| Ahmed, Maaheen. "Fallen Angels and Shattered Skies: Rejected conventions in yslaire’s could 99 (xxe ciel)." International Journal of Comic Art 12.(2010): 103–23. |
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| Ahmed, Michael. "Captain America, Watergate, and the Falcon Rediscovering the american dream?." Intensities: The Journal of Cult Media 5 2013. Accessed 2 July. 2016. <https://intensitiescult ... dream-michael-ahmed.pdf>. |
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| Ahmed, Maaheen. "The Art of Splicing: Autofiction in words and images." International Journal of Comic Art 16.(2014): 322–38. |
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| Added by: joachim 11/22/14, 5:15 PM |
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| Ahmed, Maaheen. "State Protection and Identification in Hellboy: Of reformed devils and other others in the pentagon." European Journal of American Studies 10.2 2015. Accessed 12 October. 2015. <https://ejas.revues.org/10938>. |
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| Added by: joachim 10/12/15, 8:26 AM |
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| Ahmed, Maaheen. Openness of Comics: Generating meaning within flexible structures. Jackson: Univ. Press of Mississippi, 2016. |
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| Added by: joachim 8/7/17, 6:12 PM |
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| Ahmed, Maaheen. "Instrumentalising Media Memories: The second world war according to achtung zelig!." European Comic Art 12.(2019): 1–20. |
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| Last edited by: joachim 3/30/20, 10:42 AM |
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| Ahmed, Maaheen. Monstrous Imaginaries: The legacy of romanticism in comics. Jackson: University Pr. of Mississippi, 2019. |
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| Last edited by: joachim 8/31/21, 12:58 PM |
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| Ahmed, Maaheen. "Reading children in comics: A sociohistorical mapping." Children’s Geographies 20.(2022): 349–60. |
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| Last edited by: joachim 6/29/22, 6:40 PM |
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| Ahmed, Maaheen. "Collages in Comics: The case of dave mckean." Le statut culturel de la bande dessinée – ambiguïtés et évolutions. The Cultural Standing of Comics – Ambiguities and Changes. Eds. Maaheen Ahmed, Stephanie Delneste and Jean-Louis Tilleuil. Paris: L’Harmattan, 2017. 53–74. |
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| Added by: joachim 7/20/17, 2:16 PM |
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| Ahmed, Maaheen. "Reading (and looking at) Mariko Parade: A methodological suggestion for understanding contemporary graphic narratives." Intercultural Crossovers, Transcultural Flows. Manga/Comics. Ed. Jaqueline Berndt. Global Manga Studies. Kyoto: International Manga Research Center, Kyoto Seika University, 2011. 119–33. |
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| Last edited by: joachim 5/30/12, 10:44 PM |
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| Ahmed, Maaheen and Benoît Crucifix, eds. Comics and Memory: Archives and styles. Palgrave Studies in Comics and Graphic Novels. New York [etc.]: Palgrave Macmillan, 2018. |
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| Last edited by: joachim 9/1/18, 11:04 AM |
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| Ahmed, Maaheen and Benoît Crucifix. "Coda: A user guide to comics memory." Comics Memory. Archives and Styles. Eds. Maaheen Ahmed and Benoît Crucifix. Palgrave Studies in Comics and Graphic Novels. New York [etc.]: Palgrave Macmillan, 2018. 281–85. |
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| Last edited by: Okwuchi Mba 9/29/22, 12:08 AM |
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| Ahmed, Maaheen, Stephanie Delneste, and Jean-Louis Tilleuil, eds. Le statut culturel de la bande dessinée – ambiguïtés et évolutions: The cultural standing of comics – ambiguities and changes. Louvain-la-Neuve: Academia, 2017. |
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| Added by: joachim 3/4/17, 3:42 PM |
