[anon.]. "Racism in Children’s Books: Tintin in the Congo." Journal of Blacks in Higher Education (2007): 14. |
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Alexandru, Maria-Sabina Draga. "Narrative Exploration against Mentality Issues: Indirect Education for Multiculturalism in Tintin." Representing Multiculturalism in Comics and Graphic Novels. Eds. Carolene Ayaka and Ian Hague. Routledge Research in Cultural and Media Studies. London, New York: Routledge, 2014. 163–76. |
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Algoud, Albert, ed. L’Archipel Tintin. Réflexions faites. Bruxelles: Les Impressions Nouvelles, 2012. |
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Algoud, Albert. Dictionnaire amoureux de Tintin. Dictionnaire amoureux. Paris: Plon, 2016. |
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Algoud, Albert. "Et la lumière fut …: Un personnage intermittent, Séraphin Lampion." L’archipel Tintin. Ed. Albert Algoud. Réflexions faites. Bruxelles: Les Impressions Nouvelles, 2012. 95–108. |
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Angenot, Marc. "Basil Zaharoff et la guerre du Chaco: La tintinisation de la géopolitique des années 1930." Études littéraires 46. (2010): 47–63. |
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Apostolidès, Jean-Marie. "Tintin and the Family Romance." Children’s Literature 13. (1985): 94–108. |
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Apostolidès, Jean-Marie. Tintin et le mythe du surenfant. Bruxelles: Moulinsart, 2003. |
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Apostolidès, Jean-Marie. Les métamorphoses de Tintin. Champs. Paris: Flammarion, 2006. |
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Apostolidès, Jean-Marie. "Hergé and the Myth of the Superchild." Yale French Studies 111. (2007): 45–57. |
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Apostolidès, Jean-Marie. The Metamorphoses of Tintin, or, Tintin for Adults. Palo Alto: Stanford Univ. Press, 2009. |
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Apostolidès, Jean-Marie. Dans la peau de Tintin. Réflexions faites. Bruxelles: Les Impressions Nouvelles, 2010. |
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Apostolidès, Jean-Marie. Lettre à Hergé. Réflexions faites. Bruxelles: Les Impressions Nouvelles, 2013. |
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Apostolidès, Jean-Marie. "Dans le ventre de La Licorne: L’organisation du monde de Tintin." L’archipel Tintin. Ed. Albert Algoud. Réflexions faites. Bruxelles: Les Impressions Nouvelles, 2012. 51–94. |
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Assouline, Pierre. "Hergé sacré, sacré Tintin !." Le Débat 3. (2017): 132–35. |
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Augereau, Pierre-Louis. Hergé au pays des tarots: Une lecture symbolique, ésotérique et alchimique des aventures de Tintin. Collection l'or bleu. Le Coudray-Macouard: Cheminements, 1999. |
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Badot, Étienne. La clé alchimique de l’œuvre d’Hergé. Hyères: La Pierre Philosophale, 2011. |
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Baetens, Jan. "Hergé, auteur à contraintes? Une relecture de L’Affaire Tournesol." French Forum 31. (2006): 99–111. |
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Baetens, Jan. Hergé écrivain. Champs. Paris: Flammarion, 2010. |
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Baetens, Jan. "From Black & White to Color and Back: What Does It Mean (not) to Use Color?." College Literature 38. (2011): 111–28. |
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Balzer, Jens. "Die Sprache des Comic." Auskunft 14. (1994): 33–47. |
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Bär, Iris Andrea. "Historiker im »Bilderdschungel«: Zwischen »Comicgeschichte« und »Geschichte im Comic«." Magisterarbeit M.A. Universität Münster, 1999. |
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Barbieri, Daniele. "Tintin et la ligne claire." Tintin, Hergé et la «Belgité». Ed. Anna Soncini Fratta. BelŒil. Bologna: CLUEB, 1994. 261–76. |
