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| Klohs, Kathrin. "Watch and Learn! Image-based popularization of academic reasoning and scientific action in fictional movies and comics." Genealogy of Popular Science. From Ancient Ecphrasis to Virtual Reality. Eds. Jesús Muñoz Morcillo and Caroline Y. Robertson-von Trotha. Bielefeld: Transcript, 2020. 497–516. |
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| Moynihan, Sinéad. "“Watch me go invisible”: Representing racial passing in mat johnson and warren pleece’s incognegro." South Central Review 32. (2015): 45–69. |
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| Gibson, Mel, Golnar Nabizadeh, and Kay Sambell. "Watch this space: Childhood, picturebooks and comics." Journal of Graphic Novels and Comics 5. (2014): 241–44. |
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| Patten, Fred. Watching Anime, Reading Manga: 25 years of essays and reviews. Berkeley: Stone Bridge Press, 2004. |
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| González-Velázquez, Carlos Allende, et al. "Watching Black Panther with racially diverse youth: Relationships between film viewing, ethnicity, ethnic identity, empowerment, and wellbeing." Review of Communication 20. (2020): 250–59. |
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| Gibbons, Dave. Watching the Watchmen. London: Titan Books, 2008. |
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| Gibbons, Dave. Watching the Watchmen: Die entstehung einer graphic novel. Nettetal: Panini, 2009. |
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| Polley, Jason S. "Watching the Watchmen, Mediating the Mediators." Literature Compass 10. 8 2013. Accessed 14 Jun. 2019. <https://onlinelibrary.w ... /abs/10.1111/lic3.12076>. |
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| Croci, Daniele. "Watching (through) the Watchmen: Representation and deconstruction of the controlling gaze in neil gaiman’s the sandman." Altre Modernità 11 2014. Accessed 3 Jun. 2014. <https://riviste.unimi.i ... nline/article/view/4048>. |
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| Handley, Rich. Watching Time: The unauthorized watchmen chronology. New York: Hasslein, 2016. |
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| Wright, Frederick. "Watching Watchmen: The reading of motion comics." International Journal of Comic Art 14. (2012): 191–99. |
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| White, Mark D., ed. Watchmen and Philosophy: A rorschach test. Blackwell Philosophy and Pop Culture. Hoboken: Wiley, 2009. |
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| Van Ness, Sara J. Watchmen as Literature: A critical study of the graphic novel. Jefferson, London: McFarland, 2010. |
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| Goldberg, Nathaniel and Chris Gavaler. "Watchmen as Philosophy: Illustrating time and free will." The Palgrave Handbook of Popular Culture as Philosophy 2021. Accessed 11 Jan. 2024. <https://doi.org/10.1007/978-3-319-97134-6_89-1>. |
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| Moulthrop, Stuart. "Watchmen Meets The Aristocrats." Postmodern Culture 19. 1 2008. Accessed 12 Jan. 2013. <http://muse.jhu.edu/jou ... 019/19.1.moulthrop.html>. |
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| Blake, Brandy Ball. "Watchmen: The graphic novel as trauma fiction." ImageTexT 5. 1 2010. Accessed 1 Feb. 2010. <http://www.english.ufl. ... xt/archives/v5_1/blake/>. |
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| "Watchmen Wiki." 2008. Accessed 12 Jun. 2018. <http://watchmen.wikia.com/wiki/Watchmen_Wiki>. |
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| Donovan, Sarah and Nick Richardson. "Watchwomen." Watchmen and Philosophy. A Rorschach Test. Ed. Mark D. White. The Blackwell Philosophy and Pop Culture Series. Hoboken: Wiley, 2009. 173–84. |
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| Sleight, Simon. "Wavering between Virtue and Vice: Constructions of youth in australian cartoons of the late-victorian era." Drawing the Line. Using Cartoons as Historical Evidence. Eds. Richard Scully and Marian Quartly. Clayton: Monash Univ. ePress, 2009. |
