| Eveleth, Kyle: "Crucial Convergence. Scott Pilgrim as Transmedial Test Case." In: Textual Overtures 1 (213), (8. Jan. 2021) |
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| Wiebe, Reginald (Hg.): Polyptych. Adaptation, Television, and Comics. (Series in Critical Media Studies.) Wilmington: Vernon, 2021. |
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| Ursini, Francesco-Alessio: "Social Control and Closed Worlds in Manga and Anime." In: Dialogues between Media. Hrsg. v. Paul Ferstl. (The Many Languages of Comparative Literature / La littérature comparée: multiples langues, multiples langages / Die vielen Sprachen der Vergleichenden Literaturwissenschaft, 5.) 2021, S. 47–58. |
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| Trinkwitz, Joachim: "»Paper activities … frivolous hokum«? Interaktives Lesen im Comic – Verfahren und Praktiken." In: Der Comic als Form. Bildsprache, Ästhetik, Narration. Hrsg. v. Jörn Ahrens. (Bildnarrative, 10.) Berlin: Ch.A. Bachmann, 2021, S. 237–281. |
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| Serrano, Nhora Lucía (Hg.): Immigrants and Comics. Graphic Spaces of Remembrance, Transaction, and Mimesis. (Routledge Advances in Comics Studies.) London, New York: Routledge, 2021. |
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| Schmid, Johannes C. P. und Christian A. Bachmann (Hgg.): Framing [in] Comics and Cartoons. Essays on Aesthetics, History, and Mediality. Berlin: Ch.A. Bachmann, 2021. (220 S.) |
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| Rossi, Umberto: "The Myth of the Great War. Hugo Pratt's World War I Graphic Novel and Stories." In: Dialogues between Media. Hrsg. v. Paul Ferstl. (The Many Languages of Comparative Literature / La littérature comparée: multiples langues, multiples langages / Die vielen Sprachen der Vergleichenden Literaturwissenschaft, 5.) 2021, S. 59–82. |
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| del Rey Cabero, Enrique, Michael Goodrum und Josean Morlesín Mellado: How to Study Comics & Graphic Novels. A Graphic Introduction to Comics Studies. Oxford: TORCH, 2021. (40 S.) |
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| Polak, Kate: "Mazikeen’s Faces—The Feminist Lives of Karen Berger." In: Leaves 11 (2021), (19. Jan. 2021) |
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| Paladin, Nicola: "The Participation of Will Eisner’s The Spirit in World War II." In: Dialogues between Media. Hrsg. v. Paul Ferstl. (The Many Languages of Comparative Literature / La littérature comparée: multiples langues, multiples langages / Die vielen Sprachen der Vergleichenden Literaturwissenschaft, 5.) 2021, S. 33–46. |
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| Magnussen, Anne (Hg.): Spanish Comics. Historical and Cultural Perspectives. Oxford, New York: Berghahn Books, 2021. (268 S.) |
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| MacLeod, Catriona: Invisible Presence. The Representation of Women in French-Language Comics. Bristol, Chicago: Intellect Books, 2021. |
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| Licari-Guillaume, Isabelle: "“In which a Wake is Held”—The Life and Death of Vertigo." In: Leaves 11 (2021), (16. Jan. 2021) |
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| Labarre, Nicolas: "Vertigo outside Vertigo." In: Leaves 11 (2021), (18. Febr. 2021) |
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| Kruse, Zack: Mysterious Travelers. Steve Ditko and the Search for a New Liberal Identity. Jackson: Univ. Press of Mississippi, 2021. (275 S.) |
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| Ieshima, Akihiko et al. "Positive use of visual media to understand and prevent bullying. The popularity and possibility of manga." In: Tackling Cyberbullying and Related Problems. Innovative Usage of Games, Apps and Manga. Hrsg. v. Yuichi Toda und Insoo Oh. London, New York: Routledge, 2021. |
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| Howard, Sheena C. (Hg.): Why Wakanda Matters. What Black Panther Reveals About Psychology, Identity, and Communication. Dallas: Smart Pop, 2021. (247 S.) |