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| Ahmed, Maaheen. "Historicizing in Graphic Novels: The welcome subjective g(l)aze." Graphic History. Essays on Graphic Novels And/As History. Ed. Richard Iadonisi. Newcastle upon Tyne: Cambridge Scholars Publ, 2012. 184–202. |
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| Ahmed, Maaheen and Martin Lund. "Apocalypse Why? The neutralisation of the antichrist in three comics adaptations." Scan. Journal of media arts culture 9.1 2012. Accessed 3 May. 2013. <http://scan.net.au/scn/ ... ed-and-Martin-Lund.html>. |
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| Added by: joachim 5/4/13, 10:36 AM |
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| Ahmed, Maaheen and Martin Lund. "“We’re all Avengers now”: Community-building, civil religion and nominal multiculturalism in marvel comics’ fear itself." European Journal of American Culture 35.(2016): 77–95. |
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| Ahrens, Jörn. "The Father’s Art of Crime: Igort’s 5 is the perfect number." International Journal of Comic Art 12.(2010): 192–208. |
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| Ahrens, Jörn. "Imagine Reality: Negotiating comics along david b.’s epileptic." European Comic Art 7.(2014): 64–89. |
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| Last edited by: joachim 4/4/16, 11:55 AM |
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| Ahrens, Jörn. "Joe Sacco and the Quest for Documentation in Comics." ImageTexT 11.1 2019. Accessed 7 November. 2020. <http://imagetext.englis ... /archives/v11_1/ahrens/>. |
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| Added by: joachim 11/7/20, 7:56 PM |
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| Ahrens, Jörn. Überzeichnete Spektakel: Inszenierungen von gewalt im comic. Baden-Baden: Nomos, 2019. |
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| Ahrens, Jörn. "Zur Erfindung des Comics in Deutschland: Frühe perspektiven der comicforschung." Closure 7 2020. Accessed 3 December. 2020. <https://www.closure.uni-kiel.de/closure7/ahrens>. |
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| Added by: joachim 12/3/20, 7:26 PM |
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| Ahrens, Jörn, ed. Der Comic als Form: Bildsprache, ästhetik, narration. Bildnarrative. Berlin: Ch.A. Bachmann, 2021. |
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| Added by: joachim 4/2/21, 5:40 PM |
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| Ahrens, Jörn. "Krieg Gottes? Der kampf der engel und dämonen in ted mckeevers metropol." Comics – Bilder, Stories und Sequenzen in religiösen Deutungskulturen. Eds. Jörn Ahrens, Frank Thomas Brinkmann and Nathanael Riemer. Wiesbaden: Springer VS, 2015. 257–75. |
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| Ahrens, Jörn. "The Ordinary Urban: 100 bullets and the clichés of mass culture." Comics and the City. Urban Space in Print, Picture and Sequence. Eds. Jörn Ahrens and Arno Meteling. London, New York: Continuum, 2010. 214–28. |
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| Ahrens, Jörn. "Intermedialität, Hybridität Wieviel unbestimmtheit verträgt der comic?." Comics intermedial. Eds. Christian A. Bachmann, Véronique Sina and Lars Banhold. Bochum: Ch.A. Bachmann, 2012. 11–22. |
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| Ahrens, Jörn. "Übersetzungsprobleme: Narrativer und ästhetischer import in robert rodriguez’ verfilmung von frank millers sin city." Comic. Intermedialität und Legitimität eines popkulturellen Mediums. Ed. Thomas Becker. Bochum: Ch.A. Bachmann, 2011. 77–90. |
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| Ahrens, Jörn. "Engel aus Eisen: Ted mckeevers mini-comicserie metropol als apokalypse der modernen gesellschaft." Aktualität des Apokalyptischen. Zwischen Kulturkritik und Kulturversprechen. Eds. Olaf Briese, Richard Faber and Madleen Podewski. Würzburg: Königshausen & Neumann, 2015. 201–22. |
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| Added by: joachim 8/12/15, 7:02 AM |
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| Ahrens, Jörn, Frank Thomas Brinkmann, and Nathanael Riemer, eds. Comics – Bilder, Stories und Sequenzen in religiösen Deutungskulturen. Wiesbaden: Springer VS, 2015. |
