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| Blank, Juliane. "The Appeal of the Real: Representations of ›Authentic‹ Dreams in Comics." Mediating the Dream / Les genres et médias du rêve. Eds. Bernard Dieterle and Manfred Engel. Cultural Dream Studies. Würzburg: Königshausen & Neumann, 2020. 511–40. |
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| Brienza, Casey E. "‘Manga Is Not Pizza’: The Performance of Ethno-racial Authenticity and the Politics of American Anime and Manga Fandom in Svetlana Chmakova’s Dramacon." Global Manga. “Japanese” Comics without Japan? Ed. Casey E. Brienza. 2nd ed. London, New York: Routledge, 2016. 95–113. |
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| Cates, Isaac. "Memory, Signal, and Noise in the Collaborations of Neil Gaiman and Dave McKean." Drawing from Life. Memory and Subjectivity in Comic Art. Ed. Jane Tolmie. Jackson: Univ. Press of Mississippi, 2013. 144–62. |
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| Dauth, Lisa. "»Eines Tages werde ich dir alles erzählen«: Die biografische Graphic Novel Der Boxer zwischen Wahrheit und Fiktion." Germanica 70. (2022): 49–62. |
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| El Refaie, Elisabeth. "Visual authentication strategies in autobiographical comics." Comics Forum 2012. Accessed 25Feb. 2019. <https://comicsforum.org ... by-elisabeth-el-refaie/>. |
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| Ernst, Nina. "Authenticity in Graphic Memoirs: Two Nordic Examples." Image [&] Narrative 16. 2 2015. Accessed 3Sept. 2015. <http://www.imageandnarr ... rative/article/view/814>. |
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| de Figueiredo, Camila Augusta Pires. "Unveiling Truth and Truthfulness in the Graphic Memoir Heimat." Truth Claims Across Media. Eds. Beate Schirrmacher and Nafiseh Mousavi. Cham: Springer, 2024. 101–25. |
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| Frahm, Ole. "Der Authentizitäts-Fetisch: Hergés Biographie eines Hundes." Der dokumentarische Comic. Reportage und Biografie. Ed. Dietrich Grünewald. Bochum: Ch.A. Bachmann, 2013. 63–74. |
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| Freund, Michael. "Von distanzierter Sozialsatire zur realistischen Berichterstattung – der Vietnam- und der Irakkrieg in Trudeaus Doonesbury-Strip." Der dokumentarische Comic. Reportage und Biografie. Ed. Dietrich Grünewald. Bochum: Ch.A. Bachmann, 2013. 261–73. |
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| Gabilliet, Jean-Paul. "Reading Facsimile Reproductions of Original Artwork: The Comics Fan as Connoisseur." Image [&] Narrative 17. 4 2016. Accessed 1Apr. 2017. <http://www.imageandnarr ... ative/article/view/1318>. |
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| Gundermann, Christine. "Inszenierte Vergangenheit oder wie Geschichte im Comic gemacht wird." Ästhetik des Gemachten. Interdisziplinäre Beiträge zur Animations- und Comicforschung. Eds. Hans-Joachim Backe, et al. Berlin u. Boston: de Gruyter, 2018. 257–84. |
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| Hahn, Hans-Joachim. "»Reality beats out surrealism every time!«: Realitätseffekte reconsidered: Comics als Reflexionen von Wirklichkeit." Der dokumentarische Comic. Reportage und Biografie. Ed. Dietrich Grünewald. Bochum: Ch.A. Bachmann, 2013. 75–88. |
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| Heuer, Christian. "»Wie befriedigend es ist, auf einer weißen Fläche Spuren zu hinterlassen«: Versuch über das lebensgeschichtliche Erzählen im Comic." Der dokumentarische Comic. Reportage und Biografie. Ed. Dietrich Grünewald. Bochum: Ch.A. Bachmann, 2013. 325–35. |
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| Hillenbach, Anne-Kathrin. "Eine wahre Geschichte: Vom erzählerischen Potential der Photo-Panels in der Comicreihe Der Fotograf." Erzählen im Comic. Beiträge zur Comicforschung. Eds. Otto Brunken and Felix Giesa. Bochum: Ch.A. Bachmann, 2013. 293–300. |
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| Hillenbach, Anne-Kathrin. "Authentisierungsstrategien in historischen Comics." Wissen durch Bilder. Sachcomics als Medien von Bildung und Information. Eds. Urs Hangartner, Felix Keller and Dorothea Oechslin. Kultur- und Medientheorie. Bielefeld: Transcript, 2013. 131–48. |
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| Ludwig, Christian. "Narrating the ›Truth‹: Using Autographics in the EFL Classroom." Learning with Literature in the EFL Classroom. Eds. Werner Delanoy, Maria Eisenmann and Frauke Matz. Anglo-amerikanische Studien / Anglo-American Studies. Frankfurt am Main [etc.]: Peter Lang, 2015. 299–320. |
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| MacDonald, Katharine Polak. "Jason Aaron’s Scalped, Historiographic Metafiction and of [sic] Authenticity." Narrative is the Essence of History. Essays on the Historical Novel. Ed. John Cameron. Newcastle upon Tyne: Cambridge Scholars Publ. 2012. 113–23. |
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| MacFarlane, Elizabeth. "Self Wrought: The Unreliable Narrator / the Unreliable Self in Pat Grant’s BLUE and Mandy Ord’s Rooftops." Cultural Excavation and Formal Expression in the Graphic Novel. Eds. Jonathan C. Evans and Thomas Giddens. At the Interface, Probing the Boundaries. Oxford: Inter-Disciplinary Pr. 2013. 35–53. |
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| Macklem, Lisa. "The truth is stranger than fiction: Rick Geary’s Gothic murder tales." Journal of Graphic Novels and Comics 8. (2017): 521–32. |
