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| Banita, Georgiana und Lee Konstantinou (Hrsg.): Artful Breakdowns. The Comics of Art Spiegelman. (Tom Inge Series on Comics Artists.) Jackson: Univ. Press of Mississippi, 2023. |
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| Jenkins, Tricia und Tom Secker: "Science, superheroes and the Science and Entertainment Exchange." In: Journal of Science & Popular Culture 4.1 (2021), S. 21–38. |
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| Michael, Olga: "Looking at the Perpetrator in Nina Bunjevac’s Fatherland." In: Journal of Perpetrator Research 4.2 (2022), S. 80–110 (). |
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| in ‘t Veld, Laurike: "Familial Complicity in Peter Pontiac’s Kraut, Nora Krug’s Belonging, and Serena Katt’s Sunday’s Child." In: Journal of Perpetrator Research 4.2 (2022), S. 17–48 (). |
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| Konrad, Tatiana: "The Legacy of American Slavery. Contesting Blackness and Re-envisioning Nationhood in Kindred: A Graphic Novel Adaptation." In: Journal of Perpetrator Research 4.2 (2022), S. 49–79 (). |
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| Austin, Sara: Monstrous Youth. Transgressing the Boundaries of Childhood in the United States. Columbus: Ohio State Univ. Press, 2022. |
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| Kirtley, Susan E. Typical Girls. The Rhetoric of Womanhood in Comic Strips. (Studies in Comics and Cartoons.) Columbus: Ohio State Univ. Press, 2021. (259 S.) |
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| Oppolzer, Markus: Reading Autobiographical Comics. A Framework for Educational Settings. (Anglo-amerikanische Studien / Anglo-American Studies, 64.) Berlin [etc.]: Peter Lang, 2020. (499 S.) |
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| Linke, Kai: Good White Queers? Racism and Whiteness in Queer U.S. Comics. (Queer Studies, 23.) Bielefeld: Transcript, 2021. (329 S.) |
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| Hayes, David: "“You Guys Are Killing Me with This Dreck”. Contemporary Attitudes Toward the Golden, Atomic, Silver, and Bronze Eras of Comic Book Production." In: Handbook of Cultural Studies and Education. Hrsg. v. Peter Pericles Trifonas und Susan Jagger. London, New York: Routledge, 2019, S. 255–276. |
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| Brown, Matthew J., Randy Duncan und Matthew J. Smith (Hrsg.): More Critical Approaches to Comics. Theories and Methods. London, New York: Routledge, 2019. (286 S.) |
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| Mikkonen, Kai: The Narratology of Comic Art. (Routledge Advances in Comics Studies.) London, New York: Routledge, 2017. (300 S.) |
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| Stańczyk, Ewa (Hrsg.): Comic Books, Graphic Novels and the Holocaust. Beyond Maus. London, New York: Routledge, 2018. (131 S.) |
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| Gorrara, Claire: "Not seeing Auschwitz. Memory, generation and representations of the Holocaust in twenty-first century French comics." In: Comic Books, Graphic Novels and the Holocaust. Beyond Maus. Hrsg. v. Ewa Stańczyk. London, New York: Routledge, 2019, S. 111–126. |
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| Ribbens, Kees: "The Invisible Jews in August Froehlich’s “Nazi Death Parade” (1944). An Early American Sequential Narrative Attempt to Visualize the Final Stages of the Holocaust." In: Beyond MAUS. The Legacy of Holocaust Comics. Hrsg. v. Ole Frahm, Hans-Joachim Hahn und Markus Streb. (Schriften des Centrums für Jüdische Studien, 34.) Köln, Weimar, Wien: Böhlau, 2021, S. 133–165. |
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| Frahm, Ole, Hans-Joachim Hahn und Markus Streb (Hrsg.): Beyond MAUS. The Legacy of Holocaust Comics. (Schriften des Centrums für Jüdische Studien, 34.) Köln, Weimar, Wien: Böhlau, 2021. (420 S.) |
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| Zberg, Ueli: Globi – ein wildes Kind. Pädagogische Betrachtung einer Schweizer Kultfigur. München: Grin, 2012. (61 S.) |
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| Roth, Walter: Globi: 60 Jahre Kinderfreund, beliebter denn je! Die Geschichte einer Erfolgsfigur. Zürich: Globi-Verl. 1992. (21 S.) |