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| Last edited by: joachim 8/4/15, 10:46 AM |
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| Ahrens, Jörn. "Comic und traumgebundene Realität: David b.s die heilige krankheit als kunst des erinnerns." Erzählen im Comic. Beiträge zur Comicforschung. Eds. Otto Brunken and Felix Giesa. Bochum: Ch.A. Bachmann, 2013. 273–92. |
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| Added by: joachim 2/8/14, 6:49 PM |
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| Ahrens, Jörn. "Neun Thesen zur Möglichkeit einer Rekonfiguration von Geschichte im Comic." Geschichte im Comic. Befunde – Theorien – Erzählweisen. Ed. Bernd Dolle-Weinkauff. Berlin: Ch.A. Bachmann, 2018. 45–56. |
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| Last edited by: Okwuchi Mba 8/25/18, 2:01 PM |
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| Ahrens, Jörn. "Hoffnungslos leben: Gipis comic die welt der söhne als meditation über (negative) humanität." Was wird aus der Hoffnung? Interdisziplinäre Denkanstöße für neue Formen des Miteinanders. Eds. Michaela Fink, Jonas Metzger and Anne Zulauf. Forum Psychosozial. Baden-Baden: Nomos, 2019. 339–54. |
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| Last edited by: joachim 11/1/19, 4:40 PM |
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| Ahrens, Jörn. "A History of Violence: David cronenberg, die graphic novel und die repräsentation der gewalt." Comic. Film. Helden. Heldenkonzepte und medienwissenschaftliche Analysen. Ed. Barbara Kainz. Wien: Löcker, 2009. 125–37. |
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| Last edited by: joachim 4/4/10, 11:31 PM |
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| Ahrens, Jörn and Arno Meteling, eds. Comics and the City: Urban space in print, picture and sequence. London, New York: Continuum, 2010. |
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| Last edited by: joachim 4/1/22, 4:28 PM |
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| Aiello, Thomas, ed. The Artistic Activism of Elombe Brath. Jackson: Univ. Press of Mississippi, 2021. |
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| Aiken, Katherine. "Superhero History: Using comic books to teach u.s. history." OAH Magazine of History 24.(2010): 41–47. |
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| Aiyesimoju, Ayodeji Boluwatife. "Black Panther as Afro-complementary Cinematic Intervention: Lessons for africa south of the sahara african movie industries." Africology 11.9 2018. Accessed 10 June. 2022. <http://www.jpanafrican. ... -special-20-Ayodeji.pdf>. |
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| Ajah, Richard Oko. "Nationalism and African Communal Identity in Marguerite Abouet’s and Clement Oubrerie’s Aya de Yopougon." Human and Social Studies 5.(2017): 85–99. |
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| Akatsuka, Neal K. "Uttering the Absurd, Revaluing the Abject Femininity and the disavowal of homosexuality in transnational boys’ love manga." Boys’ Love Manga. Essays on the Sexual Ambiguity and Cross-Cultural Fandom of the Genre. Eds. Antonia Levi, Mark McHarry and Dru Pagliassotti. Jefferson, London: McFarland, 2010. 159–76. |
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| Al-Jawad, Muna. "Comics are Research: Graphic narratives as a new way of seeing clinical practice." Journal of Medical Humanities 36.(2015): 369–74. |
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| Al-Tabaa, Najwa. "TEACHING! POW! COMICS! BAM! Pedagogical approaches to comics in post-secondary classrooms." ImageTexT 7.3 2014. Accessed 25 December. 2014. <http://www.english.ufl. ... v7_3/introduction.shtml>. |
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| Al-Tabaa, Najwa. "Hell Can Be Good for You." Neil Gaiman and Philosophy. Gods Gone Wild. Eds. Tracy L. Bealer, Rachel Luria and Wayne Yuen. Popular Culture and Philosophy. Chicago: Open Court, 2012. 127–34. |
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| Al-wazedi, Umme. "I Am the Maker of My Image: Marvel’s no normal and the comic book muslim woman." South Asian Review 39.(2018): 239–51. |
