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| Brienza, Casey E. "‘Manga Is Not Pizza’: The Performance of Ethno-racial Authenticity and the Politics of American Anime and Manga Fandom in Svetlana Chmakova’s Dramacon." Global Manga. “Japanese” Comics without Japan? Ed. Casey E. Brienza. 2nd ed. London, New York: Routledge, 2016. 95–113. |
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| Cates, Isaac. "Memory, Signal, and Noise in the Collaborations of Neil Gaiman and Dave McKean." Drawing from Life. Memory and Subjectivity in Comic Art. Ed. Jane Tolmie. Jackson: Univ. Press of Mississippi, 2013. 144–62. |
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| Dauth, Lisa. "»Eines Tages werde ich dir alles erzählen«: Die biografische Graphic Novel Der Boxer zwischen Wahrheit und Fiktion." Germanica 70. (2022): 49–62. |
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| El Refaie, Elisabeth. "Visual authentication strategies in autobiographical comics." Comics Forum 2012. Accessed 25Feb. 2019. <https://comicsforum.org ... by-elisabeth-el-refaie/>. |
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| de Figueiredo, Camila Augusta Pires. "Unveiling Truth and Truthfulness in the Graphic Memoir Heimat." Truth Claims Across Media. Eds. Beate Schirrmacher and Nafiseh Mousavi. Cham: Springer, 2024. 101–25. |
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| Frahm, Ole. "Der Authentizitäts-Fetisch: Hergés Biographie eines Hundes." Der dokumentarische Comic. Reportage und Biografie. Ed. Dietrich Grünewald. Bochum: Ch.A. Bachmann, 2013. 63–74. |
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| Freund, Michael. "Von distanzierter Sozialsatire zur realistischen Berichterstattung – der Vietnam- und der Irakkrieg in Trudeaus Doonesbury-Strip." Der dokumentarische Comic. Reportage und Biografie. Ed. Dietrich Grünewald. Bochum: Ch.A. Bachmann, 2013. 261–73. |
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| Gabilliet, Jean-Paul. "Reading Facsimile Reproductions of Original Artwork: The Comics Fan as Connoisseur." Image [&] Narrative 17. 4 2016. Accessed 1Apr. 2017. <http://www.imageandnarr ... ative/article/view/1318>. |
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| Gundermann, Christine. "Inszenierte Vergangenheit oder wie Geschichte im Comic gemacht wird." Ästhetik des Gemachten. Interdisziplinäre Beiträge zur Animations- und Comicforschung. Eds. Hans-Joachim Backe, et al. Berlin u. Boston: de Gruyter, 2018. 257–84. |
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| Hahn, Hans-Joachim. "»Reality beats out surrealism every time!«: Realitätseffekte reconsidered: Comics als Reflexionen von Wirklichkeit." Der dokumentarische Comic. Reportage und Biografie. Ed. Dietrich Grünewald. Bochum: Ch.A. Bachmann, 2013. 75–88. |
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| Heuer, Christian. "»Wie befriedigend es ist, auf einer weißen Fläche Spuren zu hinterlassen«: Versuch über das lebensgeschichtliche Erzählen im Comic." Der dokumentarische Comic. Reportage und Biografie. Ed. Dietrich Grünewald. Bochum: Ch.A. Bachmann, 2013. 325–35. |
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| Hillenbach, Anne-Kathrin. "Eine wahre Geschichte: Vom erzählerischen Potential der Photo-Panels in der Comicreihe Der Fotograf." Erzählen im Comic. Beiträge zur Comicforschung. Eds. Otto Brunken and Felix Giesa. Bochum: Ch.A. Bachmann, 2013. 293–300. |
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| Hillenbach, Anne-Kathrin. "Authentisierungsstrategien in historischen Comics." Wissen durch Bilder. Sachcomics als Medien von Bildung und Information. Eds. Urs Hangartner, Felix Keller and Dorothea Oechslin. Kultur- und Medientheorie. Bielefeld: Transcript, 2013. 131–48. |
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| Ludwig, Christian. "Narrating the ›Truth‹: Using Autographics in the EFL Classroom." Learning with Literature in the EFL Classroom. Eds. Werner Delanoy, Maria Eisenmann and Frauke Matz. Anglo-amerikanische Studien / Anglo-American Studies. Frankfurt am Main [etc.]: Peter Lang, 2015. 299–320. |
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| MacDonald, Katharine Polak. "Jason Aaron’s Scalped, Historiographic Metafiction and of [sic] Authenticity." Narrative is the Essence of History. Essays on the Historical Novel. Ed. John Cameron. Newcastle upon Tyne: Cambridge Scholars Publ. 2012. 113–23. |
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| Macklem, Lisa. "The truth is stranger than fiction: Rick Geary’s Gothic murder tales." Journal of Graphic Novels and Comics 8. (2017): 521–32. |
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| Michel, Chantal Catherine. "Bericht oder Propaganda? Dokumentarische Comics über den Nahostkonflikt." Der dokumentarische Comic. Reportage und Biografie. Ed. Dietrich Grünewald. Bochum: Ch.A. Bachmann, 2013. 189–206. |
