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| Beaty, Bart. "A Clear Line to Marcinelle: The Importance of Line in Émile Bravo’s Spirou à Bruxelles." European Comic Art 4. (2011): 199–211. |
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| Boillat, Alain and Françoise Revaz. "« La porte s’ouvre subitement et … (voir page 12) »: La bande dessinée au seuil du magazine." Belphégor 14 2016. Accessed 24Aug. 2020. <https://journals.openedition.org/belphegor/708>. |
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| Spirou. L’aventure humoristique / Spirous lustige Abenteuer. 2012. |
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| Kraenzle, Christina. "Spirou’s transnational travels: Historical memory and comics memory in Flix’s Spirou in Berlin." Journal of Graphic Novels and Comics 11. (2020): 117–33. |
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| Lefèvre, Pascal. "An Empirical Study of the Publication Format and Beginnings in the Belgian Francophone Weeklies, Spirou and Tintin, in the 1950s." Closure 4 2017. Accessed 8Dec. 2017. <http://www.closure.uni-kiel.de/closure4/lefevre>. |
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| Mälzer, Nathalie. "Le transfert de l’humour dans les traductions allemandes de Spirou et Fantasio." La bande dessinée. Perspectives linguistiques et didactiques. Ed. Elissa Pustka. Romanistische Fremdsprachenforschung und Unterrichtsentwicklung. Tübingen: Narr, 2022. 225–62. |
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| Martens, Thierry. Le journal de spirou 1938-1988: Cinquante ans d'historie(s). Marcinelle: Dupuis, 1988. |
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| Muise, André. "Sanzot, mais avec fil: Les télécommunications dans L’Affaire Tournesol (1956), La Marque Jaune (1956), et Z comme Zorglub (1959)." Études Francophones 20. (2005): 73–82. |
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| Pissavy-Yvernault, Christelle and Bertrand Pissavy-Yvernault. La véritable histoire de Spirou, 1937–1946. Marcinelle: Dupuis, 2013. |
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| Reyns-Chikuma, Chris. "Panique en Atlantique: Bridging Personal and Collective Memories of L’Association and Comics History." Comics Memory. Archives and Styles. Eds. Maaheen Ahmed and Benoît Crucifix. Palgrave Studies in Comics and Graphic Novels. New York [etc.]: Palgrave Macmillan, 2018. 145–63. |
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| Turgeon, David. "Spirou et ses lecteurs." du9 2008. Accessed 12Oct. 2014. <http://www.du9.org/dossier/spirou-et-ses-lecteurs/>. |
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