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| Michel, Chantal Catherine. "Bericht oder Propaganda? Dokumentarische Comics über den Nahostkonflikt." Der dokumentarische Comic. Reportage und Biografie. Ed. Dietrich Grünewald. Bochum: Ch.A. Bachmann, 2013. 189–206. |
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| Möller, Frank. "Von Mäusen und Kapuzenmännern: »Banaler Militarismus«, visuelle Repräsentationen und kollektive Erinnerung." Banal Militarism. Zur Veralltäglichung des Militärischen im Zivilen. Eds. Tanja Thomas and Fabian Virchow. Bielefeld: Transcript, 2006. 49–63. |
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| Murray, William. "Reimagining Terror in the Graphic Novel: Kyle Baker’s Nat Turner and the Cultural Imagination." CEA Critic 77. (2015): 329–38. |
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| Nijdam, Elizabeth. "Towards a Graphic Historicity: Authenticity and Photography in the German Graphic Novel." Comics of the New Europe. Reflections and Intersections. Eds. Martha Kuhlman and José Alaniz. Studies in European Comics and Graphic Novels. Leuven: Leuven Univ. Press, 2020. 177–97. |
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| Packard, Stephan. "Erfundene Umstürze in Panels: Zur Zeichnung des Dokumentarischen, des Fiktionalen und des Politischen in Comics." Umbruch – Bild – Erinnerung. Beziehungsanalysen in nationalen und transnationalen Kontexten. Eds. Carolin Führer and Antonius Weixler. Deutschsprachige Gegenwartsliteratur und Medien. Göttingen: V&R unipress, 2022. 49–70. |
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| Papenburg, Bettina. "Das Dokumentarische als Autorisierungsstrategie und als Lektüremodus für bildgebende Verfahren und digitale Animationen in den Lebenswissenschaften." Ästhetik des Gemachten. Interdisziplinäre Beiträge zur Animations- und Comicforschung. Eds. Hans-Joachim Backe, et al. Berlin u. Boston: de Gruyter, 2018. 203–30. |
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| Pedri, Nancy. "Cartooning Ex-Posing Photography in Graphic Memoir." Literature & Aesthetics 22. 2 2012. Accessed 13Jul. 2015. <openjournals.library.us ... hp/LA/article/view/7619>. |
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| Pedri, Nancy. "Telling It Authentically: Documents in Graphic Illness Memoirs." Diegesis 8. 1 2019. Accessed 14Jun. 2019. <https://www.diegesis.un ... egesis/article/view/333>. |
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| Radanović, Dragana. "Challenges of creating an authentic child's perspective in a documentary graphic novel: Artistic research." Kultura (2019): 134–56. |
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| Risner, Jonathan. "“Authentic” Latinas/os and Queer Characters in Mainstream and Alternative Comics." Multicultural Comics. From ‘Zap’ to ‘Blue Beetle’. Ed. Frederick Luis Aldama. Austin: Univ. of Texas Press, 2010. 39–54. |
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| Rizk, Mysoon. "Looking at “Animals in Pants”: The Case of David Wojnarowicz." Topia (2009): 137–59. |
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| Rüggemeier, Anne. "‘Posing for all the characters in the book’: The multimodal processes of production in Alison Bechdel’s relational autobiography Are You My Mother?." Journal of Graphic Novels and Comics 7. (2016): 254–67. |
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| Saika, Tadahiro. "How creators depict creating manga: Mangaka manga as authenticating discourse." Comics Worlds and the World of Comics. Towards Scholarship on a Global Scale. Ed. Jaqueline Berndt. Global Manga Studies. Kyoto: International Manga Research Center, Kyoto Seika University, 2010. 99–109. |
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| Saouter, Catherine and Philippe Sohet. "« Histoire de voir »: Historicité et logique narrative dans l’œuvre de Jacques Martin." Urgences (1991): 30–43. |
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| Schmid, Johannes C. P. "Cartooning Resistance: Irony and Authentication in Zerocalcare’s Kobane Calling." International Journal of Comic Art 20. (2018): 153–69. |
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| Smith, Craig. "Motion comics: Modes of adaptation and the issue of authenticity." Animation Practice, Process & Production 1. (2012): 357–78. |
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| Trippó, Sándor. "Zeitgeschichte in Comics: Inszenierung historischer Authentizität in der Graphic Novel »Grenzfall« (2011)." Jahrbuch der ungarischen Germanistik (2014): 99–114. |
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| Vågnes, Øyvind. "Rudy Kelly’s Eyes: Chris Hedges and Joe Sacco’s Days of Destruction, Days of Revolt." European Journal of American Studies 10. 2 2015. Accessed 12Oct. 2015. <https://ejas.revues.org/10998>. |
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| Vanoost, Marie and Sarah Sepulchre. "Subjectivity and Comics Journalism in the French Magazine XXI: Discrepancy between Paratexts and Texts." Diegesis 8. 1 2019. Accessed 14Jun. 2019. <https://www.diegesis.un ... egesis/article/view/351>. |
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| Weber, Wibke and Hans-Martin Rall. "Authenticity in comics journalism: Visual strategies for reporting facts." Journal of Graphic Novels and Comics 8. (2017): 376–97. |
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| Zimmermann, Tanja. "Zwischen Dokumentation und Vision: Comiczeichner als Reporter und Seher." Geschichte im Comic. Befunde – Theorien – Erzählweisen. Ed. Bernd Dolle-Weinkauff. Berlin: Ch.A. Bachmann, 2018. 77–94. |
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