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| Barker, Martin. A Haunt of Fears: The Strange History of the British Horror Comics Campaign. Studies in Popular Culture. Jackson: Pluto, 1992. |
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| Barker, Martin and Kate Brooks. Knowing Audiences: Judge Dredd, its Friends, Fans, and Foes. Luton: Univ. of Luton Press, 1998. |
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| Barker, Martin. "Seeing how far you can see: On being a ‘fan’ of 2000 AD." Reading Audiences. Young people and the media. Ed. David Buckingham. Manchester, New York: Manchester Univ. Press, 1993. 159–83. |
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| Barker, Martin. "Taking the Extreme Case: Understanding a Fascist Fan of Judge Dredd." Trash Aesthetics. Popular Culture and its Audience. Eds. Deborah Cartmell, et al. London: Pluto, 1997. 14–30. |
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| Barker, Martin. "Jackie and the Problem of Romance." A Comics Studies Reader. Eds. Jeet Heer and Kent Worcester. Jackson: Univ. Press of Mississippi, 2009. 190–206. |
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| Barker, Martin. "Fredric Wertham—The Sad Case of the Unhappy Humanist." Pulp Demons. International Dimensions of the Postwar Anti-Comics Campaign. Ed. John A. Lent. Madison [etc.]: Fairleigh Dickinson Univ. Press, 1999. 215–33. |
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| Barker, Martin. "Getting a Conviction: Or, How the British Horror Comics Campaign Only Just Succeeded." Pulp Demons. International Dimensions of the Postwar Anti-Comics Campaign. Ed. John A. Lent. Madison [etc.]: Fairleigh Dickinson Univ. Press, 1999. 69–92. |
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| Barker, Martin. "Drawing Attention to the Image: Computers and Comics." The Photographic Image in Digital Culture. Ed. Martin Lister. Comedia. London, New York: Routledge, 1995. 188–214. |
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| Barker, Cory, Chris Ryan, and Myc Wiatrowski, eds. Mapping Smallville: Critical Essays on the Series and Its Characters. Jefferson, London: McFarland, 2014. |
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| Barker, Martin and Roger Sabin. "‘Doonesbury does Iraq’: Garry Trudeau and the politics of an anti-war strip." Journal of Graphic Novels and Comics 3. (2012): 127–42. |
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| Barkman, Adam. "Should Athena Really Wear Pink? Japanese Manga, European Mythology and Ultimate Reality." Manga and Philosophy. Fullmetal Metaphysician. Eds. Josef Steiff and Adam Barkman. Popular Culture and Philosophy. Chicago: Open Court, 2010. 69–80. |
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| Barkman, Adam. "Did Santa Die on the Cross?." Anime and Philosophy. Wide Eyed Wonder. Eds. Josef Steiff and Tristan D. Tamplin. Popular Culture and Philosophy. Chicago: Open Court, 2010. 105–19. |
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| Barkman, Adam. "Superman: From Anti-Christ to Christ-Type." Superman and Philosophy. What Would the Man of Steel Do? Ed. Mark D. White. Blackwell Philosophy and Pop Culture. Chichester: Wiley-Blackwell, 2013. 111–20. |
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| Barman, Daisy. "Comics beyond Fun and Thrill: A Critical Reflection on Gender Dynamics and Public Imagination in Select Popular Comics-based Movies." Gnosis Special Issue (2019): 81–91. |
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| Barnard, Rita. "Bitterkomix: Notes from the Post-Apartheid Underground." South Atlantic Quarterly 103. (2004): 719–54. |
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| Barnes, Rex. "The Implied Spider-Man: Transcreating Religious Imagery and Meaning in Spider-Man: India." The Assimilation of Yogic Religions through Pop Culture. Ed. Paul G. Hackett. Lanham [etc.]: Rowman & Littlefield, 2017. 197–217. |
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| Barnes, Spencer. "On the Use of Encapsulation, Parity, and Visual Storytelling in Graphic Medicine." Health Humanities in Application. Eds. Christian Riegel and Katherine M. Robinson. Sustainable Development Goals. New York [etc.]: Palgrave Macmillan, 2023. 265–86. |
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| Barnet, Tully and Ben Kooyman. "The Cure Has Killed Us All: Dramatizing Medical Ethics through Zombie and Period Fiction Tropes in The New Deadwardians." The Walking Med. Zombies and The Medical Image. Eds. Lorenzo Servitje and Sherryl Vint. Graphic Medicine. University Park: Penn State Univ. Press, 2016. |
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| Barnett, Stuart. "Astérix and the Dream of Autochthony." Son of Classics and Comics. Eds. George Kovacs and C. W. Marshall. Classical Presences. New York: Oxford Univ. Press, 2016. 131–42. |
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| Barnhill, George B. "Political Cartoons at the American Antiquarian Society." Inks 2. (1995): 33–36. |
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| Barnholden, Neale. "Boundaries I: Comics and/as literary magazines: “Originally published in magazines”." The Routledge Companion to the British and North American Literary Magazine. Ed. Tim Lanzendörfer. London, New York: Routledge, 2021. 93–102. |
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| Baroková, Jana. "Darstellung der Kindheit während der Kriegsjahre in der deutschsprachigen Kinder- und Jugendliteratur: Ein Beispiel der Veränderung des Genres." Brünner Hefte zu Deutsch als Fremdsprache 4. (2011): 2–13. |
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| Baron-Carvais, Annie. La Bande Dessinée. Que Sais-Je. 3rd ed. Paris: Presses Univ. de France, 1991. |
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| Baroni, Raphaël. "L’exploration temporelle comme modalité du voyage imaginaire dans la bande dessinée franco-belge (1930–1980)." Image [&] Narrative 16. 2 2015. Accessed 3Sep. 2015. <http://www.imageandnarr ... rative/article/view/864>. |
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| Bärtschi, Arnold. "Auf den Spuren von Homer und Ammôn Kasacz: Die geopoetische Meeresdarstellung in der Odyssee und der Graphic Novel Les Voyages d’Ulysse." Closure 10 2024. Accessed 25Mar. 2025. <https://www.closure.uni ... .de/closure10/baertschi>. |
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| Added by: Leonie Katharina Göbel Last edited by: joachim 2/26/25, 3:11 PM |
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| Bartual, Roberto. "William Hogarth’s A Harlot’s Progress: The beginnings of a purely pictographic sequential language." Studies in Comics 1. (2010): 83–105. |
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| Added by: joachim Last edited by: joachim 12/27/15, 9:40 AM |
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