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| Bauer, Heike. "Vital Lines Drawn From Books: Difficult Feelings in Alison Bechdel’s Fun Home and Are You My Mother?." Journal of Lesbian Studies 18. (2014): 266–81. |
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| Bechdel, Alison. "Transcript of Alison Bechdel’s talk at the Institut Charles V – Université Paris VII in January 2007." GRAAT on-line 1 2007. Accessed 29Jul. 2009. <http://www.graat.fr/bechdel004aaaa.pdf>. |
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| Bhattacharjee, Partha and Priyanka Tripathi. "‘Disease’ and Visual Rhetorics of Disability: Comics and Autopathography in the Works of Alison Bechdel." Gnosis 5. (2019): 263–74. |
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| Etter, Lukas. Distinctive Styles and Authorship in Alternative Comics. Anglia. Berlin u. Boston: de Gruyter, 2020. |
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| Etter, Lukas. "Autobiographische Graphic Novels: Das Beispiel von Alison Bechdels Fun Home." Autobiographie. Eine interdisziplinäre Gattung zwischen klassischer Tradition und (post-)moderner Variation. Eds. Uwe Baumann and Karl August Neuhausen. Super alta perennis. Bonn: Bonn Univ. Press, 2013. 533–46. |
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| Etter, Lukas. "The Protagonists’ Many ‘Wedges’: Aspects of Seriality in Alison Bechdel’s Dykes to Watch Out For." Cultural Excavation and Formal Expression in the Graphic Novel. Eds. Jonathan C. Evans and Thomas Giddens. At the Interface, Probing the Boundaries. Oxford: Inter-Disciplinary Pr. 2013. 65–71. |
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| Fantasia, Annette. "The Paterian Bildungsroman Reenvisioned: “Brain-Building” in Alison Bechdel’s Fun Home: A Family Tragicomic." Criticism 31. 1 2011. Accessed 4Nov. 2016. <http://digitalcommons.w ... /criticism/vol53/iss1/4>. |
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| Freedman, Ariela. "Drawing on Modernism in Alison Bechdel’s Fun Home." Journal of Modern Literature 32. (2009): 125–40. |
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| Galvan, Margaret. "Thinking through Thea: Alison Bechdel’s Representations of Disability." Disability in Comic Books and Graphic Narratives. Eds. Chris Foss, Jonathan Gray and Zach Whalen. Literary Disability Studies. New York [etc.]: Palgrave Macmillan, 2014. 187–202. |
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| Gardiner, Judith Kegan, ed. Approaches to Teaching Bechdel’s Fun Home. Approaches to Teaching World Literature. New York: The Modern Language Assoc. of America, 2018. |
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| Giaimo, Genie. "Psychological Diffusions: The Cognitive Turn in Alison Bechdel’s Are You My Mother? A Comic Drama." European Journal of Life Writing 2 2013. Accessed 20Sept. 2016. <http://ejlw.eu/article/view/57/78>. |
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| Giaimo, Genie Nicole. "Psychological Diffusions: The Cognitive Turn in Alison Bechdel’s Are You My Mother? A Comic Drama." European Journal of Life Writing 2 2013. Accessed 13Sept. 2019. <https://ejlw.eu/article/view/31397>. |
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| Gill-Peterson, Julian. Virtual(ly) Queer: Anti-Genealogy and Obsessive-Compulsion in Bechdel’s Fun Home. Thinking Gender: Los Angeles, 3Feb, 2012. |
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| Gillett, Robert. "Gaps To Watch Out For: Alison Bechdel in German." Queer in Translation. Eds. B. J. Epstein and Robert Gillett. Routledge Advances in Translation and Interpreting Studies. London, New York: Routledge, 2017. 104–17. |
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| Goldsmith, Jenna. "Landing on the Patio: Landscape Ecology and the Architecture of Identity in Alison Bechdel’s Fun Home: A Family Tragicomic." disClosure 23 2014. Accessed 3Dec. 2014. <http://uknowledge.uky.edu/disclosure/vol23/iss1/2/>. |
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| Guillaume, Isabelle. "Corporéité et subversion dans Fun Home d’Alison Bechdel." Les Langages du corps dans la bande dessinée. Eds. Isabelle Guillaume, et al. Mouvements des Savoirs. Paris: L’Harmattan, 2015. |
