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| Bukatman, Scott. "Frankenstein and the Peculiar Power of the Comics." Global Frankenstein. Eds. Carol Margaret Davison and Marie Mulvey-Roberts. Studies in Global Science Fiction. 185–207. |
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| Gietzen, Andreas and Marion Gindhart. "Project(ion) Wonder Woman: metamorphoses of a superheroine." Ancient Magic and the Supernatural in the Modern Visual and Performing Arts. Eds. Filippo Carlà and Irene Berti. Bloomsbury Studies in Classical Reception. New York: Bloomsbury Academic, 2015. 135–50. |
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| Rogers, Brett M. "The Postmodern Prometheus and Posthuman Reproductions in Science Fiction." Frankenstein and Its Classics. The Modern Prometheus from Antiquity to Science Fiction. Eds. Jesse Weiner, Benjamin Eldon Stevens and Brett M. Rogers. Bloomsbury Studies in Classical Reception. New York: Bloomsbury Academic, 2018. 206–27. |
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| Sedgwick, Laura. "Islands of Horror: Nazi mad science and the occult in shock waves (1977), hellboy (2004), and the devil’s rock (2011)." Post Script 37. (2018): 27–39. |
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| Earle, Harriet E. H. "Traumatic absurdity, palimpsest, and play: a slaughterhouse-five case study." Journal of Graphic Novels and Comics (2021). |
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| Glaser, Tim. "Homestuck as a game: a webcomic between playful participation, digital technostalgia, and irritating inventory systems." Comics and Videogames. From Hybrid Medialities to Transmedia Expansions. Eds. Andreas Rauscher, Daniel Stein and Jan-Noël Thon. London, New York: Routledge, 2020. 96–112. |
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| Gavigan, Karen W. and Mindy Tomasevich. Connecting Comics to Curriculum: Strategies for grades 6–12. Santa Barbara: Libraries Unlimited, 2011. |
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| Papandrea, James L. From Star Wars to Superman[u]: christ figures in science fiction and superhero films[u]. Manchester (NH): Sophia Institute, 2017. |
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| Dunn, Jeff and Adam Palmer. The Soul of Spider-Man[u]: unexpected spiritual insights found in the legendary super-hero series[u]. Ventura: Regal, 2010. |
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| Boudreaux, Armond and Corey Latta. Titans[u]: how superheroes can help us make sense of a polarized world[u]. Eugene: Cascade, 2017. |
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| Joyce, Stephen. Transmedia Storytelling and the Apocalypse. New York [etc.]: Palgrave Macmillan, 2018. |
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| Dalton, Russell W. Marvelous Myths[u]: marvel superheroes and everyday faith[u]. St. Louis: Chalice, 2011. |
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| Suarez, Marta F. "Damaged Survivors in The Walking Dead: gender and the narrative arcs of carol and daryl as protectors and nurturers." Gender and Contemporary Horror in Television. Eds. Steven Gerrard, Samantha Holland and Robert Shail. Emerald Studies in Popular Culture and Gender. Bingley: Emerald, 2019. 175–86. |
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| Turner, Jacob S. and Lisa G. Perks. "White Men Holding on for Dear Life and Taking It: a content analysis of the gender and race of the victims and killers in the walking dead." Sex Roles 81. (2019): 655–69. |
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| Gallo, Simona. "Re-canonizing the Shanhaijing in the world (literature): the myth, the play and the comic book." Asia Pacific Translation and Intercultural Studies. |
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| Garland, Tammy S., Nickie Phillips, and Scott Vollum. "Gender Politics and The Walking Dead: Gendered violence and the reestablishment of patriarchy." Feminist Criminology 13. (2018): 59–86. |
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| Garland, Tammy S., Kathryn A. Branch, and Mackenzie Grimes. "Blurring the Lines: reinforcing rape myths in comic books." Feminist Criminology 11. (2011): 48–68. |
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| Freitag, Kornelia. "Die Verarbeitung des Holocaust im Comic: Die bilderwelt des art spiegelman ." Jüdische Literatur und Kultur in Großbritannien und den USA nach 1945. Ed. Beate Neumeier. Jüdische Kultur. München: Harassowitz, 1998. 171–88. |
