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| Walker Vadillo, Mónica Ann: "Comic Books Featuring the Middle Ages." In: Itinéraires 2010-3 (2010), S. 153–163, . |
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| Lorig, Aurélien: "Le pastiche du roman-feuilleton dans Le Voleur de Georges Darien et ses adaptations." In: Itinéraires 2020-1 (2020). |
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| Snaith, Guy: "Corps dessinés, corps créés, signés « Tom of Finland »." In: Itinéraires 2009-1 (2009), S. 108–128, . |
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| Wilde, Lukas R. A. "Recontexualizing Characters. Media Convergence and Pre-/Meta-Narrative Character Circulation." In: IMAGE 29.1 (2019), S. 3–21, . |
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| Hibbett, Mark: "In Search of Doom. Tracking a Wandering Character Through Data." In: IMAGE 29.1 (2019), S. 81–97, . |
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| Mag Uidhir, Christy: "How to Frame Serial Art." In: Journal of Aesthetics and Art Criticism 71.3 (2013), S. 261–265. |
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| Stöckl, Hartmut: Die Sprache im Bild, das Bild in der Sprache. Zur Verknüpfung von Sprache und Bild im massenmedialen Text. Konzepte, Theorien, Analysemethoden. (Linguistik – Impulse & Tendenzen, 3.) Berlin: de Gruyter, 2004. (421 S.) |
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| Lauwers, Joran: Intertextuality and Adaptation as a Narrative Framework. Creating the New from the Inexplicable in Neil Gaiman’s “The Sandman”. Masterproef (Master in de taal- en letterkunde), Universiteit Gent 2016 (111 S.). |
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| Alegría Sabogal, Diego Cristóbal: "Autorenfunktion, Comic-Kontinuität und Transmedia Storytelling. Intertextuelle Bedeutungsketten bei Neil Gaiman." In: Ketten. Hrsg. v. Petra Gehring. Essen: Blaue Eule, 2017, S. 111–128. |
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| ---: "Voices Staged and Shaded. Comic Collaborations between P. Craig Russell and Neil Gaiman." In: Cuadernos Literarios 9.12 (2015). |
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| Nayar, Pramod K. "Narrating Alzheimer’s Disease. Graphic Medicine and Dana Walrath’s Aliceheimer’s Alzheimer’s Through the Looking Glass." In: Sambalpur Studies in Literatures and Cultures 6 (2021), S. 25–34. |
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| Camus, Cyril: "Les collaborations de Neil Gaiman et Dave McKean." In: Fabula.org: Colloques en ligne (2016). |
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| Wolk, Douglas: All of the Marvels. A Journey to the Ends of the Biggest Story Ever Told. New York: Penguin, 2021. |
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| Luna-Dubois, Álvaro: "Recovering migrant spaces in Laurent Maffre’s graphic novel Demain, Demain." In: Postmigration. Art, Culture, and Politics in Contemporary Europe. Hrsg. v. Anna Meera Gaonkar et al. (Postmigration Studies, 4.) Bielefeld: Transcript, 2021, S. 265–282. |
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| Camus, Cyril: "Forêts symboliques de la bande dessinée fantastique américaine contemporaine." In: Otrante 27–28 (2010). |
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| Geczy, Adam und Vicki Karaminas: "‘Daddy’s Lil Monster’. Suicide Squad, Third-Wave Feminism and the Pornification and Queering of Harley Quinn." In: Film, Fashion & Consumption 8.2 (2019), S. 171–188. |
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| Garland, Tony W. "Villainous Adoration. The Role of Foe as Fan in Batman Narratives." In: Fan Phenomena: Batman. Hrsg. v. Liam Burke. (Fan Phenomena.) Bristol, Chicago: Intellect Books, 2013, S. 120–129. |
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| Bainbridge, Jason und Craig Norris: "Posthuman Drag. Understanding Cosplay as Social Networking in a Material Culture." In: Intersections 32 (2013). |
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| Burke, Liam: "Harley Quinn and the carnivalesque transformation of comic book fandom." In: Transformative Works and Cultures 36 (2021). |
