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| Omar-Sherman, Ranen. "A Conversation with Miriam Libicki." The Jewish Graphic Novel. Critical Approaches. Eds. Samantha Baskind and Ranen Omar-Sherman. New Brunswick: Rutgers Univ. Press, 2008. 244–53. |
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| Özçınar, Meral. "A Cornerstone of Turkish Fantastic Films: From Flash Gordon to Baytekin." Comics as a Nexus of Cultures. Essays on the Interplay of Media, Disciplines and International Perspectives. Eds. Mark Berninger, Jochen Ecke and Gideon Haberkorn. Critical Explorations in Science Fiction and Fantasy. Jefferson, London: McFarland, 2010. 164–74. |
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| Cook, Mike P. and Brandon L. Sams. "A Different Kind of Sponsorship: The Influence of Graphic Narrative Composing on ELA Pre-Service Teachers’ Perceptions of Writing and Literacy Instruction." Journal of Language and Literacy Education 14. 1 2018. Accessed 26Apr. 2018. <http://jolle.coe.uga.ed ... 8/04/Cook_JoLLE2018.pdf>. |
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| Gabilliet, Jean-Paul. "A Disappointing Crossing: The North American Reception of Asterix and Tintin." Transnational Perspectives on Graphic Narratives. Comics at the Crossroads. Eds. Shane Denson, Christina Meyer and Daniel Stein. New York: Bloomsbury, 2013. 257–70. |
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| Kovan, Sarah B. and Derek R. Soled. "A Disembodied Dementia: Graphic Medicine and Illness Narratives." Journal of Medical Humanities 44. (2023): 227–44. |
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| Stoll, Jeremy. "A Domestic Schizophrenia: Gender and Political Cartoons in the Middle East." International Journal of Comic Art 12. (2010): 302–22. |
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| Catala, Josep. "A Drawing of the World: Documentary and Comic Book." Scan. Journal of media arts culture 9. 1 2012. Accessed 3May. 2013. <http://scan.net.au/scn/ ... mber1/Josep-Catala.html>. |
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| Strong, Anise K. "A Dream of Augustus: Neil Gaiman’s Sandman and Comics Mythology." Classics and Comics. Eds. George Kovacs and C. W. Marshall. Classical Presences. New York: Oxford Univ. Press, 2011. 173–82. |
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| Samson, Jacques. "A Face in the Mind." The Comics Grid. Journal of Comics Scholarship. Year One. Ed. Ernesto F. Priego Ramirez. London: The Comics Grid Digital First Editions, 2012. 70–72. |
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| Benoit, William, et al. "A fantasy theme analysis of political cartoons on the Clinton–Lewinsky–Starr affair." Critical Studies in Media Communication 18. (2001): 377–94. |
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| Trousdale, Rachel. "A Female Prophet? Authority and Inheritance in Marjane Satrapi." Drawing from Life. Memory and Subjectivity in Comic Art. Ed. Jane Tolmie. Jackson: Univ. Press of Mississippi, 2013. 241–63. |
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| Quiring, Björn. "“A Fiction That We Must Inhabit” – Sense Production in Urban Spaces According to Alan Moore and Eddie Campbell’s From Hell." Comics and the City. Urban Space in Print, Picture and Sequence. Eds. Jörn Ahrens and Arno Meteling. London, New York: Continuum, 2010. 199–213. |
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| Hernández, María Lorenzo. "A Film of One’s Own: The Animated Self-Portraits of Young Contemporary Female Animators." Animation 5. (2010): 73–90. |
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| Bryan, Peter Cullen. "A Financial Fable: The Rise and Fall of Disney Comics, 1990–1993." Forgotten Disney. Essays on the Lesser-Known Productions. Eds. Kathy Merlock Jackson, Carl H. Sederholm and Mark I. West. Jefferson: McFarland, 2023. 201–11. |
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| Perez del Solar, Pedro. "“A Führer’s Day”: Comics and Politics of Memory in 1980s Spain." International Journal of Comic Art 10. (2008): 280–97. |
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| Steinmetz, Christian. "A Genealogy of Evil: Captain America vs. the Shadows of the National Imagined Community." Captain America and the Struggle of the Superhero. Critical Essays. Ed. Robert G. Weiner. Jefferson, London: McFarland, 2009. 190–203. |
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| Sandifer, Philip. A Golden Thread: An Unofficial Critical History of Wonder Woman. o.O. Eruditorum, 2013. |
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| Nadel, Dan. "A Good Life: The Julie Doucet Interview." The Comics of Julie Doucet and Gabrielle Bell. A Place inside Yourself. Eds. Tahneer Oksman and Seamus O’Malley. Critical Approaches to Comics Artists. Jackson: Univ. Press of Mississippi, 2019. 189–96. |
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| Clancy, Shaun. "A great friendship: An interview with friend and artist Frank Giusto." Matt Baker. The Art of Glamour. Eds. Jim Amash and Eric Nolen-Weathington. Raleigh: TwoMorrows, 2012. 122–35. |
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| Romero-Jódar, Andrés. "A hammer to shape reality: Alan Moore’s graphic novels and the avant-gardes." Studies in Comics 2. (2011): 39–56. |
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| Barker, Martin. A Haunt of Fears: The Strange History of the British Horror Comics Campaign. Studies in Popular Culture. Jackson: Pluto, 1992. |
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| Harguindey Barrio, Breixo. "A Haunted House: Here de Richard McGuire a la luz de la espectralidad derridiana." CuCo, Cuadernos de cómic 9 2017. Accessed 5Feb. 2023. <https://erevistas.publi ... comic/article/view/1169>. |
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| Robbins, Margaret A. "A Hero’s Journey for Diverse Women in Comics: Teaching Critical Visual Literacy Skills through Serenity and Parallel Texts Ms. Marvel, Buffy the Vampire Slayer, and Gotham." Comic Connections. Reflecting on Women in Popular Culture. Ed. Sandra Eckard. Comic Connections. Lanham [etc.]: Rowman & Littlefield, 2018. 107–20. |
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| Netzler, Kate. "A Hesitant Embrace: Comic Books and Evangelicals." Graven Images. Religion in Comic Books & Graphic Novels. Eds. A. David Lewis and Christine Hoff Kraemer. London, New York: Continuum, 2010. |
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| Couperie, Pierre and Maurice Horn. A History of the Comic Strip. 6th ed. New York: Crown, 1974. |
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| Gardner, Jared. "A History of the Narrative Comic Strip." From Comic Strips to Graphic Novels. Contributions to the Theory and History of Graphic Narrative. Eds. Daniel Stein and Jan-Noël Thon. Narratologia. Berlin u. Boston: de Gruyter, 2013. 241–53. |
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| Ahrens, Jörn. "A History of Violence: David Cronenberg, die Graphic Novel und die Repräsentation der Gewalt." Comic. Film. Helden. Heldenkonzepte und medienwissenschaftliche Analysen. Ed. Barbara Kainz. Wien: Löcker, 2009. 125–37. |
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| Orbán, Katalin. "A Language of Scratches and Stitches: The Graphic Novel between Hyperreading and Print." Critical Inquiry 40. (2014): 169–81. |
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| Added by: joachim 4/5/16, 2:15 PM |
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| Alexandre-Bidon, Danièle. "À l’origine de l’imagerie onirique: La peinture du rêve dans l’art médiéval." Nocturnos. Le rêve dans la bande dessinée. Ed. Thierry Groensteen. Paris: Citadelles & Mazenod, 2013. 13–26. |
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| Added by: joachim 2/4/14, 11:31 PM |
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