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| Petruzella, Gerol. "Death in Ancient Philosophy and the Sandman Series: a case study in inquiry-based learning." Lessons Drawn. Essays on the Pedagogy of Comics and Graphic Novels. Ed. David Seelow. Jefferson: McFarland, 2019. 62–74. |
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| Kaindl, Klaus. "Thump, whizz, poom: a framework for the study of comics under translation." Target 11. (1999): 263–88. |
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| De Dobbeleer, Michel. "Do you need foreknowledge about Bulgakov and Woland?: making juliane blank’s comics adaptation parameters more flexible." Neohelicon (2022). |
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| Jutkiewicz, Michał. "On Comprehending Comics, or Little Nemo in the Land of (Meta)Narratology." Tekstualia 1. (2017): 17–32. |
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| Höppner, Stefan. Putting the Novel into Graphic Novels. Experimental Narratives from the Novel to Digital Storytelling: 26—27 Feb, 2015. |
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| Adler, Silvia. "Silent and semi-silent arguments in the graphic novel." Pragmatics 23. (2013): 389–402. |
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| Simidchieva, Marta. "Marjane Satrapi’s Persepolis through the Lens of Persian Historiography." International Journal of Persian Literature 2. (2017): 87–137. |
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| Bryan, Peter Cullen. "Purple healing rays and paralysis: intersections of disability and gender theory in comics." Journal of Fandom Studies 7. (2019): 21–34. |
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| Schröer, Marie. "Illustrierte Persönlichkeiten: biografie im comic." Zeitschrift für Germanistik 32. (2022): 352–72. |
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| Barrett, Matthew. "De-picturing John A. Macdonald: opportunities and challenges of representing canada’s past with graphic history." The Canadian Hiustorical Review 103. (2022): 32–74. |
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| Buchele, Kai-Thorsten. "Comic & Computerspiel am Beispiel der Comicfigur Corto Maltese." Comics. Interdisziplinäre Perspektiven aus Theorie und Praxis auf ein Stiefkind der Medienpädagogik. Eds. Christine Dallmann, et al. München: kopaed, 2018. 241–46. |
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| Siekmann, Andreas. "Hägar der Schreckliche – Eine schrecklich philosophische Comicfigur." Praxis Philosophie & Ethik 6. (2020): 4–6. |
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| Roeger, Carsten, Martina Peters, and Jörg Peters. "Realität versus Illusion: über merkmale, die zu einem gelingenden leben beitragen – philosophieren mit der graphic novel the sandman." Philosophieren mit Comics und Graphic Novels. Methoden für den Philosophie- und Ethikunterricht. Eds. Martina Peters and Jörg Peters. Methoden im Philosophie- und Ethikunterricht. Hamburg: Meiner, 2021. 115–30. |
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| Szawerna, Michał. "Toward a Cognitive Approach to Analyzing Comics: a selective frame-theoretic characterization of the conceptual representation of comics." Anglica Wratislaviensia 50. (2012): 197–211. |
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| Barbieri, Daniele. Semiotica del fumetto[u]. Bussole. 4th ed. Roma: Carocci, 2022. |
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| Barbieri, Daniele. Breve storia della letteratura a fumetti[u]. 7th ed. Roma: Carocci, 2021. |
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| Hobbs, Priscilla, ed. Interpreting and Experiencing Disney[u]: mediating the mouse[u]. Bristol, Chicago: Intellect Books, 2022. |
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| Schmidt, Hanns Christian. "Der große böse Wolf in New York: zur konstruktion medienübergreifender abenteuerwelten im computerspiel." Aventiure und Eskapade. Narrative des Abenteuerlichen vom Mittelalter zur Moderne. Eds. Jutta Eming and Ralf Schlechtweg-Jahn. Transatlantische Studien zu Mittelalter und Früher Neuzeit – Transatlantic Studies on Medieval and Early Modern Literature and Culture. Göttingen: V&R unipress, 2017. 217–34. |
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| Murali, Chinmay and Sathyaraj Venkatesan. Infertility Comics and Graphic Medicine[u]. Routledge Focus on Gender, Sexuality, and Comics. London, New York: Routledge, 2022. |
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| Merten, Thomas. Die Shoah im Comic seit 2000: Erinnern zeichnen. Medien und kulturelle Erinnerung. Berlin: de Gruyter, 2021. |