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| Anderson, Kane: "Becoming Batman. Cosplay, Performance, and Ludic Transformation at Comic-Con." In: Play, Performance, and Identity. How Institutions Structure Ludic Spaces. Hrsg. v. Matt Omasta und Drew Chappell. New York & London: Routledge, 2015, S. 105–116. |
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| Sjåstad, Øystein: "Comics: This Bitter Art." In: Comics and Power. Representing and Questioning Culture, Subjects and Communities. Hrsg. v. Rikke Platz Cortsen, Erin La Cour und Anne Magnussen. Newcastle upon Tyne: Cambridge Scholars Publ. 2015, S. 2–22. |
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| Camus, Cyril: "Fantasy and Landscape. Mountain as Myth in Neil Gaiman’s Stories." In: Mountains Figured and Disfigured in the English-Speaking World. Hrsg. v. Françoise Besson. Newcastle upon Tyne: Cambridge Scholars Publ. 2010, S. 379–391. |
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| ---: "Calibans for the 1990s and 2000s. Shakespeare and Fantasy in the Age of “Professional Fan Fiction” and Integrative Fiction." In: Caliban 52 (2014), S. 109–124. |
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| Meyhoff Brink, Dennis: "Fearing Religious Satire. Religious Censorship and Satirical Counter-Attacks." In: Comics and Power. Representing and Questioning Culture, Subjects and Communities. Hrsg. v. Rikke Platz Cortsen, Erin La Cour und Anne Magnussen. Newcastle upon Tyne: Cambridge Scholars Publ. 2015, S. 194–217. |
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| Kontturi, Katja: "“Shades of Conan Doyle! A lost world!”. Fantasy and Intertextuality in Don Rosa’s “Escape from Forbidden Valley”." In: Comics and Power. Representing and Questioning Culture, Subjects and Communities. Hrsg. v. Rikke Platz Cortsen, Erin La Cour und Anne Magnussen. Newcastle upon Tyne: Cambridge Scholars Publ. 2015, S. 89–109. |
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| Dalmaso, Renata und Thayse Madella: "Queering Space in Neil Gaiman’s Illustrated Works." In: The Artistry of Neil Gaiman. Finding Light in the Shadows. Hrsg. v. Joseph Michael Sommers und Kyle Eveleth. (Critical Approaches to Comics Artists.) Jackson: Univ. Press of Mississippi, 2019, S. 204–216. |
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| Eveleth, Kyle und Joseph Michael Sommers: "The Art of Adaptation. An Interview with P. Craig Russell." In: The Artistry of Neil Gaiman. Finding Light in the Shadows. Hrsg. v. Joseph Michael Sommers und Kyle Eveleth. (Critical Approaches to Comics Artists.) Jackson: Univ. Press of Mississippi, 2019, S. 251–262. |
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| Kilgore, Christopher D. "At the Edge of the Barely Perceptible. Temporality and Masculinity in Mr. Punch and Violent Cases." In: The Artistry of Neil Gaiman. Finding Light in the Shadows. Hrsg. v. Joseph Michael Sommers und Kyle Eveleth. (Critical Approaches to Comics Artists.) Jackson: Univ. Press of Mississippi, 2019, S. 69–92. |
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| Camus, Cyril: Mythe et fabulation dans la fiction fantastique et merveilleuse de Neil Gaiman. (Univers anglophones.) Rennes: Presses Univ. de Rennes, 2018. (249 S.) |
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| Eichel, Andrew: "Between Mimesis and Fantasy. Binaries and Boundaries in The Books of Magic." In: The Artistry of Neil Gaiman. Finding Light in the Shadows. Hrsg. v. Joseph Michael Sommers und Kyle Eveleth. (Critical Approaches to Comics Artists.) Jackson: Univ. Press of Mississippi, 2019, S. 114–129. |
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| Larsen, Kristine: "Dreaming the Universe. The Sandman: Overture, Creation Myths, and the Ultimate Observer." In: The Artistry of Neil Gaiman. Finding Light in the Shadows. Hrsg. v. Joseph Michael Sommers und Kyle Eveleth. (Critical Approaches to Comics Artists.) Jackson: Univ. Press of Mississippi, 2019, S. 33–50. |
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| Parezanović, Tijana: "Dream a Little Dream of Will. Shakespeare as a Character in Neil Gaiman’s The Sandman." In: Philologist / Филолог 5 (2012), S. 67–77, . |