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| Grünewald, Dietrich: "Comics, Kunst und Unterricht." In: Wieder gelesen. Hermann K. Ehmers Analyse einer Doornkaatwerbung – 50 Jahre danach mit dem Original-Text von 1970. Hrsg. v. Franz Billmayer. Hannover: fabrico, 2021, S. 150–167. |
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| Goodrum, Michael und Philip Smith: Printing Terror. American Horror Comics as Cold War Commentary and Critique. Manchester, New York: Manchester Univ. Press, 2021. |
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| Geuzaine, Fanny: "“I like to think of it as a bridge across”. The Tight Association between Neil Gaiman and DC’s Vertigo Imprint." In: Leaves 11 (2021), (24. Jan. 2021) |
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| Gandolfo, Amadeo: "Relaunching in the age of the author. The Dreaming and Doom Patrol." In: Leaves 11 (2021), (14. Jan. 2021) |
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| Gabilliet, Jean-Paul: "Vertigo: the first few months (1992–1994)—according to The Comics Journal and Wizard." In: Leaves 11 (2021), (16. Jan. 2021) |
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| Fragiskatos, Dimitrios, George Carmona 3rd und Joseph Illidge: The Access Guide to the Black Comic Book Community 2020–2021. New York: Anyone Comics, 2021. |
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| Engelns, Markus, Ulrike Preußer und Felix Giesa (Hgg.): Comics in der Schule. Theorie und Unterrichtspraxis. Berlin: Ch.A. Bachmann, 2021. (390 S.) |
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| Dubil, Janwillem: "There is no Love in the Heart of the City. Stadtflucht als Paradigma des kontemporären Zombie-Narrativs." In: Gutes Leben auf dem Land? Imaginationen und Projektionen vom 18. Jahrhundert bis zur Gegenwart. Hrsg. v. Werner Nell und Marc Weiland. Bielefeld: Transcript, 2021, S. 445–462. |
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| Dony, Christophe: "Second-degree Rewriting Strategies. On Jack’s Revisions and Transfictional Crossing from Fables to Jack of Fables." In: Leaves 11 (2021), (16. Jan. 2021) |
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| Donadon, Lia Roxana: Mafalda. Quinos Comicstrip als Gesellschaftskritik im Argentinien der 1960er und 70er Jahre. (Siegen Research in Graphic Narrative, 1.) Siegen: Universi, 2021. (155 S.) |
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| De Dauw, Esther: Hot Pants and Spandex Suits. Gender Representation in American Superhero Comic Books. New Brunswick: Rutgers Univ. Press, 2021. (205 S.) |
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| Dagbovie-Mullins, Sika A. und Eric Berlatsky (Hgg.): Mixed-Race Superheroes. New Brunswick: Rutgers Univ. Press, 2021. |
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| Cotta Vaz, Mark: Empire of the Superheroes. America’s Comic Book Creators and the Making of a Billion-Dollar Industry. New Brunswick: Rutgers Univ. Press, 2021. |
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| Costello, Brannon und Brian Cremins (Hgg.): The Other 1980s. Reframing Comics’ Crucial Decade. Baton Rouge: Louisiana State Univ. Press, 2021. |
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| Cohn, Neil: Who Understands Comics? Questioning the Universality of Visual Language Comprehension. New York: Bloomsbury Academic, 2021. |
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| Calonne, David Stephen: R. Crumb. Literature, Autobiography, and the Quest for Self. Jackson: Univ. Press of Mississippi, 2021. (276 S.) |
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| Buchenberger, Stefan: "Future Imperfect. Dystopia, Time Travel, Absolute Power, and the Incredible Hulk." In: Dialogues between Media. Hrsg. v. Paul Ferstl. (The Many Languages of Comparative Literature / La littérature comparée: multiples langues, multiples langages / Die vielen Sprachen der Vergleichenden Literaturwissenschaft, 5.) 2021, S. 25–32. |