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| Alaniz, José. "Towards a History of a ‘Stalled’ Medium: Comics in russia." International Journal of Comic Art 1.(1999): 4–28. |
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| Alaniz, José. "Supercrip: Disability and the marvel silver age superhero." International Journal of Comic Art 6.(2004): 304–24. |
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| Alaniz, José. "The “Quintessentially Russian” Komiks of Zhora Litichevsky." International Journal of Comic Art 7.(2005): 110–25. |
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| Alaniz, José. "Caricature and Incarceration: The case of slava sysoev." International Journal of Comic Art 8.(2006): 145–62. |
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| Alaniz, José. "Death and the Superhero: The silver age and beyond." International Journal of Comic Art 8.(2006): 234–48. |
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| Alaniz, José. "Speaking the “Truth” of Sex: Moore & gebbie’s lost girls." International Journal of Comic Art 8.(2006): 307–18. |
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| Alaniz, José. "“Rutting in Free-Fall”: Moore and bissette/zulli’s act of faith." International Journal of Comic Art 10.(2008): 407–19. |
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| Alaniz, José. "Masculinity and the Superhero in Post-Soviet Russian Comics." International Journal of Comic Art 11.(2009): 396–425. |
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| Alaniz, José. Komiks: Comic art in russia. Jackson: Univ. Press of Mississippi, 2010. |
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| Alaniz, José. "‘Will You Listen to That!’ (dis)ability in moore/willingham’s ‘in blackest night’." Comics Forum 2012. Accessed 13 April. 2013. <http://comicsforum.org/ ... t-night-by-jose-alaniz/>. |
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| Alaniz, José. Death, Disability, and the Superhero The silver age and beyond. Jackson: Univ. Press of Mississippi, 2014. |
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| Alaniz, José. "‘In The Empire of the Senses’ and the Narrative Horizons of Comics." Humanities 6.2 2017. Accessed 31 December. 2017. <http://www.mdpi.com/2076-0787/6/2/31>. |
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| Alaniz, José. "The Shoah, Czech comics and Drda/Mazal’s “The Enormous Disc of the Sun”." Journal of Modern Jewish studies 17.(2018): 64–78. |
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| Alaniz, José. "“Death Drive” to Los Alamos: puma blues as eco-male-ancholia." American Imago 77.(2020): 533–77. |
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| Alaniz, José. Resurrection: Comics in post-soviet russia. Studies in Comics and Cartoons. Columbus: Ohio State Univ. Press, 2022. |
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| Alaniz, José. "Death, Bereavement, and the Superhero Funeral." The Ages of Superman. Essays on the Man of Steel in Changing Times. Ed. Joseph J. Darowski. Jefferson, London: McFarland, 2012. 177–91. |
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| Alaniz, José. "“No!” Great lakes avengers and the uses of enfreakment." The Ages of the Avengers. Essays on the Earth’s Mightiest Heroes in Changing Times.. Ed. Joseph J. Darowski. Jefferson: McFarland, 2014. 139–54. |
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| Alaniz, José. "Does Khrushchev Tell Kennedy? Superpowered rivalry and silver age iron man." The Ages of Iron Man. Essays on the Armored Avenger in Changing Times. Ed. Joseph J. Darowski. London, New York: McFarland, 2015. 51–76. |
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| Alaniz, José. "The Monster’s Analyst and the Binomial Self." The Ages of the Incredible Hulk. Essays on the Green Goliath in Changing Times. Ed. Joseph J. Darowski. Jefferson, London: McFarland, 2016. 62–77. |
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| Alaniz, José. "“We Are All Scream!” Woodgod and the “animal superhero”." Superheroes and Critical Animal Studies. The Heroic Beasts of Total Liberation. Eds. Sean Parson and J. L. Schatz. Lanham [etc.]: Lexington, 2018. 33–48. |
