| Andelman, Bob. "“A Great Bamboozler”: Howard Chaykin on Will Eisner." The Best American Comics Criticism. Ed. Ben Schwartz. Seattle: Fantagraphics, 2010. 104–13. |
 
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| Anderson, Ho Che. "80-’89: Comics’ Greatest Decade." ImageTexT 9. 2 2017. Accessed 9Feb. 2018. <http://www.english.ufl. ... archives/v9_2/anderson/>. |
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| Bukatman, Scott. Terminal Identity: The Virtual Subject in Postmodern Science Fiction. Durham: Duke Univ. Press, 1993. |
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| Chabon, Michael. "The Killer Hook: Howard Chaykin’s American Flagg!." Maps and Legends. San Francisco: McSweeney’s Books, 2008. 97–106. |
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| Chaykin, Howard. The Art of Ramona Fradon: Interview. Mt. Laurel: Dynamite, 2013. |
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| Added by: joachim Last edited by: joachim 12/02/2024, 19:38 |
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| Chaykin, Howard. "On The Divided States of Hysteria #1." 2017. Accessed 7Feb. 2018. <https://web.archive.org ... say-from-howard-chaykin>. |
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| Costello, Brannon, ed. Howard Chaykin: Conversations. Conversations with Comic Artists. Jackson: Univ. Press of Mississippi, 2011. |
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| Costello, Brannon. "The Futurama Isn’t What it Used to Be: Embodiment and the “Real Thing” in Howard Chaykin’s Time2." International Journal of Comic Art 14. (2012): 1–22. |
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| Costello, Brannon. "Fascism and Mass Culture in Howard Chaykin’s Blackhawk." ImageTexT 7. 2 2013. Accessed 11Feb. 2014. <https://imagetextjourna ... ard-chaykins-blackhawk/>. |
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| Costello, Brannon. Neon Visions: The Comics of Howard Chaykin. Baton Rouge: Louisiana State Univ. Press, 2017. |
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| Costello, Matthew J. "The Shopping Malls of Empire: Cultural Fragmentation, the New Media, and Consumerism in Howard Chaykin’s American Flagg!." Comic Books and American Cultural History. An Anthology. Ed. Matthew Pustz. London, New York: Continuum, 2012. 152–68. |
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| Costello, Brannon. "“America Makes Strange Jews”: Superheroes and Jewish Masculinity in Howard Chaykin’s Dominic Fortune." Visualizing Jewish Narrative. Jewish Comics and Graphic Novels. Ed. Derek Parker Royal. New York: Bloomsbury Academic, 2016. 115–28. |
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| Delany, Samuel R. "Refractions of Empire: The Comics Journal Interview." Silent Interviews on Language, Race, Sex, Science Fiction, and Some Comics. A Collection of Written Interviews. Wesleyan Univ. Press, 1994. 83–126. |
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| Greenberger, Robert. The Art of Howard Chaykin. Runnemede: Dynamite Entertainment, 2012. |
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| Klaehn, Jeffery. "Howard Chaykin interview." Journal of Graphic Novels and Comics (2021): 1–6. |
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| Lewis, Mia. "Rumble, Race, and Crash: Space and Movement through Sound Effects in Akira and American Flagg!." Mechademia 13. (2021): 139–68. |
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| Rehm, Dirk. "»The New Comics«: Comic Books in den 80er Jahren." Comic Almanach (1993): 61–78. |
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| Robertson, Paul Lester. "Indians of the Apocalypse: Native Appropriation and Representation in 1980s Dystopic Films and Comic Books." Journal of Popular Culture 51. (2018): 68–90. |
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| Thompson, Kim. "Howard Chaykin Puts It All Back Together." Amazing Heroes (1988): 22–41. |
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| Wandtke, Terrence R. The Dark Night Returns: The Contemporary Resurgence of Crime Comics. Comics Studies Monograph. Rochester: RIT, 2015. |
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| Williams, Paul. "The Strange Case of Byron Preiss Visual Publications." Journal of American Studies (2019). |
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| Yezbick, Daniel F. "The Joy of Plex: Erotic Arthrology, Tromplographic Intercourse, and “Interspecies Romances” in Howard Chaykin's American Flagg!." ImageTexT 4. 3 2009. Accessed 9Dec. 2009. <http://www.english.ufl. ... /archives/v4_3/yezbick/>. |
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| Added by: Deleted user Last edited by: joachim 03/07/2010, 18:32 |
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