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| Baer, Reto: "60 Jahre Globi. Eine Schweizer Erfolgsstory." In: Comic Almanach (1993), S. 147–151. |
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| Etter, Lukas und Jan-Noël Thon: "Erzählen im Comic." In: Grundthemen der Literaturwissenschaft: Erzählen. Hrsg. v. Martin Huber und Wolf Schmid. (Grundthemen der Literaturwissenschaft.) Berlin, Boston: De Gruyter, 2018, S. 485–498. |
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| O’Connell, Sean: Release the Snyder Cut. The Crazy True Story Behind the Fight That Saved Zack Snyder’s Justice League. Lanham: Applause, 2021. (204 S.) |
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| ---: With Great Power. How Spider-Man Conquered Hollywood during the Golden Age of Comic Book Blockbusters. Lanham: Applause, 2022. |
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| Daiya, Kavita (Hrsg.): Graphic Narratives about South Asia and South Asian America. Aesthetics and Politics. London, New York: Routledge, 2019. (259 S.) |
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| Varughese, E. Dawson und Rajinder Dudrah (Hrsg.): Graphic Novels and Visual Cultures in South Asia. London, New York: Routledge, 2020. (120 S.) |
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| Williams, Paul: The US Graphic Novel. (Critical Insights in American Studies.) Edinburgh: Edinburgh University Press, 2022. |
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| Lent, John A., Wendy Siuyi Wong und Benjamin Wai-ming Ng (Hrsg.): Transnationalism in East and Southeast Asian Comics Art. New York [etc.]: Palgrave Macmillan, 2022. |
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| Sackmann, Eckart und Gerd Lettkemann: "Der Contibube. Erich Maria Remarque als Comicautor." In: Erich Maria Remarque und der Comic. Hrsg. v. Thomas F. Schneider. (Erich-Maria-Remarque-Jahrbuch, 17.) Göttingen: V&R unipress, 2007, S. 46–50. |
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| ---: "Der Contibube – Erich Maria Remarque als Comicautor." In: Deutsche Comicforschung 2 (2006), S. 60–67. |
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| Dolle-Weinkauff, Bernd und Dietrich Grünewald (Hrsg.): Studien zur Geschichte des Comic. Berlin: Ch.A. Bachmann, 2022. (441 S.) |
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| Paim, Augusto: Die Comicreportage. Journalistische Erzählung in Comicform. Berlin: Ch.A. Bachmann, 2022. (322 S.) |
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| Dallet-Mann, Véronique: "Variations autour de la « Girlkultur » dans Thea, bande dessinée parue dans Das Heft. Die neue illustrierte Frauenzeitung (1929–31)." In: Studia Universitatis Babeş-Bolyai – Philologia 62.3 (2017), S. 113–126. |
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| Teissier, Catherine: "Bande dessinée et transmission de l’histoire récente. RDA, chute du Mur et réunification." In: Studia Universitatis Babeş-Bolyai – Philologia 62.3 (2017), S. 99–112. |
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| Schnitzer, Nathalie: "La relation texte-image dans le roman graphique Kermesse au paradis de Birgit Weyhe." In: Studia Universitatis Babeş-Bolyai – Philologia 62.3 (2017), S. 85–98. |
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| Bancaud, Florence: "Le Roman graphique. Une nouvelle écriture du traumatisme ?" In: Studia Universitatis Babeş-Bolyai – Philologia 62.3 (2017), S. 73–84. |
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| Faure-Godbert, Sylvaine: "Maîtres anciens de Nicolas Mahler (d’après Thomas Bernhard). L’art à l’épreuve de la caricature." In: Studia Universitatis Babeş-Bolyai – Philologia 62.3 (2017), S. 57–72. |
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| Visone, Roberta Fausta Ilaria: "Insegnare la storia in tedesco con approccio EMILE. Proposta d’intervento didattico." In: Studia Universitatis Babeş-Bolyai – Philologia 62.3 (2017), S. 43–56. |
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| Feix, Jeannine: "Die Graphic Novel im Fremdsprachenunterricht." In: Studia Universitatis Babeş-Bolyai – Philologia 62.3 (2017), S. 35–42. |
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| Rabenstein-Michel, Ingeborg: "Im Land der Rebellen. Un roman graphique au service de l’UE ?" In: Studia Universitatis Babeş-Bolyai – Philologia 62.3 (2017), S. 23–34. |