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| Szawerna, Michał. "On Developing a Cognitive Account of Comics." Language, Thought and Education: Across Systems. Eds. Marek Kuczyński and Leszek Szymański. Zielona Góra: Oficyna Wydawnicza Uniwersytetu Zielonogórskiego, 2013. 131–47. |
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| Page, Jeremy S. "Retelling the Stories of the Holocaust in ‘Shoah’ and ‘Maus’: distorted images of a monstrous past." Discussions 3. 1 2011. Accessed 29 Mar. 2022. <http://www.inquiriesjournal.com/a?id=358>. |
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| Demarest, Rebecca A. "Superheroes, Superpowers, and Sexuality." Discussions 2. 10 2010. Accessed 29 Mar. 2022. <http://www.inquiriesjournal.com/a?id=312>. |
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| Murphy, Katherine J. "Analyzing Female Gender Roles in Marvel Comics from the Silver Age (1960) to the Present." Discussions 12. 2 2016. Accessed 29 Mar. 2022. <http://www.inquiriesjournal.com/a?id=1449>. |
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| Low, David E. "“Spaces Invested with Content”: crossing the ‘gaps’ in comics with readers in schools." Children’s Literature in Education 43. (2012): 368–85. |
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| Nayar, Pramod K. "Visualizing Resilience: joe sacco’s safe area goražde." Critical Survey 32. (2020): 78–95. |
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| Harvey, Robert C. "Outcault, Goddard, the Comics, and the Yellow Kid." The Comics Journal 2016. Accessed 24 Mar. 2022. <https://www.tcj.com/out ... ics-and-the-yellow-kid/>. |
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| Reingold, Matt. Reenvisioning Israel through Political Cartoons[u]: visual discourses during the 2018–2021 electoral crisis[u]. Lexington Studies in Jewish Literature. Lanham [etc.]: Rowman & Littlefield, 2022. |
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| Strong, Jeremy R. "Transformative Technology and Posthuman Futurity: the psychosocial cartographies of zombie narratives." Imagining the End. Interdisciplinary Perspectives on the Apocalypse. Eds. Thomas E. Bishop and Jeremy R. Strong. Oxford: Inter-Disciplinary Pr. 2015. 209–36. |
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| Narcisi, Lara. "‘A Stronger Loving World’?: destruction, compassion, and megalomaniacs in alan moore’s watchmen." Imagining the End. Interdisciplinary Perspectives on the Apocalypse. Eds. Thomas E. Bishop and Jeremy R. Strong. Oxford: Inter-Disciplinary Pr. 2015. 83–97. |
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| Stein, Daniel. "Unzuverlässiges Erzählen in Superheldencomics." Comics. Interdisziplinäre Perspektiven aus Theorie und Praxis auf ein Stiefkind der Medienpädagogik. Eds. Christine Dallmann, et al. München: kopaed, 2018. 25–37. |
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| Joffe, Robyn. "Holding Out for a Hero(ine): an examination of the presentation and treatment of female superheroes in marvel movies." Panic at the Discourse 1. 1 2019. Accessed 17 Mar. 2022. <https://www.panicdiscou ... ding-out-for-a-heroine/>. |
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| Wojcik, Paula. "Les liaisons dangereuses go East: intermediale adaptionen von choderlos de laclos’ klassiker in korea, china und japan." Klassik als kulturelle Praxis. Funktional, intermedial, transkulturell. Eds. Paula Wojcik, et al. spectrum Literaturwissenschaft / spectrum Literature. Berlin: de Gruyter, 2019. 393–416. |
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| Moura, Pedro. Visualising Small Traumas: Contemporary portuguese comics at the intersection of everyday trauma. Studies in European Comics and Graphic Novels. Leuven: Leuven Univ. Press, 2022. |
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| Hermann, Christine. "Neufunktionalisierung eines flämischen Klassikers im Comic: consciences löwe von flandern im dienste neuer herren." Klassik als kulturelle Praxis. Funktional, intermedial, transkulturell. Eds. Paula Wojcik, et al. spectrum Literaturwissenschaft / spectrum Literature. Berlin: de Gruyter, 2019. 317–37. |
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| Koehn, Elisabeth Johanna. "Waiting for …: Becketts en attendant godot / waiting for godot in cartoon und comicstrip." Klassik als kulturelle Praxis. Funktional, intermedial, transkulturell. Eds. Paula Wojcik, et al. spectrum Literaturwissenschaft / spectrum Literature. Berlin: de Gruyter, 2019. 247–62. |
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| Heyden, Linda-Rabea. "Zwischen Originalität und Trivialität: Goethes faust von flix im comic adaptiert." Klassik als kulturelle Praxis. Funktional, intermedial, transkulturell. Eds. Paula Wojcik, et al. spectrum Literaturwissenschaft / spectrum Literature. Berlin: de Gruyter, 2019. 455–75. |