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| Alaniz, José. "Into Her Dead Body: Moore & campbell’s from hell." Alan Moore. Portrait of an Extraordinary Gentleman. Eds. smoky man and Gary Spencer Millidge. Leigh-on-Sea: Abiogenesis, 2003. 145–49. |
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| Alaniz, José. "Rutting in Free Fall: Moore & bissette/zulli’s act of faith." Alan Moore. Portrait of an Extraordinary Gentleman. Eds. smoky man and Gary Spencer Millidge. Leigh-on-Sea: Abiogenesis, 2003. 129–34. |
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| Alaniz, José. "Speaking the ‘Truth’ of Sex: Moore & gebbie’s lost girls." Alan Moore. Portrait of an Extraordinary Gentleman. Eds. smoky man and Gary Spencer Millidge. Leigh-on-Sea: Abiogenesis, 2003. 273–76. |
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| Alaniz, José. "Death and Mourning in Graphic Narrative." The Routledge Companion to Death and Literature. Eds. W. Michelle Wang, Daniel K. Jernigan and Neil Murphy. London, New York: Routledge, 2020. 117–22. |
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| Alaoui, Fatima Zahrae Chrifi and Shadee Abdi. "Wakanda for everyone: An invitation to an african muslim perspective of black panther." Review of Communication 20.(2020): 229–35. |
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| Alary, Viviane, ed. Historietas, Comics y Tebeos españoles. Collection Hespérides. Toulouse: Presses Univ. du Mirail, 2002. |
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| Alary, Viviane. "Tardi, sa marque, son souffle." MEI (2007): 71–88. |
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| Alary, Viviane. "Balance y perspectivas: Memoria genérica de la historieta española." Historietas, Comics y Tebeos españoles. Ed. Viviane Alary. Collection Hespérides. Toulouse: Presses Univ. du Mirail, 2002. 122–38. |
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| Alary, Viviane. "La historieta española 1870–1939: Breve reseña." Historietas, Comics y Tebeos españoles. Ed. Viviane Alary. Collection Hespérides. Toulouse: Presses Univ. du Mirail, 2002. 22–42. |
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| Alary, Viviane. "Hito de la historieta española: El caso de k-hito en la serie “de cómo pasan el rato currinche y don turulato” (o de cómo pasar el rato con currinche y don turulato)." Historietas, Comics y Tebeos españoles. Ed. Viviane Alary. Collection Hespérides. Toulouse: Presses Univ. du Mirail, 2002. 142–63. |
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| Alary, Viviane. "La bande dessinée sous le signe d’Hécate et de la Sphinge." Mythe et bande dessinée. Eds. Danielle Corrado and Viviane Alary. Littératures. Clermont-Ferrand: Presses Univ. Blaise Pascal, 2006. 485–96. |
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| Alary, Viviane, Danielle Corrado, and Benoît Mitaine, eds. Autobio-graphismes: Bande dessinée et représentation de soi. L’Équinoxe. Chêne-Bourg: Georg, 2015. |
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| Alary, Viviane and Michel Matly, eds. Narrativa gráfica de la Guerra Civil: Perspectivas globales y particulares. Grafikalismos. Léon: EOLAS, 2020. |
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| Alary, Viviane and Benoît Mitaine, eds. Lignes de front: Bande dessinée et totalitarisme. L’Équinoxe. Chêne-Bourg: Georg, 2011. |
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| Albano, Antonella. "Autoreverse: Fumetto↔Film↔Telefilm." Ol3Media 4.10 2011. Accessed 27 December. 2013. <http://host.uniroma3.it ... Media%2010%20Comics.pdf>. |
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| Albers, Manon. Henk Albers: Een leven. 2nd ed. Tekst & Idee, 2011. |
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| Albertsen, Anita Nell Bech. "Palimpsest characters in transfictional storytelling: On migrating penny dreadful characters from television to comic books." Continuum 33.(2019): 242–57. |
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| Albes, Claudia. "Groteske und Karikatur in Thomas Bernhards Erzählung Alte Meister und Nicolas Mahlers gleichnamiger Graphic Novel." Literatur und Malerei. Eds. Joanna Godlewicz-Adamiec, et al.. Literatura – Konteksty. 2018. 251–67. |
