| Inge, M. Thomas. "The EC Comic Books and Science Fiction." Comics as Culture. Jackson: Univ. Press of Mississippi, 1990. 117–29. |
 
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| Inge, M. Thomas. "Sut Lovingood and Snuffy Smith." Comics as Culture. Jackson: Univ. Press of Mississippi, 1990. 69–77. |
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| Inge, M. Thomas. "Peanuts and American Culture." Comics as Culture. Jackson: Univ. Press of Mississippi, 1990. 101–07. |
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| Inge, M. Thomas. "Mark Twain and the Comics." Mark Twain Journal 28. (1990): 30–39. |
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| Inge, M. Thomas. "Krazy Kat as American Dada Art." Comics as Culture. Jackson: Univ. Press of Mississippi, 1990. 41–57. |
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| Inge, M. Thomas. "Introduction: Comics as Culture." Comics as Culture. Jackson: Univ. Press of Mississippi, 1990. xi–xxi. |
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| Inge, M. Thomas. "Faulkner Reads the Funny Papers." Comics as Culture. Jackson: Univ. Press of Mississippi, 1990. 79–99. |
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| Inge, M. Thomas. "Fantasy and Reality in Winsor McCay’s Little Nemo." Comics as Culture. Jackson: Univ. Press of Mississippi, 1990. 29–39. |
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| Inge, M. Thomas. Comics as Culture. Jackson: Univ. Press of Mississippi, 1990. |
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| Inge, M. Thomas. "Comics and American Language." Comics as Culture. Jackson: Univ. Press of Mississippi, 1990. 17–27. |
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| Inge, M. Thomas. "Charlie Chaplin and the Comics." Comics as Culture. Jackson: Univ. Press of Mississippi, 1990. 59–67. |
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| Inge, M. Thomas. "American Industrial Culture and the Comic Book." Comics as Culture. Jackson: Univ. Press of Mississippi, 1990. 131–45. |
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| Horn, Maurice. "Winsor McCay: Visionär und zauberer der comics." Comic Jahrbuch (1990): 187–93. |
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| Heller, Martin. "Kraftproben." »Mit Pikasso macht man Kasso.« Kunst und Kunstwelt im Comic. Eds. Cuno Affolter, Urs Hangartner and Martin Heller. Zürich: Edition Moderne, 1990. 138–47. |
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| Heller, Martin. "»Ich versichere Ihnen, das ist eine Metzgerei. Hier war nie eine Kunstgalerie«: Ein vorwort." »Mit Pikasso macht man Kasso.« Kunst und Kunstwelt im Comic. Eds. Cuno Affolter, Urs Hangartner and Martin Heller. Zürich: Edition Moderne, 1990. 6–19. |
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| Hangartner, Urs and Beat Mazenauer. "Kunstbilderwelten: Oder was das eine mit dem andern zu schaffen hat." »Mit Pikasso macht man Kasso.« Kunst und Kunstwelt im Comic. Eds. Cuno Affolter, Urs Hangartner and Martin Heller. Zürich: Edition Moderne, 1990. 92–132. |
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| Groth, Gary. "Alan Moore Big Words." The Comics Journal (1990): 78–109. |
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| Groensteen, Thierry. "Du 7e au 9e art: L’inventaire des singularités." Cinéma et bande dessinée. Ed. Gilles Ciment. CinémAction. Condé-sur-Noireau: Corlet, 1990. |
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| Groensteen, Thierry. "Acteurs de papier." Cinéma et bande dessinée. Ed. Gilles Ciment. CinémAction. Condé-sur-Noireau: Corlet, 1990. |
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| Groensteen, Thierry. "Bandes désignées. De la réflexivité dans les bandes dessinées." Conséquences (1990): 132–65. |
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| Glavan, Darko. "Freedom in the Hinterland of Comics." Journal of Decorative and Propaganda Arts 17. (1990): 77–83. |
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| Gifford, Denis. American Comic Strip Collections, 1884–1939: The evolutionary era. Boston: G.K. Hall, 1990. |
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| Garlinski, Bojarek. "»Wieviele Bilder müssen wir noch hopsen?«: Glanz ohne elend der künstler ohne namen." »Mit Pikasso macht man Kasso.« Kunst und Kunstwelt im Comic. Eds. Cuno Affolter, Urs Hangartner and Martin Heller. Zürich: Edition Moderne, 1990. 82–86. |
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| Fulce, John. Seduction of the Innocent Revisited: Comic books exposed. Lafayette: Huntington House, 1990. |
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| Frémion, Yves. "Dessinateurs à la caméra." Cinéma et bande dessinée. Ed. Gilles Ciment. CinémAction. Condé-sur-Noireau: Corlet, 1990. 163–67. |
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| Foster, John. "The Image of Australia and Australians in Locally-Produced Comics." Papers 1. (1990): 11–23. |