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| Dittrich, Iris. Wayang Kulit: Mythos und provokation im indonesischen schattentheater. Europäische Hochschulschriften: Reihe 30, Theater-, Film- und Fernsehwissenschaften. Frankfurt am Main [etc.]: Peter Lang, 2001. |
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| Dozier, Ayanna. "Wayward Travels: Racial uplift, black women, and the pursuit of love and travel in torchy in heartbeats by jackie ormes." Feminist Media Histories 4. (2018): 12–29. |
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| Harris, Jason Marc. "We All Live in Fabletown: Bill willingham’s fables—a fairy-tale epic for the 21st century." Humanities 5. 2 2016. Accessed 31 Dec. 2017. |
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| Martínez Lucena, Jorge. "‘We Are All Infected’: The derridian imaginary of the human event in the walking dead." Palabra Clave 20. (2017): 316–39. |
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| Alaniz, José. "“We Are All Scream!”: Woodgod and the “animal superhero”." Superheroes and Critical Animal Studies. The Heroic Beasts of Total Liberation. Eds. Sean Parson and J. L. Schatz. Lanham [etc.]: Lexington, 2018. 33–48. |
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| Hall, Richard A., Maria Antonieta Reyes, and Josh Plock. We Are Gotham: Finding american society in the television series. Jefferson: McFarland, 2022. |
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| Robinson, Ashley Sufflé. "We Are Iron Man: Tony stark, iron man, and american identity in the marvel cinematic universe’s phase one films." Journal of Popular Culture 51. (2018): 824–44. |
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| Rowson, Emily. "’We Are Not Things’ Infertility, reproduction, and rhetoric of control in avengers: age of ultron and mad max: fury road." Networking Knowledge 10. 3 2017. Accessed 9 Mar. 2022. <https://ojs.meccsa.org. ... etknow/article/view/515>. |
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| Taubner, Svenja. "»We are the walking dead« – neue Formen des Altruismus in einer Zombiewelt." Von Game of Thrones bis The Walking Dead. Interpretation von Kultur in Serie. Eds. Timo Storck and Svenja Taubner. Berlin, Heidelberg: Springer, 2017. 31–48. |
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| Canavan, Gerry. "“We Are the Walking Dead”: Race, time, and survival in zombie narrative." Extrapolation 51. (2010): 431–53. |
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| Herman, Peter. "We Are the Walking Dead: Robert kirkman’s zombies and buddhist body image." Implicit Religion 17. 4 2014. Accessed 14 Feb. 2018. <https://journals.equino ... p/IR/article/view/26250>. |
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| Gordon, Ian. We Could Be Heroes: Just for Season One. Heroes and Villains. Everyday Folks, Powers and Abilities Far Beyond Mortals: Sydney, 5 Jul, 2008. |
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| Heintjes, Tom. "‘We Crack the Door Open, But We’re Still Just Peeking In’: Three african american cartoonists discuss the challenges of working in syndicated cartooning." Hogan’s Alley (2020): 44–57. |
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| Mafe, Diana Adesola. "“We Don’t Need Another Hero”: Agent 355 as an original black female hero in y: the last man." African American Review 48. (2015): 33–48. |
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| Soper, Kerry D. We Go Pogo: Walt kelly, politics, and american satire. Great Comics Artists. Jackson: Univ. Press of Mississippi, 2012. |
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| Rauch, Stephen. "“We Have All Been Sentenced”: Language as means of control in grant morrison’s invisibles." International Journal of Comic Art 6. (2004): 350–63. |
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| Eveleth, Kyle and Justin Wigard. "“We have an obligation to imagine”: A critical reception of the work of neil gaiman." Neil Gaiman. Ed. Joseph Michael Sommers. Critical Insights. Englewood Cliffs: Salem Pr. 2016. 3–16. |
