |
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| Ayres, Jackson: "“A very, very bad mood”. The turn to horror in Alan Moore’s late comics." In: Journal of Graphic Novels and Comics 1 (2021). |
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| Baetens, Jan: "Comics and characterization. The case of Fritz Haber (David Vandermeulen)." In: Journal of Graphic Novels and Comics 4.1 (2013), S. 84–91. |
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| Baetens, Jan und Hugo Frey: "‘Layouting’ for the plot. Charles Burns and the clear line revisited." In: Journal of Graphic Novels and Comics 8.2 (2017), S. 193–202. |
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| Banerjee, Bidisha: "Creating a ‘well-fitted habitus’. Material culture, homemaking and diasporic belonging in Shaun Tan’s The Arrival." In: Journal of Graphic Novels and Comics 7.1 (2016), S. 53–69. |
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| Barbour, Loren: "‘Nemeses! Dragons! Symbolism!’. Queering the fantasy hero narrative in Nimona." In: Journal of Graphic Novels and Comics (2020), S. 1–13. |
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| Barker, Martin und Roger Sabin: "‘Doonesbury does Iraq’. Garry Trudeau and the politics of an anti-war strip." In: Journal of Graphic Novels and Comics 3.2 (2012), S. 127–142. |
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| Barry, Erin: "Eight-page eroticism. Sexual violence and the construction of normative masculinity in Tijuana Bibles." In: Journal of Graphic Novels and Comics 8.3 (2017), S. 227–237. |
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| Barton, Kristin M. "Roamers versus biters. A rhetorical examination of the differences between Woodbury and the Prison Group in The Walking Dead comics." In: Journal of Graphic Novels and Comics 6.3 (2015), S. 260–268. |
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| Bartosch, Sebastian: "Understanding comics’ mediality as an actor-network. Some elements of translation in the works of Brian Fies and Dylan Horrocks." In: Journal of Graphic Novels and Comics 7.3 (2016), S. 242–253. |
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| Baskind, Samantha: "Plain Dealing Women. Lois Lane and the Origin of the Comic Book Heroine – A Conversation with Laura Siegel Larson." In: Journal of Graphic Novels and Comics 9.6 (2018), S. 634–644. |
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| Beckman, Frida: "Good Girl Art – facing images of women in David Mack’s Kabuki." In: Journal of Graphic Novels and Comics 2 (2011), S. 39–54. |
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| Beerman, Ruth J. "The body unbound. Empowered, heroism and body image." In: Journal of Graphic Novels and Comics 3.2 (2012), S. 201–213. |
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| Benatti, Francesca: "Superhero comics and the digital communications circuit. A case study of Strong Female Protagonist." In: Journal of Graphic Novels and Comics (2018), S. 1–14. |
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| ---: "Superhero comics and the digital communications circuit. A case study of Strong Female Protagonist." In: Journal of Graphic Novels and Comics 10.3 (2019), S. 306–319. |
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| Bermudez Brataas, Delilah: "Gods and monsters. Authorial creation in Gaiman’s Sandman and McCreery and Del Col’s Kill Shakespeare." In: Journal of Graphic Novels and Comics (2020), S. 1–24. |
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| Bhat, Shilpa Daithota: "Sita-centric Revisionism in Sita’s Ramayana, Androcentric Encoding and Conceptualizing the Diasporic abla nari." In: Journal of Graphic Novels and Comics (2021), S. 1–18. |
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| Botzakis, Stergios: "‘To be a part of the dialogue’. American adults reading comic books." In: Journal of Graphic Novels and Comics 2 (2011), S. 113–123. |
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| Bramlett, Frank: "The role of culture in comics of the quotidian." In: Journal of Graphic Novels and Comics 6.3 (2015), S. 246–259. |
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| Brienza, Casey E. "Producing comics culture. A sociological approach to the study of comics." In: Journal of Graphic Novels and Comics 1.2 (2010), S. 105–119. |
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| Brooker, Will: "Hero of the beach. Flex Mentallo at the end of the worlds." In: Journal of Graphic Novels and Comics 2 (2011), S. 25–37. |
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| Brown, Jeffrey A. "Supermoms? Maternity and the monstrous-feminine in superhero comics." In: Journal of Graphic Novels and Comics 2 (2011), S. 77–87. |