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| Brown, Thomas J. "Deconstructing the Laughing Magician. Constantine, Hellblazer, & Their Role in the Comic Book Industry." In: Leaves 11 (2021), (16. Jan. 2021) |
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| Ask Nunes, Denise: "The Toxic Heroine in Nausicaä of the Valley of the Wind." In: Dialogues between Media. Hrsg. v. Paul Ferstl. (The Many Languages of Comparative Literature / La littérature comparée: multiples langues, multiples langages / Die vielen Sprachen der Vergleichenden Literaturwissenschaft, 5.) 2021, S. 83–94. |
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| Aldama, Frederick Luis (Hg.): The Routledge Companion to Gender and Sexuality in Comic Book Studies. (Routledge Companions to Gender.) London, New York: Routledge, 2021. (569 S.) |
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| Ahrens, Jörn (Hg.): Der Comic als Form. Bildsprache, Ästhetik, Narration. (Bildnarrative, 10.) Berlin: Ch.A. Bachmann, 2021. (335 S.) |
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| Zeller-Jacques, Martin: "‘Are You Woman Enough to Survive?’. Bitch Planet’s Collaborative Critique of the Neo-Liberal Prison-Industrial Complex." In: The Palgrave Handbook of Incarceration in Popular Culture. Hrsg. v. Marcus Harmes, Meredith Harmes und Barbara Harmes. New York [etc.]: Palgrave Macmillan, 2020, S. 717–730. |
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| Żaglewski, Tomasz: "The Unwrapped Editions. Searching for the “Ultimate” Format of Graphic Novels and its Limitations." In: ImageTexT 11.3 (2020), (19. Okt. 2020) |
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| ---: "The Impossibles revived. Hanna-Barbera’s superhero universe in TV and comics." In: Journal of Graphic Novels and Comics (2020), S. 1–17. |
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| ---: "‘A Joke less Killing’. Animated remediation of a comic book as an extra-mediation." In: Journal of Graphic Novels and Comics 11.3 (2020), S. 341–353. |
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| Wood, Christopher: Heroes Masked and Mythic. Echoes of Ancient Archetypes in Comic Book Characters. Jefferson, London: McFarland, 2020. |
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| Woo, Benjamin: "What Kind of Studies Is Comics Studies?" In: The Oxford Handbook of Comic Book Studies. Hrsg. v. Frederick Luis Aldama. New York: Oxford Univ. Press, 2020, S. 3–15. |
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| Wong, Sara, Rachel Shapcott und Emma Parker: "Graphic Lives, Visual Stories. Reflections on Practice, Participation, and the Potentials of Creative Engagement." In: a/b: Auto/Biography Studies 35.2 (2020), S. 311–329. |
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| Williams, Paul: Dreaming the Graphic Novel. The Novelization of Comics. New Brunswick: Rutgers Univ. Press, 2020. (259 S.) |
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| Whitlock, Gillian: "Implicated Subjects." In: a/b: Auto/Biography Studies 35.2 (2020), S. 495–501. |
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| Wetzel, Stephanie und Charlie Wetzel: The Marvel Studios Story. How a Failing Comic Book Publisher Became a Hollywood Superhero. (The Business Storybook.) New York: HarperCollins, 2020. (148 S.) |
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| Wehler, Melissa und Tim Rayborn (Hgg.): Girl of Steel. Essays on Television’s Supergirl and Fourth-Wave Feminism. Jefferson: McFarland, 2020. |
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| Wegner, Gesine: "Reflections on the Boom of Graphic Pathography. The Effects and Affects of Narrating Disability and Illness in Comics." In: Journal of Literary & Cultural Disability Studies 14.1 (2020), S. 57–74. |
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| Washington, Donna-lyn (Hg.): John Jennings. Conversations. (Conversations with Comic Artists.) Jackson: Univ. Press of Mississippi, 2020. (149 S.) |
