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| Dennis, Mark: "Manga as Historical Medium. Depictions of Prince Shotoku’s Authorship of the Sangyō-gisho in Japanese Comic Books." In: Forum for World Literature Studies 3.1 (2011), S. 25–39. |
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| Kuhlman, Martha und José Alaniz (Hrsg.): Comics of the New Europe. Reflections and Intersections. (Studies in European Comics and Graphic Novels, 7.) Leuven: Leuven Univ. Press, 2020. (289 S.) |
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| Belloï, Livio und Fabrice Leroy: Pierre La Police. Une esthétique de la malfaçon. Paris: Serious Publ. 2019. (200 S.) |
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| MacInnes, Iain A. "The World As It Was/Could Have Been? The Depiction And (Re)Interpretation of Medieval History in Jour J." In: Drawing the Past. Comics and the Historical Imagination. Hrsg. v. Michael Goodrum, David Hall und Philip Smith. Jackson: Univ. Press of Mississippi, 2020. |
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| ---: "“I Can Piss on Calais from Dover”. Adaptation and Medievalism in Graphic Novel Depictions of the Hundred Years’ War (1337–1453)." In: From Medievalism to Early-Modernism. Adapting the English Past. Hrsg. v. Marina Gerzic und Aidan Norrie. London, New York: Routledge, 2018, S. 154–170. |
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| Cocca, Carolyn: Wonder Woman and Captain Marvel. Militarism and Feminism in Comics and Film. (Routledge Focus on Gender, Sexuality, and Comics.) London, New York: Routledge, 2021. (102 S.) |
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| Engelmann, Jonas: "Zwischen den Bildern. Die hybride Ästhetik des Comics als Mittel der Interkulturalität." In: Interkulturalität und Alltag. Hrsg. v. Julia Schmidt, Sandra Keßler und Michael Simon. (Mainzer Beiträge zur Kulturanthropologie / Volkskunde, 4.) Münster: Waxmann, 2012, S. 91–102. |
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| Uhlig, Barbara: "‘Chercher dans le Noir’ – the gap as motif in Caboto by Lorenzo Mattotti and Jorge Zentner." In: Comics Forum (25. Febr. 2013). |
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| Afrashteh, Diana: Das gezeichnete Selbst zwischen den Kulturen. Eine interkulturelle Annäherung an Marjane Satrapis biographisches Werk Persepolis.(Diplomarbeit), Donau Universität Krems, Interkulturelle Kompetenzen 2008 (84 S.). |
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| Mihăilescu, Dana: "Jewish Identity amid Wars and Migration. Transnational and Transgenerational Itineraries in Julia Alekseyeva’s Soviet Daughter. A Graphic Revolution." In: Literature and Belief 40.2 (2021). |
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| Rinnerthaler, Peter: "Die Ästhetik der Vermittlung. Die Themen Flucht und Migration in Comics / Graphic Novels." In: Jahrbuch der Gesellschaft für Kinder- und Jugendliteraturforschung (2017), S. 114–129, . |
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| Earle, Harriet E. H. "Strange migrations. An essay/interview with Shaun Tan." In: Journal of Postcolonial Writing 52.4 (2016), S. 385–398. |
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| Singer, Rüdiger: "Cute monsters and early birds. Foreignness in graphic novels on migration by Shaun Tan and Paula Bulling." In: Journal of Graphic Novels and Comics 11.1 (2020), S. 74–95. |
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| Nappia, Paolino und Ewa Stańczyk: "Women cross borders. Economic migration in contemporary Italian and Polish graphic novels." In: Journal of Graphic Novels and Comics 6.3 (2015), S. 230–245. |
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| Nayar, Pramod K. "Drawing Migrants and Carceral Spaces. Tings Chak’s Undocumented." In: Global Perspectives 1.1 (2020). |