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| Felstiner, Mary Lowenthal. "Taking her Life/History. The Autobiography of Charlotte Salomon." Life/Lines. Theorizing Women’s Autobiography. Eds. Bella Brodzki and Celeste Schenck. Ithaca: Cornell Univ. Press, 1990. 320–37. |
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| Felstiner, Mary Lowenthal. "Engendering an Autobiography in Art: Charlotte salomon’s “life? or theater?”." Revealing Lives. Autobiography, Biography, and Gender. Eds. Susan Groag Bell and Marilyn Yalom. 1990. 183–92. |
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| Eco, Umberto. "Interpreting Serials." The Limits of Interpretation. Bloomington: Indiana Univ. Press, 1990. 83–100. |
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| Duncan, Randy. "Panel Analysis: A critical method for analyzing the rhetoric of comic book form." PhD Thesis. Louisiana State University, 1990. |
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| Dolle-Weinkauff, Bernd. "Die Macht des Wortes: Zu einigen problemen der analyse von comic-geschichten." Unterhaltungsliteratur. Ziele und Methoden ihrer Erforschung. Eds. Dieter Petzold and Eberhard Späth. Erlanger Forschungen, Reihe A. Erlangen: Universitätsbund, 1990. 87–102. |
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| Dolle-Weinkauff, Bernd. Comics. Geschichte einer populären Literaturform in Deutschland seit 1945. Weinheim, Basel: Beltz, 1990. |
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| Dittmar, Peter. "Mit den Augen hören. Hat Wilhelm Busch die Onomatopöien im Comic erfunden?." Wilhelm-Busch-Jahrbuch (1990): 34–43. |
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| Dagilis, Andrew. "Uncle Sugar vs Uncle Charlie: An interview with the ’nam’s creator, doug murray." The Comics Journal (1990): 62–84. |
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| Crépin, Thierry. "« Il était une fois un Maréchal de France… »: Presse enfantine et bande dessiné sous le régime de vichy." Vingtième Siècle (1990): 77–82. |
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| Crafton, Donald. Emile Cohl, Caricature, and Film. Princeton: Princeton Univ. Press, 1990. |
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| Ciment, Gilles. "Spectacles du siècle." Cinéma et bande dessinée. Ed. Gilles Ciment. CinémAction. Condé-sur-Noireau: Corlet, 1990. |
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| Ciment, Gilles, ed. Cinéma et bande dessinée. CinémAction. Condé-sur-Noireau: Corlet, 1990. |
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| Burkhart, Dagmar. "Text-Bild-Relationen und ihre kulturanthropologische Dimension in russischen Bilderbögen." Text und Bild. Bild und Text. Ed. Wolfgang Harms. Germanistische Symposien Berichtsbände. Stuttgart: Metzler, 1990. 296–308. |
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| Brown, Joshua. "Every Picture Tells a Story, Don’t It?." Radical History Review 46–47. (1990): 425–35. |
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| Bonifer, Mike. Dick Tracy: The making of the movie. New York: Bantam Books, 1990. |
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| Berthomé, Jean-Pierre. "Réalisateurs: Leur passé de dessinateurs." Cinéma et bande dessinée. Ed. Gilles Ciment. CinémAction. Condé-sur-Noireau: Corlet, 1990. |
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| Berndt, Jaqueline. "Japanische Massenkultur im Wandel: Ästhetisch-kulturelle prozesse im gegenwärtigen japan am beispiel massenliterarischer bestseller und manga." Dissertation Dr. phil. Humboldt-Universität zu Berlin, 1990. |
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| Barker, Martin. Action: The story of a violent comic. London: Titan Books, 1990. |
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| Bagge, Peter. "The Aline Kominsky-Crumb Interview." The Comics Journal (1990): 50–73. |
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| Bachmayer, Eva. "»Gequälter Engel«: Das frauenbild in den pornografischen comics." Nippons neue Frauen. Eds. Ruth Linhart and Fleur Wöss. rororo sachbuch. Reinbek bei Hamburg: Rowohlt, 1990. 205–25. |
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| Anton, Uwe. "Happy Birthday, Dear Funnies: Ein streifzug durch die geschichte der amerikanischen comic-strips." Comic Jahrbuch (1990): 160–66. |
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| Anton, Uwe. "50 Jahre Batman: »verbrecher sind ein abergläubisches, feiges pack«." Comic Jahrbuch (1990): 155–59. |
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| Affolter, Cuno, Urs Hangartner, and Martin Heller, eds. »Mit Pikasso macht man Kasso«. Kunst und Kunstwelt im Comic. Zürich: Edition Moderne, 1990. |
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| Affolter, Cuno and Urs Hangartner. "I am a poor lonesome cowboy …: Lucky lukes westernwelt." Comic Jahrbuch (1990): 76–84. |
