Banerjee, Bidisha. "Kinship between “companion species”: A posthuman refiguration of the immigrant condition in Shaun Tan’s The Arrival." Journal of Postcolonial Writing 52. (2016): 399–414. |
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Earle, Harriet E. H. "Strange migrations: An essay/interview with Shaun Tan." Journal of Postcolonial Writing 52. (2016): 385–98. |
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Gauthier, Tim. "9/11, image control, and the graphic narrative: Spiegelman, Rehr, Torres." Journal of Postcolonial Writing 46. (2010): 369–80. |
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Added by: joachim 11/10/2015, 09:16 |
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Holden, Philip. "“Is it manipulative? Sure. But that’s how you tell stories”: The graphic novel, metahistory and the artist in The Art of Charlie Chan Hock Chye." Journal of Postcolonial Writing 52. (2016): 510–23. |
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Loh, Waiyee. "Supernatural monsters and neo-Victorian detectives: Capitalism, rationality and affect in Japanese girls’ comics." Journal of Postcolonial Writing 52. (2016): 464–80. |
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Nayar, Pramod K. "The forms of history: This Side, That Side, graphic narrative and the Partitions of the Indian subcontinent." Journal of Postcolonial Writing 52. (2016): 481–93. |
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Peacock, James. "“My thoughts shifted from the past to the future”: Time and (autobio)graphic representation in Miné Okubo’s Citizen 13660." Journal of Postcolonial Writing 52. (2016): 445–63. |
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Salmi, Charlotta. "Reading footnotes: Joe Sacco and the graphic human rights narrative." Journal of Postcolonial Writing 52. (2016): 415–27. |
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Sandten, Cecile. "Intermedial fictions of the “new” metropolis: Calcutta, Delhi and Cairo in the graphic novels of Sarnath Banerjee and G. Willow Wilson." Journal of Postcolonial Writing 47. (2011): 510–22. |
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Added by: joachim 15/05/2012, 15:41 |
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Shay, Maureen. "Framing refugee time: Perpetuated regression in Joe Sacco’s Footnotes in Gaza." Journal of Postcolonial Writing 50. (2014): 202–15. |
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Added by: joachim 13/10/2015, 10:06 |
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Shay, Maureen. "Uprooting genealogy in G.B. Tran’s Vietnamerica." Journal of Postcolonial Writing 52. (2016): 428–44. |
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Varughese, Dawson E. "“The cracks of post-liberalized India”: Storying the “New Society” through Banerjee’s The Harappa Files (2011)." Journal of Postcolonial Writing 52. (2016): 494–509. |
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