| Abbott, Stacey. "It (Re-)Started with a Girl: The creative interplay between tv and comics in angel: after the fall." The Literary Angel. Essays on Influences and Traditions Reflected in the Joss Whedon Series. Eds. AmiJo Comeford and Tamy Burnett. Jefferson, London: McFarland, 2010. 221–32. |
 
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| Agüera Santiago, Laura. "Superhero Representation in Netflix Produced Serial Fiction: The case of daredevil, jessica jones, luke cage, iron fist and the punisher." In a Stranger Field. Studies of Art, Audiovisuals and New Technologies in Fantasy, SciFi and Horror Genres. Eds. Mario-Paul Martínez Fabre and Fran Mateu. Elche: Fantaelx, 2019. 177–201. |
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| Albertsen, Anita Nell Bech. "Palimpsest characters in transfictional storytelling: On migrating penny dreadful characters from television to comic books." Continuum 33. (2019): 242–57. |
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| Allie, Scott. Buffy the Vampire Slayer Panel to Panel: The art of the comics, the first seven seasons. Milwaukie: Dark Horse, 2007. |
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| Allison, Anne. "A Challenge to Hollywood? Japanese character goods hit the us." Japanese Studies 20. (2000): 67–88. |
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| Allison, Anne. Millennial Monsters: Japanese toys and the global imagination. Asia: Local Studies/Global Themes. Berkeley: Univ. of California Press, 2006. |
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| Anders, Lisann, ed. The Force of The Umbrella Academy: Essays on voices and violence in the comics and netflix series. Jefferson: McFarland, 2021. |
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| Baker, Kaysee and Arthur A. Raney. "Equally Super? Gender-role stereotyping of superheroes in children’s animated programs." Mass Communication and Society 10. (2007): 25–41. |
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| Barker, Cory, Chris Ryan, and Myc Wiatrowski, eds. Mapping Smallville: Critical essays on the series and its characters. Jefferson, London: McFarland, 2014. |
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| Battis, Jes. "The Kryptonite Closet: Silence and queer." The Smallville Chronicles. Critical Essays on the Television Series. Ed. Lincoln Geraghty. Lanham [etc.]: Rowman & Littlefield, 2011. 45–64. |
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| Bauer, Gero. "Hope and Kinship in AMC’s »The Walking Dead«." Ethik in Serie. Eds. Cordula Brand and Simon Meisch. 2nd ed. Materialien zur Ethik in den Wissenschaften. Tübingen: Tübingen Library Publ. 2018. 121–32. |
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| Beard, Jim, ed. Gotham City 14 Miles: 14 essays on why the 1960s batman tv series matters. Sequart Journal. Edwardsville: Sequart Research & Literacy Organization, 2010. |
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| Beard, Becky. "Aunt Harriet’s Film Decency League." Gotham City 14 Miles. 14 Essays on Why the 1960s Batman TV Series Matters. Ed. Jim Beard. Sequart Journal. Edwardsville: Sequart Research & Literacy Organization, 2010. 84–96. |
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| Beard, Jim. "“Giant Lighted Lucite Map of Gotham City”: An introduction." Gotham City 14 Miles. 14 Essays on Why the 1960s Batman TV Series Matters. Ed. Jim Beard. Sequart Journal. Edwardsville: Sequart Research & Literacy Organization, 2010. 1–5. |
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| Beard, Jim. "Such a Character: A dissection of two sub-species of chiroptera homo sapiens." Gotham City 14 Miles. 14 Essays on Why the 1960s Batman TV Series Matters. Ed. Jim Beard. Sequart Journal. Edwardsville: Sequart Research & Literacy Organization, 2010. 56–75. |
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| Becker, Andreas. "Lady Snowblood (Shurayukihime) und Lone Wolf and Cub (Kozure Ôkami): Ein vergleich zwischen weiblicher und männlicher rache im manga und in der filmadaption." Mörderinnen. Künstlerische und mediale Inszenierungen weiblicher Verbrechen. Eds. Hyunseon Lee and Isabel Maurer Queipo. Bielefeld: Transcript, 2013. 197–218. |
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| Beddows, Emma. "Buffy the Transmedia Hero." Colloquy 24 2012. Accessed 28Dec. 2012. <http://artsonline.monas ... wenty-four_/beddows.pdf>. |
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| Ben-Porat, Ziva. "Method in MADness: Notes on the structure of parody, based on mad tv satires." Poetics Today 1. (1979): 245–72. |