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Bartlett, Myke. "The Adventures of Tintin: Drawn into Motion." Screen Education (2012): 8–17. |
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de la Batelière, Jean-Loup. Comment Hergé a créé Tintin au Congo. Bédéstory, 2009. |
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Beauvais, Clémentine. "“A Nightmare Land, A Place of Death”: An Exploration of the Moon as a Motif in Hergé’s Destination Moon (1953) and Explorers on the Moon (1954)." Children’s Literature in Education 41. (2010): 251–59. |
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Begenat-Neuschäfer, Anne. "Bild und Text im belgischen Comic." Comic und Jugendliteratur in Belgien von ihren Anfängen bis heute. Ed. Anne Begenat-Neuschäfer. Belgien im Fokus. Frankfurt am Main [etc.]: Peter Lang, 2008. 3–36. |
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Bentahar, Ziad. "Tintin in the Arab World and Arabic in the World of Tintin." Alternative Francophone 1. 5 2012. Accessed 1Jan. 2018. <https://journals.librar ... p/af/article/view/12250>. |
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Boillat, Alain and Françoise Revaz. "« La porte s’ouvre subitement et … (voir page 12) »: La bande dessinée au seuil du magazine." Belphégor 14 2016. Accessed 24Aug. 2020. <https://journals.openedition.org/belphegor/708>. |
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Boisacq, Marie-Jeanne. "Le Congo de Tintin." Literator 16. 1 1995. Accessed 8Jan. 2018. <http://www.literator.or ... erator/article/view/600>. |
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Bonfand, Alain and Jean-Luc Marion. Hergé: Tintin le Terrible ou l’alphabet des richesses. Pluriel Lettres. 2nd ed. Paris: Hachette, 2006. |
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Boudreau, Solange. Le temps dans la lecture d’une bande dessinée. Enseignement du français au primaire. Montréal: Ville-Marie, 1983. |
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Butler, Betsy. "Tintin As An Unproductive Journalist, But A Wholesome Hero." Communication Booknotes Quarterly 44. (2013): 49–62. |
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Carpi, Daniela. "«Tintin in the New world»: Révision d’un mythe." Tintin, Hergé et la «Belgité». Ed. Anna Soncini Fratta. BelŒil. Bologna: CLUEB, 1994. 137–50. |
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Castells i Talens, Antoni. "Cómic, cultura y política: Detrás de la máscara de Tintín." La Palabra y el Hombre (2012): 45–51. |
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Cerbelaud, Dominique. "Le héros christique." L’archipel Tintin. Ed. Albert Algoud. Réflexions faites. Bruxelles: Les Impressions Nouvelles, 2012. 35–50. |
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Chanda, Anurima. "How Do the French have Fun in India: A Study of Representations in Tintin and Asterix." Rupkatha Journal on Interdisciplinary Studies in Humanities 7. (2015): 179. |
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Chanson, Philippe. Tintin au Congo, c’est quand même un peu gros! Une relecture critique de l’imagerie nègre en perspective créole. Cartigny: Tribune libre, 1995. |
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Chelebourg, Christian. Les Écofictions: Mythologies de la fin du monde. Réflexions faites. Bruxelles: Les Impressions Nouvelles, 2012. |
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Cooke, Rod. "Corroding the Canon in Tintin and the Naturalist Novel." European Comic Art 3. (2010): 145–67. |
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Cuntz, Michael. "Die Ketten der Sängerin: Zu Hergés Les Bijoux de la Castafiore." Akteur-Medien-Theorie. Eds. Tristan Thielmann, Erhard Schüttpelz and Peter Gendolla. Science Studies. Bielefeld: Transcript, 2011. |
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Deharde, Kristine and Simone Lück-Hildebrandt. "Ciel, mes fiches! Schreibanleitungen zu einer »Tintin«-BD." Der Fremdsprachliche Unterricht. Französisch 42. (2008): 26–33. |