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| Garrett, Greg. "“Now the Whole World Stands on the Brink”: apocalypse and eschatological hope in contemporary superhero comics." The End Will Be Graphic. Apocalyptic in Comic Books and Graphic Novels. Ed. Dan W. Clanton Jr. Bible in the Modern World. Sheffield: Sheffield Phoenix, 2012. 100–10. |
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| Garrett, Greg. "Comics and the Bible: reinterpretation and mythic understanding." Society of Biblical Literature Forum 5. 1 2007. Accessed 14 Mar. 2022. <https://www.sbl-site.or ... icle.aspx?ArticleId=613>. |
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| Greenspoon, Leonard. "How American Newspaper Comic Strips Portray God, Angels, and Humans." The Oxford Handbook on the Bible and Popular Culture. Eds. Dan W. Clanton Jr. and Terry R. Clark. New York: Oxford Univ. Press, 2020. 399–413. |
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| Elliott, Scott S. "The Book of Jonah in Graphic Novel Adaptations of the Bible." The Oxford Handbook on the Bible and Popular Culture. Eds. Dan W. Clanton Jr. and Terry R. Clark. New York: Oxford Univ. Press, 2020. 381–98. |
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| Coody, Elizabeth Rae. "Nonbiblical Comics Engage the Bible." The Oxford Handbook on the Bible and Popular Culture. Eds. Dan W. Clanton Jr. and Terry R. Clark. New York: Oxford Univ. Press, 2020. 362–80. |
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| Clark, Terry R. "The Biblical Theme of Covenant and American Popular Culture from Colonial Times to Comic Books." The Oxford Handbook on the Bible and Popular Culture. Eds. Dan W. Clanton Jr. and Terry R. Clark. New York: Oxford Univ. Press, 2020. 162–82. |
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| Ricker, Aaron. "Fearful symmetry: Revelation, hellboy, and pop apocalyptic violence." Religion and Violence in Western Traditions. Selected Studies. Eds. André Gagné, Jennifer Guyver and Gerbern S. Oegema. London, New York: Routledge, 2021. 74–87. |
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| Garrett, Greg. Entertaining Judgment[u]: the afterlife in popular imagination[u]. New York: Oxford Univ. Press, 2015. |
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| Jiménez, Laura M. and Carla K. Meyer. "First Impressions Matter: Navigating graphic novels utilizing linguistic, visual, and spatial resources." Journal of Literacy Research 48. (2016): 423–47. |
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| Streeby, Shelley. "Heroism and Comics Form: feminist and queer speculations." American Literature 90. (2018): 449–59. |
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| Cortés Hernández, Santiago. "De Roberto el Diablo a Hellboy: dinámica narrativa de un héroe de la edad media al cómic." Revista de Literaturas Populares 8. (2008): 376–409. |
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| Dolle-Weinkauff, Bernd. "Max und Moritz quer durch die Medien: Und insbesondere im comic strip." Deutschsprachige Kinder- und Jugendliteratur im Medienverbund 1900-1945. Eds. Petra Josting, et al. Studien zu Kinder- und Jugendliteratur und -Medien. Berlin: Springer, 2020. 345–75. |
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| Fubara-Manuel, Irene. "Revolting Animation: The hierarchy of masculinities in the representation of race and male same-sex desire in adult cartoons." Networking Knowledge 10. 3 2017. Accessed 9 Mar. 2022. <https://ojs.meccsa.org. ... etknow/article/view/517>. |
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| Rowson, Emily. "’We Are Not Things’ Infertility, reproduction, and rhetoric of control in avengers: age of ultron and mad max: fury road." Networking Knowledge 10. 3 2017. Accessed 9 Mar. 2022. <https://ojs.meccsa.org. ... etknow/article/view/515>. |
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| Anders, Lisann, ed. The Force of The Umbrella Academy: Essays on voices and violence in the comics and netflix series. Jefferson: McFarland, 2021. |
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| Venkatesan, Sathyaraj and Chinmay Murali. "Graphic Medicine and the Critique of Contemporary U.S. Healthcare." Journal of Medical Humanities 43. (2022): 27–42. |
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| Henningsen, Lena. "‘Maple’ as Comic Book Adaptation: Introduction to text and translation." MCLC Resource Center 2021. Accessed 7 Mar. 2022. <https://u.osu.edu/mclc/online-series/maple-intro/>. |