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| Camden, Vera J. "‘Cartoonish lumps’. The surface appeal of Alison Bechdel’s Are You My Mother?." In: Journal of Graphic Novels and Comics 9.1 (2018), S. 93–111. |
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| Camp, Lisa D. "‘Time to ride the monster train’. Multiplicity, the Midnighter and the threat to hegemonic superhero masculinity." In: Journal of Graphic Novels and Comics 8.5 (2017), S. 464–479. |
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| Chao, Tien-yi: "Features of hybridization in In These Words." In: Journal of Graphic Novels and Comics 4.1 (2013), S. 9–29. |
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| ---: "Transgression of taboos. Eroticising the master–servant relationship in Blue Morning." In: Journal of Graphic Novels and Comics 6.4 (2015), S. 382–397. |
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| Chattopadhyay, Dhiman: "Can comic books influence consumer awareness and attitude towards rape victims and perpetrators in India? The case of Priya’s Shakti." In: Journal of Graphic Novels and Comics (2017), S. 1–19. |
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| Clark, Catherine und Jennifer Jacobs Henderson: "‘Oh, my god! I CAN FLY!’. Female agency in Marvel’s Runaways." In: Journal of Graphic Novels and Comics 10.2 (2019), S. 210–227. |
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| Clarke, M. J. "Fluidity of figure and space in Osamu Tezuka’s Ode to Kirihito." In: Journal of Graphic Novels and Comics 9.1 (2018), S. 23–48. |
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| ---: "The production of the Marvel Graphic Novel series. The business and culture of the early direct market." In: Journal of Graphic Novels and Comics 5.2 (2014), S. 192–210. |
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| Clementi, Federica K. "The JAP, the Yenta and the mame in Aline Kominsky Crumb’s graphic imagination." In: Journal of Graphic Novels and Comics 4.2 (2013), S. 309–331. |
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| Cocca, Carolyn: "The ‘Broke Back Test’. A quantitative and qualitative analysis of portrayals of women in mainstream superhero comics, 1993–2013." In: Journal of Graphic Novels and Comics 5.4 (2014), S. 411–428. |
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| Cohn, Neil et al. "The cultural pages of comics. Cross-cultural variation in page layouts." In: Journal of Graphic Novels and Comics (2017), S. 1–20. |
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| Coogan, Peter: "Wonder Woman: superheroine, not superhero." In: Journal of Graphic Novels and Comics 9.6 (2018), S. 566–580. |
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| Cortsen, Rikke Platz: "Full page insight. The apocalyptic moment in comics written by Alan Moore." In: Journal of Graphic Novels and Comics 5.4 (2014), S. 397–410. |
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| Cressman, Jodi: "Company, counterbalance, and closure in Ellen Forney’s Marbles." In: Journal of Graphic Novels and Comics (2018), S. 1–14. |
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| Crucifix, Benoît: "From loose to boxed fragments and back again. Seriality and archive in Chris Ware’s Building Stories." In: Journal of Graphic Novels and Comics 9.1 (2018), S. 3–22. |
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| Cunningham, Phillip L. "The absence of black supervillains in mainstream comics." In: Journal of Graphic Novels and Comics 1 (2010), S. 51–62. |
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| Curtis, Neil: "Superheroes and the contradiction of sovereignty." In: Journal of Graphic Novels and Comics 4.2 (2013), S. 209–222. |
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| ---: "Wonder Woman’s symbolic death. On kinship and the politics of origins." In: Journal of Graphic Novels and Comics 8.4 (2017), S. 307–320. |
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| De, Pinaki: "Post-millennial comics anthologies in India. The long haul to Longform." In: Journal of Graphic Novels and Comics 12.6 (2021), S. 1410–1422. |
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| De Dauw, Esther: "Homonormativity in Marvel’s Young Avengers. Wiccan and Hulkling’s gender performance." In: Journal of Graphic Novels and Comics 9.1 (2018), S. 61–74. |
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| Demson, Michael und Heather Brown: "‘Aint I de Maine guy in dis paRade?’. Towards a radical history of comic strips and their audience since Peterloo." In: Journal of Graphic Novels and Comics 2 (2011), S. 151–167. |