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| Aurenche-Beau, Emmanuelle: "Représentation de l’enfance en RDA dans trois romans graphiques des années 2000." In: Studia Universitatis Babeş-Bolyai – Philologia 62.3 (2017), S. 13–22. |
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| Braun, Alexander: Horror im Comic. Berlin: Avant, 2022. (453 S.) |
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| Knigge, Andreas C. Allmächtiger! Hansrudi Wäscher – Pionier der deutschen Comics. Hamburg: Comics etc. 2011. (489 S.) |
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| Alaniz, José: Resurrection. Comics in Post-Soviet Russia. (Studies in Comics and Cartoons.) Columbus: Ohio State Univ. Press, 2022. (247 S.) |
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| Ahmed, Maaheen und Benoît Crucifix: "Coda. A User Guide to Comics Memory." In: Comics Memory. Archives and Styles. Hrsg. v. Maaheen Ahmed und Benoît Crucifix. (Palgrave Studies in Comics and Graphic Novels.) New York [etc.]: Palgrave Macmillan, 2018, S. 281–285. |
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| Dittmer, Jason: "A Map of Hicksville." In: The Comics Grid. Journal of Comics Scholarship. Year One. Hrsg. v. Ernesto F. Priego Ramirez. London: The Comics Grid Digital First Editions, 2012, S. 200–203. |
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| Venezia, Tony: "The Guy from H.O.P.P.E.R.S. – An einterview [sic] with Jaime Hernandez." In: The Frivolous Now (5. Dez. 2010)(). |
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| ---: "California Gothic. Jaime Hernandez’s Ghost of Hoppers." In: The Comics Grid. Journal of Comics Scholarship. Year One. Hrsg. v. Ernesto F. Priego Ramirez. London: The Comics Grid Digital First Editions, 2012, S. 166–169. |
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| ---: "Harvey Pekar’s Anti-epiphanic Everyday." In: The Comics Grid. Journal of Comics Scholarship. Year One. Hrsg. v. Ernesto F. Priego Ramirez. London: The Comics Grid Digital First Editions, 2012, S. 142–145. |
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| Claudio, Esther: "Would you admit it? (On Chris Ware’s Cut-outs)." In: The Comics Grid. Journal of Comics Scholarship. Year One. Hrsg. v. Ernesto F. Priego Ramirez. London: The Comics Grid Digital First Editions, 2012, S. 28–30. |
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| Hill, Michael: "Thor’s Comic Opera. Götterdämmerung Revisited." In: The Comics Grid. Journal of Comics Scholarship. Year One. Hrsg. v. Ernesto F. Priego Ramirez. London: The Comics Grid Digital First Editions, 2012, S. 118–121. |
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| Licari-Guillaume, Isabelle: "“What is it with these Brits?”. British culture and the “British Invasion” narrative seen through letter columns." In: Comicalités (1. Apr. 2021)(). |
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| Domsch, Sebastian: "Growing Complexity; or, the Cerebus Effect." In: Cerebus the Barbarian Messiah. Essays on the Epic Graphic Satire of Dave Sim and Gerhard. Hrsg. v. Eric Hoffman. Jefferson: McFarland, 2012, S. 65–76. |
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| Friedlander, Keith: "The editor, the author function, and the social function. A methodological survey." In: Journal of Graphic Novels and Comics 9.2 (2018), S. 157–172. |
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| Luis, Raphaël: "Sandman, récit métamorphe. L’espace du chapitre chez Neil Gaiman." In: Itinéraires 2020-1 (2020)(). |
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| Schumer, Arlen: "The Auteur Theory of Comics." In: International Journal of Comic Art 14.1 (2012), S. 474–484. |
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| Licari-Guillaume, Isabelle: "Ambiguous Authorities. Vertigo and the Auteur Figure." In: Authorship 6.2 (2017), S. 1–16 (). |
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| Litton, Claire: "No Girls Allowed! Crumb and the Comix Counterculture." In: PopMatters (23. Jan. 2007)(). |
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| de la Fuente Soler, Manuel: "La memoria en viñetas. Historia y tendencias del cómic autobiográfico." In: Signa 22 (2011), S. 259–276. |
