| Alemán, Alvaro. "Paraliterary Immersion and the Puzzleform: An essay in social restitution." ImageTexT 2. 1 2005. Accessed 26Jun. 2013. <http://www.english.ufl. ... t/archives/v2_1/aleman/>. |
 
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| Andrae, Thomas. Carl Barks and the Disney Comic Book: Unmasking the myth of modernity. Great Comics Artists. Jackson: Univ. Press of Mississippi, 2006. |
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| Atkinson, Paul. "Between Movement and Reading: Reconceptualizing the dynamic picture plane in modernist comics and painting." ImageTexT 9. 3 2018. Accessed 28Feb. 2018. <https://imagetextjourna ... st-comics-and-painting/>. |
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| Ayres, Jackson. "The Integrity of the Work: Alan moore, modernism, and the corporate author." Journal of Modern Literature 39. (2016): 144–66. |
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| Ball, David M. "Lynd Ward’s Modernist “Novels in Woodcuts”: Graphic narratives lost between art history and literature." Journal of Modern Literature 39. (2016): 126–43. |
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| Ball, David M. "Comics Against Themselves: Chris ware’s graphic narratives as literature." The Rise of the American Comics Artist. Creators and Contexts. Eds. Paul Williams and James Lyons. Jackson: Univ. Press of Mississippi, 2010. 103–23. |
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| Bartual, Roberto. "Gasoline Alley, 22 April 1934." The Comics Grid. Journal of Comics Scholarship. Year One. Ed. Ernesto F. Priego Ramirez. London: The Comics Grid Digital First Editions, 2012. 20–23. |
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| Beaty, Bart. "Modernism in Riverdale: Reading the self-evident text ambiguously." Jeunesse 6. 2 2014. Accessed 16Aug. 2019. <http://jeunessejournal. ... p/yptc/article/view/274>. |
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| Carrión-Arias, Rafael. Batman and the Shadows of Modernity: A critical genealogy on contemporary hero in the age of nihilism. Literary Criticism and Cultural Theory. London, New York: Routledge, 2024. |
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| Eaglestone, Robert. "Madness or Modernity? The holocaust in two anglo-american comics." Rethinking History 6. (2002): 319–30. |
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| Fox, Meghan C. "Alison Bechdel’s Fun Home: Queer futurity and the metamodernist memoir." Modern Fiction Studies 65. (2019): 511–37. |
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| Freedman, Ariela. "Drawing on Modernism in Alison Bechdel’s Fun Home." Journal of Modern Literature 32. (2009): 125–40. |
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| Gordon, Ian. "Mass Market Modernism: Comic strips and the culture of consumption." Australasian Journal of American Studies 14. (1995): 49–66. |
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| Hoberek, Andrew. "“But—what can anyone do about it?”: Modernism, superheroes, and the unfinished business of the common good." Journal of Modern Literature 39. (2016): 115–25. |
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| Huh, Jang Wook. "Josephine Baker Meets a Korean Housewife: Narrative cartoons, women’s labor, and the circulation of modern fetish." Literature Compass 13. 5 2016. Accessed 14Jun. 2019. <https://onlinelibrary.w ... /abs/10.1111/lic3.12311>. |
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| Hurlburt, Sarah. "Dessiner la modernité: L’épilogue ‘photographique’ de magasin général." Image [&] Narrative 16. 2 2015. Accessed 3Sept. 2015. <http://www.imageandnarr ... rative/article/view/808>. |
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| Krüger-Fürhoff, Irmela Marei. "Bilder-Geschichten weiblicher Modernität: Arthur schnitzlers monolognovelle fräulein else (1924), gelesen mit manuele fiors comic-adaption (2009)." Journal of Austrian Studies 55. (2022): 129–53. |
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| Leslie, Esther. Hollywood Flatlands: Animation, critical theory and the avant-garde. London, New York: Verso, 2002. |
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| Marks, Darren. "In the Face of Anomie: Batman from golden autoark to modern combinard." Americana 8. 2 2009. Accessed 21Nov. 2016. <http://www.americanpopu ... les/fall_2009/marks.htm>. |
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| Mayer, Ruth. "Bits and Pieces: Seriality, shortness and dream of the rarebit fiend." Film Studies 17. (2017): 16–31. |
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| Molotiu, Andrei. "Profane Transfigurations: On a detail of a painting in a panel in an installment of little annie fanny, 1963, or how harvey kurtzman and arthur danto (mostly) agree, and deep down really disagree too." Comics and Modernism. History, Form, and Culture. Ed. Jonathan Najarian. Tom Inge Series on Comics Artists. Jackson: Univ. Press of Mississippi, 2024. 229–56. |
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| Molotiu, Andrei. "The Shape of the Jewel: Polyphony, polyrhythms, and musical structure in the castafiore emerald." The Comics of Hergé. When the Lines Are Not So Clear. Ed. Joe Sutliff Sanders. Critical Approaches to Comics Artists. Jackson: Univ. Press of Mississippi, 2016. 47–61. |