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| Geeraert, Dustin: "‘There’s no going back’. The Dark Knight and Balder’s descent to Hel." In: From Iceland to the Americas. Vinland and historical imagination. Hrsg. v. Tim William Machan und Jón Karl Helgason. (Manchester Medieval Literature and Culture.) Manchester, New York: Manchester Univ. Press, 2020, S. 215–235. |
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| Helgason, Jón Karl: "‘Who is this upstart Hitler?’. Norse gods and American comics during the Second World War." In: From Iceland to the Americas. Vinland and historical imagination. Hrsg. v. Tim William Machan und Jón Karl Helgason. (Manchester Medieval Literature and Culture.) Manchester, New York: Manchester Univ. Press, 2020, S. 198–214. |
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| Murphy, Patrick: "Teaching the History of the English Language with Comics." In: Studies in Medieval and Renaissance Teaching 28.1 (2021), S. 101–121. |
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| Diamantopoulou, Lilia: "Illustrierte Klassiker. »Die spannendsten Geschichten der Weltliteratur« – in der griechischen Version." In: Historische Sozialkunde 2 (2016), S. 26–32. |
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| Camus, Cyril: "Neil Gaiman’s Sandman as a Gateway from Comic Books to Graphic Novels." In: Studies in the Novel 47.3 (2015), S. 308–318. |
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| Vice, Sue: "»It's about time«. The Chronotope of the Holocaust in Art Spiegelman's Maus." In: The Graphic Novel. Hrsg. v. Jan Baetens. (Symbolae Facultatis Litterarum Lovaniensis. Series D: Litteraria, 13.) Leuven: Leuven Univ. Press, 2001, S. 47–60. |
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| Packard, Stephan: "Historical Time in Panel Spaces. Chronotopic Appropriations in Comics." In: Geschichte im Comic. Befunde – Theorien – Erzählweisen. Hrsg. v. Bernd Dolle-Weinkauff. Berlin: Ch.A. Bachmann, 2018, S. 57–74. |
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| Mendes de Souza, Marcelo: "Comic-chronotope in Julio’s Day. Gilbert Hernandez’s explorations of the form-shaping ideologies of the medium." In: Journal of Graphic Novels and Comics 8.4 (2017), S. 359–375. |
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| De Dobbeleer, Michel und Anouk Dubois: "Der Chronotopos des Kriegsrates als Merkmal in Comics. Vom narratologischen Geschehen zur Geschichte in Attilio Micheluzzis Sibérie." In: Erzählen im Comic. Beiträge zur Comicforschung. Hrsg. v. Otto Brunken und Felix Giesa. Bochum: Ch.A. Bachmann, 2013, S. 113–127. |
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| Jewett, Robert und John Shelton Lawrence: Captain America and the Crusade against Evil. The Dilemma of Zealous Nationalism. Grand Rapids, Cambridge: William B. Eerdmans, 2003. (392 S.) |
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| Lawrence, John Shelton und Robert Jewett: The Myth of the American Superhero. Grand Rapids: Eerdmans, 2002. (416 S.) |
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| Danky, James und Denis Kitchen (Hrsg.): Underground Classics. The Transformation of Comics into Comix. New York: Abrams, 2009. (143 S.) |
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| "Sandman, Master of Dreams." [Available Online]Ralf Hildebrandt (Hg.): 2007. (4. Jan. 2022) . |
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| Faeti, Antonio: " L’Aventurier de l’aurore." In: Tintin, Hergé et la «Belgité». Hrsg. v. Anna Soncini Fratta. (BelŒil, 4.) Bologna: CLUEB, 1994, S. 15–24. |
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| van de Kerckhove, Marcel: "Tintin en voyage. Une vision «belge» des mondes exotiques?" In: Tintin, Hergé et la «Belgité». Hrsg. v. Anna Soncini Fratta. (BelŒil, 4.) Bologna: CLUEB, 1994, S. 25–38. |