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| DiCecco, Nico: "To read what was never written. The licentiousness of history in Alan Moore and Melinda Gebbie’s Lost Girls." In: Journal of Graphic Novels and Comics 6.3 (2015), S. 201–213. |
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| Diffrient, David Scott: "Contemporary comic books and Hollywood noir. Remediating cinematic style and cultural memory in The Fade Out." In: Journal of Graphic Novels and Comics 10.3 (2019), S. 342–367. |
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| Dittmer, Jason: "Captain America in the news. Changing mediascapes and the appropriation of a superhero." In: Journal of Graphic Novels and Comics 3.2 (2012), S. 143–157. |
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| Dobbins, Sarah: "Comics in public health. The sociocultural and cognitive influence of narrative on health behaviours." In: Journal of Graphic Novels and Comics 7.1 (2016), S. 35–52. |
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| Dubbati, Barkuzar: "The Woman in Hijab as a Freak. Super(Muslim)woman in Deena Mohamed’s Webcomic Qahera." In: Journal of Graphic Novels and Comics 8.5 (2017), S. 433–449. |
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| Earle, Harriet E. H. "My Friend Dahmer. The comic as Bildungsroman." In: Journal of Graphic Novels and Comics 5.4 (2014), S. 429–440. |
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| ---: "Traumatic absurdity, palimpsest, and play. A Slaughterhouse-Five case study." In: Journal of Graphic Novels and Comics (2021). |
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| Edwin, Shirin: "Islam’s Trojan horse. Battling perceptions of Muslim women in The 99." In: Journal of Graphic Novels and Comics 3.1 (2012), S. 171–199. |
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| Eedy, Sean: "Reimagining GDR comics. Kultur, children’s literature and the socialist personality." In: Journal of Graphic Novels and Comics 5.3 (2014), S. 245–256. |
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| El Refaie, Elisabeth: "Of men, mice, and monsters. Body images in David Small’s Stitches: A Memoir." In: Journal of Graphic Novels and Comics 3.1 (2012), S. 55–67. |
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| Flinn, Margaret C. "The ‘ravaged body’ as carrier of cultural memory in Farid Boudjellal’s Petit Polio series." In: Journal of Graphic Novels and Comics 8.4 (2017), S. 341–358. |
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| Friedlander, Keith: "The editor, the author function, and the social function. A methodological survey." In: Journal of Graphic Novels and Comics 9.2 (2018), S. 157–172. |
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| Fu, Albert S. "Fear of a black Spider-Man. Racebending and the colour-line in superhero (re)casting." In: Journal of Graphic Novels and Comics 6.3 (2015), S. 269–283. |
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| Gamache, Geneviève: "A transcultural comic series caught between nationalism and globalisation." In: Journal of Graphic Novels and Comics (2018), S. 1–13. |
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| Gavaler, Chris und Leigh Ann Beavers: "Clarifying closure." In: Journal of Graphic Novels and Comics (2018), S. 1–30. |
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| Gavaler, Chris und Nathaniel Goldberg: "Dr. Doom’s philosophy of time." In: Journal of Graphic Novels and Comics 8.4 (2017), S. 321–340. |
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| Gavaler, Chris: "The Ku Klux Klan and the birth of the superhero." In: Journal of Graphic Novels and Comics 4.2 (2013), S. 191–208. |
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| ---: "The rise and fall of fascist superpowers." In: Journal of Graphic Novels and Comics 7.1 (2016), S. 70–87. |
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| Gazi, Jeeshan: "De/facing race. Towards a model for a universal World Comics." In: Journal of Graphic Novels and Comics 8.2 (2017), S. 119–138. |
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| Gibbons, Sarah: "‘I don’t exactly have quiet, pretty powers’. Flexibility and alterity in Ms. Marvel." In: Journal of Graphic Novels and Comics 8.5 (2017), S. 450–463. |
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| Gibson, Mel, Golnar Nabizadeh und Kay Sambell: "Watch this space. Childhood, picturebooks and comics." In: Journal of Graphic Novels and Comics 5.3 (2014), S. 241–244. |