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| Smith, Philip and Michael Goodrum. "‘We have experienced a tragedy which words cannot properly describe’: Representations of trauma in post-9/11 superhero comics." Literature Compass 8. 8 2011. Accessed 14 Jun. 2019. <https://onlinelibrary.w ... .1741-4113.2011.00829.x>. |
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| Round, Julia. "We Share Our Mothers’ Health: Temporality and the gothic in comic book landscapes." Comic Book Geographies. Ed. Jason Dittmer. Media Geography at Mainz. Stuttgart: Franz Steiner, 2014. 127–40. |
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| Couch, N.C. Christopher. "We Shouldn’t Even Have to Say Comics Deserve Respect: Comparative perspectives on teaching sequential art." International Journal of Comic Art 14. (2012): 314–31. |
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| Spurgeon, Tom and Michael Dean. We Told You So: Comics as art. Seattle: Fantagraphics, 2016. |
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| Rothberg, Michael P. "“We Were Talking Jewish”: Art spiegelman's maus as “holocaust” production." Contemporary Literature 35. (1994): 661–87. |
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| Rothberg, Michael P. "“We Were Talking Jewish”: Art spiegelman’s maus as “holocaust” production." Considering Maus. Approaches to Art Spiegelman’s “Survivor's tale” of the Holocaust. Ed. Deborah R. Geis. Tuscaloosa: Univ. of Alabama Press, 2003. 137–58. |
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| Dushane, Allison. "We3 and the Violence of Sentimentality." Superheroes and Critical Animal Studies. The Heroic Beasts of Total Liberation. Eds. Sean Parson and J. L. Schatz. Lanham [etc.]: Lexington, 2018. 83–94. |
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| Hack, Brian E. "Weakness Is a Crime: Captain america and the eugenic ideal in early twentieth-century america." Captain America and the Struggle of the Superhero. Critical Essays. Ed. Robert G. Weiner. Jefferson, London: McFarland, 2009. 79–89. |
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| Wanzo, Rebecca. "Wearing Hero-Face: Black citizens and melancholic patriotism in truth: red, white, and black." Journal of Popular Culture 42. (2009): 339–62. |
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| Connors, Sean P. "Weaving multimodal meaning in a graphic novel reading group." Visual Communication 12. (2013): 27–53. |
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| Gutierrez, Anna Katrina. "Weaving New Dreams From Old Cloth: Conceptual blending and hybrid identities in neil gaiman's fairy-tale retellings." The Artistry of Neil Gaiman. Finding Light in the Shadows. Eds. Joseph Michael Sommers and Kyle Eveleth. Critical Approaches to Comics Artists. Jackson: Univ. Press of Mississippi, 2019. 217–34. |
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| Walton, David. "Weaving Webs and True Lies: Revisiting kraven’s last hunt through the lens of brooklyn dreams." Web-Spinning Heroics. Critical Essays on the History and Meaning of Spider-Man. Eds. Robert Moses Peaslee and Robert G. Weiner. Jefferson, London: McFarland, 2012. 70–73. |
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| Nikolayenko, Olena. "Web Cartoons in a Closed Society: animal farm as an allegory of post-communist belarus." PS: Political Science and Politics 40. (2007): 307–10. |
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| Kukkonen, Karin. "Web Comics." Johns Hopkins Guide to Digital Media. Eds. Marie-Laure Ryan, Lori Emerson and Benjamin J. Robertson. Baltimore: Johns Hopkins Univ. Press, 2014. 521–24. |
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| Hammel, Björn. "Webcomics." Comics und Graphic Novels. Eine Einführung. Eds. Julia Abel and Christian Klein. Stuttgart: Metzler, 2015. 169–80. |
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| Kleefeld, Sean. Webcomics. Bloomsbury Comics Studies. New York: Bloomsbury Academic, 2020. |
