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Berninger, Mark. "Workshop III: Teaching Comics and Literary Studies—Neil Gaiman and Charles Vess’ “A Midsummer Night’s Dream”." Comics as a Nexus of Cultures. Essays on the Interplay of Media, Disciplines and International Perspectives. Eds. Mark Berninger, Jochen Ecke and Gideon Haberkorn. Critical Explorations in Science Fiction and Fantasy. Jefferson, London: McFarland, 2010. 253–64. |
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Byrne, Cara. "Visual Statements in Shakespearean Adaptations: Illustrating romeo and juliet for children." ImageTexT 6. 3 2013. Accessed 23Apr. 2013. <http://www.english.ufl. ... xt/archives/v6_3/byrne/>. |
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Castaldo, Annalisa. "“No more yielding than a dream”: The construction of shakespeare in the sandman." College Literature 31. (2004): 94–110. |
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Cavallaro, Dani. Anime and the Art of Adaptation: Eight famous works from page to screen. Jefferson, London: McFarland, 2010. |
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Christopher, Brandon. "“To dignify some old costumed claptrap”: Shakespearean allusion and the status of text in the dc comics of grant morrison." ImageTexT 6. 3 2013. Accessed 23Apr. 2013. <http://www.english.ufl. ... hives/v6_3/christopher/>. |
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Christopher, Brandon. "Paratextual Shakespearings: Comics’ shakespearean frame." Shakespeare / Not Shakespeare. Eds. Christy Desmet, Natalie Loper and Jim Casey. Reproducing Shakespeare. New York [etc.]: Palgrave Macmillan, 2017. 149–67. |
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Finlayson, J. Caitlin. "The Boundaries of Genre: Translating shakespeare in antony johnston and brett weldele's julius." Teaching the Graphic Novel. Ed. Stephen E. Tabachnick. Options for Teaching. New York: The Modern Language Assoc. of America, 2009. 188–99. |
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Gordon, Joan. "Prospero Framed in Neil Gaiman’s The Wake." The Sandman Papers. An Exploration of the Sandman Mythology. Ed. Joe Sanders. Seattle: Fantagraphics, 2006. 79–92. |
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Gravett, Paul. "De Luca and Hamlet: Thinking outside the box." European Comic Art 1. (2008): 21–36. |
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Hayley, Emma. "Manga Shakespeare." Manga. An Anthology of Global and Cultural Perspectives. Ed. Toni Johnson-Woods. London, New York: Continuum, 2010. 267–80. |
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Herr, Gisela. "Sein oder Nichtsein … Shakespeares hamlet – als comic zerstümmelt." Jugendliteratur 2. (1957): 86–87. |
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Heuman, Josh and Richard Burt. "Suggested for Mature Readers? Deconstructing shakespearean value in comic books." Shakespeare after Mass Media. Ed. Richard Burt. New York [etc.]: Palgrave Macmillan, 2002. 151–71. |
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Jensen, Michael P. "Dick Tracy’s Shakespearean References." Hogan’s Alley (2009). |
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Jensen, Michael P. "A Kat by Any Other Name (Or, When Krazy Met the Bard)." Hogan’s Alley (2014). |
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Jensen, Michael P. "Shakespeare and the Comic Book." The Edinburgh Companion to Shakespeare and the Arts. Eds. Mark Thornton Burnett, Adrian Streete and Ramona Wray. New York [etc.]: Columbia Univ. Press, 2011. |
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Katsiadas, Nick. "Mytho-auto-bio: Neil gaiman’s sandman, the romantics and shakespeare’s the tempest." Studies in Comics 6. (2015): 61–84. |
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Keener, Joe. "Shakespeare, Manga and the pilfering of Japan’s soft power." Studies in Comics 6. (2015): 43–60. |
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Keener, Joe. "We’ve Evolved into the Gutters: Using cognition and a graphic novel to kill shakespeare." Evolution and Popular Narrative. Eds. Dirk Vanderbeke and Brett Cooke. Leiden: Brill, 2019. 205–27. |
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Labarre, Nicolas. "Adapter Macbeth, du comic book au roman graphique." Revue de recherche en civilisation américaine 5 2015. Accessed 20Feb. 2017. <https://rrca.revues.org/660>. |
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Lancaster, Kurt. "Neil Gaiman’s “A Midsummer Night’s Dream”: Shakespeare integrated into popular culture." Journal of American & Comparative Cultures 23. (2000): 69–77. |
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Levitan, Alan. "Aether/Ore: The dreamworld descends to earth." The Sandman Papers. An Exploration of the Sandman Mythology. Ed. Joe Sanders. Seattle: Fantagraphics, 2006. 97–113. |
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Luco, Jenny. "Shakespeare in The Sandman: Two worlds colliding." Via Panorâmica 2 2009. Accessed 3Mar. 2021. <https://ler.letras.up.p ... oads/ficheiros/7539.pdf>. |
