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| Descamps, Yann: "Steel Framed? Steel and the Representation of the Modern Black Superhero from Comics to Film." In: Pop Culture Matters. Hrsg. v. Martin F. Norden und Robert E. Weir. Newcastle upon Tyne: Cambridge Scholars Publ. 2019, S. 196–204. |
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| Hammonds, Kyle A. und Garrett Hammonds: "The Flash and His Fantastic Fear of Ferocious Fans." In: The Phoenix Papers 3.1 (2017), (21. Juli 2021) |
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| Johnson, Ryan: "In One Blow. The Futility of Nietzsche in One-Punch Man." In: The Phoenix Papers 4.1 (2018), (21. Juli 2021) |
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| Hammonds, Kyle A. "On Superherology." In: The Phoenix Papers 4.1 (2018), (21. Juli 2021) |
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| Sams, Jason Butco: "The Sartrean Struggle of Banner/Hulk in Marvel’s Cinematic Universe." In: The Phoenix Papers 4.1 (2018), (21. Juli 2021) |
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| Johnson, Ryan: "A Boy and His God. The Promise of Masculinity in Captain Marvel." In: The Phoenix Papers 4.1 (2018), (21. Juli 2021) |
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| Dorfman, Ariel und Armand Mattelart: How to Read Donald Duck. Imperialist Ideology in the Disney Comic. 4. Aufl. London: Pluto, 2019. (192 S.) |
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| Jolly, Don: "Interpretive Treatments of Genesis in Comics. Robert Crumb and Dave Sim." In: Journal of Religion and Popular Culture 25.3 (2013), S. 333–343. |
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| Domsch, Sebastian: "From Hyper-Male Aardvarks to the Female Void. Gender Politics in Cerebus." In: Politics in Fantasy Media. Essays on Ideology and Gender in Fiction, Film, Television and Games. Hrsg. v. Gerold Sedlmayr und Nicole Waller. Jefferson: McFarland, 2014, S. 72–84. |
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| Blackmore, Tim: "Cerebus: From aardvark to Vanaheim, reaching for creative heaven in Dave Sim’s hellish world." In: Canadian Children’s Literature 71 (1993), S. 57–78. |
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| Perren, Alisa und Gregory Steirer: The American Comic Book Industry and Hollywood. (International Screen Industries.) London: British Film Institute, 2021. (250 S.) |
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| Marchetto Santorun, María Cecilia: "‘Terrible monsters Sin-bred’. Blakean monstrosity in Alan Moore’s graphic novels." In: Palgrave Communications 6.91 (2020), (17. Jan. 2021) |
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| Vester, Katharina: "POISE, Miss Lane! Super-Femininity in U.S. Comic Books in the 1940s and 1950s." In: Bodies in Flux. Embodiments at the End of Anthropocentrism. Hrsg. v. Barbara Braid und Hanan Muzaffar. (At the Interface / Probing the Boundaries, 128.) Leiden: Brill, 2019, S. 117–130. |
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| Boutelier, Stefani: "Exploring Privilege with Young Adult Literature." In: Language Arts Journal of Michigan 35.1 (2019), (19. Jan. 2021) |
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| Eckard, Sandra (Hg.): Comic Connections. Building Character and Theme. Lanham [etc.]: Rowman & Littlefield, 2019. (182 S.) |
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| Augereau, Olivier, Motoi Iwata und Koichi Kise: "A Survey of Comics Research in Computer Science." In: Journal of Imaging 4.7 (2018), (11. Nov. 2018) |
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| Segrave, Jeffrey O. und John A. Cosgrove: "“Games Are More Fun When There’s No Real Point”. Bizarre Sports in Comic Strips." In: International Journal of Comic Art 20.1 (2018), S. 349–366. |
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| Wai Chu, Kin: "A Forgotten Link in the History of the Chinese Newspaper Political Cartoon. The Cartoon Album of The World of E-king Yen." In: International Journal of Comic Art 20.1 (2018), S. 470–488. |
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| Prout, Ryan und Roberto Bartual: "Wrinkels, Furrows, and Laughter Lines. Paco Roca in Conversation at the Lakes International Comic Art Festival." In: International Journal of Comic Art 20.1 (2018), S. 510–523. |
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| Rajendra, Thusha Rani: "Visual and Verbal Representations in Mat Som. Lat and Multiculturalism." In: International Journal of Comic Art 20.1 (2018), S. 524–537. |
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| McClelland-Nugent, Ruth: "“Will the Real Dr. Psycho Please Stand Up?”. Finding the Origins of Wonder Woman’s Golden Age Characters." In: International Journal of Comic Art 20.1 (2018), S. 575–586. |