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| Hall, Marny. "Ordinary insurrections: Alison Bechdel interviewed by Marny Hall." Journal of Lesbian Studies 5. (2001): 15–21. |
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| Hevešiová, Simona. "The Art of Remembering in Alison Bechdel’s Fun Home." Ars Aeterna 5. (2013): 73–80. |
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| Hochreiter, Susanne and Ursula Klingenböck, eds. "Ikarus Rising: Zur metatextuellen Odyssee in Alison Bechdels Fun Home." Bild ist Text ist Bild. Narration und Ästhetik in der Graphic Novel. Bielefeld: Transcript, 2014. 191–212. |
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| Kashtan, Aaron. "My mother was a typewriter: Fun Home and the importance of materiality in comics studies." Journal of Graphic Novels and Comics 4. (2013): 92–116. |
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| Kelley, Michael J. "Mirrored discourse in Alison Bechdel’s Fun Home." Journal of Graphic Novels and Comics 5. (2014): 42–57. |
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| Klepper, Martin. "Alison Bechdel: Fun Home: A Family Tragicomic (2006)." Handbook of Autobiography/Autofiction. Volume III: Exemplary Texts. Ed. Martina Wagner-Egelhaaf. Berlin u. Boston: de Gruyter, 2019. 2074–88. |
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| Klimek, Julia. "Teaching Alison Bechdel’s Fun Home: The Construction of a Modernist Lesbian Graphic Novel." Class, Please Open Your Comics. Essays on Teaching with Graphic Narratives. Ed. Matthew L. Miller. Jefferson: McFarland, 2015. 131–42. |
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| Lemberg, Jennifer. "Closing the Gap in Alison Bechdel’s Fun Home." Women's Studies Quarterly 36. (2008): 129–40. |
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| Linares, Santiago Parga. "Proustian curiosity and the archive: Alison Bechdel’s Fun Home." Journal of Graphic Novels and Comics (2020): 1–17. |
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| Lydenberg, Robin. "Reading Lessons in Alison Bechdel’s Fun Home: A Family Tragicomic." College Literature 44. (2017): 133–65. |
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| Magnet, Shoshana. "Are You My Mother?: Understanding Feminist Therapy with Alison Bechdel." Women & Therapy 40. (2017): 207–27. |
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| Mansbridge, Joanna. "Adapting Queerness, Queering Adaptation: Fun Home on Broadway." Adaptation, Awards Culture, and the Value of Prestige. Eds. Colleen Kennedy-Karpat and Eric Sandberg. Cham: Springer, 2017. |
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| Martin, Rachel R., ed. Alison Bechdel: Conversations. Conversations with Comic Artists. Jackson: Univ. Press of Mississippi, 2018. |
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| Martindale, Kathleen. "Zurück in die Zukunft mit Dykes To Watch Out For und Hothead Paisan." Theorien des Comics. Ein Reader. Eds. Barbara Eder, Elisabeth Klar and Ramón Reichert. Kultur- und Medientheorie. Bielefeld: Transcript, 2011. 341–64. |
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| McBean, Sam. "Seeing in Alison Bechdel’s Fun Home." Camera Obscura 28. (2013): 103–23. |
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| Mitchell, Adrielle. "Spectral Memory, Sexuality and Inversion: An Arthrological Study of Alison Bechdel’s Fun Home: A Family Tragicomic." ImageTexT 4. 3 2009. Accessed 9Dec. 2009. <https://imagetextjourna ... me-a-family-tragicomic/>. |
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| Muller, Agnès. "Image as Paratext in Alison Bechdel’s Fun Home." GRAAT on-line 1 2007. Accessed 20Jul. 2011. <http://www.graat.fr/bechdel002aaaa.pdf>. |
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| Olsza, Małgorzata. "Photography as a Mirror in Alison Bechdel’s Graphic Memoir Are You My Mother?: A Comic Drama." Image [&] Narrative 20. 3 2019. Accessed 29Feb. 2020. <http://www.imageandnarr ... ative/article/view/2293>. |
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| Parille, Ken. "Six Observations about Alison Bechdel’s Graphic Archive Are You My Mother?." The Comics Journal 2012. Accessed 12Oct. 2017. <http://www.tcj.com/six- ... hive-are-you-my-mother/>. |