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| Bennett, Brooke. "Tough women of the apocalypse: Gender performativity in amc’s the walking dead." Horror Studies 10. (2019): 87–104. |
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| Berenato, Joseph F. New Life and New Civilizations: Exploring star trek comics. Edwardsville: Sequart Research & Literacy Organization, 2014. |
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| Bergstrom, Signe. Wonder Woman: Ambassador of truth. New York: Harper Design, 2017. |
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| Besand, Anja. "Was wir von Zombies lernen können: Politische grundfragen in the walking dead." Von Game of Thrones bis House of Cards. Politische Perspektiven in Fernsehserien. Ed. Anja Besand. Bielefeld: Transcript, 2018. 27–49. |
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| Bevin, Phillip. Superman and Comic Book Brand Continuity. Routledge Advances in Comics Studies. London, New York: Routledge, 2018. |
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| Blank, Juliane. "Aktualisierung der Superheld*innen-Identität: marvel’s jessica jones aus der perspektive der adaptionsforschung." Folge um Folge. Multiple Perspektiven auf die Fernsehserie. Eds. Marco Agnetta and Markus Schleich. Hildesheim: Universitätsverl. Hildesheim, 2020. 129–45. |
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| Blumberg, Fran C., Kristen P. Bierwirth, and Allison J. Schwartz. "Does cartoon violence beget aggressive behavior in real life? An opposing view." Early Childhood Education Journal 36. (2008): 101–04. |
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| Bourdaa, Mélanie. "‘Following the Pattern’: The creation of an encyclopaedic universe with transmedia storytelling." Adaptation 6. (2013): 202–14. |
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| Bray, Gregory and Elizabeth A. Munz. "The Role of Parents in the Processing of Adolescent Trauma in Smallville." Journal of Popular Culture 48. (2015): 507–19. |
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| Breckenridge, Janis. "Sobriety Blows: Whiskey, trauma, and coping in netflix’ “jessica jones”." International Journal of Comic Art 20. (2018): 489–504. |
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| Broad, David B. "Sheena, Queen of the Jungle: White goddess of the dumont era." Studies in Popular Culture 19. (1997): 1–9. |
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| Brooker, Will. Batman Unmasked: Analyzing a cultural icon. London, New York: Continuum, 2000. |
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| Brown, Joseph F. "Hulk Smashed! The rhetoric of alcoholism in television’s incredible hulk." Journal of Popular Culture 44. (2011): 1171–90. |
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| Call, Lewis. "Slaying the Heteronormative: Representations of alternative sexuality in buffy season eight comics." Sexual Rhetoric in the Works of Joss Whedon. New Essays. Ed. Erin B. Waggoner. Jefferson, London: McFarland, 2010. 106–16. |
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| Callahan, Timothy. "Notes on Bat-Camp." Gotham City 14 Miles. 14 Essays on Why the 1960s Batman TV Series Matters. Ed. Jim Beard. Sequart Journal. Edwardsville: Sequart Research & Literacy Organization, 2010. 76–83. |
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| Callahan, David. "Rotting, Blistered, Staggering Bodies and the Last of Ethnicity." Body and Text. Cultural Transformations in New Media Environments. Eds. David Callahan and Anthony Barker. Second Language Learning and Teaching – Issues in Literature and Culture. Cham: Springer, 2019. 33–47. |
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| Carter, David Ray. "Reinterpreting Myths in Spider-Man: The Animated Series." Web-Spinning Heroics. Critical Essays on the History and Meaning of Spider-Man. Eds. Robert Moses Peaslee and Robert G. Weiner. Jefferson, London: McFarland, 2012. 210–21. |
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| Cawelti, John G. "Beatles, Batman, and the New Aesthetic." Mystery, Violence, and Popular Culture. Madison: Univ. of Wisconsin Press, 2004. 26–45. |
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| Coyne, Sarah M., et al. "It’s a Bird! It’s a Plane! It’s a Gender Stereotype! Longitudinal associations between superhero viewing and gender stereotyped play." Sex Roles 70. (2014): 416–30. |