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Delay, Nancy. "Milou et l’enfance de l’homme." Tintin, Hergé et la «Belgité». Ed. Anna Soncini Fratta. BelŒil. Bologna: CLUEB, 1994. 181–202. |
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Delesse, Catherine. "Accents étrangers et régionaux: Le cas des séries Astérix et Tintin et leurs traductions anglaises." Ateliers. Cahiers de la Maison de la Recherche 31. (2004): 113–26. |
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Delesse, Catherine. "Proper Names, Onomastic Puns and Spoonerisms: Some Aspects of the Translation of the Astérix and Tintin Comic Series, with Special Reference to English." Comics in Translation. Ed. Federico Zanettin. Manchester: St. Jerome, 2008. |
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Added by: joachim Last edited by: joachim 21/09/2009, 22:12 |
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Denis, Benoît. "Hergé–Simenon, Thirties." From Art Nouveau to Surrealism. Belgian Modernity in the Making. Eds. Nathalie Aubert, Pierre-Philippe Fraiture and Patrick McGuinness. London: Legenda, 2007. 110–27. |
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Denis, Benoît. "De l’Afrique a l’Amérique: L’odyssée mentale des héros chez Hergé et Céline." Tintin, Hergé et la «Belgité». Ed. Anna Soncini Fratta. BelŒil. Bologna: CLUEB, 1994. 75–88. |
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Eggert, Barbara Margarethe. "Talking (of) Dogs: Überlegungen zu (dys)funktionalen Transspezies-Dialogen zwischen Hunden und Menschen im Comic am Beispiel von Tim und Struppi und den Peanuts." Tierstudien (2019): 174–80. |
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Added by: joachim 28/01/2020, 23:35 |
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Elefante, Chiara. "Les formes du comique dans les aventures de Tintin." Tintin, Hergé et la «Belgité». Ed. Anna Soncini Fratta. BelŒil. Bologna: CLUEB, 1994. 219–46. |
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Etter, Lukas. "Transatlantic Comics: Tintin and Superman Crossing the Pond." Handbook of Transatlantic American Studies. Ed. Julia Straub. Berlin u. New York: de Gruyter, 2016. 292–309. |
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Faeti, Antonio. " L’Aventurier de l’aurore." Tintin, Hergé et la «Belgité». Ed. Anna Soncini Fratta. BelŒil. Bologna: CLUEB, 1994. 15–24. |
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Farr, Michael. Auf den Spuren von Tim und Struppi. Carlsen-Comics. Reinbek bei Hamburg: Carlsen, 2006. |
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Farr, Michael. The Adventures of Hergé, Creator of Tintin. San Francisco: Last Gasp, 2008. |
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Farr, Michael. Tim & Co. Reinbek bei Hamburg: Carlsen, 2009. |
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Faubert, Patrick. "Back and forth and forward: Metareference in recent film adaptations." Journal of Adaptation in Film & Performance 7. (2014): 159–68. |
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Ferrari, Silvio. "«Les bijoux de la Castafiore» De métaphores en métaplasmes la langue en «marche»." Tintin, Hergé et la «Belgité». Ed. Anna Soncini Fratta. BelŒil. Bologna: CLUEB, 1994. 203–18. |
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Filc, Dani. "Tintin and Corto Maltese: The European Adventurer Meets the Colonial Other." European Comic Art 13. (2020): 95–121. |
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Fillitz, Thomas. "Populärkultur und Kongo: Zwischen der Bande Dessinée von Hergé und den Bildern von Chéri Samba." Medien & Zeit 16. (2001): 22–30. |
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Fontaine, Jacques. Hergé chez les initiés. Paris: Dervy, 2001. |
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Forceville, Charles. "Pictorial runes in Tintin and the Picaros." Journal of Pragmatics 43. (2011): 875–90. |