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| Pulda, Molly. "Portrait of a Secret: J. R. Ackerley and Alison Bechdel." The Future of Text and Image. Collected Essays on Literary and Visual Conjunctures. Eds. Ofra Amihay and Lauren Walsh. Newcastle upon Tyne: Cambridge Scholars Publ. 2012. 15–38. |
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| Rerik, Michael. "Queering the museum: Challenging heteronormative space in Bechdel’s Fun Home." Journal of Graphic Novels and Comics 3. (2012): 223–30. |
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| Richardson, Sarah. "‘Perseveration on Detail’: Shame and Confession in Memoir Comics." Cultural Excavation and Formal Expression in the Graphic Novel. Eds. Jonathan C. Evans and Thomas Giddens. At the Interface, Probing the Boundaries. Oxford: Inter-Disciplinary Pr. 2013. 149–58. |
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| Riquelme, John Paul. "Modernist Transformations of Life Narrative: From Wilde and Woolf to Bechdel and Rushdie." Modern Fiction Studies 59. (2013): 461–79. |
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| Roessner, Jeffrey and Eithne Amos. "Old Father, New Artificer: Teaching Alison Bechdel’s Fun Home as Postmodern Literature." Class, Please Open Your Comics. Essays on Teaching with Graphic Narratives. Ed. Matthew L. Miller. Jefferson: McFarland, 2015. 169–80. |
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| Rüggemeier, Anne. "‘Posing for all the characters in the book’: The multimodal processes of production in Alison Bechdel’s relational autobiography Are You My Mother?." Journal of Graphic Novels and Comics 7. (2016): 254–67. |
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| Rüggemeier, Anne and Maren Scheurer. "Autobiography and|as Narcissism? Psychoanalysis and Self-Reflexive Life-Writing in Eve Kosofsky Sedgwick’s A Dialogue on Love and Alison Bechdel’s Are You My Mother?." a/b: Auto/Biography Studies 34. (2019): 167–95. |
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| Schlick, Yaël. "What Is an Experience? Selves and Texts in the Comic Autobiographies of Alison Bechdel and Lynda Barry." Drawing from Life. Memory and Subjectivity in Comic Art. Ed. Jane Tolmie. Jackson: Univ. Press of Mississippi, 2013. 26–43. |
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| Spiers, Miriam Brown. "Daddy’s little girl: Multigenerational queer relationships in Bechdel’s Fun Home." Studies in Comics 1. (2010): 315–35. |
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| Stahl, Lynne. "Allusive Meaning: A Reference Guide to Alison Bechdel’s Fun Home." 2017. Accessed 11Aug. 2021. <https://scalar.usc.edu/ ... ison-bechdels-fun-home/>. |
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| Added by: joachim 11/08/2021, 12:48 |
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| Thomas, Héloïse. "Fun Homes and Queer Houses of Memory in Alison Bechdel’s Graphic Memoirs." Text and Image in Women's Life Writing. Picturing the Female Self. Eds. Valérie Baisnée-Keay, et al. Palgrave Studies in Life Writing. New York [etc.]: Palgrave Macmillan, 2021. 101–17. |
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| Tison, Hélène. "An Interview with Alison Bechdel." GRAAT on-line 1 2007. Accessed 20Jul. 2011. <http://www.graat.fr/bechdel005aaaa.pdf>. |
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| Tison, Hélène. "Drag as metaphor and the quest for meaning in Alison Bechdel’s Fun Home: A Family Tragicomic." GRAAT on-line 1 2007. Accessed 20Jul. 2011. <http://www.graat.fr/bechdel003aaaa.pdf>. |
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| Added by: joachim Last edited by: joachim 20/07/2011, 17:20 |
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| Tison, Hélène. "Loss, Revision, Translation: Re-Membering the Father’s Fragmented Self in Alison Bechdel’s Graphic Memoir Fun Home: A Family Tragicomic." Studies in the Novel 47. (2015): 346–64. |
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| Added by: joachim 25/04/2016, 07:40 |
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