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| Wanzo, Rebecca: "Ms. Marvel Punches Back. Twenty-First-Century Superheroes and Alienated Citizenship." In: Popular Culture and the Civic Imagination. Case Studies of Creative Social Change. Hrsg. v. Henry Jenkins, Gabriel Peters-Lazaro und Sangita Shresthova. New York, London: New York Univ. Press, 2020, S. 206–213. |
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| ---: The Content of Our Caricature. African American Comic Art and Political Belonging. (Postmillennial Pop.) New York, London: New York Univ. Press, 2020. (245 S.) |
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| Wallner, Lars und Katarina Eriksson Barajas: "Using comics and graphic novels in K-9 education. An integrative research review." In: Studies in Comics 11.1 (2020), S. 37–54. |
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| Wallner, Lars: "”Hårt arbete har gjort mig till den jag är” – pengar och moraliskt värde som pedagogiska aspekter i två Kalle Anka-album." In: Nordic Journal of Literacy Research 6.2 (2020), (9. Okt. 2020) |
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| Viljoen, Jeanne-Marie: War Comics. A Postcolonial Perspective. (Routledge Interdisciplinary Perspectives on Literature.) London, New York: Routledge, 2020. |
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| Venkatesh, Vinodh: Capitán Latinoamérica. Superheroes in Cinema, Television, and Web Series. (SUNY series in Latin American Cinema.) Albany: SUNY Pr. 2020. (261 S.) |
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| in ‘t Veld, Laurike: "Nuancing Gestures. Perpetrators and Victims in Reinhard Kleist’s The Boxer." In: Journal of Perpetrator Research 3.1 (2020), (25. Mai 2020) |
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| Veith, Natalie: "Othering Voices and the Voice of the Other. The Depiction of Joseph Merrick in From Hell." In: Spaces Between: Gender, Diversity, and Identity in Comics. Hrsg. v. Nina Eckhoff-Heindl und Véronique Sina. Wiesbaden: Springer VS, 2020, S. 95–107. |
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| ---: "The (In)Significance of Queen Victoria in Neo-Victorian Comics." In: Realms of Royalty. New Directions in Researching Contemporary European Monarchies. Hrsg. v. Christina Jordan und Imke Polland. Bielefeld: Transcript, 2020, S. 193–210. |
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| Vacchelli, Carlotta: "The Sex of the Angels. Hybridization of Judeo-Christian Motifs in American and Italian Mainstream Comics." In: Simultanea 1.1 (2020), (28. Aug. 2020) |
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| Utell, Janine (Hg.): The Comics of Alison Bechdel. From the Outside In. (Critical Approaches to Comics Artists.) Jackson: Univ. Press of Mississippi, 2020. (250 S.) |
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| Unceta Gómez, Luis: "Sexy gory Rome. Violent Sexuality in Comic Book Representations of Ancient Rome." In: Ancient Violence in the Modern Imagination. The Fear and the Fury. Hrsg. v. Irene Berti, Maria G. Castello und Carla Scilabra. (IMAGINES – Classical Receptions in the Visual and Performing Arts.) New York: Bloomsbury Academic, 2020. |
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| Tran-Gervat, Yen-Mai: "Intercultural and Interartistic Transfers of Shandean Humour in the Twentieth and Twenty-First Centuries." In: The Palgrave Handbook of Humour, History, and Methodology. Hrsg. v. Daniel Derrin und Hannah Burrows. New York [etc.]: Palgrave Macmillan, 2020, S. 443–457. |
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| Toku, Masami und Hiromi Tsuchiya Dollase (Hgg.): Manga! Visual Pop-Culture in Arts Education. Viseu: InSEA, 2020. (230 S.) |
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| Tetzlaff, Stefan: "Batmans Zeichen. Zur Metonymie als semiotischem Verfahren in Superheldennarrativen." In: Die Dechiffrierung von Helden. Aspekte einer Semiotik des Heroischen vom Mittelalter bis zur Gegenwart. Hrsg. v. Florian Nieser. Bielefeld: Transcript, 2020, S. 79–102. |
