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Frenzel, Martin. "Protestantische Comic-Wüste Germanien? Deutsche autorencomics der 80er und 90er jahre (1980–2000). eine bestandsaufnahme aus der vogelperspektive." COMIC!-Jahrbuch (2000): 40–77. |
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Galli Mastrodonato, Paola. "L’imaginaire du Nouveau Monde dans la bande dessinée italienne: Le cas de blek macigno." De l’écrit à l’écran. Littératures populaires : mutations génériques, mutations médiatiques. Ed. Jacques Migozzi. Limoges: Presses Univ. de Limoges, 2000. 663–79. |
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Geissman, Grant and Fred Von Bernewitz. Tales of Terror! The ec companion. Seattle: Fantagraphics, 2000. |
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Gibson, Mel. "Memories of Reading: British girls and their comics." Consuming for Pleasure. Selected Essays on Popular Fictions. Eds. Julia Hallam and Nickianne Moody. Liverpool: Media Critical and Creative Arts, John Moores Univ., Ass. for Research in Popular Fictions, 2000. 210–27. |
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Grabensberger, Horst. "»Ächz! Stöhn! Grunz!«: Soziokulturelle und ökonomische interdependenzen, die zur marginalisierung des mediums comic in österreich führten." Diplomarbeit FH St. Pölten, 2000. |
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Grünewald, Dietrich. "Zwischen banal und kongenial: Literarische stoffe als comic erzählt." Kinder, Literatur, neue Medien. Eds. Karin Richter and Sabine Riemann. Diskussionsforum Deutsch. Baltmannsweiler: Schneider-Verl. Hohengehren, 2000. 153–68. |
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Harper, Morten. Fra flittige barn til trøtte typer: 100 år med norske tegneserier. Bergen: Raptus, 2000. |
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Harvey, Robert C. and Gus Arriola. Accidental Ambassador Gordo: The comic strip art of gus arriola. Jackson: Univ. Press of Mississippi, 2000. |
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Hatfield, Charles. "Graphic Interventions: Form and argument in contemporary comics." Dissertation Ph.D. University of Connecticut, 2000. |
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Helford, Elyce Rae. "Postfeminism and the Female Action-Adventure Hero: Positioning tank girl." Future Females, The Next Generation. New Voices and Velocities in Feminist Science Fiction Criticism. Ed. Marleen S. Barr. Lanham [etc.]: Rowman & Littlefield, 2000. 291–308. |
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Horak, Carl. A Terry and the Pirates Companion. Manitou Springs: Spec Productions, 2000. |
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How, James. "2000AD and Hollywood: The special relationship between a british comic and american film." Comics & Culture. Analytical and Theoretical Approaches to Comics. Eds. Anne Magnussen and Hans-Christian Christiansen. Copenhagen: Museum Tusculanum, 2000. 225–41. |
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Inge, M. Thomas, ed. Charles M. Schulz: Conversations. Conversations with Comic Artists. Jackson: Univ. Press of Mississippi, 2000. |
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Jacob, Lars. Bildschrift – Schriftbild: Zu einer eidetischen fundierung von erkenntnistheorie im modernen roman. Epistemata. Würzburg: Königshausen & Neumann, 2000. |
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Jüngst, Heike Elisabeth. "Das Frauenbild in Posy Simmonds’ Comics: Tradition und ironie." Frauen in Kultur und Gesellschaft. Ausgewählte Beiträge der 2. Fachtagung Frauen-/Gender-Forschung in Rheinland-Pfalz. Ed. Renate von Bardeleben. Frauen-/Gender-Forschung in Rheinland-Pfalz. Tübingen: Stauffenburg, 2000. 349–62. |
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Kawa, Abraham. "What if the Apocalypse Never Happens: Evolutionary narratives in contemporary comics." Comics & Culture. Analytical and Theoretical Approaches to Comics. Eds. Anne Magnussen and Hans-Christian Christiansen. Copenhagen: Museum Tusculanum, 2000. 209–24. |
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Kawczynski, Guido. "Comicfanzines in Deutschland." Diplomarbeit Hochschule für Technik, Wirtschaft und Kultur Leipzig, 2000. |
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Kinsella, Sharon. Adult Manga: Culture and power in contemporary japanese society. ConsumAsian. London, New York: Routledge, 2000. |
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Köhn, Stephan and Martina Schönbein. "Dem Story-manga auf der Spur: Potentielle prototypen des modernen japanischen comics in der text/bild-tradition der edo-zeit." Japonica Humboldtiana 4. (2000): 21–58. |
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Kraemer, Christine Hoff. "The Creative Apocalypse: Post-wwii narratives of death, rebirth, and transformation." Thesis B.A. Univ. of Texas, 2000. |
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Lambert, Emma. "‘Don’t fight it. You can’t whip Mickey Mouse’: Disneyland’s america 1955–59." Containing America. Cultural Production and Consumption in 50s America. Eds. Nathan Abrams and Julie Hughes. Birmingham: Univ. of Birmingham Press, 2000. 29–48. |
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Lefèvre, Pascal. "The Importance of Being ‘Published’: A comparative study of different comics formats." Comics & Culture. Analytical and Theoretical Approaches to Comics. Eds. Anne Magnussen and Hans-Christian Christiansen. Copenhagen: Museum Tusculanum, 2000. 91–105. |
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Legrady, Georges. "Modular Structure and Image/Text Sequences: Comics and interactive media." Comics & Culture. Analytical and Theoretical Approaches to Comics. Eds. Anne Magnussen and Hans-Christian Christiansen. Copenhagen: Museum Tusculanum, 2000. 79–90. |
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Magnussen, Anne. "The Semiotics of C.S. Peirce as a Theoretical Framework for the Understanding of Comics." Comics & Culture. Analytical and Theoretical Approaches to Comics. Eds. Anne Magnussen and Hans-Christian Christiansen. Copenhagen: Museum Tusculanum, 2000. 193–207. |
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McIlvenny, Paul. "Disabling Men: Masculinity and disability in al davison’s graphic autobiography the spiral cage." Bending Bodies. Moulding Masculinities. Eds. Søren Ervø and Thomas Johansson. Vol. 2. Aldershot: Ashgate, 2000. 238–58. |
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