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| Albiero, Olivia. "When Public Figures Become Comics: Reinhard kleist’s graphic biographies." Diegesis 8.1 2019. Accessed 14 June. 2019. <https://www.diegesis.un ... egesis/article/view/340>. |
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| Albiero, Olivia. "Between free movement and confinement: Overcoming boundaries in simon schwartz’s drüben! and colleen frakes’s prison island." Journal of Graphic Novels and Comics 11.(2020): 96–116. |
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| Albiero, Olivia. "Interview with Simon Schwartz." Journal of Graphic Novels and Comics 11.(2020): 134–41. |
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| Albrecht, Christian. "Die Kunst des Unsichtbaren: Darstellung von emotionen in comicadaptionen von die leiden des jungen werther." Praxis Deutsch (2012): 46–54. |
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| Albrecht, Lukas Mathias. "Schmelztiegel der Welten: Realität und fiktion im intermedialen werk von françois schuiten und benoît peeters." Closure 7 2020. Accessed 31 January. 2021. <https://www.closure.uni-kiel.de/closure7/albrecht>. |
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| Alcover, Marta and Alicia Molina. "Mexican Comics as Culture Industry." Comics and Visual Culture. Research Studies from ten Countries. Eds. Alphons Silbermann and Hans-Dieter Dyroff. München [etc.]: Saur, 1986. 196–212. |
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| Aldama, Frederick Luis. "Jaime Hernandez (of Los Bros Hernandez)." Spilling the Beans in Chicanolandia. Conversations with Writers and Artists. Austin: Univ. of Texas Press, 1996. 119–28. |
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| Aldama, Frederick Luis. A User’s Guide to Postcolonial and Latino Borderland Fiction. Austin: Univ. of Texas Press, 2009. |
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| Last edited by: joachim 7/22/15, 2:28 PM |
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| Aldama, Frederick Luis. Your Brain on Latino Comics: From gus arriola to los bros hernandez. Cognitive Approaches to Literature and Culture. Austin: Univ. of Texas Press, 2009. |
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| Aldama, Frederick Luis, ed. Multicultural Comics: From zap to blue beetle. Cognitive Approaches to Literature and Culture. Austin: Univ. of Texas Press, 2010. |
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| Aldama, Frederick Luis. "Mood, Mystery, and Demystification in Gilbert Hernandez’s Twentieth-First-Century NeoNoir Stand-Alones." ImageTexT 7.1 2013. Accessed 16 December. 2014. <http://www.english.ufl. ... t/archives/v7_1/aldama/>. |
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| Last edited by: joachim 12/25/14, 3:18 PM |
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| Aldama, Frederick Luis. Latinx Superheroes in Mainstream Comics. Latinx Pop Culture. Tucson: Univ. of Arizona Press, 2017. |
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| Added by: joachim 8/26/17, 11:29 AM |
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| Aldama, Frederick Luis. "An Unexpected Life Through Comics: An interview with ben katchor." Studies in 20th & 21st Century Literature 42.1 2017. Accessed 25 September. 2017. <https://doi.org/10.4148/2334-4415.1975>. |
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| Added by: joachim 9/25/17, 4:20 PM |
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| Aldama, Frederick Luis, ed. Comics Studies Here and Now. Routledge Advances in Comics Studies. London, New York: Routledge, 2018. |
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| Last edited by: joachim 6/25/20, 11:53 AM |
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| Aldama, Frederick Luis, ed. Graphic Indigeneity: Comics in the americas and australasia. Jackson: Univ. Press of Mississippi, 2020. |
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| Last edited by: joachim 6/15/20, 11:41 AM |
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| Aldama, Frederick Luis, ed. The Oxford Handbook of Comic Book Studies. New York: Oxford Univ. Press, 2020. |
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| Last edited by: joachim 4/18/21, 5:42 PM |
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