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| Newton, Leslie. "Picturing Smartness: Cartoons in the new yorker, vanity fair, and esquire in the age of cultural celebrities." Journal of Modern Periodical Studies 3. (2012): 64–92. |
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| Prager, Brad. "Modernism in the Contemporary Graphic Novel: Chris ware and the age of mechanical reproduction." International Journal of Comic Art 5. (2003): 195–213. |
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| Pratama, Wahyudi, Suprayitno, and Danendro Adi. "Development of Japanese Comic as an Illustration and Cultural Ideology Propaganda." Advanced Science Letters 23. (2017): 217–19. |
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| Regalado, Aldo J. Bending Steel: Modernity and the american superhero. Jackson: Univ. Press of Mississippi, 2015. |
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| Regaldo, Aldo J. "Modernity, Race, and the American Superhero." Comics as Philosophy. Ed. Jeff McLaughlin. Jackson: Univ. Press of Mississippi, 2005. 84–99. |
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| Richir, Alice. "La Tour de Peeters et Schuiten: Ruine d’une utopie moderne." Inter-Lignes 7. (2011): 61–76. |
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| Roeder, Katherine. Wide Awake in Slumberland: Fantasy, mass culture, and modernism in the art of winsor mccay. Great Comics Artists. Jackson: Univ. Press of Mississippi, 2014. |
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| Rønning, Helge. "Minner om møter mellom kontinental europeisk filosofi og amerikansk populærkultur." Poetik und Gedächtnis. Eds. Karin Hoff, et al. Beiträge zur Skandinavistik. Frankfurt am Main [etc.]: Peter Lang, 2004. 105–09. |
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| Rubenstein, Anne. "Home Loving and Without Vices." A Comics Studies Reader. Eds. Jeet Heer and Kent Worcester. Jackson: Univ. Press of Mississippi, 2009. 207–25. |
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| Schneider, Matthias. "un regard moderne." International Journal of Comic Art 10. (2008): 402–15. |
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| Silver, Andrew. "Asterios Polyp and the Search for Organic Form." Journal of Popular Culture 49. (2016): 325–46. |
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| Skidmore, Martin. "Krazy Kat: Modernism and Influence." FA 2011. Accessed 1Jun. 2014. <http://comiczine-fa.com ... modernism-and-influence>. |
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| Stein, Daniel. "The Comic Modernism of George Herriman." Crossing Boundaries in Graphic Narrative. Essays on Forms, Series and Genres. Eds. Jake Jakaitis and James F. Wurtz. Jefferson, London: McFarland, 2012. 40–70. |
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| Steinberg, Michael P. "Charlotte Salomon's Modernism." Jewish Musical Modernism, Old and New. Eds. Philip V. Bohlman and Sander L. Gilman. Chicago: Univ. of Chicago Press, 2008. 125–52. |
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| Tellop, Nicolas. L’Anti-Atome: Franquin à l’épreuve de la vie. Mémoire vive. Montrouge: PLG, 2017. |
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| Tolmie, Jane. "Modernism, Memory and Desire: Queer cultural production in alison bechdel’s fun home." Topia (2009): 77–95. |
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| Trousdale, Rachel. "A Female Prophet? Authority and inheritance in marjane satrapi." Drawing from Life. Memory and Subjectivity in Comic Art. Ed. Jane Tolmie. Jackson: Univ. Press of Mississippi, 2013. 241–63. |
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| Tullis, Brittany. "¿Chica moderna o mujer tradicional? intersections of modernity and tradition in gabriel vargas’ la familia burrón." International Journal of Comic Art 16. (2014): 48–73. |
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| Uhlig, Barbara. "Refiguring Modernism in European Comics: ‘new seeing’ in the works of lorenzo mattotti and nicolas de crécy." European Comic Art 8. (2015): 87–110. |
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| Varughese, Dawson E. Visuality and Identity in Post-millennial Indian Graphic Narratives. Palgrave Studies in Comics and Graphic Novels. New York [etc.]: Palgrave Macmillan, 2018. |
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| Williams, Paul. "Literary Impressionism and Chris Ware’s Jimmy Corrigan: The Smartest Kid on Earth (2000)." Comics Forum 2013. Accessed 27Oct. 2013. <http://comicsforum.org/ ... -2000-by-paul-williams/>. |
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| Wilson, Aimee Armande. "A Century of Reading Time: From modernist novels to contemporary comics." Popular Modernism and Its Legacies. From Pop Literature to Video Games. Ed. Scott Ortolano. 2017. 231–45. |
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| Worden, Daniel. "The Politics of Comics: Popular modernism, abstraction, and experimentation." Literature Compass 12. 2 2015. Accessed 14Jun. 2019. <https://www.academia.ed ... ion_and_Experimentation>. |
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| Worden, Daniel. "On Modernism’s Ruins: The architecture of “building stories” and lost buildings." The Comics of Chris Ware. Drawing is a Way of Thinking. Eds. David M. Ball and Martha B. Kuhlman. Jackson: Univ. Press of Mississippi, 2010. 107–20. |
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