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| Zielinski, Siegfried and Reiner Matzker, eds. Comicforschung in der Bundesrepublik Deutschland 1945–1984. Germanistische Medienwissenschaft. Bern [etc.]: Peter Lang, 1989. |
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| Yronwode, Catherine, ed. The Art of Will Eisner. Northampton: Kitchen Sink Pr. 1989. |
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| Witek, Joseph. Comic Books as History. The Narrative Art of Jack Jackson, Art Spiegelman, and Harvey Pekar. Studies in popular culture. Jackson: Univ. Press of Mississippi, 1989. |
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| Weber, Heinz J. "Elements of Text-Based and Image-Based Connectedness in Comic Stories, and Some Analogies to Cinema and Written Text." Text and Discourse Connectedness. Eds. Maria-Elisabeth Conte, Janós Sánder Petöfi and Emel Sözer. Studies in Language. Amsterdam, Philadelphia: John Benjamins, 1989. 337–60. |
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| Watts, Richard J. "Comic strips and theories of communication." Word & Image 5. (1989): 173–80. |
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| Vaz, Marc Cotta. Tales of the Dark Knight: Batman’s first fifty years, 1939–1989. New York: Ballantine, 1989. |
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| Starker, Steven. Evil Influences: Crusades against the mass media. New Brunswick u. London: Transaction, 1989. |
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| Sonesson, Göran. Pictorial concepts: Inquiries into the semiotic heritage and its relevance for the analysis of the visual world. Aris Nova Series. Lund: Lund Univ. Press, 1989. |
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| Small, Edward S. and Eugene Levinson. "Toward a Theory of Animation." The Velvet Light Trap (1989): 67–74. |
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| Schreiber, Armin. Kunst:Comics: Corben, druillet, moebius. ortung eines künstlerischen mediums. Hamburg: Dreibein, 1989. |
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| Schechter, Russell. "Kat and Maus." Communication Research 16. (1989): 552–62. |
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| Samson, Jacques. "Le champ tardien." Mieux vaut Tardi. Ed. Jacques Samson. Montréal: Analogon, 1989. 25–41. |
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| Samson, Jacques, ed. "Rencontre avec Jacques Tardi." Mieux vaut Tardi. Montréal: Analogon, 1989. |
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| Samson, Jacques, ed. Mieux vaut Tardi: Deuxième colloque de bande dessinée de montréal. Montréal: Analogon, 1989. |
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| Rollin, Lucy. "The Savage Mind of Gary Larson." Studies in Popular Culture 12. (1989): 75–86. |
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| Powers, Thom. "The Lynda Barry Interview." The Comics Journal (1989): 60–75. |
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| Pekar, Harvey. "Comics and Genre Literature." The Comics Journal (1989): 127–33. |
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| Peeters, Benoît. Tintin og hans skaber. Hamburg: Carlsen, 1989. |
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| Nishiyama, Chieko. "Depictions of Sexuality in Japanese Girls' Comic Books." Global Perspectives in Changing Sex Role. Tokyo: Kokuritsu Fujin Kyoiku Kaikan, 1989. |
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| Neumann, Renate. "Das Spiel mit der Fiktion in französischsprachigen Comics." Dissertation Dr. phil. Universität Trier, 1989. |
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| Mooney, Linda A. and Carla-Marie Fewell. "Crime in One Long-Lived Comic Strip: An evaluation of chester gould's dick tracy." American Journal of Economics and Sociology 48. (1989): 89–100. |
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| McLoughlin, T. O. "Reading Zimbabwean Comic Strips." Research in African Literatures 20. (1989): 217–41. |
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| Marschall, Richard. America's Great Comic-Strip Artists. Abbeville, 1989. |
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| Lent, John A. "Japanese Comics." Handbook of Japanese Popular Culture. Eds. Richard Gid Powers, Hidetoshi Kato and Bruce Stronach. Westport: Greenwood, 1989. |
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| Lacroix, Yves. "Le trou d’obus: Remise en signe d’une vieille histoire." Mieux vaut Tardi. Ed. Jacques Samson. Montréal: Analogon, 1989. 25–41. |
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| Kyungu, David. "Wie werden die Schwarzen im Comic dargestellt: Medienkritische untersuchung." Diplomarbeit Hochschule für Bildende Künste Hamburg, 1989. |
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| Kringe, Mathias. "Donald Duck in Film und Comic: Zur medienspezifischen ausprägung eines enterichs." Sellers, Stars und Serien. Medien im Produkteverbund. Eds. Christian W. Thomsen and Werner Faulstich. Siegen. Heidelberg: Winter, 1989. 182–98. |