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| Liu, Kun, Jun-Hong Chen und Kang-Ming Chang: "A Study of Facial Features of American and Japanese Cartoon Characters." In: Symmetry 11.5 (2019), (24. Juni 2021) |
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| Suan, Stevie: "Consuming Production. Anime’s Layers of Transnationality and Dispersal of Agency as Seen in Shirobako and Sakuga-Fan Practices." In: Arts 7.3 (2018), (24. Juni 2021) |
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| Santiago Iglesias, José Andrés: "The Anime Connection. Early Euro-Japanese Co-Productions and the Animesque. Form, Rhythm, Design." In: Arts 7.4 (2018), (24. Juni 2021) |
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| Nguyen, Nhu-Van, Christophe Rigaud und Jean-Christophe Burie: "Digital Comics Image Indexing Based on Deep Learning." In: Journal of Imaging 4.7 (2018), (24. Juni 2021) |
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| Kauranen, Ralf und Olli Löytty: "Tiedon kertominen ja näyttäminen sarjakuvassa. Esimerkkinä Emmi Niemisen ja Johanna Vehkoon Vihan ja inhon internet." In: Kertomuksen keinoin.Tarinallisuus mediassa ja tietokirjallisuudessa. Hrsg. v. Mikko T. Virtanen, Pirjo Hiidenmaa und Jyrki Nummi. Helsinki: Gaudeamus, 2020, S. 307–333. |
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| Kauranen, Ralf: "Multimodaalinen monikielisyys Katja Tukiaisen matkasarjakuvassa Postia Intiasta." In: Avain 16.4 (2019), (24. Juni 2021) |
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| Kauranen, Ralf et al. "Vuoden 2015 “pakolaiskriisi” ja sarjakuva-aktivismi Suomessa. Auttamishalu, antirasismi ja turvapaikanhakijoiden äänet." In: Avain 16.1 (2019), (24. Juni 2021) |
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| Kauranen, Ralf und Kukku Melkas: "Sodan sävyjä sarjakuvassa." In: Toistemme viholliset? Kirjallisuus kohtaa sisällissodan. Hrsg. v. Kukku Melkas und Olli Löytty. Tampere: Vastapaino, 2018, S. 55–85. |
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| Polak, Kate: "And They Call That Poison Food. Desire and Traumatic Spectatorship in the Lucifer Retelling of Genesis." In: Son of Classics and Comics. Hrsg. v. George Kovacs und C. W. Marshall. (Classical Presences.) New York: Oxford Univ. Press, 2016, S. 215–231. |
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| Nowotny, Joanna: "It‘s called a Devil’s Threesome for a Reason. Transgression und Queerness in der Fernsehserie Lucifer – Ein Essay." In: Navigationen 18.1 (2018), S. 77–88. |
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| MacDonald, Katharine Polak: "“It Accreted Around Me”. Created Space and the Problem of the Name in Lucifer." In: Trespassing Journal 1 (2012), (23. Jan. 2014) |
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| King, Charles W. "What If It’s Just Good Business? Hell, Business Models, and the Dilution of Justice in Mike Carey’s Lucifer." In: Hell and its Afterlife. Historical and Contemporary Perspectives. Hrsg. v. Margaret Toscano und Isabel Moreira. London, New York: Routledge, 2010, S. 191–202. |
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| Swenson, Sharon Lee: "Guardian Demons in Hellboy. Hybridity in Contemporary American Horror Films." In: Hell and its Afterlife. Historical and Contemporary Perspectives. Hrsg. v. Margaret Toscano und Isabel Moreira. London, New York: Routledge, 2010. |
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| Dünne, Jörg: "›Andere Räume‹ und ihre Medialität. Von der phantastischen Literatur Argentiniens zur Comic-Welt der »Cités obscures«." In: Die phantastische Stadt. Hrsg. v. Thomas Le Blanc und Bettina Twrsnick. (Schriftenreihe und Materialien der Phantastischen Bibliothek Wetzlar, 76.) Wetzlar: Phantastische Bibliothek, 2005, S. 205–250. |
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| Böhm, Henry: Ein Rittersmann von Schrot und Korn. Die Geschichte des Rübensteiners. Berlin: Eulenspiegel, 1995. (224 S.) |
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| Frankel, Valerie Estelle: "Seeking Safe Haven. Shelter and Self-Protection from Afterlife to Avengers: Age of Ultron." In: At Home in the Whedonverse. Essays on Domestic Place, Space and Life. Hrsg. v. Juliette C. Kitchens. Jefferson: McFarland, 2017, S. 68–86. |
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| Klimke, Annemarie: “I’ll break the lock gently so no one will hear me!”. Stabilisierung und Subversion von heteronormativen Körperdarstellungen Wonder Womans in ausgewählten Comics. Masterarbeit (M.A.), Universität Potsdam, Institut für Medien und Künste 2018 (96 S.). |
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| Lamothe, John: "Speaking Silently. Comics’ Silent Narratives as Immersive Experiences." In: Studies in Popular Culture 41.2 (2019), S. 69–94. |
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| Pardy, Brett: "The Militarization of Marvel’s Avengers." In: Studies in Popular Culture 42.1 (2019), S. 103–122. |
