| Bails, Jerry and Hames Ware, eds. The Who’s Who of American Comic Books. 4 vols. Detroit: [Selbstverl.], 1973–76. |
 
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| Balzer, Jens and Ole Frahm. "Tragik, Schock, Ratlosigkeit: Zeitgeschichte im Comic." Geschichte und Gesellschaft 37. (2011): 47–71. |
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| Blitz, Marcia. Donald Duck. London: New English Library, 1979. |
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| Brunner, Miriam. Manga – Die Faszination der Bilder: Darstellungsmittel und Motive. München: Fink, 2009. |
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| Chandra, Nandini. "The Unreal Real and the Real Unreal." Masala 5. 2 2010. Accessed 10Dec. 2010. <http://archiv.ub.uni-he ... ok/volltexte/2010/1367/>. |
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| Dittmer, Jason. "Comic Books." The Ashgate Research Companion to Media Geography. Eds. Jason Dittmer, Paul C. Adams and Jim Craine. London, New York: Routledge, 2016. 69–83. |
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| Erbstößer, Lars and Stefanie Holzer. Alles über Manga. 1st ed. Hamburg: Carlsen, 2005. |
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| Galewitz, Herb, ed. Great Comics: Syndicated by the Daily News—Chicago Tribune. New York: Crown, 1972. |
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| Gaupp, Berthold. Phänomen Comics – transparent gemacht: Programme, Anleitungen und Vorschläge für die erzieherische Praxis in Hort, Heim, Freizeiten und Seminaren. Erziehung, praktisch gesehen. Fellbach: Bonz, 1978. |
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| Gebhardt, Lisette and Thomas Le Blanc, eds. Phantastik aus Japan: Eine Exkursion in japanische Anderswelten. Schriftenreihe und Materialien der Phantastischen Bibliothek Wetzlar. Vol. 109. 2012. |
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| Gil González, Antonio J. "Comics and the Graphic Novel in Spain and Iberian Galicia." CLCWeb: Comparative Literature and Culture 13. 5 2011. Accessed 5Apr. 2012. <http://docs.lib.purdue.edu/clcweb/vol13/iss5/17/>. |
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| Glubok, Shirley. The Art of the Comic Strip. New York: Macmillan, 1979. |
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| Gössmann, Hilaria. "Einführung: ›Fukushima‹ in Medien, Populärkultur und Literatur." Dokumentation, Trostspende oder Anklage? Die Atomkatastrophe von Fukushima in japanischen Medien, Populärkultur und Literatur. Ed. Hilaria Gössmann. Schriften der Gesellschaft für Japanforschung. Gesellschaft für Japanforschung, 2021. 7–46. |
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| Harder, Hans. "Der erste bengalische Comic? Die bengalische Satirezeitschrift Basantak und eine sehr kuriose Moritat von 1874." Masala 5. 2 2010. Accessed 10Dec. 2010. <http://archiv.ub.uni-he ... ok/volltexte/2010/1367/>. |
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| Ieshima, Akihiko, et al. "Positive use of visual media to understand and prevent bullying: The popularity and possibility of manga." Tackling Cyberbullying and Related Problems. Innovative Usage of Games, Apps and Manga. Eds. Yuichi Toda and Insoo Oh. London, New York: Routledge, 2021. |
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| de la Iglesia, Martin. "Authorship, Collaboration, and Art Geography." CLCWeb: Comparative Literature and Culture 12. 3 2010. Accessed 3Nov. 2010. <http://docs.lib.purdue.edu/clcweb/vol12/iss3/6/>. |
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| de la Iglesia, Martin. Hamburg’s warehouse district in Martin tom Dieck’s hundert Ansichten der Speicherstadt. 9th International Conference on Word and Image Studies, L'imaginaire / The Imaginary: Montreal, 22–26 Aug, 2011. |
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| de la Iglesia, Martin. "Formal Characteristics of Animal Liberation in Comics." Closure 7 2020. Accessed 29Jan. 2021. <https://www.closure.uni-kiel.de/closure7/iglesia>. |
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| Jehl, Nadine. "Auswirkungen der Atomkatastrophe von Fukushima auf die Menschen vor Ort anhand deren Darstellung im dokumentarischen Manga Sutōrī 311." Dokumentation, Trostspende oder Anklage? Die Atomkatastrophe von Fukushima in japanischen Medien, Populärkultur und Literatur. Ed. Hilaria Gössmann. Schriften der Gesellschaft für Japanforschung. Gesellschaft für Japanforschung, 2021. 293–316. |
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| Keller, Sebastian. Der Manga und seine Szene in Deutschland von den Anfängen in den 1980er Jahren bis zur Gegenwart: Manga – Mehr als nur große Augen. München: Grin, 2006. |
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| Kuhn, Jan Lukas. "Der »endlose Alltag« als Dystopie? Der Post-Fukushima-Diskurs in Asano Inios Manga Dead Dead Demon’s DeDeDeDeDestruction." Dokumentation, Trostspende oder Anklage? Die Atomkatastrophe von Fukushima in japanischen Medien, Populärkultur und Literatur. Ed. Hilaria Gössmann. Schriften der Gesellschaft für Japanforschung. Gesellschaft für Japanforschung, 2021. 317–45. |
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| Künnemann, Horst. "Comics." Kinder- und Jugendliteratur. Zur Typologie und Funktion einer literarischen Gattung. Ed. Gerhard Haas. Stuttgart: Reclam, 1974. 126–43. |