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| Bachrach, Nathalie und Chiara Scherner: "Intertextualität als narratologisch-subversive Praxis. Nicolas Mahlers Comic Alice in Sussex (2013)." In: Wiener digitale Revue 4 (2022)(). |
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| Lenhart, Johanna: "Nilpferde und Nazis. Der Comicstrip Herr Seicherl und sein Hund." In: Wiener digitale Revue 4 (2022)(). |
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| Round, Julia: "The Transformations of Harvey Pekar’s American Splendor. “Ordinary Life Is Pretty Complex Stuff”." In: Real Lives, Celebrity Stories. Narratives of Ordinary and Extraordinary People Across Media. Hrsg. v. Thomas Bronwen und Julia Round. New York: Bloomsbury Academic, 2014, S. 95–110. |
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| Parille, Ken: "Narration after Y2K. Daniel Clowes and the End of Style." In: The Art of Daniel Clowes. Modern Cartoonist. Hrsg. v. Alvin Buenaventura. New York: Abrams, 2012, S. 142–171. |
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| Aman, Robert und Lars Wallner (Hrsg.): Teaching with Comics. Empirical, Analytical, and Professional Experiences. New York [etc.]: Palgrave Macmillan, 2022. (323 S.) |
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| Evenson, Brian: Ed vs. Yummy Fur. Or, What Happens When A Serial Comic Becomes a Graphic Novel. (Critical Cartoons.) Minneapolis: Uncivilized Books, 2014. (136 S.) |
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| Wilder, Nicolaus: Superheld*innen – Gottheiten der Gegenwart? Ein pädagogisch-historischer Versuch zu den Orientierungsmöglichkeiten des Mythischen und Utopischen. Kiel: Universitätsverl. Kiel, 2022. (323 S.) |
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| Kelp-Stebbins, Katherine: How Comics Travel. Publication, Translation, Radical Literacies. (Studies in Comics and Cartoons.) Columbus: Ohio State Univ. Press, 2022. (254 S.) |
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| Klickstein, Mathew: See You At San Diego. An Oral History of Comic-Con, Fandom, and the Triumph of Geek Culture. Seattle: Fantagraphics, 2022. |
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| Żaglewski, Tomasz: "The Unwrapped Editions. Searching for the “Ultimate” Format of Graphic Novels and its Limitations." In: ImageTexT 11.3 (2020)(). |
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| Licari-Guillaume, Isabelle: Vertigo Comics. British Creators, US Editors, and the Making of a Transformational Imprint. (Routledge Advances in Comics Studies.) London, New York: Routledge, 2022. |
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| Ayres, Jackson: "“A very, very bad mood”. The turn to horror in Alan Moore’s late comics." In: Journal of Graphic Novels and Comics 1 (2021). |
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| McCrystal, Erica: Gotham City Living. The Social Dynamics in the Batman Comics and Media. New York: Bloomsbury Academic, 2021. (217 S.) |
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| Langhans, Britta, Ines Paraire und Nathalie Schnitzer: "La bande dessinée en cours d’allemand entre comic strip et roman graphique." In: Tréma 51 (2019)(). |
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| Baker, Bill: Neil Gaiman On His Work and Career. A Conversation with Bill Baker. (Talking with Graphic Novelists.) New York: Rosen, 2008. (118 S.) |
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| ---: Michael Avon Oeming On His Work and Career. A Conversation with Bill Baker. (Talking with Graphic Novelists.) New York: Rosen, 2008. (164 S.) |
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| ---: George Pérez On His Work and Career. A Conversation. (Talking with Graphic Novelists.) New York: Rosen, 2008. (106 S.) |
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| ---: Alan Moore’s Exit Interview. Airwave Publ. 2007. (80 S.) |
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| ---: Alan Moore Spells It out. On Comics, Creativity, Magic and Much, Much More. Airwave Publ. 2005. (78 S.) |
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| ---: Alan Moore On His Work and Career. A Conversation with Bill Baker. (Talking with Graphic Novelists.) New York: Rosen, 2008. (110 S.) |
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| Beaulac, Mario, Pierre Fresnault-Deruelle und Jacques Samson: "Bibliographique sélective. Pour une poétique de la bande dessinée." In: MEI 26 (2007), S. 235–238. |