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| Möller, Frank. "Von Mäusen und Kapuzenmännern: »Banaler Militarismus«, visuelle Repräsentationen und kollektive Erinnerung." Banal Militarism. Zur Veralltäglichung des Militärischen im Zivilen. Eds. Tanja Thomas and Fabian Virchow. Bielefeld: Transcript, 2006. 49–63. |
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| Murray, William. "Reimagining Terror in the Graphic Novel: Kyle Baker’s Nat Turner and the Cultural Imagination." CEA Critic 77. (2015): 329–38. |
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| Nijdam, Elizabeth. "Towards a Graphic Historicity: Authenticity and Photography in the German Graphic Novel." Comics of the New Europe. Reflections and Intersections. Eds. Martha Kuhlman and José Alaniz. Studies in European Comics and Graphic Novels. Leuven: Leuven Univ. Press, 2020. 177–97. |
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| Packard, Stephan. "Erfundene Umstürze in Panels: Zur Zeichnung des Dokumentarischen, des Fiktionalen und des Politischen in Comics." Umbruch – Bild – Erinnerung. Beziehungsanalysen in nationalen und transnationalen Kontexten. Eds. Carolin Führer and Antonius Weixler. Deutschsprachige Gegenwartsliteratur und Medien. Göttingen: V&R unipress, 2022. 49–70. |
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| Papenburg, Bettina. "Das Dokumentarische als Autorisierungsstrategie und als Lektüremodus für bildgebende Verfahren und digitale Animationen in den Lebenswissenschaften." Ästhetik des Gemachten. Interdisziplinäre Beiträge zur Animations- und Comicforschung. Eds. Hans-Joachim Backe, et al. Berlin u. Boston: de Gruyter, 2018. 203–30. |
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| Pedri, Nancy. "Cartooning Ex-Posing Photography in Graphic Memoir." Literature & Aesthetics 22. 2 2012. Accessed 13Jul. 2015. <openjournals.library.us ... hp/LA/article/view/7619>. |
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| Pedri, Nancy. "Telling It Authentically: Documents in Graphic Illness Memoirs." Diegesis 8. 1 2019. Accessed 14Jun. 2019. <https://www.diegesis.un ... egesis/article/view/333>. |
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| Risner, Jonathan. "“Authentic” Latinas/os and Queer Characters in Mainstream and Alternative Comics." Multicultural Comics. From ‘Zap’ to ‘Blue Beetle’. Ed. Frederick Luis Aldama. Austin: Univ. of Texas Press, 2010. 39–54. |
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| Rizk, Mysoon. "Looking at “Animals in Pants”: The Case of David Wojnarowicz." Topia (2009): 137–59. |
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| Rüggemeier, Anne. "‘Posing for all the characters in the book’: The multimodal processes of production in Alison Bechdel’s relational autobiography Are You My Mother?." Journal of Graphic Novels and Comics 7. (2016): 254–67. |
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| Saika, Tadahiro. "How creators depict creating manga: Mangaka manga as authenticating discourse." Comics Worlds and the World of Comics. Towards Scholarship on a Global Scale. Ed. Jaqueline Berndt. Global Manga Studies. Kyoto: International Manga Research Center, Kyoto Seika University, 2010. 99–109. |
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| Saouter, Catherine and Philippe Sohet. "« Histoire de voir »: Historicité et logique narrative dans l’œuvre de Jacques Martin." Urgences (1991): 30–43. |
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| Schmid, Johannes C. P. "Cartooning Resistance: Irony and Authentication in Zerocalcare’s Kobane Calling." International Journal of Comic Art 20. (2018): 153–69. |
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| Smith, Craig. "Motion comics: Modes of adaptation and the issue of authenticity." Animation Practice, Process & Production 1. (2012): 357–78. |
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| Trippó, Sándor. "Zeitgeschichte in Comics: Inszenierung historischer Authentizität in der Graphic Novel »Grenzfall« (2011)." Jahrbuch der ungarischen Germanistik (2014): 99–114. |
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| Vågnes, Øyvind. "Rudy Kelly’s Eyes: Chris Hedges and Joe Sacco’s Days of Destruction, Days of Revolt." European Journal of American Studies 10. 2 2015. Accessed 12Oct. 2015. <https://ejas.revues.org/10998>. |
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| Vanoost, Marie and Sarah Sepulchre. "Subjectivity and Comics Journalism in the French Magazine XXI: Discrepancy between Paratexts and Texts." Diegesis 8. 1 2019. Accessed 14Jun. 2019. <https://www.diegesis.un ... egesis/article/view/351>. |
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| Weber, Wibke and Hans-Martin Rall. "Authenticity in comics journalism: Visual strategies for reporting facts." Journal of Graphic Novels and Comics 8. (2017): 376–97. |
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| Zimmermann, Tanja. "Zwischen Dokumentation und Vision: Comiczeichner als Reporter und Seher." Geschichte im Comic. Befunde – Theorien – Erzählweisen. Ed. Bernd Dolle-Weinkauff. Berlin: Ch.A. Bachmann, 2018. 77–94. |
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