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| Gundermann, Christine: Jenseits von Asterix. Comics im Geschichtsunterricht. (Methoden Historischen Lernens.) Schwalbach/Ts. Wochenschau-Verl. 2007. (224 S.) |
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| Oancea, Ana: "Salammbô in the Third Degree. From Novel to BD to Video Game." In: Études Francophones 32 (2020), S. 110–128. |
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| Costello, Brannon und Brian Cremins (Hgg.): The Other 1980s. Reframing Comics’ Crucial Decade. Baton Rouge: Louisiana State Univ. Press, 2021. |
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| Stein, Daniel: "Gaps as Significant Absences. The Case of Serial Comics." In: Meaningful Absence Across Arts and Media. The Significance of Missing Signifiers. Hrsg. v. Werner Wolf, Nassim Balestrini und Walter Bernhart. (Studies in Intermediality, 11.) Leiden: Brill, 2019, S. 126–155. |
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| Callahan, David: "Rotting, Blistered, Staggering Bodies and the Last of Ethnicity." In: Body and Text. Cultural Transformations in New Media Environments. Hrsg. v. David Callahan und Anthony Barker. (Second Language Learning and Teaching – Issues in Literature and Culture.) Cham: Springer, 2019, S. 33–47. |
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| Hatfield, Charles: "Tom Inge and What He Did." In: The Comics Journal (1. Juni 2021), (13. Juni 2021) |
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| Bachmann, Christian A. "Comic und Comicbuch." In: Literatur, Buchgestaltung und Buchkunst. Ein Kompendium. Hrsg. v. Monika Schmitz-Emans. Berlin u. Boston: de Gruyter, 2019, S. 574–586. |
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| Groensteen, Thierry (Hg.): Le Bouquin de la bande dessinée. Dictionnaire estétique et thématique. (Bouquins.) Paris: Robert Laffont, 2020. (854 S.) |
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| Pedler, Martyn: "“I’m Eight Years Old Again”. Batman’s Tragedy, Memory, and Continuity." In: Refractory 32 (2019), (13. Juni 2021) |
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| Bosch, Brandon: "Bat Meets Girl. Adapting the Dark Knight’s Love Life to the Big Screen." In: Quarterly Review of Film and Video 36.3 (2019), S. 239–251. |
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| Majhi, Goutam: "Paradox of Gender Equality in Hollywood Superhero Movies." In: Arts & Education International Research Journal 4.2 (2017), S. 5–9. |
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| Golden, Catherine J. Serials to Graphic Novels. The Evolution of the Victorian Illustrated Book. Gainesville: Univ. Press of Florida, 2017. (298 S.) |
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| Viljoen, Jeanne-Marie: War Comics. A Postcolonial Perspective. (Routledge Interdisciplinary Perspectives on Literature, 125.) London, New York: Routledge, 2021. (213 S.) |
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| Hall, Richard A. The American Villain. Encyclopedia of Bad Guys in Comics, Film, and Television. Santa Barbara: Greenwood, 2021. (357 S.) |
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| Peterle, Giada: Comics as a Research Practice. Drawing Narrative Geographies Beyond the Frame. (Routledge Research in Culture, Space and Identity.) London, New York: Routledge, 2021. (172 S.) |
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| Cohn, Neil: Who Understands Comics? Questioning the Universality of Visual Language Comprehension. New York: Bloomsbury Academic, 2021. (240 S.) |
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| Scorer, James (Hg.): Comics Beyond the Page in Latin America. (Modern Americas.) London: UCL Pr. 2020. (229 S.) |
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| Luis, Raphaël: "Sandman, récit métamorphe. L’espace du chapitre chez Neil Gaiman." In: Itinéraires 2020-1 (2020), (9. Juni 2021) |
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| Bonadè, Sophie: "« I Am Gotham ». Identification du superhéros et de la ville dans les comic books Batman." In: Itinéraires 2019-2/3 (2019), (9. Juni 2021) |
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| Snaith, Guy: "Corps dessinés, corps créés, signés « Tom of Finland »." In: Itinéraires 2009-1 (2009), (10. Juni 2021) |
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| Louison, Valérie: "La représentation du corps chez Tatsumi Yoshihiro, maître du manga réaliste (gekiga)." In: Itinéraires 2011-3 (2011), (10. Juni 2021) |
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| Pichler, Georg: "Bunte Bildchen vom Krieg. Die spanischen cromos von Im Westen nichts Neues." In: Erich Maria Remarque Jahrbuch 28 (2018), S. 33–44. |
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