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| Hammel, Björn. Webcomics: Einführung und typologie. Bochum: Ch.A. Bachmann, 2014. |
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| Jacobs, Dale. "Webcomics, Multimodality, and Information Literacy." ImageTexT 7. 3 2014. Accessed 25 Dec. 2014. <http://www.english.ufl. ... t/archives/v7_3/jacobs/>. |
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| Fenty, Sean, Trena Houp, and Laurie Taylor. "Webcomics: The influence and continuation of the comix revolution." ImageTexT 1. 2 2005. Accessed 10 Dec. 2009. <http://www.english.ufl. ... xt/archives/v1_2/group/>. |
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| Peaslee, Robert Moses and Robert G. Weiner, eds. Web-Spinning Heroics: Critical essays on the history and meaning of spider-man. Jefferson, London: McFarland, 2012. |
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| Choi, Jinhee. "Webtoons to promote critical thinking in neo-liberal South Korea: A thematic analysis of awl social justice themes." East Asian Journal of Popular Culture 3. (2018): 111–27. |
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| Berg, Christian. Web-Tracking im E-Commerce: Erfolgsmessung von retargeting- und prospecting maßnahmen mit google und facebook. Baden-Baden: Nomos, 2018. |
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| Berg, Christian. Web-Tracking im E-Commerce: Erfolgsmessung von retargeting- und prospecting-maßnahmen mit google und facebook. Online-Medien-Management. Baden-Baden: Nomos, 2018. |
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| Edwards, Janis L. "Wee George and the Seven Dwarfs: Caricature and metaphor in campaign ’88 cartoons." Inks 2. (1995): 26–34. |
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| Morys, Nancy. "»… weil die meisten Comics einfach zu schwer sind!«: Zur kategorie der einfachheit beim einsatz von bandes dessinées im fremdsprachenunterricht französisch." Einfachheit in der Kinder- und Jugendliteratur. Ein Gewinn für den Fremdsprachenunterricht. Eds. Eva Burwitz-Melzer and Emer O’Sullivan. Kinder- und Jugendliteratur im Sprachenunterricht. Wien: Praesens, 2016. 87–100. |
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| Meteling, Arno. "Weird Science: Wissenschaft und wahn im amerikanischen superhelden-comic." Wahnsinnig genial. Der Mad Scientist Reader. Eds. Torsten Junge and Dörte Ohlhoff. Aschaffenburg: Alibri, 2004. 171–95. |
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| Frahm, Ole. "Weird Signs." Theorien des Comics. Ein Reader. Eds. Barbara Eder, Elisabeth Klar and Ramón Reichert. Kultur- und Medientheorie. Bielefeld: Transcript, 2011. 143–59. |
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| Frahm, Ole. "Weird Signs: Aesthetics of comics as a parody." International Journal of Comic Art 2. (2000): 76–84. |
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| Frahm, Ole. "Weird Signs: Comics as means of parody." Comics & Culture. Analytical and Theoretical Approaches to Comics. Eds. Anne Magnussen and Hans-Christian Christiansen. Copenhagen: Museum Tusculanum, 2000. 177–91. |
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| Frahm, Ole. "Weird Signs: Zur parodistischen ästhetik der comics." Ästhetik des Comic. Eds. Michael Hein, Michael Hüners and Torsten Michaelsen. Berlin: Erich Schmidt, 2002. 201–16. |
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| Carver, Stephen James. Weird Tales from the Vault of Fear: The ec horror comics controversy & its legacy. Watching the Media – Censorship, Limits, and Control in Creative Practice: 15 Apr, 2011. |
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| Packard, Stephan. "»welche zu lesen wir uns vielleicht mehr befleißigen sollten«: Zur ästhetik des sagbaren und unsagbaren in lichtenbergs hogarth-kommentaren." Medienobservationen 2012. Accessed 16 Apr. 2012. <http://www.medienobserv ... _pdf/packard_comfor.pdf>. |