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| Schwarzenbacher, Martin: »Doom Messiah«. Mythen in der narrativen Religionsästhetik von Science Fiction- und Supermenschencomics. Masterarbeit (M.A.), Universität Wien, Institut für Religionswissenschaft 2019 (264 S.). |
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| Guillaume, Isabelle. "Dramatis personae. Valeurs symboliques du masque dans Sandman et The Invisibles". Masques, identités et bande dessinée: Lyons, 20. Mai, 2014. |
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| Klęczar, Aleksandra: "The Revenge of Augustus. Caesar, Octavian and History in Neil Gaiman’s August." In: Classica Cracoviensia 21 (2018), S. 107–120, . |
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| Guillaume, Isabelle: Les Figures du rêve dans The Sandman.(Mémoire de Master 2 en recherche anglophone), ENS de Lyon 2012 (187 S.). |
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| Stuhlfauth-Trabert, Mara: "»der schwerkraft der meisten japan-erzählungen« entgegen – Kathrin Rögglas und Oliver Grajewskis tokio, rückwärtstagebuch." In: Kathrin Röggla. Hrsg. v. Iuditha Balint, Tanja Nusser und Rolf Parr. München: edition text + kritik, 2017, S. 196–215. |
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| Scherer, Elisabeth: "Popularisierung von Kriegserinnerung im Manga In this corner of the world (Kōno Fumiyo, 2007–2009)." In: Krieg und Migration im Comic. Interdisziplinäre Analysen. Hrsg. v. icon Düsseldorf. Bielefeld: Transcript, 2020, S. 207–240. |
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| Trabert, Florian: "Im Zwischenraum − Migration in deutschsprachigen Comics der Gegenwart." In: Krieg und Migration im Comic. Interdisziplinäre Analysen. Hrsg. v. icon Düsseldorf. Bielefeld: Transcript, 2020, S. 107–126. |
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| Stuhlfauth-Trabert, Mara und Florian Trabert: "Kartierung der Flucht – Karten in Migrations-Comics." In: Krieg und Migration im Comic. Interdisziplinäre Analysen. Hrsg. v. icon Düsseldorf. Bielefeld: Transcript, 2020, S. 75–106. |
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| Leinen, Frank: "Biopolitik und Transversalität − Eine Analyse von Javier de Isusis graphischer Erzählung Asȳlum." In: Krieg und Migration im Comic. Interdisziplinäre Analysen. Hrsg. v. icon Düsseldorf. Bielefeld: Transcript, 2020, S. 265–302. |
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| ---: "Das andere Denken – das Andere denken. Grenzüberschreitungen als Gestaltungsprinzip bei Marc-Antoine Mathieu." In: Kartografie der Träume. Die Kunst des Marc-Antoine Mathieu. Hrsg. v. David Beikirch und Matthias Wagner K. Berlin: Ch.A. Bachmann, 2017, S. 93–102. |
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| ---: "GedächtnisKultur im Museum. Zur Problematik der Formung von Wissen, Erinnerung und Kultur in Marc-Antoine Mathieus Les Sous-sols du Révolu." In: Kartografie der Träume. Die Kunst des Marc-Antoine Mathieu. Hrsg. v. David Beikirch und Matthias Wagner K. Berlin: Ch.A. Bachmann, 2017, S. 45–56. |
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| Leinen, Frank und Corinna Koch: "Vom Süden und Norden. Aktuelle Herausforderungen und Möglichkeiten der convivencia in der novela gráfica Calle del Norte und ihre Einbettung in den fortgeführten Spanischunterricht der Qualifizierungsphase." In: Convivencia. Dialogische Studien von Fachdidaktik und Fachwissenschaft zu ambivalenten Deutungsmustern gesellschaftlichen Zusammenlebens in Spanien. Hrsg. v. Corinna Koch und Sabine Schmitz. (Romanische Literaturen & Kulturwissenschaften.) Berlin [etc.]: Peter Lang, 2020, S. 131–180. |
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| Leinen, Frank: "Histoire(s) de la Grande Boucle – Die Tour de France in der französischen Bande Dessinée." In: Vélomanie. Facetten des Radsports zwischen Mythos und Ökonomie. Hrsg. v. Frank Leinen. Bielefeld: Transcript, 2019, S. 67–112. |
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| Hume, Kathryn: "Neil Gaiman’s Sandman as Mythic Romance." In: Genre 46.3 (2013), S. 345–365. |