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| Konstantinovic, Zoran. "Vom Photoroman zur Photosequenz: Überlegungen zu einer komparatistischen grenzüberschreitung." Dialog der Künste. Intermediale Fallstudien zur Literatur des 19. und 20. Jahrhunderts. Eds. Maria Moog-Grünewald and Christoph Rodiek. Frankfurt am Main [etc.]: Peter Lang, 1989. 185–92. |
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| Kemp, Wolfgang. "Ellipsen, Analepsen, Gleichzeitigkeiten: Schwierige aufgaben für die bilderzählung." Der Text des Bildes. Möglichkeiten und Mittel eigenständiger Bilderzählung. Ed. Wolfgang Kemp. München: edition text + kritik, 1989. 62–88. |
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| Kemp, Wolfgang, ed. Der Text des Bildes: Möglichkeiten und mittel eigenständiger bilderzählung. Literatur und andere Künste. München: edition text + kritik, 1989. |
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| Kaplan, Alice Yaeger. "Theweleit and Spiegelman: Of Men and Mice." Remaking History. Eds. Barbara Kruger and Phil Mariani. Discussions in Contemporary Culture. New York: New Press, 1989. 151–72. |
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| Johnston, Robert W. "Splash Panel Adventures!." Smithsonian Studies in American Art 3. (1989): 39–53. |
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| Jans, Michel. Loisel: Une monographie. Bulles dingues. 4th ed. Saint-Egrève: Mosquito, 1989. |
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| Huxley, David. "‘The Real Thing’: New images of vietnam in american comic books." Vietnam Images. War and Representation. Eds. James Aulich and Jeffrey Walsh. New York [etc.]: Palgrave Macmillan, 1989. 160–70. |
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| Hoffmann, Frank. "Comic Books in Libraries, Archives and Media Centers." The Serials Librarian 16. (1989): 167–98. |
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| Hausmanninger, Thomas. Superman: Eine comic-serie und ihr ethos. suhrkamp taschenbuch materialien. Frankfurt am Main: Suhrkamp, 1989. |
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| Groth, Gary, Robert Fiore, and Thom Powers. "Pleased to Meet Them …: The hernandez bros. interview." The Comics Journal (1989): 60–113. |
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| Gervais, Bertrand. "Du geste à l’action, du texte à l’image." Mieux vaut Tardi. Ed. Jacques Samson. Montréal: Analogon, 1989. 7–23. |
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| Foster, David William. From Mafalda to Los Supermachos: Latin american graphic humor as popular culture. Boulder: Lynne Rienner Publ. 1989. |
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| Eisenstein, Sergej. Eisenstein on Disney. Ed. Jay Leyda. Heinemann, 1989. |
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| Donald, Diana. "The Power of Print: Graphic images of peterloo." Manchester Region History Review 3. (1989): 21–30. |
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| Bleton, Paul and Christian-Marie Pons. "Mégots et journaux: Signes interprétables et obtus." Mieux vaut Tardi. Ed. Jacques Samson. Montréal: Analogon, 1989. 95–106. |
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| Benton, Mike. The Comic Book in America: An illustrated history. Dallas: Taylor Publ. 1989. |
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| Bauer, Gerd. "Wie liest man einen Collageroman? Zu Max Ernsts ›La femme 100 têtes‹." Max Ernst. Illustrierte Bücher und druckgraphische Werke. Die Sammlung Hans Bollinger. Köln: Wienand, 1989. 51–73. |
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| Barker, Martin. Comics: Ideology, power and the critics. Cultural Politics. Manchester, New York: Manchester Univ. Press, 1989. |
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| Aurrecoechea, Juan Manuel and Armando Bartra. Puros cuentos: La historia de la historieta mexicana, 1874–1934. Vol. 1. México: Grijalbo, 1989. |
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| Anton, Uwe. "Phantastik im klassischen amerikanischen Abenteuer-Comic." Comic Jahrbuch (1989): 19–32. |
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| Anton, Uwe. "Die Spitze der Klinge: Heroic fantasy im comic." Comic Jahrbuch (1989): 33–38. |
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| Aldridge, Alan and George Perry. The Penguin Book of Comics: A slight history. 3rd ed. New York: Penguin, 1989. |
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| Affolter, Cuno. "»Das Genre ist nur Verpackung«: Cuno affolter im gespräch mit serge le tendre und régis loisel." Comic Jahrbuch (1989): 84–95. |
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| Last edited by: joachim 05/09/2011, 00:23 |
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