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| Gibson, Mel: "What Bunty did next. Exploring some of the ways in which the British girls’ comic protagonists were revisited and revised in late twentieth-century comics and graphic novels." In: Journal of Graphic Novels and Comics 1.2 (2010), S. 121–135. |
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| Goodall, Mark: "The ‘Book of Manson’. Raymond Pettibon and the killing of America." In: Journal of Graphic Novels and Comics 3.2 (2012), S. 159–170. |
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| Goodbrey, Daniel Merlin: "Game comics. An analysis of an emergent hybrid form." In: Journal of Graphic Novels and Comics 6.1 (2015), S. 3–14. |
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| Gordon, Ian: "The moral world of Superman and the American war in Vietnam." In: Journal of Graphic Novels and Comics 6.2 (2015), S. 172–181. |
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| Grande-de-Prado, Mario: "Quantitative review of articles about comic & education in ibero-america." In: Journal of Graphic Novels and Comics (2021), S. 1–15. |
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| Gravett, Paul: "From Iky Mo to Lord Horror. Representations of Jews in British comics." In: Journal of Graphic Novels and Comics 1 (2010), S. 5–16. |
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| Gray, Maggie: "‘A fistful of dead roses …’ Comics as cultural resistance. Alan Moore and David Lloyd’s V for Vendetta." In: Journal of Graphic Novels and Comics 1.1 (2010), S. 31–49. |
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| Gray, Brenna Clarke und David N. Wright: "Decentering the sexual aggressor. Sexual violence, trigger warnings and Bitch Planet." In: Journal of Graphic Novels and Comics 8.3 (2017), S. 264–276. |
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| Gueydan-Turek, Alexandra: "The rise of Dz-manga in Algeria. Glocalization and the emergence of a new transnational voice." In: Journal of Graphic Novels and Comics 4.1 (2013), S. 161–178. |
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| Gutierrez, Anna Katrina: "American superheroes, manga cuteness and the Filipino child. The emergence of glocal Philippine comics and picturebooks." In: Journal of Graphic Novels and Comics 5.3 (2014), S. 344–360. |
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| Harbi, Amine: "‘He isn’t an animal, he isn’t a human; he is just different’. Exploring the medium of comics in empowering children’s critical thinking." In: Journal of Graphic Novels and Comics 7.4 (2016), S. 431–444. |
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| Hassoun, Dan: "Sequential outliers. The role of spoilers in comic book reading." In: Journal of Graphic Novels and Comics 4.2 (2013), S. 346–358. |
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| Hatcher, Molly: "The Dark Knight under revision." In: Journal of Graphic Novels and Comics 4.2 (2013), S. 257–277. |
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| Heifler, Sydney Phillips: "Romance comics, dangerous girls, and the importance of fathers." In: Journal of Graphic Novels and Comics (2020), S. 1–18. |
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| Heimermann, Mark: "Old before their time. The impossibility of childhood innocence in The Walking Dead." In: Journal of Graphic Novels and Comics 5.3 (2014), S. 266–283. |
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| Hodapp, James: "The postcolonial Joe Sacco." In: Journal of Graphic Novels and Comics 6.4 (2015), S. 319–330. |
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| Holm, Nicholas: "Excalibur, aesthetics and an other Britain. From whimsical tradition to tabloid aesthetic." In: Journal of Graphic Novels and Comics (2020), S. 1–12. |
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| Hong, Tiffany: "‘Of course we record it’. Legacy, textual violence, and fridging in Ales Kot’s Zero." In: Journal of Graphic Novels and Comics 8.3 (2017), S. 277–294. |
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| Hopkins, David: "‘You can make them liars’ – the world war two funny pages of the Pittsburgh Courier, American’s leading African American weekly newspaper." In: Journal of Graphic Novels and Comics 3.1 (2012), S. 1–17. |
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| Horsman, Yasco: "Infancy of art. comics, childhood and picture books." In: Journal of Graphic Novels and Comics 5.3 (2014), S. 323–335. |
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| Howell, David R. "The mystery of museums in graphic novels." In: Journal of Graphic Novels and Comics 6.4 (2015), S. 419–429. |
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