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| Balzer, Jens. "Welches Bild? Welche Bewegung? Über einige Bezüge zwischen Chronophotographie und frühen Comics." Die Mobilisierung des Sehens. Zur Vor- und Frühgeschichte des Films in Literatur und Kunst. Ed. Harro Segeberg. Mediengeschichte des Films. München: Fink, 1996. 279–93. |
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| Packer, Sharon and Daniel R. Fredrick, eds. Welcome to Arkham Asylum: Essays on psychiatry and the gotham city institution. Jefferson: McFarland, 2019. |
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| Kilgore, De Witt Douglas. "Welcome to Wakanda: Reforming african adventure the marvel way." Paradoxa 25. (2014): 229–54. |
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| Donnelly, Kevin. "“Well, Anyway”: The marvelous and the mundane in jimmy corrigan, the smartest kid on earth." Graphic History. Essays on Graphic Novels And/As History. Ed. Richard Iadonisi. Newcastle upon Tyne: Cambridge Scholars Publ. 2012. 89–108. |
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| Loman, Andrew. "“Well Intended Liberal Slop” Allegories of race in spiegelman’s maus." Journal of American Studies 40. (2006): 551–71. |
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| Struve, Karen. "Weltausschnitte: Serielles erzählen bei salgari in film und panini-heften." Das Salgari-Abenteuer. Intermediale Adaptionen eines italienischen Klassikers. Ed. Karen Struve. Berlin [etc.]: LIT, 2019. 71–84. |
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| Heimerl, Theresia and Christian Wessely, eds. Weltentwürfe im Comic/film: Mensch, gesellschaft, religion. Religion, Film und Medien. Marburg: Schüren, 2018. |
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| Platthaus, Andreas. "Weltlektüre: Eine geschichte des comics, des demokratischsten mediums." Weltliteratur. Vom Nobelpreis bis zum Comic. Eds. Thomas Böhm and Martin Hielscher. Köln: Könemann, 2001. 210–23. |
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| Schmitz-Emans, Monika. "Weltliteratur im Comic." Intermedien. Zur kulturellen und artistischen Übertragung. Eds. Alexandra Kleihues, Barbara Naumann and Edgar Pankow. Zürich: Chronos, 2010. 531–51. |
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| Schmitz-Emans, Monika. "Weltliteratur im Comic – Kunstform einer globalisierten Bilderwelt?." Die Vermessung der Globalisierung. Kulturwissenschaftliche Perspektiven. Ed. Ulfried Reichardt. American Studies. Heidelberg: Winter, 2008. 273–98. |
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| Eder, Barbara. "Weltverlorenheit: Metaphysische (re-)volte und gnostisches exil in graphic novels." Weltentwürfe im Comic/film. Mensch, Gesellschaft, Religion. Eds. Theresia Heimerl and Christian Wessely. Religion, Film und Medien. Marburg: Schüren, 2018. 136–59. |
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| Schönhammer, Rainer. "Wendy, Conny, Lissy – Comic-Bilderwelten für Mädchentagträume: Eine qualitative analyse deutscher pferdecomics." Comics Anno (1995): 126–39. |
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| Borchert, Karlheinz. "Wenn Assoziationen zu Handlungen werden: Moebius’ erzähltechnik." Comic Jahrbuch (1991): 84–92. |
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| Mahrt, Nina. "Wenn aus Spaß Ernst wird: Die darstellung realer kriege in aktuellen comics. erzählweisen und ausdrucksmittel eines vielfältigen genres." JuLit 33. (2007): 32–37. |
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| Zöhrer, Andrea. Wenn Comics das Papier verlassen: Über new york und brüssel im comic und das comic in brüssel. Film – Medium – Diskurs. Würzburg: Königshausen & Neumann, 2012. |
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| Hermann, Christine. "Wenn der Blick ins Bild kommt: Visuelle techniken der fokalisierung im literaturcomic." Theorien des Comics. Ein Reader. Eds. Barbara Eder, Elisabeth Klar and Ramón Reichert. Kultur- und Medientheorie. Bielefeld: Transcript, 2011. 25–42. |
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| Beez, Jigal. "Wenn der Präsident zum Kicken bittet: Fußballcartoons aus ostafrika." Afrika Spectrum 41. (2006): 427–42. |
