Ashkenazi, Ofer and Jakob Dittmar. "Belonging in Auto|Biographical Comics: Narratives of Exile in the German Heimat." a/b: Auto/Biography Studies 35. (2020): 331–57. |
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Cheurfa, Hiyem. "Testifying Graphically: Bearing Witness to a Palestinian Childhood in Leila Abdelrazaq’s Baddawi." a/b: Auto/Biography Studies 35. (2020): 359–82. |
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Couser, Thomas G. "Is There a Body in This Text? Embodiment in Graphic Somatography." a/b: Auto/Biography Studies 33. (2018): 347–73. |
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Davies, Dominic. "Dreamlands, Border Zones, and Spaces of Exception: Comics and Graphic Narratives on the US-Mexico Border." a/b: Auto/Biography Studies 35. (2020): 383–403. |
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Díaz-Basteris, María Fernanda. "Traumatic Displacement in Puerto Rican Digital Graphic Narratives." a/b: Auto/Biography Studies 35. (2020): 467–74. |
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Humphrey, Aaron Scott. "Drawing out of Detention: The Transnational Drawing Practices of Eaten Fish, Refugee Cartoonist." a/b: Auto/Biography Studies 35. (2020): 435–58. |
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Manea, Dragoş and Mihaela Precup. "Infantilizing the Refugee: On the Mobilization of Empathy in Kate Evans’ Threads from the Refugee Crisis." a/b: Auto/Biography Studies 35. (2020): 481–87. |
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Michael, Olga. "Excavating Childhood: Fairy Tales, Monsters, and Abuse Survival in Lynda Barry’s What It Is." a/b: Auto/Biography Studies 32. (2017): 541–66. |
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Michael, Olga. "Crossing, Conflict, and Diaspora in Cyprus and Beyond in Miranda Hoplaros and Lara Alphas’s The Sign-Maker." a/b: Auto/Biography Studies 35. (2020): 405–34. |
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Mickwitz, Nina. "Introduction: Discursive Contexts, “Voice,” and Empathy in Graphic Life Narratives of Migration and Exile." a/b: Auto/Biography Studies 35. (2020): 459–65. |
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Nabizadeh, Golnar. "Mourning and Empathy in Graphic Life Narratives." a/b: Auto/Biography Studies 35. (2020): 489–94. |
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Naghibi, Nima and Andrew O’Malley. "Marjane Satrapi’s Persepolis." a/b: Auto/Biography Studies 35. (2020): 305–09. |
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Added by: joachim Last edited by: joachim 30/10/2020, 15:02 |
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Naghibi, Nima, Candida Rifkind, and Eleanor Ty. "Migration, Exile, and Diaspora in Graphic Life Narratives." a/b: Auto/Biography Studies 35. (2020): 295–304. |
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Rifkind, Candida. "Graphic Narratives." a/b: Auto/Biography Studies 32. (2017): 187–90. |
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Rifkind, Candida. "Refugee Comics and Migrant Topographies." a/b: Auto/Biography Studies 32. (2017): 648–54. |
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Rifkind, Candida. "The Work of Teaching Women’s Auto|Bio Comics." a/b: Auto/Biography Studies 33. (2018): 727–36. |
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Rüggemeier, Anne and Maren Scheurer. "Autobiography and|as Narcissism? Psychoanalysis and Self-Reflexive Life-Writing in Eve Kosofsky Sedgwick’s A Dialogue on Love and Alison Bechdel’s Are You My Mother?." a/b: Auto/Biography Studies 34. (2019): 167–95. |
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Scherr, Rebecca. "Drawing Ground in the Graphic Novel." a/b: Auto/Biography Studies 35. (2020): 475–79. |
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Whitlock, Gillian. "Implicated Subjects." a/b: Auto/Biography Studies 35. (2020): 495–501. |
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Wong, Sara, Rachel Shapcott, and Emma Parker. "Graphic Lives, Visual Stories: Reflections on Practice, Participation, and the Potentials of Creative Engagement." a/b: Auto/Biography Studies 35. (2020): 311–29. |
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