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Frahm, Ole. "Goldstein und der geheimnisvolle Jude: Antisemitische Stereotype in Hergés Tim und Struppi." Kultur & Gespenster (2008): 169–84. |
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Frahm, Ole. "Der Authentizitäts-Fetisch: Hergés Biographie eines Hundes." Der dokumentarische Comic. Reportage und Biografie. Ed. Dietrich Grünewald. Bochum: Ch.A. Bachmann, 2013. 63–74. |
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Frahm, Ole and Michael Hein. "Tintin." Lexikon der Comics. Ed. Marcus Czerwionka. Meitingen: Corian, 1992. |
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Fresnault-Deruelle, Pierre. Les mystères du Lotus bleu. Bruxelles: Éditions Moulinsart, 2006. |
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Fresnault-Deruelle, Pierre. "Hergé ou L’intelligence graphique." MEI (2007): 40–54. |
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Fresnault-Deruelle, Pierre. "The Moulinsart Crypt." European Comic Art 3. (2010): 119–44. |
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Fresnault-Deruelle, Pierre. Hergéologie: Cohérence et cohésion du récit en images dans les aventures de Tintin. Iconotextes. Tours: Presses Univ. François-Rabelais, 2011. |
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Frey, Hugo. "Tintin: The extreme right-wing and the 70th anniversary debates." Modern and Contemporary France 7. (1999): 361–63. |
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Frey, Hugo. "History and Memory in Franco-Belgian Bande Dessinée (BD)." Rethinking History 6. (2002): 293–304. |
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Frey, Hugo. "Contagious colonial diseases in Hergé’s The Adventures of Tintin." Modern and Contemporary France 12. (2004): 177–88. |
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Frey, Hugo. "Céline, Hergé et l’Affaire Haddock: The Consequences of a Literary Scandal." Études Francophones 20. (2005): 59–72. |
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Frey, Jean-Pierre. "Tintin eller plats för en utopi." Boken om serier. Eds. Elisabet Haglund, et al. Johanneshov: Hammarström & Åberg, 1986. 167–75. |
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Frey, Hugo. "Trapped in the Past: Anti-Semitism in Hergé's Flight 714." History and Politics in French-Language Comics and Graphic Novels. Ed. Mark McKinney. Jackson: Univ. Press of Mississippi, 2008. 27–43. |
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Gabilliet, Jean-Paul. "A Disappointing Crossing: The North American Reception of Asterix and Tintin." Transnational Perspectives on Graphic Narratives. Comics at the Crossroads. Eds. Shane Denson, Christina Meyer and Daniel Stein. New York: Bloomsbury, 2013. 257–70. |
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Girard, Eudes. "Une lecture de Tintin au Tibet." Études 411. (2009): 77–86. |
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Girard, Eudes. "Une relecture de Tintin au Congo." Études 417. (2012): 75–86. |
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Goddeeris, Idesbald. "Racism for Beginners: Constructions of Chinese in Twentieth-Century Belgian Comics." Race and Racism in Modern East Asia. Western and Eastern Constructions. Eds. Rotem Kowner and Walter Demel. Brill’s Series on Modern East Asia in a Global Historical Perspective. Leiden: Brill, 2013. 231–59. |
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Goddin, Philippe. Hergé and Tintin: Reporters: From Le petit vingtieme to Tintin Magazine. London: Sundancer, 1987. |
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Goddin, Philippe. Comment nait une bande dessinée: Par-dessus l’epaule d’Hergé. Tournai: Casterman, 1991. |
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Goddin, Philippe. The Art of Hergé, Inventor of Tintin. San Francisco: Last Gasp, 2008. |
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González Salvador, Ana. "Fausse ressemblance, fausse différence: les Dupondt." Tintin, Hergé et la «Belgité». Ed. Anna Soncini Fratta. BelŒil. Bologna: CLUEB, 1994. 125–36. |