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| Coyne, Sarah M., et al. "Pow! Boom! Kablam! Effects of viewing superhero programs on aggressive, prosocial, and defending behaviors in preschool children." Journal of Abnormal Child Psychology (2017): 1–13. |
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| Darling-Wolf, Fabienne. "The “Lost” Miyazaki: How a swiss girl can be japanese and why it matters." Communication, Culture and Critique 9. (2016): 499–516. |
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| Demsky, Jeffrey. "We Are a Long Ways past Maus: Responsible and irresponsible holocaust representations in graphic comics and sitcom cartoons." The Palgrave Handbook of Holocaust Literature and Culture. Eds. Victoria Aarons and Phyllis Lassner. New York [etc.]: Palgrave Macmillan, 2020. 529–51. |
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| Denson, Shane and Ruth Mayer. "Bildstörung: Serielle figuren und der fernseher." Zeitschrift für Medienwissenschaft (2012): 90–102. |
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| Diederichsen, Dietrich. "Die Simpsons der Gesellschaft." SPEX (1999): 40–42. |
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| Dixon, Chuck. "“Known Super-Criminals Still at Large”: Villainy in batman." Gotham City 14 Miles. 14 Essays on Why the 1960s Batman TV Series Matters. Ed. Jim Beard. Sequart Journal. Edwardsville: Sequart Research & Literacy Organization, 2010. 121–43. |
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| Doolittle, Benjamin R. "Are We the Walking Dead? Burnout as zombie apocalypse." Annals of Family Medicine 14. (2016): 578–80. |
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| Duane, Anna Mae. "Dead and Disabled: The crawling monsters of the walking dead." Zombie Theory. A Reader. Ed. Sarah Juliet Lauro. Minneapolis: Univ. of Minnesota Press, 2017. 237–45. |
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| Dubil, Janwillem. "»Mit dose kids, society is nix!«: Medienwechsel und translokation des superhelden in der englischen fernsehserie misfits." Comics – Übersetzungen und Adaptionen. Ed. Nathalie Mälzer. TRANSÜD. Berlin: Frank & Timme, 2015. 141–58. |
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| Dubil, Janwillem. "There is no Love in the Heart of the City: Stadtflucht als paradigma des kontemporären zombie-narrativs." Gutes Leben auf dem Land? Imaginationen und Projektionen vom 18. Jahrhundert bis zur Gegenwart. Eds. Werner Nell and Marc Weiland. Bielefeld: Transcript, 2021. 445–62. |
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| Dunger, Hella, et al. "Comic – Vorschule des Fernsehens." Comics im ästhetischen Unterricht. Ed. Dietger Pforte. Kritische Literaturwissenschaft. Frankfurt am Main: Athenäum Fischer, 1974. 172–247. |
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| Durand, Kevin K. "Why Adam West Matters: Camp and classical virtue." Riddle Me This, Batman! Essays on the Universe of the Dark Knight. Eds. Kevin K. Durand and Mary K. Leigh. Jefferson, London: McFarland, 2011. 41–53. |
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| Eder, Jens. "Transmediale Imagination." Auslassen, Andeuten, Auffüllen. Der Film und die Imagination des Zuschauers. Eds. Julian Hanich and Hans Jürgen Wulff. München: Fink, 2012. 207–36. |
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| Fahle, Oliver. "Die Simpsons und der Fernseher." »Previously on …«. Zur Ästhetik der Zeitlichkeit neuerer TV-Serien. Eds. Arno Meteling, Isabell Otto and Gabriele Schabacher. Mediologie. München: Fink, 2010. 231–42. |
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| Falgas, Julien. "Et si tous les fans ne laissaient pas de trace: Le cas d’un feuilleton de bande dessinée numérique inspiré par les séries télévisées." Études de communication 47 2016. Accessed 22Aug. 2020. <https://journals.openedition.org/edc/6674>. |
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| Falgas, Julien. "Not All Fans Leave a Trace: The case of a digital comic serial inspired by television series." French Perspectives on Media, Participation and Audiences. Ed. Céline Ségur. New York [etc.]: Palgrave Macmillan, 2020. 149–64. |
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| Figal, Gerald. "Monstrous Media and Delusional Consumption in Kon Satoshi’s Paranoia Agent." Mechademia 5. (2010): 139–55. |
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| Fink, Moritz. Understanding The Simpsons: A media phenomenon at the edge of convergence culture. Marburg: Tectum, 2016. |
