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| Barthold, Willi Wolfgang. "Problemzone Ostdeutschland: Die post-ddr-provinz als aushandlungsraum des postmigrantischen in literatur und comic." Internationales Archiv für Sozialgeschichte der deutschen Literatur 48. (2023): 417–39. |
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| Brammsen, Laura. "Wissensformat Comic – Darstellungen des Menstruationszyklus in Werken von Julie Doucet, Lisa Frühbeis und Liv Strömquist." Kieler Blätter zur Volkskunde 53. (2021): 49–79. |
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| Davies, Dominic and Candida Rifkind, eds. Documenting Trauma in Comics: Traumatic pasts, embodied histories, and graphic reportage. Palgrave Studies in Comics and Graphic Novels. New York [etc.]: Palgrave Macmillan, 2020. |
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| Dyer Hoefer, Anthony. "A Re-Vision of the Record: The demands of reading josh neufeld’s a.d.: new orleans after the deluge." Comics and the U.S. South. Eds. Brannon Costello and Qiana J. Whitted. Jackson: Univ. Press of Mississippi, 2012. 293–324. |
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| Grünewald, Dietrich, ed. Der dokumentarische Comic: Reportage und biografie. Bochum: Ch.A. Bachmann, 2013. |
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| Grünewald, Dietrich. "Dokumentarische Comics: Ein bereicherndes genre." Volkacher Bote. Zeitschrift der Deutschen Akademie für Kinder- und Jugendliteratur (2013): 13–20. |
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| Grünewald, Dietrich. "Dokumentarische Comics." Kinder- und Jugendliteratur. Ein Lexikon. Eds. Kurt Franz, Günter Lange and Franz-Josef Payrhuber. Meitingen: Corian, 2015. 1–26. |
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| Grünewald, Dietrich. "Zwischen Fakt und Fiktion: Dokumentarische bildgeschichten." Der dokumentarische Comic. Reportage und Biografie. Ed. Dietrich Grünewald. Bochum: Ch.A. Bachmann, 2013. 9–14. |
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| Jehl, Nadine. "Auswirkungen der Atomkatastrophe von Fukushima auf die Menschen vor Ort anhand deren Darstellung im dokumentarischen Manga Sutōrī 311." Dokumentation, Trostspende oder Anklage? Die Atomkatastrophe von Fukushima in japanischen Medien, Populärkultur und Literatur. Ed. Hilaria Gössmann. Schriften der Gesellschaft für Japanforschung. Gesellschaft für Japanforschung, 2021. 293–316. |
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| Johnson, Fred and Janine J. Darragh. "Poverty Lines: Visual depictions of poverty and social class realities in comics." Teaching Comics Through Multiple Lenses. Critical Perspectives. Ed. Crag Hill. London, New York: Routledge, 2017. 113–31. |
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| Klappert, Annina. "Comic und Kulturpolitik: Der »hitler«-comic als hitler-denkmal." Narrative der Shoa. Repräsentationen der Vergangenheit in Historiographie, Kunst und Politik. Eds. Susanne Düwell and Matthias Schmidt. Studien zu Judentum und Christentum. Paderborn: Schöningh, 2002. 143–69. |
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| Kraenzle, Christina. "Risking Representation: Abstraction, affect, and the documentary mode in birgit weyhe’s madgermanes." Seminar 56. (2020): 212–34. |
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| Lefèvre, Pascal. "Die Modi dokumentarischer Comics." Der dokumentarische Comic. Reportage und Biografie. Ed. Dietrich Grünewald. Bochum: Ch.A. Bachmann, 2013. 31–49. |
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| Lummerding, Ssanne. "Das Politische trotz allem: Holocaust-diskurse im comic." Theorien des Comics. Ein Reader. Eds. Barbara Eder, Elisabeth Klar and Ramón Reichert. Kultur- und Medientheorie. Bielefeld: Transcript, 2011. 321–40. |
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| Michel, Chantal Catherine. The Art of Persuasion and Propaganda: The israeli-palestinian conflict in comic books and graphic novels. Comics and Conflicts: London, 19–20 Aug, 2011. |
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| Michel, Chantal Catherine. "Bericht oder Propaganda? Dokumentarische comics über den nahostkonflikt." Der dokumentarische Comic. Reportage und Biografie. Ed. Dietrich Grünewald. Bochum: Ch.A. Bachmann, 2013. 189–206. |
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| Michel, Chantal Catherine. "Schikane, Schüsse, Sprengstoffgürtel: Politische gewalt in nahostkonflikt-comics." Comics & Politik. Comics & Politics. Ed. Stephan Packard. Bochum: Ch.A. Bachmann, 2014. 417–42. |
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| Packard, Stephan. "Erfundene Umstürze in Panels: Zur zeichnung des dokumentarischen, des fiktionalen und des politischen in comics." Umbruch – Bild – Erinnerung. Beziehungsanalysen in nationalen und transnationalen Kontexten. Eds. Carolin Führer and Antonius Weixler. Deutschsprachige Gegenwartsliteratur und Medien. Göttingen: V&R unipress, 2022. 49–70. |
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| Papenburg, Bettina. "Das Dokumentarische als Autorisierungsstrategie und als Lektüremodus für bildgebende Verfahren und digitale Animationen in den Lebenswissenschaften." Ästhetik des Gemachten. Interdisziplinäre Beiträge zur Animations- und Comicforschung. Eds. Hans-Joachim Backe, et al. Berlin u. Boston: de Gruyter, 2018. 203–30. |
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| Priego Ramirez, Ernesto F. "Of Maus and Work-in-progressness." The Comics Grid. Journal of Comics Scholarship. Year One. Ed. Ernesto F. Priego Ramirez. London: The Comics Grid Digital First Editions, 2012. 38–41. |
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| Schmid, Johannes C. P. "Cartooning Resistance: Irony and authentication in zerocalcare’s kobane calling." International Journal of Comic Art 20. (2018): 153–69. |
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| Schmid, Johannes C. P. "Fotografie in Graphic Novels: Bildliche rahmen und rahmenbrüche in the photographer." Übersetzen und Rahmen. Praktiken medialer Transformationen. Eds. Claudia Benthien and Gabriele Klein. München: Fink, 2017. 103–19. |
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| Vågnes, Øyvind. "Comics Reenactment: Joe sacco’s footnotes in gaza." Comics and Power. Representing and Questioning Culture, Subjects and Communities. Eds. Rikke Platz Cortsen, Erin La Cour and Anne Magnussen. Newcastle upon Tyne: Cambridge Scholars Publ. 2015. 154–72. |
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| Weidenmann, Bernd. "Foto oder Zeichnung? Zur problematik des bildes im dokumentarischen comic." Comics Anno (1991): 26–41. |
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| Woo, Benjamin. "Reconsidering Comics Journalism: Information and experience in joe sacco’s palestine." The Rise and Reason of Comics and Graphic Literature. Critical Essays on the Form. Eds. Joyce Goggin and Dan A. Hassler-Forest. Jefferson, London: McFarland, 2010. 166–77. |
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