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| Tembo, Kwasu: "Sons of Lilith. The Portrayal and Characterization of Women in the Apocryphal Comics of Neil Gaiman, Alan Moore, and Grant Morrison." In: Corpus Mundi 1.2 (2020), (17. Jan. 2021) |
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| Tarbox, Gwen Athene: Children’s and Young Adult Comics. (Bloomsbury Comics Studies.) New York: Bloomsbury Academic, 2020. (186 S.) |
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| Takehana, Elise: The Baroque Technotext. Literature in a Digital Mediascape. Bristol, Chicago: Intellect Books, 2020. |
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| Szép, Eszter: Comics and the Body. Drawing, Reading, and Vulnerability. (Studies in Comics and Cartoons.) Columbus: Ohio State Univ. Press, 2020. |
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| Streb, Markus und Ole Frahm: "No One Wants to Draw the Muselmann? Visual Representations of the Muselmann in Comics." In: Journal of Holocaust Research 34.3 (2020), S. 241–261. |
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| Stevenson, Gregory (Hg.): Theology and the Marvel Universe. (Theology and Pop Culture.) Lanham [etc.]: Lexington, 2020. (270 S.) |
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| Stein, Daniel: "Conflicting Counternarratives of Crime and Justice in US Superhero Comics." In: Conflicting Narratives of Crime and Punishment. Hrsg. v. Martina Althoff, Bernd Dollinger und Holger Schmidt. New York [etc.]: Palgrave Macmillan, 2020, S. 139–160. |
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| Stańczyk, Ewa: "Szaber in post-war Poland. Satirising plunder in Polish magazine cartoons (1945–1946)." In: Journal of Graphic Novels and Comics (2020), S. 1–16. |
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| Sreedhar Mini, Darshana und Anirban K. Baishya: "Transgressions in Toonland. Savita Bhabhi, Velamma and the Indian adult comic." In: Porn Studies 7.1 (2020), S. 115–131. |
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| Squier, Susan M. und Irmela Marei Krüger-Fürhoff (Hgg.): PathoGraphics. Narrative, Aesthetics, Contention, Community. University Park: Pennsylvania State Univ. Press, 2020. (247 S.) |
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| Spieldenner, Andrew: "Altered egos. Gay men reading across gender difference in Wonder Woman." In: Journal of Graphic Novels and Comics (2020). |
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| Spandler, Helen: "Crafting Psychiatric Contention Through Single-Panel Cartoons." In: PathoGraphics. Narrative, Aesthetics, Contention, Community. Hrsg. v. Susan M. Squier und Irmela Marei Krüger-Fürhoff. University Park: Pennsylvania State Univ. Press, 2020, S. 115–134. |
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| Singer, Rüdiger: "Cute monsters and early birds. Foreignness in graphic novels on migration by Shaun Tan and Paula Bulling." In: Journal of Graphic Novels and Comics 11.1 (2020), S. 74–95. |
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| Shutt, Craig: "The Long Running Comic (Book) Career of Jerry Lewis." In: Hogan’s Alley 22 (2020), S. 16–27. |
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| Sereni, Eleonora: "“When I‘m Bad, I’m Better”. From Early Villainesses to Contemporary Antiheroines in Superhero Comics." In: helden. heroes. héros. 8.1 (2020), (4. Aug. 2020) |
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| Schnurrer, Achim: Das war Schwermetall. Bd. 2: 1988–1999. (Texte zur Graphischen Literatur.) Barmstedt: Edition Alfons, 2020. |
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| Schlosser, Andrea: "Specters of the Past. Transgenerational Memory in Miriam Katin’s Graphic Memoirs We Are On Our Own and Letting It Go." In: Genealogy 4.2 (2020), (4. Mai 2020) |
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| Scherr, Rebecca: "Drawing Ground in the Graphic Novel." In: a/b: Auto/Biography Studies 35.2 (2020), S. 475–479. |
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| Sánchez Martínez, Cristina: "El último troyano. Un nuevo Eneas." In: Cuadernos de Filología Clásica. Estudios Latinos 40.1 (2020), S. 129–147. |