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| Rakower, Josh und Ann Hallyburton: "Disease Information Through Comics. A Graphic Option for Health Education." In: Journal of Medical Humanities 43 (2022), S. 475–492. |
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| Grutschus, Anke und Beate Kern: "L’oralité mise en scène dans la bande dessinée. Marques phonologiques et (morpho)syntaxiques dans Astérix et Titeuf." In: Journal of French Language Studies 31.2 (2021), S. 192–215. |
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| Blume, Otto-Michael: "A nos amours …. Die Emotionen Titeufs beschreiben." In: Der Fremdsprachliche Unterricht. Französisch 43.97 (2009), S. 10–13. |
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| Mälzer, Nathalie: "Le transfert de l’humour dans les traductions allemandes de Spirou et Fantasio." In: La bande dessinée. Perspectives linguistiques et didactiques. Hrsg. v. Elissa Pustka. (Romanistische Fremdsprachenforschung und Unterrichtsentwicklung.) Tübingen: Narr, 2022, S. 225–262. |
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| Grutschus, Anke: "« Ça nous fait trop goleri ». La mise en scène de la langue des jeunes dans la bande dessinée et son utilisation en tant que ressource didactique." In: La bande dessinée. Perspectives linguistiques et didactiques. Hrsg. v. Elissa Pustka. (Romanistische Fremdsprachenforschung und Unterrichtsentwicklung.) Tübingen: Narr, 2022, S. 267–295. |
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| Cooke, Jon B. "Hellboy on Earth. The Magic of Mike Mignola." In: Comic Book Artist 23 (2002), S. 10–34. |
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| Kabatek, Adolf (Hrsg.): Das große Asterix-Lexikon. Asterix von A bis Z. Filderstadt: Horizont, 1986. (104 S.) |
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| Kessler, Peter: The Complete Guide to Asterix. London: Hodder Children’s Books, 1995. (105 S.) |
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| Lennon, Tom: "Metal Machine Movies. The Lasting Influence of Heavy Metal and Métal Hurlant on Blade Runner and the Science-Fiction Cinema of Ridley Scott." In: The Cyberpunk Nexus. Exploring the Blade Runner Universe. Hrsg. v. Lou Tambone und Joe Bongiorno. Edwardsville: Sequart Research & Literacy Organization, 2018, S. 71–88. |
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| Escamilla, Mario: "Earth to Earth. The BOOM! Comics." In: The Cyberpunk Nexus. Exploring the Blade Runner Universe. Hrsg. v. Lou Tambone und Joe Bongiorno. Edwardsville: Sequart Research & Literacy Organization, 2018, S. 275–285. |
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| Carlson, Bryce: "Creating the Graphic Novelization of Do Androids Dream of Electric Sheep?." In: The Cyberpunk Nexus. Exploring the Blade Runner Universe. Hrsg. v. Lou Tambone und Joe Bongiorno. Edwardsville: Sequart Research & Literacy Organization, 2018, S. 265–274. |
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| Darius, Julian: "On the Marvel Comic-Book Adaptation of Blade Runner." In: The Cyberpunk Nexus. Exploring the Blade Runner Universe. Hrsg. v. Lou Tambone und Joe Bongiorno. Edwardsville: Sequart Research & Literacy Organization, 2018, S. 250–264. |
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| Hernando, David: Why Do We Fall? Examining Christopher Nolan’s The Dark Knight Trilogy. Edwardsville: Sequart Research & Literacy Organization, 2022. (149 S.) |
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| Stoll, André: Astérix. L’épopée burlesque de la France. Bruxelles: Ed. Complexe, 1978. (175 S.) |
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| ---: Asterix. Das Trivialepos Frankreichs. Die Bild- und Sprachartistik eines Bestseller-Comics. 3. Aufl. (dumont kunst-taschenbücher, 17.) Köln: DuMont, 1977. (185 S.) |
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| Last edited by: joachim 2022-08-21 09:34 |
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| Weatherly, Scott (Hrsg.): Judging Dredd. Examining the World of Judge Dredd. Edwardsville: Sequart Research & Literacy Organization, 2021. (220 S.) |
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| Last edited by: joachim 2022-08-20 20:27 |
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