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| Jahlmar, Joakim: "“Give the devil his due”. Freedom, Damnation, and Milton’s Paradise Lost in Neil Gaiman’s The Sandman: Season of Mists." In: Partial Answers 13.2 (2015), S. 267–286. |
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| Hume, Kathryn: "Psychology made visual. The Sandman Overture by Neil Gaiman, J.H. Williams III and Dave Stewart." In: Journal of Visual Literacy 37.2 (2018), S. 103–118. |
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| Pedler, Caroline: "Sketchbook as therapist. Self-authorship and the art of making picturebooks." In: Journal of Illustration 7.1–2 (2020), S. 147–177. |
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| Roy, Suddhabrata Deb: "The Indian Superheroine costume. Analysing Indian comics’ first superheroine." In: Film, Fashion & Consumption 10.1 (2021), S. 313–324. |
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| Kahler, Jason: "The many masks of Dr Henry Pym. Alter ego, identity, disability and personality of a founding Avenger." In: Film, Fashion & Consumption 10.1 (2021), S. 299–311. |
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| Henry King, Lorraine: "Black skin as costume in Black Panther." In: Film, Fashion & Consumption 10.1 (2021), S. 265–276. |
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| Geraffo, Monica: "No tights, no flights. Constructing the wardrobe of television superheroes." In: Film, Fashion & Consumption 10.1 (2021), S. 233–250. |
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| Uzu, Tonka: "The role of the autobiographical graphic novels in the elaboration of psychic traumas. Art Spiegelman, David B. and Justin Green." In: Journal of Illustration 7.1–2 (2020), S. 109–128. |
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| Alegría Sabogal, Diego Cristóbal: Von Endlosen, Ewigen und Anderen. Die Darstellung des Undarstellbaren bei Neil Gaiman. (Studia Comparatistica, 12.) Berlin: Ch.A. Bachmann, 2021. (396 S.) |
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| Cooke, Jon B. (Hg.): Joe Kubert, Creator & Mentor. A Tribute to the Comic Book Master. (Comic Book Creator, 2.) Raleigh: TwoMorrows, 2013. (160 S.) |
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| Lévrier, Alexis und Guillaume Pinson (Hgg.): Presse et bande dessinée. Une aventure sans fin. (Réflexions faites.) Bruxelles: Les Impressions Nouvelles, 2021. (384 S.) |
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| Natsume, Fusanosuke: "Making It Just in Time. Author-Creator Matsumoto Taiyō." In: The Comics Journal (20. Sept. 2021). |
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| Slade, Paul: "Andy & Flo meet Maggie & Hopey." In: PlanetSlade.com (2017). |
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| O’Neil, Tegan: "The Wreckage. Part Two." In: The Comics Journal (2. Juli 2020). |
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| ---: "The Wreckage. Part One." In: The Comics Journal (21. Mai 2020). |
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| Harvey, Colin B. Fantastic Transmedia. Narrative, Play and Memory Across Science Fiction and Fantasy Storyworlds. New York [etc.]: Palgrave Macmillan, 2015. (238 S.) |
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| Mayer, Ruth: "Dad und die Gelbe Gefahr." In: Geschichte der Gegenwart (10. Sept. 2021). |
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| Kwitney, Alisa: The Sandman. King of Dreams. San Francisco: Chronicle Books, 2003. (179 S.) |
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| Jenkins, Henry et al. "Superpowers to the People! How Young Activists Are Tapping the Civic Imagination." In: Civic Media. Technology, Design, Practice. Hrsg. v. Eric Gordon und Paul Mihailidis. Cambridge, London: MIT Press, 2016, S. 295–319. |
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| Stuhlfauth-Trabert, Mara und Florian Trabert: "Verwandlungen vom literarischen Text zur Graphic Novel." In: Allmende 102 (2018), S. 20–30. |
