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Duncombe, Stephen. Notes from Underground: Zines and the Politics of Alternative Culture. 3rd ed. Bloomington: Microcosm, 2008. |
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Fawaz, Ramzi. The New Mutants: Superheroes and the Radical Imagination of American Comics. Postmillennial Pop. New York, London: New York Univ. Press, 2016. |
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Galbraith, Patrick W. The Otaku Encyclopedia: An Insider's Guide to the Subculture of Cool Japan. Tokyo: Kodansha Int. 2009. |
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Kahl, Ramona. Manga – Wirkungsvolle Bildergeschichten: Tiefenhermeneutische Interpretationen zu »Death Note« und »Grimms Manga« sowie zu adoleszenten Rezeptionsweisen. Kulturanalysen. Marburg: Tectum, 2017. |
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Kaur, Raminder and Saif Eqbal. Adventure Comics and Youth Cultures in India. London, New York: Routledge, 2019. |
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Keller, Sebastian. Der Manga und seine Szene in Deutschland von den Anfängen in den 1980er Jahren bis zur Gegenwart: Manga – Mehr als nur große Augen. München: Grin, 2006. |
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Lawley, Guy. "‘I like Hate and I hate everything else’: The Influence of Punk on Comics." Punk Rock: So What? The Cultural Legacy of Punk. Ed. Roger Sabin. London, New York: Routledge, 1999. 100–19. |
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Lee, Peter. "Have Great Power, Greatly Irresponsible: Intergenerational Conflict in 1960s Amazing Spider-Man." Web-Spinning Heroics. Critical Essays on the History and Meaning of Spider-Man. Eds. Robert Moses Peaslee and Robert G. Weiner. Jefferson, London: McFarland, 2012. 29–39. |
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Pellitteri, Marco. "Kawaii Aesthetics from Japan to Europe: Theory of the Japanese “Cute” and Transcultural Adoption of Its Styles in Italian and French Comics Production and Commodified Culture Goods." Arts 7. 3 2018. Accessed 28Jun. 2020. <https://www.mdpi.com/2076-0752/7/3/24>. |
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Peters, Brian Mitchell. "Qu(e)erying Comic Book Culture and Representations of Sexuality in Wonder Woman." CLCWeb: Comparative Literature and Culture 5. 3 2003. Accessed 13Oct. 2009. <http://docs.lib.purdue.edu/clcweb/vol5/iss3/6>. |
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Potkanski, Monika. "Das österreichische Manga- und Anime-Fandom: Analyse des Wiener Animexx Stammtisches anhand des Gruppendiskussionsverfahrens." Diplomarbeit Mag. rer. soc. oec. Universität Wien, 2009. |
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Sasaki, Maana. "Gender Ambiguity and Liberation of Female Sexual Desire in Fantasy Spaces of Shojo Manga and the Shojo Subculture." Critical Theory and Social Justice 3. 1 2013. Accessed 20Aug. 2014. <http://scholar.oxy.edu/ctsj/vol3/iss1/4>. |
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Sinker, Mark. "Concrete, so as to self-destruct: The etiquette of punk, its habits, rules, values and dilemmas." Punk Rock: So What? The Cultural Legacy of Punk. Ed. Roger Sabin. London, New York: Routledge, 1999. 120–39. |
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Sleight, Simon. "Wavering between Virtue and Vice: Constructions of Youth in Australian Cartoons of the Late-Victorian Era." Drawing the Line. Using Cartoons as Historical Evidence. Eds. Richard Scully and Marian Quartly. Clayton: Monash Univ. ePress, 2009. |
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Valencia-García, Louie Dean. Antiauthoritarian Youth Culture in Francoist Spain: Clashing with Fascism. New York: Bloomsbury Academic, 2018. |
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Woitschig, Britta Madeleine. "Sprayliz e il Macondo – Eine populäre Comicheldin gegen Rechts." Rechtsextremismus, Rassismus und Antisemitismus in Comics. Ed. Ralf Palandt. Berlin: Archiv der Jugendkulturen, 2011. 284–310. |
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Wright, Bradford W. Comic Book Nation: The Transformation of Youth Culture in America. Baltimore: Johns Hopkins Univ. Press, 2003. |
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