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Hescher, Achim. "Schrecken ohne Ende: Apokalyse(n) in englischsprachiger narrativik und der graphic novel watchmen." Untergangsszenarien. Apokalyptische Denkbilder in Literatur, Kunst und Wissenschaft. Eds. Lothar Blum, et al. Berlin: Akademie Verl. 2013. 167–94.   
Added by: joachim   Last edited by: joachim 26/01/2014, 23:05
Pape, Walter. "The Battle of the Signs: Robert crumb’s visual reading of james boswell’s “london journal”." Icons – Texts – Iconotexts. Essays on Ekphrasis and Intermediality. Ed. Peter Wagner. European Cultures. Berlin: de Gruyter, 1996. 324–45.   
Added by: joachim   Last edited by: joachim 28/09/2025, 13:18
Paulson, Ronald. "The Harlot, Her Father, and the Parson: Representing and interpreting hogarth in the eighteenth century." Icons – Texts – Iconotexts. Essays on Ekphrasis and Intermediality. Ed. Peter Wagner. European Cultures. Berlin: de Gruyter, 1996. 149–74.   
Added by: joachim 23/10/2009, 16:49
Wagner, Peter. "Hogarth’s graphic palimpsests: Intermedial adaptation of popular literature." Word & Image 7. (1991): 329–47.   
Added by: joachim   Last edited by: joachim 10/05/2022, 10:28
Wagner, Peter. Reading Iconotexts: From swift to the french revolution. Picturing History. London: Reaktion Books, 1995.   
Added by: joachim 17/03/2014, 17:56
Wagner, Peter. "The Nineteenth-century Illustrated Novel." Handbook of Intermediality. Literature – Image – Sound – Music. Handbooks of English and American Studies. Berlin: de Gruyter, 2015. 378–400.   
Added by: joachim 07/08/2016, 16:25
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