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| Murray, Christopher: Champions of the Oppressed? Superhero Comics, Popular Culture, and Propaganda in America During World War II. (Hampton Press communication series: Comic art.) Cresskill: Hampton, 2011. (289 S.) |
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| Hülsmann, Katharina: "Controlling the spreadability of the Japanese fan comic. Protective practices in the dōjinshi community." In: Participations 17.2 (2020), S. 274–302, . |
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| Scorer, James: "Comics and the slaughterhouse. Alberto Breccia and the neighbourhood of Mataderos." In: Journal of Urban Cultural Studies 5.3 (2018), S. 281–297. |
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| Frahm, Ole, Hans-Joachim Hahn und Markus Streb (Hgg.): Beyond MAUS. The Legacy of Holocaust Comics. (Schriften des Centrums für Jüdische Studien, 34.) Köln, Weimar, Wien: Böhlau, 2021. |
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| Sacks, Jason, Eric Hoffman und Dominick Grace (Hgg.): Jim Shooter. Conversations. (Conversations with Comic Artists.) Jackson: Univ. Press of Mississippi, 2017. (217 S.) |
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| Danesin, Maxime: "Beyond Time & Culture. The Revitalisation of Old Norse Literature and History in Yukimura Makoto’s Vinland Saga." In: Mutual Images 2 (2017), S. 185–217, . |
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| Kupczyńska, Kalina und Renata Makarska (Hgg.): Handbuch Polnische Comickulturen nach 1989. Berlin: Ch.A. Bachmann, 2021. (390 S.) |
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| Reingold, Matt: "Trying to Locate the Real Anne Frank in Recent Authorized Graphic Novels." In: Image [&] Narrative 20.4 (2019), S. 82–98, . |
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| Palandt, Ralf (Hg.): Anne Frank im Comic. Berlin: Ch.A. Bachmann, 2021. (244 S.) |
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| Eder, Barbara: AlieNation. Migration in Graphic Novels. (Bildnarrative, 11.) Berlin: Ch.A. Bachmann, 2021. (176 S.) |
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| Hausmanninger, Thomas: Religion als Kultur. Das Judentum und die jüdische Identität bei Joann Sfar. (Bildnarrative, 10.) Berlin: Ch.A. Bachmann, 2021. (336 S.) |
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| Nakazawa, Shunsuke: "The Forgotten History of Japanese Comics. Before Osamu Tezuka and Tank Tankuro’s Maverick World." In: Tank Tankuro: Prewar Works 1934–1935. Tokyo: Presspop, 2011, S. viii–xv. |
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| Peppard, Anna F. "‘A cross burning darkly, blackening the night’. Reading racialized spectacles of conflict and bondage in Marvel’s early Black Panther comics." In: Studies in Comics 9.1 (2018), S. 59–85. |
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| Helgason, Jón Karl: Echoes of Valhalla. The Afterlife of the Eddas and Sagas. London: Reaktion Books, 2017. (239 S.) |
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| Lanza, Carmela Delia: "Tales and Dreams. Neil Gaiman’s The Sandman and Critical and Creative Thinking in the English Classroom." In: Comic Connections. Building Character and Theme. Hrsg. v. Sandra Eckard. Lanham [etc.]: Rowman & Littlefield, 2019, S. 7–22. |
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| Eckard, Sandra (Hg.): Comic Connections. Building Character and Theme. Lanham [etc.]: Rowman & Littlefield, 2019. (182 S.) |
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| --- (Hg.): Comic Connections. Reflecting on Women in Popular Culture. Lanham [etc.]: Rowman & Littlefield, 2018. (139 S.) |
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| Wells, Holly M. "Marvelous Families, Epic Dysfunction. Combining Norse Mythology, the Thor Comics, and Marvel Films in a General Education Literature Course." In: Comic Connections. Building Character and Theme. Hrsg. v. Sandra Eckard. Lanham [etc.]: Rowman & Littlefield, 2019, S. 23–38. |
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| Alaniz, José: "Death and Mourning in Graphic Narrative." In: The Routledge Companion to Death and Literature. Hrsg. v. W. Michelle Wang, Daniel K. Jernigan und Neil Murphy. London, New York: Routledge, 2020, S. 117–122. |