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| Wirag, Lino. "1935. Grampy geht ein Licht auf: Die glühbirne in comic und cartoon." Improvisation und Invention. Momente, Modelle, Medien. Ed. Sandro Zanetti. Zürich, Berlin: diaphanes, 2014. 301–15. |
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| Lewis, David. "The Sandman: Comics, myth and intertextuality." Master of Arts Thesis. California State Univ. 2004. |
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| DeTora, Lisa and Jodi Cressman, eds. Graphic Embodiments: Perspectives on health and embodiment in graphic narratives. Leuven: Leuven Univ. Press, 2021. |
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| Baroni, Raphaël. "Of Mice as Men: A transmedial perspective on fictionality." Narrative 29. (2021): 91–113. |
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| Brassett, Jamie and Richard Reynolds, eds. Superheroes and Excess: A philosophical adventure. Routledge Advances in Comics Studies. London, New York: Routledge, 2022. |
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| Mehring, Frank. "Holy Terror!: Islamophobia and intermediality in frank miller’s graphic novel." European Journal of American Studies 15. 3 2020. Accessed 25 Feb. 2022. <https://journals.openedition.org/ejas/16274>. |
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| Maruo-Schröder, Nicole. "“Justice Has a Bad Side” Figurations of law and justice in 21st-century superhero movies." European Journal of American Studies 13. 4 2018. Accessed 25 Feb. 2022. <https://journals.openedition.org/ejas/13817>. |
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| Beer, Andreas. "Just(ice) Smiling? Masks and masking in the occupy-wall street protests." European Journal of American Studies 13. 4 2018. Accessed 25 Feb. 2022. <https://journals.openedition.org/ejas/13982>. |
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| Schmid, Johannes C. P. "Graphic Nonviolence: Framing “good trouble” in john lewis’ march." European Journal of American Studies 13. 4 2018. Accessed 25 Feb. 2022. <https://journals.openedition.org/ejas/13922>. |
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| Gavaler, Chris. Superhero Comics. Bloomsbury Comics Studies. New York: Bloomsbury, 2017. |
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| Gavaler, Chris. The Comics Form: The art of sequenced images. New York: Bloomsbury Academic, 2022. |
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| Eggert, Barbara Margarethe and Johanna Öttl. "Graphic Novel. Zur Popularisierung eines neuen Begriffs: Ein wissenschaftslogbuch." p/art/icipate 8 2017. Accessed 23 Feb. 2022. <https://www.p-art-icipa ... g-eines-neuen-begriffs/>. |
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| Rouleau, Brian. Empire’s Nursery: Children’s literature and the origins of the american century. New York, London: New York Univ. Press, 2021. |
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| O'Connor, Lauren R. Robin and the Making of American Adolescence. Comics Culture. New Brunswick: Rutgers Univ. Press, 2021. |
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| Scott, Darieck. Keeping It Unreal: Black queer fantasy and superhero comics. Sexual Cultures. New York, London: New York Univ. Press, 2022. |
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| Brown, Jeffrey A. Love, Sex, Gender, and Superheroes. New Brunswick: Rutgers Univ. Press, 2021. |
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| Brown, Jeffrey A. Panthers, Hulks and Ironhearts: Marvel, diversity and the 21st century superhero. New Brunswick: Rutgers Univ. Press, 2021. |
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| Maier, Sarah E. "STEAM(y) and Marvel(ous) Women: Agent scully, lisbeth salander, beth harmon and the black widow." A Vindication of the Redhead. The Typology of Red Hair Throughout the Literary and Visual Arts. Eds. Brenda Ayres and Sarah E. Maier. New York [etc.]: Palgrave Macmillan, 2021. 261–80. |
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| Maier, Sarah E. "Tough Little Red-Headed Orphans: Anne (of green gables), little orphan annie, madeline, and pippi." A Vindication of the Redhead. The Typology of Red Hair Throughout the Literary and Visual Arts. Eds. Brenda Ayres and Sarah E. Maier. New York [etc.]: Palgrave Macmillan, 2021. 197–221. |
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| Ke Jinde, Kelvin. "On the Performance of Villainy and Evil in Joker (2019)." Performativity of Villainy and Evil in Anglophone Literature and Media. Ed. Nizar Zouidi. New York [etc.]: Palgrave Macmillan, 2021. 445–64. |
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