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Gousseau, Josette. "Tintin détective." Tintin, Hergé et la «Belgité». Ed. Anna Soncini Fratta. BelŒil. Bologna: CLUEB, 1994. 151–80. |
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Gravet, Catherine. "Qui a peur du grand anthropoïde?." Tintin, Hergé et la «Belgité». Ed. Anna Soncini Fratta. BelŒil. Bologna: CLUEB, 1994. 247–60. |
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Gravett, Paul. "Hergé & The Clear Line: Part 1." Comic Art (2003). |
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Groensteen, Thierry. Le rire de Tintin: Essai sur le comique hergéen. Bruxelles: Moulinsart, 2006. |
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de Groot, Kees. "Tintin as a Catholic comic: How Catholic Values Went Underground." Implicit Religion 19. 3 2017. Accessed 14Feb. 2018. <https://journals.equino ... p/IR/article/view/31123>. |
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Grutman, Rainier. "« Eih bennek, eih blavek »: L’inscription du bruxellois dans Le sceptre d’Ottokar." Études françaises 46. (2010): 83–99. |
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Halen, Pierre. "Tintin, paradigme du héros colonial belge? (A propos de «Tintin au Congo»)." Tintin, Hergé et la «Belgité». Ed. Anna Soncini Fratta. BelŒil. Bologna: CLUEB, 1994. 39–56. |
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Hein, Michael. "Studio Hergé." Lexikon der Comics. Ed. Marcus Czerwionka. Meitingen: Corian, 1992. |
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Hunt, Nancy Rose. "Tintin and the Interruptions of Congolese Comics." Images and Empires. Visuality in Colonial and Postcolonial Africa. Eds. Paul S. Landau and Deborah D. Kaspin. Berkeley: Univ. of California Press, 2002. 90–123. |
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Jordan, Joachim. "Abenteuercomics in Christian Krachts Imperium." Georg-Forster-Studien 20. (2015): 307–22. |
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Jouanny, Robert. "Tintin et l’Amérique Latine." Tintin, Hergé et la «Belgité». Ed. Anna Soncini Fratta. BelŒil. Bologna: CLUEB, 1994. 89–102. |
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Justens, Daniel and Alain Préaux. HerGPS: L’univers géographique d’un célèbre reporter. Waterloo: Avant-Propos, 2011. |
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Kelp-Stebbins, Katherine. "Comics as Orientation Devices." Comics Studies Here and Now. Ed. Frederick Luis Aldama. Routledge Advances in Comics Studies. London: Routledge, 2018. 211–25. |
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van de Kerckhove, Marcel. "Tintin en voyage: Une vision «belge» des mondes exotiques?." Tintin, Hergé et la «Belgité». Ed. Anna Soncini Fratta. BelŒil. Bologna: CLUEB, 1994. 25–38. |
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Kern, Beate. "L’oralité mise en scène dans la bande dessinée dans une perspective diachronique: Tintin (1929–1976), Astérix (1959–), Titeuf (1993–)." La bande dessinée. Perspectives linguistiques et didactiques. Ed. Elissa Pustka. Romanistische Fremdsprachenforschung und Unterrichtsentwicklung. Tübingen: Narr, 2022. 179–203. |
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Added by: Beate Kern Last edited by: joachim 27/08/2024, 14:45 |
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Knutsson, Magnus. "Vreden hos Kapten Haddock." Boken om serier. Eds. Elisabet Haglund, et al. Johanneshov: Hammarström & Åberg, 1986. 44–51. |
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Added by: joachim Last edited by: joachim 27/09/2009, 20:42 |
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Konitzer, Viktor. "Rinnstein, Rahmen, reines Sehen? Comicpanels als plural [sic] Bilder." Kunstgeschichte 2014. Accessed 18Feb. 2014. <http://nbn-resolving.de ... n:de:bvb:355-kuge-362-0>. |
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Körber, Joachim. Die Geschichte bei Tim & Struppi: Eine Reise durch die Zeit – von den Maya bis zum Mond. Weinheim: Wiley-VCH, 2011. |
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