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| Jakli, Timon. "Wenn der Zeichner sich selbst zeichnet: Selbstreferentialität in graphic novels." Zwischen Kanon und Unterhaltung. Interkulturelle und intermediale Aspekte von hoher und niederer Literatur. Between Canon and Entertainment. Intercultural and Intermedial Aspects of Highbrow and Lowbrow Literature. Eds. Annie Bourguignon, Konrad Harrer and Franz Hintereder-Emde. Berlin: Frank & Timme, 2016. 71–88. |
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| Hillebold, Lars. "Wenn ein Comic Theologie treibt …." reli. Zeitschrift für Religionsunterricht und Lebenskunde 38. (2009): 11–16. |
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| Nehrlich, Thomas. "Wenn Identität mittels einer Maske sichtbar wird: Zu geschichte, wesen und ästhetik von superhelden." Ästhetischer Heroismus. Konzeptionelle und figurative Paradigmen des Helden. Eds. Nikolas Immer and Mareen van Marwyck. Bielefeld: Transcript, 2013. 107–28. |
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| Gentz, Anna. "Wenn Literaten fremdgehen: Ausflüge in das medium comic am beispiel julio cortázars." Comics, Mangas, Graphic Novels. Eds. Heinz Ludwig Arnold and Andreas C. Knigge. Text + Kritik Sonderband. München: edition text + kritik, 2009. 232–47. |
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| Hollerweger, Elisabeth and Anna Stemmann. "Wenn möglich, bitte wenden …: Klimawandel als makrothema einer bildung für nachhaltige entwicklung im medienintegrativen deutschunterricht am beispiel des comics die große transformation." Lesefutter für Groß und Klein. Kinder- und Jugendliteratur nach 2000 und literarisches Lernen im medienintegrativen Deutschunterricht. Eds. Petra Josting and Ricarda Dreier. kjl&m extra. München: kopaed, 2014. 169–77. |
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| Last edited by: joachim 06/03/2019, 11:22 |
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| Wiedemann, Jochen. "Wenn Theologinnen und Theologen Comics lesen: Eine kurze führung durch weitgehend unbekanntes terrain." Überzeichnet. Religion in Comics. Eds. Inge Kirsner, Olaf Seydel and Harald Schroeter-Wittke. POPKULT. Jena: IKS Garamond, 2011. 9–22. |
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| Added by: joachim 26/02/2011, 01:32 |
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| Müller, Alexandra and Laura Zinn. "Wer darf’s zertrümmern? Genderkonstruktionen von actionheldinnen im marvel cinematic universe als zusammenspiel der geschlechter." Action! Artefakt, Ereignis, Erlebnis. Eds. Ingrid Tomkowiak, Brigitte Frizzoni and Manuel Trummer. Kulturen populärer Unterhaltung und Vergnügung. Würzburg: Königshausen & Neumann, 2017. |
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| Added by: joachim 21/08/2017, 23:17 |
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| Balzer, Jens. "Wer hat an der Uhr gedreht? Gefälschtes Gedächtnis, stillstehende Zeit: Über einige motive in den comics von miyazaki hayao, moebius und chris ware." Szenarien des Comic. Helden und Historien im Medium der Schriftbildlichkeit. Eds. Stefanie Diekmann and Matthias Schneider. Berlin: SuKuLTuR, 2005. 144–56. |
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| Last edited by: joachim 26/03/2013, 22:09 |
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| Becker, Thomas. "Wer hat Angst vor der Neunten Kunst? Kurze archäologie eines legitimierungsdiskurses." Triëdere (2012): 5–13. |
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| Added by: joachim 19/06/2012, 21:28 |
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| [anon.], ed. Wer hat Angst vor Richard Corben? Linden: Volksverlag, 1982. |
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| Last edited by: joachim 27/04/2018, 09:20 |
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| Schnurrer, Achim. "Wer hat Angst vor Richard Corben?." Wer hat Angst vor Richard Corben? Ed. [anon.] Linden: Volksverlag, 1982. 39–43. |
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| Added by: joachim 27/04/2018, 09:16 |
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