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| Fitz, Karsten. "›Things are different now‹: Die identitätspolitik in der postapokalypse der tv-serie the walking dead." Mediale Strukturen – strukturierte Medialität. Konzeptionen, Semantiken und Funktionen medialer Weltentwürfe in Literatur, Film und anderen Künsten. Eds. Jan-Oliver Decker, et al. Kiel: Ludwig, 2021. 424–38. |
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| Fleischer, Sandra and Robert Seifert. "Die Ästhetik von Kinder- und Jugendmedien in einem globalisierten Medienmarkt." Ästhetiken in Kindheit und Jugend. Sozialisation im Spannungsfeld von Kreativität, Konsum und Distinktion. Eds. Sebastian Schinkel and Ina Herrmann. Bielefeld: Transcript, 2017. 219–36. |
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| Frankel, Valerie Estelle. Empowered: The symbolism, feminism, and superheroism of wonder woman. Sunnyvale: LitCrit, 2015. |
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| Freeman, Matthew. "Up, Up and Across: Superman, the second world war and the historical development of transmedia storytelling." Historical Journal of Film, Radio and Television 35. (2015): 215–39. |
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| Friedmann, Joachim. "Some Times Good Guys Don’t Wear White: Lupin iii." Ga-netchū! The Manga Anime Syndrome. Eds. Hans-Peter Reichmann and Stephan von der Schulenburg. Frankfurt am Main: Deutsches Filmmuseum/Deutsches Filminstitut, 2008. 226–33. |
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| Friedmann, Joachim. "Sometimes Good Guys Don't Wear White: Lupin iii." Ga-netchū! Das Manga Anime Syndrom. Eds. Hans-Peter Reichmann and Stephan von der Schulenburg. Frankfurt am Main: Deutsches Filmmuseum/Deutsches Filminstitut, 2008. 226–33. |
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| Frohlich, Dennis Owen. "Evil Must Be Punished: Apocalyptic religion in the television series death note." Journal of Media and Religion 11. (2012): 141–55. |
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| Fubara-Manuel, Irene. "Revolting Animation: The hierarchy of masculinities in the representation of race and male same-sex desire in adult cartoons." Networking Knowledge 10. 3 2017. Accessed 9Mar. 2022. <https://ojs.meccsa.org. ... etknow/article/view/517>. |
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| Gaschler, Peter M. "Der weite Weg nach Smallville: Supermans filmische suche hat ein ende." Das Science Fiction Jahr 8. (2009): 246–57. |
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| Gencarella, Stephen Olbrys. "Thunder without rain: Fascist masculinity in amc’s the walking dead." Horror Studies 7. (2016): 125–46. |
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| Geraffo, Monica. "No tights, no flights: Constructing the wardrobe of television superheroes." Film, Fashion {&} Consumption 10. (2021): 233–50. |
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| Geraghty, Lincoln, ed. The Smallville Chronicles: Critical essays on the television series. Lanham: Scarecrow, 2011. |
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| Gill, Tom. "Transformational Magic: Some japanese super-heroes and monsters." The Worlds of Japanese Popular Culture. Gender, Shifting Boundaries and Global Cultures. Ed. Dolores Martinez. Contemporary Japanese Society. Cambridge [etc.]: Cambridge Univ. Press, 1998. 33–55. |
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| Göhlen, Josef. "Suspect, Yet Successfull: Anime’s way onto german television." Ga-netchū! The Manga Anime Syndrome. Eds. Hans-Peter Reichmann and Stephan von der Schulenburg. Frankfurt am Main: Deutsches Filmmuseum/Deutsches Filminstitut, 2008. 234–39. |
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| Göhlen, Josef. "Suspekt, doch erfolgreich: Der weg der anime ins zdf." Ga-netchū! Das Manga Anime Syndrom. Eds. Hans-Peter Reichmann and Stephan von der Schulenburg. Frankfurt am Main: Deutsches Filmmuseum/Deutsches Filminstitut, 2008. 234–39. |
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| Gordon, Ian. We Could Be Heroes: Just for Season One. Heroes and Villains. Everyday Folks, Powers and Abilities Far Beyond Mortals: Sydney, 5Jul, 2008. |
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| Gordon, Ian. "Smallville: Superhero mythos and intellectual property regimes." The Smallville Chronicles. Critical Essays on the Television Series. Ed. Lincoln Geraghty. Lanham [etc.]: Rowman & Littlefield, 2011. 89–107. |