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| Faye, Martha: Out of Line. The Art of Jules Feiffer. New York: Abrams, 2015. (272 S.) |
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| Ernberg, Nicklas: De gamla gudarnas viskningar. En kvalitativ textanalys på serietidningen Northlanders. Självständigt arbete på grundnivå (yrkesexamen), Linnéuniversitetet, Fakulteten för konst och humaniora, Institutionen för kulturvetenskaper 2017 (35 S.). |
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| Gelfand, Lynn: "The End of the World as We Know It. Neil Gaiman and the Future of Mythology." In: The Mythological Dimensions of Neil Gaiman. Hrsg. v. Anthony S. Burdge, Jessica Burke und Kristine Larsen. Crawfordville: Kitsune, 2012, S. 223–238. |
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| Peppard, Anna F. "“Is that a monster between your legs or are ya just happy to see me?”. Subjectivity, sex, and the superbody in the Marvel Swimsuit Special." In: The Routledge Companion to Gender and Sexuality in Comic Book Studies. Hrsg. v. Frederick Luis Aldama. (Routledge Companions to Gender.) London, New York: Routledge, 2020, S. 90–105. |
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| Schröer, Marie: "Too Graphic a Novel?! Charlie Hebdo, Cultural Connotations, and Change of Register in the German Translation of Luz’ Catharsis." In: Speaking like a Spanish Cow. Cultural Errors in Translation. Hrsg. v. Clíona Ní Riordain und Stephanie Schwerter. Stuttgart: ibidem, 2019, S. 135–162. |
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| ---: "Resignation und Ressentiment. Zu den Grenzfällen politischer Korrektheit bei Michel Houellebecq und Virginie Despentes (mit einem Seitenblick auf Charlie Hebdo)." In: Political Correctness. Kultur- und sozialwissenschaftliche Perspektiven. Hrsg. v. Georg Albert, Lothar Bluhm und Markus Schiefer Ferrari. (Landauer Beiträge zur Kultur- und Sozialgeschichte, 4.) Marburg: Tectum, 2019, S. 237–265. |
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| Added by: joachim 2021-09-06 13:10 |
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| Berns, Jörg Jochen: Film vor dem Film. Bewegende und bewegliche Bilder als Mittel der Imaginationssteuerung in Mittelalter und Früher Neuzeit. Marburg: Jonas Verl. 2000. (168 S.) |
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| Kunzle, David: Rebirth of the English Comic Strip. A Kaleidoscope, 1847–1870. Jackson: University Pr. of Mississippi, 2021. (453 S.) |
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| Ingold, Julia: "»Schöne Selbstbespiegelung«. Romantische Ironie und die moderne Kunstform des Comics." In: Gestern | Romantik | Heute (8. Febr. 2021). |
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| Grewe, Cordula: "The Arabesque from Kant to Comics." In: New Literary History 49.4 (2018), S. 617–660. |
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| Schneider, Christian W. Framing Fear. The Gothic Mode in Graphic Literature. (ELCH - Studies in English Literary and Cultural History, 57.) Trier: Wissenschaftlicher Verlag Trier, 2014. (290 S.) |
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| Ahmed, Maaheen: Monstrous Imaginaries. The Legacy of Romanticism in Comics. Jackson: University Pr. of Mississippi, 2019. (235 S.) |
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| Wolfinger, Stefan: Von Karl Marx bis Carl Barks. Comics und Geschichte. (Neue Aspekte in Kultur- und Kommunikationswissenschaft, 15.) Wien: Österreichischer Kunst- und Kulturverl. 1999. (129 S.) |
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| Grünewald, Dietrich: "Kunst im Comic. Das Zitieren von Kunstwerken in Comics und was man davon hat." In: Aspekte – Impulse und Beispiele zur Vermittlung historischer Kunst. Hrsg. v. Johannes Kirschenmann und Frank Schulz. München: kopaed, 2021, S. 328–351. |
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| Added by: joachim 2021-08-27 14:51 |
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