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Ahrens, Jörn. Überzeichnete Spektakel: Inszenierungen von gewalt im comic. Baden-Baden: Nomos, 2019.   
Added by: joachim   Last edited by: joachim 24/05/2020, 12:56
Ahrens, Jörn. "The Ordinary Urban: 100 bullets and the clichés of mass culture." Comics and the City. Urban Space in Print, Picture and Sequence. Eds. Jörn Ahrens and Arno Meteling. London, New York: Continuum, 2010. 214–28.   
Added by: joachim 24/03/2010, 23:39
Baschiera, Stefano. "The Thickness of the Panel: Narrative stratification and complexification in azzarello’s 100 bullets." Cinema e fumetto. Cinema and comics. Eds. Leonardo Quaresima, Laura Ester Sangalli and Federico Zecca. Udine: Forum, 2009. 367–80.   
Added by: joachim 20/02/2015, 11:53
Kukkonen, Karin. Contemporary Comics Storytelling. Frontiers of Narrative. Lincoln: Univ. of Nebraska Press, 2013.   
Added by: joachim   Last edited by: joachim 23/05/2017, 23:16
Méndez García, Carmen M. "Private (Brown) Eyes: Ethnicity, genre and gender in crime fiction in the gloria damasco novels and the chicanos comic series." Altre Modernità 15 2016. Accessed 1Apr. 2019. <https://riviste.unimi.i ... nline/article/view/7177>.   
Added by: joachim 01/04/2019, 19:32
Nurse, Angus. "Extreme restorative justice: The politics of vigilantism in vertigo’s 100 bullets." Graphic Justice. Intersections of Comics and Law. Ed. Thomas Giddens. London, New York: Routledge, 2015. 130–46.   
Added by: joachim   Last edited by: joachim 12/01/2016, 17:12
Page, Joanna. Science Fiction in Argentina: Technologies of the text in a material multiverse. Ann Arbor: Univ. of Michigan Press, 2016.   
Added by: joachim   Last edited by: joachim 19/08/2025, 22:40
Wandtke, Terrence R. The Dark Night Returns: The contemporary resurgence of crime comics. Comics Studies Monograph. Rochester: RIT, 2015.   
Added by: joachim   Last edited by: joachim 15/12/2015, 16:28
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