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| Gordon, Ian. "Superman on the Set: The market, nostalgia and television audiences." Quality Popular Television. Cult TV, the Industry and Fans. Eds. Mark Jancovich and James Lyons. London: British Film Institute, 2003. 148–62. |
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| Gray, Richard. Moving Target: The history and evolution of green arrow. Edwardsville: Sequart Research & Literacy Organization, 2017. |
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| Green, Stephanie. "Fantasy, gender and power in Jessica Jones." Continuum 33. (2019): 173–84. |
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| Greenberger, Robert. "Bats in their Belfries: The proliferation of “batmania”." Gotham City 14 Miles. 14 Essays on Why the 1960s Batman TV Series Matters. Ed. Jim Beard. Sequart Journal. Edwardsville: Sequart Research & Literacy Organization, 2010. 6–26. |
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| Groebel, Jo. "Gewalt in TV-Cartoons: Eine forschungsnotiz." Comics Anno (1995): 82–85. |
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| Grossman, Gary H. Superman: Serial to cereal. Big Apple Film Series. New York: Popular Library, 1976. |
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| Gruteser, Michael, Thomas Klein, and Andreas Rauscher, eds. Subversion zur Prime-Time: Die simpsons und die mythen der gesellschaft. 3rd ed. Marburg: Schüren, 2014. |
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| Günther, Silke. Serienheldinnen multimedial: Content-universen zu nordamerikanischen fernsehserien. Beiträge zur Literatur- und Mediendidaktik. Frankfurt am Main [etc.]: Peter Lang, 2007. |
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| Gutmann, Hans-Martin. "Preacher: Gott ist verschwunden. – wo ist gott?." Gott in Serie. Theologische Rezeption populärer Narrationen. Eds. Simon Eckhardt, et al. pop.religion. Wiesbaden: Springer VS, 2020. 115–22. |
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| Hall, Richard A., Maria Antonieta Reyes, and Josh Plock. We Are Gotham: Finding american society in the television series. Jefferson: McFarland, 2022. |
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| Hammonds, Kyle A. and Garrett Hammonds. "The Flash and His Fantastic Fear of Ferocious Fans." The Phoenix Papers 3. 1 2017. Accessed 21Jul. 2021. <http://perma.cc/J4TK-LQA4>. |
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| Hassler-Forest, Dan A. Science Fiction, Fantasy, and Politics: Transmedia world-building beyond capitalism. Radical Cultural Studies. London: Rowman and Littlefield International, 2016. |
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| Hassler-Forest, Dan A. "The Walking Dead: Quality television, transmedia serialization, and zombies." Serialization in Popular Culture. Eds. Rob Allen and Thijs van den Berg. Routledge Research in Cultural and Media Studies. London, New York: Routledge, 2014. 91–105. |
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| Hayde, Michael J. Flights of Fantasy: The unauthorized but true story of radio & tv’s adventures of superman. Duncan: BearManor Media, 2009. |
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| Hernandez-Perez, Manuel, Kevin Corstorphine, and Darren Stephens. "Cartoons vs. Manga Movies: A brief history of anime in the uk." Mutual Images 2 2017. Accessed 12Feb. 2018. <www.mutualimages-journa ... .php/MI/article/view/36>. |
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| Hesse, Petra and Susan Cross. "Regenbögen oder Krieg der Sterne im Kampf gegen das Böse? Geschlechtsspezifische politische sozialisation im amerikanischen kinderfernsehen." Comics Anno (1995): 96–106. |
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| Holder, Nancy and Lisa Clancy. Buffy the Vampire Slayer Encyclopedia: The ultimate guide to the buffyverse. New York: Harper Design, 2017. |
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| Howe, Andrew and Sean Evans. "The road to Negan: Governance and power in the walking dead." Journal of Popular Television 6. (2018): 323–37. |
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| Howell, Charlotte E. "“Tricky” Connotations: Wonder woman as dc’s brand disruptor." Cinema Journal 55. (2015): 141–49. |
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| Iaccino, James F., Cory Barker, and Myc Wiatrowski, eds. Arrow and Superhero Television: Essays on themes and characters of the series. Jefferson: McFarland, 2017. |
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