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| Sammond, Nicholas: "A Matter of Fluids. EC Comics & the Vernacular Abject." In: Abjection Incorporated. Mediating the Politics of Pleasure and Violence. Hrsg. v. Maggie Hennefeld und Nicholas Sammond. Durham: Duke Univ. Press, 2020, S. 217–242. |
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| Salter, Anastasia und Mel Stanfill: A Portrait of the Auteur as Fanboy. The Construction of Authorship in Transmedia Franchises. Jackson: Univ. Press of Mississippi, 2020. |
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| Roughan, M., L. Mitchell und Tobin South: "How the Avengers assemble. Ecological modelling of effective cast sizes for movies." In: PLoS ONE 15 (2020). |
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| Rondinelli, Zachary J. A. "Even Batman Has (K)nightmares. An Analysis of Form and Communication in Tom King’s “Knightmare” Arc (Batman #61-63, 66-69)." In: The Vault of Culture (17. März 2020), (29. März 2020) |
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| Rifas, Leonard: Korean War Comic Books. Jefferson: McFarland, 2020. |
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| Richardson, Chris: Batman and the Joker. Contested Sexuality in Popular Culture. (Routledge Focus on Gender, Sexuality, and Comics.) London, New York: Routledge, 2020. |
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| Rauscher, Andreas, Daniel Stein und Jan-Noël Thon (Hgg.): Comics and Videogames. From Hybrid Medialities to Transmedia Expansions. (Routledge Advances in Game Studies.) London, New York: Routledge, 2020. |
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| Ramirez, Alexander: "The Mess and the Work. Diffusion, Delimitations, and the Undying Labor of the Batman." In: Journal of American Culture 43.4 (2020), S. 324–337. |
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| Quattro, Ken: Invisible Men. Black Artists of The Golden Age of Comics. San Diego: Yoe Books, 2020. |
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| Precup, Mihaela: The Graphic Lives of Fathers. Memory, Representation, and Fatherhood in North American Autobiographical Comics. (Palgrave Studies in Comics and Graphic Novels.) New York [etc.]: Palgrave Macmillan, 2020. |
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| Phoenix, Jack: Maximizing the Impact of Comics in Your Library. Graphic Novels, Manga, and More. Santa Barbara: Libraries Unlimited, 2020. (248 S.) |
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| Added by: joachim 2021-04-02 16:31:02 |
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| Peppard, Anna F. (Hg.): Supersex. Sexuality, Fantasy, and the Superhero. (World Comics and Graphic Nonfiction.) Austin: Univ. of Texas Press, 2020. (374 S.) |
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| Last edited by: joachim 2020-12-09 20:50:10 |
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| ---: "(Behold?) The Vision’s Penis. The Presence of Absence in Mutant Romance Tales." In: The Middle Spaces (18. Aug. 2020), (5. Sept. 2020) |
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| Added by: joachim 2020-09-05 15:04:58 |
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| Peaslee, Robert Moses und Robert G. Weiner (Hgg.): The Supervillain Reader. Jackson: Univ. Press of Mississippi, 2020. (391 S.) |
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| Last edited by: joachim 2020-02-14 01:04:38 |
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| Pawlak, Anna: "Leonidas als gezeichneter Held. Ästhetik der Selbst- und Fremdgewalt in Frank Millers ›300‹." In: Die Dechiffrierung von Helden. Aspekte einer Semiotik des Heroischen vom Mittelalter bis zur Gegenwart. Hrsg. v. Florian Nieser. Bielefeld: Transcript, 2020, S. 191–208. |
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| Last edited by: joachim 2020-02-28 12:10:30 |
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