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McCall, Jessica. "V for Vendetta: A Graphic Retelling of Macbeth." Popular Culture Review 20. (2009): 45–60. |
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McNicol, Sarah. "Releasing the potential of Shakespearean comic book adaptations in the classroom: A case study of romeo and juliet." Studies in Comics 5. (2014): 131–54. |
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Montironi, Maria Elisa. "The Simpsons’ Shakespeare: Hamlet Today: Possible meanings and consequences of a parodic appropriaton." Between 2. 4 2012. Accessed 16Jun. 2017. <http://ojs.unica.it/ind ... etween/article/view/690>. |
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Müller, Anja. "Shakespeare Comic Books: Visualizing the bard for a young audience." Adapting Canonical Texts in Children’s Literature. Ed. Anja Müller. New York: Bloomsbury Academic, 2013. 95–112. |
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Myklebost, Svenn-Arve. "Shakespeare Manga: Early- or post-modern?." ImageTexT 6. 3 2013. Accessed 23Apr. 2013. <http://www.english.ufl. ... rchives/v6_3/myklebost/>. |
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Naskar, Deep. "Shakespeare and Manga: A study of transcultural and transmedial adaptation of shakespearean drama." International Journal of Research in Humanities, Arts and Literature 6. (2018): 143–56. |
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Neill, F. Vance. "Interface Rhetoric in Shakespearean Comics: A study of the effect of interface on the construction of shakespeare’s play." ImageTexT 6. 3 2013. Accessed 23Apr. 2013. <http://www.english.ufl. ... xt/archives/v6_3/neill/>. |
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Parezanović, Tijana. "Dream a Little Dream of Will: Shakespeare as a character in neil gaiman’s the sandman." Philologist / Филолог 5 2012. Accessed 3Mar. 2021. <https://doisrpska.nub.r ... ilolog/article/view/344>. |
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Pendergast, John. "Six Characters in Search of Shakespeare: Neil gaiman’s sandman and shakespearian mythos." Mythlore 26. (2008): 185–97. |
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Perret, Marion D. "“And Suit the Action to the Word”: How a comics panel can speak shakespeare." The Language of Comics. Word and Image. Eds. Robin Varnum and Christina T. Gibbons. Studies in Popular Culture. Jackson: Univ. Press of Mississippi, 2001. 123–44. |
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Roper, Margaret. "The Tempest: Pastoral Romance or Colonial Critique?." ImageTexT 6. 3 2013. Accessed 23Apr. 2013. <http://www.english.ufl. ... xt/archives/v6_3/roper/>. |
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Round, Julia. "Transforming Shakespeare: Neil gaiman and the sandman." Beyond Adaptation. Essays on Radical Transformations of Original Works. Eds. Phyllis Frus and Christy Williams. Jefferson, London: McFarland, 2010. 95–110. |
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Round, Julia. "Subverting Shakespeare? The sandman #19: “a midsummer night’s dream”." Sub/versions. Cultural Status, Genre and Critique. Eds. Pauline MacPherson, et al. Newcastle upon Tyne: Cambridge Scholars Publ. 2008. 18–33. |
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Sabeti, Shari. "The ‘Strange Alteration’ of Hamlet: Comic books, adaptation and constructions of adolescent literacy." Changing English 21. (2014): 182–97. |
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Sanders, Joe. "Of Storytellers and Stories in Gaiman and Vess’s “A Midsummer Night’s Dream”." The Sandman Papers. An Exploration of the Sandman Mythology. Ed. Joe Sanders. Seattle: Fantagraphics, 2006. 25–39. |
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Saxton, Julie Myers. "Dreams and Fairy Tales: Themes of rationality and love in a midsummer night’s dream and the sandman." The Neil Gaiman Reader. Ed. Darrell Schweitzer. Rockville: Wildside, 2007. 22–29. |
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Smith, Philip. "Drawing Vladek, staging Shylock: Art spiegelman’s maus in american holocaust discourse." Journal of Graphic Novels and Comics 10. (2019): 197–209. |
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Tondro, Jason. Superheroes of the Round Table: Comics connections to medieval and renaissance literature. Jefferson, London: McFarland, 2011. |
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Tondro, Jason. "“These are not our Father’s words!”: kill shakespeare’s defense of the meta-text." ImageTexT 6. 3 2013. Accessed 23Apr. 2013. <http://www.english.ufl. ... t/archives/v6_3/tondro/>. |
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Wetmore, Jr., Kevin J. "“The Amazing Adventures of Superbard”: Shakespeare in comics and graphic novels." Shakespeare and Youth Culture. Eds. Jennifer Hulbert, Kevin J. Wetmore, Jr. and Robin L. York. New York [etc.]: Palgrave Macmillan, 2006. 171–98. |
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