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| Maurin Abomo, Marie Rose: "«Tintin au Congo», ou la stratégie d’une démarche coloniale." In: Tintin, Hergé et la «Belgité». Hrsg. v. Anna Soncini Fratta. (BelŒil, 4.) Bologna: CLUEB, 1994, S. 57–74. |
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| Jouanny, Robert: "Tintin et l’Amérique Latine." In: Tintin, Hergé et la «Belgité». Hrsg. v. Anna Soncini Fratta. (BelŒil, 4.) Bologna: CLUEB, 1994, S. 89–102. |
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| Pierre, Michel: "Tintin saisi par la guerre froide." In: Tintin, Hergé et la «Belgité». Hrsg. v. Anna Soncini Fratta. (BelŒil, 4.) Bologna: CLUEB, 1994, S. 103–110. |
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| Reggiani, Licia: "Tintin italien." In: Tintin, Hergé et la «Belgité». Hrsg. v. Anna Soncini Fratta. (BelŒil, 4.) Bologna: CLUEB, 1994, S. 111–124. |
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| González Salvador, Ana: "Fausse ressemblance, fausse différence: les Dupondt." In: Tintin, Hergé et la «Belgité». Hrsg. v. Anna Soncini Fratta. (BelŒil, 4.) Bologna: CLUEB, 1994, S. 125–136. |
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| Gravet, Catherine: "Qui a peur du grand anthropoïde?" In: Tintin, Hergé et la «Belgité». Hrsg. v. Anna Soncini Fratta. (BelŒil, 4.) Bologna: CLUEB, 1994, S. 247–260. |
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| Swerts, Harry: "Tintineries." In: Tintin, Hergé et la «Belgité». Hrsg. v. Anna Soncini Fratta. (BelŒil, 4.) Bologna: CLUEB, 1994, S. 277–280. |
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| Zanetti, Sabrina: "Tintin, protagoniste au grand écran." In: Tintin, Hergé et la «Belgité». Hrsg. v. Anna Soncini Fratta. (BelŒil, 4.) Bologna: CLUEB, 1994, S. 281–288. |
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| Ferrari, Silvio: "«Les bijoux de la Castafiore». De métaphores en métaplasmes la langue en «marche»" In: Tintin, Hergé et la «Belgité». Hrsg. v. Anna Soncini Fratta. (BelŒil, 4.) Bologna: CLUEB, 1994, S. 203–218. |
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| McSweeney, Terence: Black Panther. Interrogating a Cultural Phenomenon. (Reframing Hollywood.) Jackson: Univ. Press of Mississippi, 2021. (242 S.) |
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| ---: "Mickey Mouse and Americanism." In: Arguing Comics. Literary Masters on a Popular Medium. Hrsg. v. Jeet Heer und Kent Worcester. Cambridge: Da Capo, 2004, S. 94–98. |
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| Grennan, Simon. "Plot, picture and practice. Comics, picture books and illustrated literary fiction". Retrieving Illustration Conference: Agder, 1. Juli, 2014. |
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| Bachmann, Christian A. "Bilderbuch und Comic im Dialog. Paul Kirchners und Guy Billouts Geschichten über Busse – ein Fallbeispiel." In: Die Welt im Bild erfassen. Multidisziplinäre Perspektiven auf das Bilderbuch. Hrsg. v. Tobias Kurwinkel, Corinna Norrick-Rühl und Philipp Schmerheim. (Kinder- und Jugendliteratur intermedial, 7.) Würzburg: Königshausen & Neumann, 2020. |
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| Woo, Benjamin und Jeremy Stoll (Hrsg.): The Comics World. Comic Books, Graphic Novels, and Their Publics. Jackson: Univ. Press of Mississippi, 2021. (264 S.) |
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| Bachmann, Christian A. " In der Bastardzone. Hybridität als Schnittstelle von Kinder- und Jugendmedienforschung und Comicforschung am Beispiel der Serien Big Little Books und Weltliteratur für Junge Leser." In: Schnittstellen der Kinder- und Jugendmedienforschung. Aktuelle Positionen und Perspektiven. Hrsg. v. Ute Dettmar, Caroline Roeder und Ingrid Tomkowiak. Stuttgart: Metzler, 2019. |