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| Kunz, Hans-Martin. "Götter, Superhelden und einfache Menschen: Ein kurzer Blick in die Geschichte des indischen Comics." Masala 5. 2 2010. Accessed 10Dec. 2010. <http://archiv.ub.uni-he ... ok/volltexte/2010/1367/>. |
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| Ladd-Smith, Henry. "Die Comics: Wesen, Herkunft und Entwicklung in den USA." Handbuch der Publizistik. Ed. Emil Dovifat. Berlin: de Gruyter, 1969. 116–26. |
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| Malone, Paul M. "Hybrides Spielfeld Manga: Adaption und Transformation japanischer Comics in Deutschland." Nipponspiration. Japonismus und japanische Populärkultur im deutschsprachigen Raum. Eds. Michiko Mae and Elisabeth Scherer. Köln, Weimar, Wien: Böhlau, 2013. 233–58. |
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| Mendelson, Lee. Charlie Brown and Charlie Schulz. 1970. |
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| Müller, Alain. "Der schmale Grat zwischen Realismus und Interpretation: Ein rekursiver Dialog zwischen »realistischem« franko-belgischem Comic und Ethnographie." Zeitschrift für Empirische Kulturwissenschaft 118. (2022): 51–77. |
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| Nakazawa, Shunsuke. "The Forgotten History of Japanese Comics: Before Osamu Tezuka and Tank Tankuro’s Maverick World." Tank Tankuro: Prewar Works 1934–1935. Tokyo: Presspop, 2011. viii–xv. |
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| Natsume, Fusanosuke. "The Functions of Panels (koma) in Manga." electronic journal of contemporary japanese studies 21. 2 2021. Accessed 19Apr. 2023. <https://www.japanesestu ... 1/iss2/holt_fukuda.html>. |
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| Nolte, Margarete. "Das aufgezwungene Leitbild: Kritische Analyse der Asterix-Comic-Produkte." Lebendige Schule 19. (1978): 258–63. |
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| Pedro Sebastião, Sónia. The Hyper-Narcissus and the Collective Individualism: X-Men and Watchmen Super-Hero Conception. Culture and the Making of Worlds: Milan, 7–9 Oct, 2010. |
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| Reichstein, B. and I. Rakow. Der Deutsche Comic-Markt. 1976. |
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| Renard, Jean-Bruno. La bande dessinee. 1978. |
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| Sadoul, Numa. "Les personnages d’ «Asterix»." Les Cahiers de la bande dessinée (1974): 20–22. |
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| Schade-Meier, Karoline. "Zur Geschichte der Karikatur in Indien." Masala 5. 2 2010. Accessed 10Dec. 2010. <http://archiv.ub.uni-he ... ok/volltexte/2010/1367/>. |
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| Schäfer, Horst and Hans Strobel, eds. Anime & Manga: Faszination des Fremden. Sonderdruck Kinder- und Jugendfilm Korrespondenz. München: Kinderkino München e.V. 2005. |
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| Schulz, Charles M. Peanuts Jubilee: My Life and Art With Charlie Brown. 1975. |
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| Schulz, Charles M. Charlie Brown, Snoopy and Me, and All the Other Peanuts Characters. New York: Doubleday, 1980. |
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| Short, Robert L. The Gospel According to Peanuts. 1965. |
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| Spremberg, Felix. "“Go for it, future Self-Defense Officer!”: Shaping Japanese Children’s Attitudes toward the Self-Defense Forces by Government PR Manga." electronic journal of contemporary japanese studies 23. 1 2023. Accessed 20Apr. 2023. <https://www.japanesestu ... l23/iss1/spremberg.html>. |
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| Tanaka, Motoko. "Trends of Fiction in 2000s Japanese Pop Culture." electronic journal of contemporary japanese studies 14. 2 2014. Accessed 20Apr. 2023. <https://www.japanesestu ... /vol14/iss2/tanaka.html>. |
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| Thürmer, Wilfried. "Comicforschung und Didaktik des Comic: Thesen zur mediensoziologischen Analyse der Formalstruktur eines »Asterix«-Heftes." Diskussion Deutsch 8. (1977): 626–43. |
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| Toku, Masami and Hiromi Tsuchiya Dollase, eds. Manga! Visual Pop-Culture in Arts Education. Viseu: InSEA, 2020. |
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| Verstappen, Andreas. Waechters Erzählungen: Bildergeschichten vom 15. Jahrhundert bis zur Gegenwart. DuMont-Taschenbücher. Köln: DuMont, 1990. |
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| Vidal, Marion. Monsieur Schulz et ses Peanuts. Graffiti. Paris: Albin Michel, 1976. |
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| Watabe, Kohki. "Crush of Plasmatic Flesh: Dual Reproduction of Characters and Abjection in Manga Dragon Ball." F1000 Research 14 2025. Accessed 26Feb. 2025. <https://f1000research.com/articles/14-236>. |
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| Added by: Martin de la Iglesia Last edited by: joachim 15/03/2025, 12:08 |
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