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| ---: Little Orphan Annies Transformationen. Medienformatwechsel und mediale Eigenzeit zwischen Zeitung, Buch und Heft. (Graphische Narration im Journal, 4.) Hannover: Wehrhahn, 2021. (160 S.) |
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| Soltysik Monnet, Agnieszka: "“I’ll Be Whatever Gotham Needs Me to Be”. Batman, the Gothic and Popular Culture." In: The Gothic in Contemporary Literature and Popular Culture. Pop Goth. Hrsg. v. Justin D. Edwards und Agnieszka Soltysik Monnet. (Routledge Interdisciplinary Perspectives on Literature, 8.) London, New York: Routledge, 2012, S. 96–113. |
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| Round, Julia: "Horror Hosts in British Girl’s Comics." In: The Palgrave Handbook on Contemporary Gothic. Hrsg. v. Clive Bloom. New York [etc.]: Palgrave Macmillan, 2020, S. 623–642. |
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| Piske, Katharina: "Underground Comix als visualisierte diskursive Praktik in den USA zwischen 1940 und 1980." In: Kommunikative Funktionen des Buchs I: Moral, Tabus und Skandale in der Buchkommunikation. Hrsg. v. Axel Kuhn und Sandra Rühr. (Alles Buch. Studien der Erlanger Buchwissenschaft, 61.) Erlangen: Buchwissenschaft / Universität Erlangen-Nürnberg, 2017, S. 74–102. |
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| Villhauer, Bernd: "Comics und »Graphic Novels« im Literaturbetrieb." In: Texturen (2014). |
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| Wimmer, Carolin: Medienprodukt Manga – Distribution im Sortimentsbuchhandel. (Alles Buch. Studien der Erlanger Buchwissenschaft, 60.) Erlangen: Buchwissenschaft / Universität Erlangen-Nürnberg, 2017. (104 S.) |
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| Gilley, Jennifer und Stephen Burnett: "Deconstructing and Reconstructing Pittsburgh’s Man of Steel. Reading Joe Magarac Against the Context of the 20th-Century Steel Industry." In: Journal of American Folklore 111.442 (1998), S. 392–408. |
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| Taylor, Laurie N. "Making Nightmares into New Fairytales. Goth Comics as Children’s Literature." In: The Gothic in Children’s Literature. Haunting the Borders. Hrsg. v. Anna Jackson, Roderick McGillis und Karen Coats. (Children’s Literature and Culture.) London, New York: Routledge, 2008, S. 195–208. |
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| Grünewald, Dietrich: Abstrakt? – Abstrakt! Abstraktion und Bildgeschichte. Berlin: Ch.A. Bachmann, 2021. (240 S.) |
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| Reingold, Matt: Gender and Sexuality in Israeli Graphic Novels. New York & London: Routledge, 2022. |
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| Berry, Ellen E. "Becoming-Girl/Becoming-Fly/Becoming-Imperceptible. Gothic Posthumanism in Lynda Barry’s Cruddy: An Illustrated Novel." In: A Companion to American Gothic. Hrsg. v. Charles L. Crow. (Blackwell Companions to Literature and Culture, 85.) Chichester: Wiley-Blackwell, 2014, S. 405–417. |
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| Francis, Fred: "‘What Do I Use to Make Them Afraid?’. The Gothic Animal and the Problem of Legitimacy in American Superhero Comics." In: Gothic Animals. Uncanny Otherness And The Animal With-Out. Hrsg. v. Ruth Heholt und Melissa Edmundson. (Palgrave Studies in Animals and Literature.) New York [etc.]: Palgrave Macmillan, 2020, S. 91–106. |
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| Ong, Walter J. "The Comics and the Super State." In: Arizona Quarterly 1.3 (1945), S. 34–48. |
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| Claverie, Ezra: "Folklore, Fakelore, Scholars, and Shills. Superheroes as “Myth”." In: Journal of Popular Culture 52.5 (2019), S. 976–998. |
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| Marks, Patricia: "What Builders These Mortals Be. Puck’s View of the Brooklyn Bridge." In: American Periodicals 29.1 (2019), S. 43–62. |
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| Ganz, David und Felix Thürlemann (Hrsg.): Das Bild im Plural. Mehrteilige Bildformen zwischen Mittelalter und Gegenwart. (Bild+Bild, 1.) Berlin: Reimer, 2010. (390 S.) |
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| Round, Julia: "Misty, Spellbound and the lost Gothic of British girls’ comics." In: Palgrave Communications 3.17037 (2017), S. 1–11. |
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| ---: "Fantastic Alterities and The Sandman." In: Crossing Boundaries in Graphic Narrative. Essays on Forms, Series and Genres. Hrsg. v. Jake Jakaitis und James F. Wurtz. Jefferson, London: McFarland, 2012, S. 71–92. |
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| Gittinger, Juli L. "Muslim Women Cosplayers. Intersecting Religious, Cultural and Fan Identities." In: The Sacred in Fantastic Fandom. Essays on the Intersection of Religion and Pop Culture. Hrsg. v. Carol M. Cusack, John W. Morehead und Venetia Laura Delano Robertson. Jefferson: McFarland, 2019, S. 154–168. |
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| ---: "Hijabi Cosplay. Performances of Culture, Religion, and Fandom." In: Journal of Religion and Popular Culture 30.2 (2018), S. 87–105. |
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| Boeckner, McKenna James, Monica Flegel und Judith Leggatt: "“Not My Captain America”. Racebending, Reverse Discrimination, and White Panic in the Marvel Comics Fandom." In: Fandom, Now in Color. A Collection of Voices. Hrsg. v. Rukmini Pande. (Fandom and Culture.) Iowa City: Univ. of Iowa Press, 2020, S. 181–195. |
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| Bagger, Christoffer: "Multiversal Queerbaiting. Alan Scott, Alternate Universes, and Gay Characters in Superhero Comics." In: Queerbaiting and Fandom. Teasing Fans Through Homoerotic Possibilities. Hrsg. v. Joseph Brennan. (Fandom and Culture.) Iowa City: Univ. of Iowa Press, 2019, S. 171–176. |
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| Scott, Suzanne: Fake Geek Girls. Fandom, Gender, and the Convergence Culture Industry. (Critical Cultural Communication.) New York, London: New York Univ. Press, 2019. (291 S.) |
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| Okabe, Daisuke und Kimi Ishida: "Making Fujoshi Identity Visible and Invisible." In: Fandom Unbound. Otaku Culture in a Connected World. Hrsg. v. Misuki Ito, Daisuke Okabe und Izumi Tsuji. New Haven: Yale Univ. Press, 2012, S. 207–224. |
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| Okabe, Daisuke: "Cosplay, Learning, and Cultural Practice." In: Fandom Unbound. Otaku Culture in a Connected World. Hrsg. v. Misuki Ito, Daisuke Okabe und Izumi Tsuji. New Haven: Yale Univ. Press, 2012, S. 225–248. |
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| Tamagawa, Hiroaki: "Comic Market as Space for Self-Expression in Otaku Culture." In: Fandom Unbound. Otaku Culture in a Connected World. Hrsg. v. Misuki Ito, Daisuke Okabe und Izumi Tsuji. New Haven: Yale Univ. Press, 2012, S. 107–132. |
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| Gencarella, Stephen Olbrys: "Thunder without rain. Fascist masculinity in AMC’s The Walking Dead." In: Horror Studies 7.1 (2016), S. 125–146. |
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| Owens, Katharine A. et al. "Comic-Con. Can Comics of the Constitution Enable Meaningful Learning in Political Science?" In: Political Science & Politics 53.1 (2020), S. 161–166. |
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