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| Baraniak-Hirata, Zuzanna and Agata Włodarczyk. "Bending Gender in Japanese Arts: Queering girls culture, takarazuka revue and boys’ love manga." Ambiguous Selves. Contesting Gender Binaries in Literature, Film and the Media. Eds. Barbara Braid, Ewa Glapka and Malwina Siemiątkowska. Newcastle upon Tyne: Cambridge Scholars Publ. 2019. 295–316. |
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| Banta, Martha. Barbaric Intercourse: Caricature and the culture of conduct, 1841–1936. Chicago: Univ. of Chicago Press, 2003. |
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| Banner, Gillian. Holocaust Literature: Schulz, levi, spiegelman and the memory of the offence. Parkes-Wiener series on Jewish studies. London: Vallentine Mitchell, 2000. |
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| Banita, Georgiana. "A Thousand Plateaus: Mining entropy in days of destruction, days of revolt." The Comics of Joe Sacco. Journalism in a Visual World. Ed. Daniel Worden. Critical Approaches to Comics Artists. Jackson: Univ. Press of Mississippi, 2015. 101–22. |
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| Banita, Georgiana and Lee Konstantinou, eds. Artful Breakdowns: The comics of art spiegelman. Tom Inge Series on Comics Artists. Jackson: Univ. Press of Mississippi, 2023. |
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| Banita, Georgiana. "Cosmopolitan Suspicion: Comics journalism and graphic silence." Transnational Perspectives on Graphic Narratives. Comics at the Crossroads. Eds. Shane Denson, Christina Meyer and Daniel Stein. New York: Bloomsbury, 2013. 49–66. |
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| Banita, Georgiana. "Chris Ware and the Pursuit of Slowness." The Comics of Chris Ware. Drawing is a Way of Thinking. Eds. David M. Ball and Martha B. Kuhlman. Jackson: Univ. Press of Mississippi, 2010. 177–90. |
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| Banita, Georgiana. "The Silent Sublime." The Comics Journal 2012. Accessed 6 Jun. 2023. <https://www.tcj.com/the-silent-sublime/>. |
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| Banhold, Lars. "Authentifizierung und Narration in Reinhard Kleists Cash – I See a Darkness." Comic und Literatur. Konstellationen. Ed. Monika Schmitz-Emans. linguae & litterae. Berlin u. Boston: de Gruyter, 2012. 119–35. |
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| Banhold, Lars and David Freis. "Von postmodernen Katzen, abwesenden Katzen und Dinosaurier reitenden Banditen: Medienästhetik, distribution und medialer kontext von webcomics." Comics intermedial. Eds. Christian A. Bachmann, Véronique Sina and Lars Banhold. Bochum: Ch.A. Bachmann, 2012. 159–77. |
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| Banhold, Lars. "»Yet Always Must it Love Sweet Music More«: Zur funktion von musik in v for vendetta." Bildlaute & laute Bilder. Zur ›Audiovisualität‹ von Bilderzählungen. Ed. Christian A. Bachmann. Bochum: Ch.A. Bachmann, 2014. 129–47. |
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| Banhold, Lars. Pink Kryptonite: Das coming-out der superhelden. Comiqheft / Comiqbook. Bochum: Ch.A. Bachmann, 2012. |
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| Banhold, Lars. Batman: Konstruktion eines helden. yellow. Schriften zur Comicforschung. 4th ed. Bochum: Ch.A. Bachmann, 2009. |
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| Banerjee, Supriya. "The Superwoman of India—A Feminist Analysis of the Devi and the Deviant." Gnosis Special Issue (2019): 141–54. |
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| Banerjee, Abanti. "Convergences of the Global and the Local: Graphic narrative and patua art in sita’s ramayana." Gnosis Special Issue (2019): 92–112. |
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| Banerjee, Bidisha. "Kinship between “companion species”: A posthuman refiguration of the immigrant condition in shaun tan’s the arrival." Journal of Postcolonial Writing 52. (2016): 399–414. |
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| Banerjee, Bidisha. "Creating a ‘well-fitted habitus’: Material culture, homemaking and diasporic belonging in shaun tan’s the arrival." Journal of Graphic Novels and Comics 7. (2016): 53–69. |
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| Bandel, Jan-Frederik and Sascha Hommer. "Geteilte Beute: Comics & literatur." Schreibheft (2007): 18–20. |
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| Bandel, Jan-Frederik and Ole Frahm. "»Es kann nicht genügen, Comics in der Wissenschaft zu etablieren«: Ein gespräch mit ole frahm über die entwicklung der comicforschung." Kultur & Gespenster (2006): 358–67. |
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| Bandel, Jan-Frederik. "Heftiger Zug nach unten: Comics, literatur und der trockengelegte graben." Neue Rundschau 123. (2012): 30–41. |
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| Bandel, Jan-Frederik. "Surfing Surfaces: Der europäische pop-comic der sechziger jahre." Fantasie und Aufklärung. Historische Miniaturen. Hamburg: Textem, 2011. 155–67. |
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| Bandel, Jan-Frederik. "Biotop HH: Gespräch mit sascha hommer über die hamburger comicszene." Kultur & Gespenster (2006): 208–15. |
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| Banco, Lindsey Michael. "Graphic Bombs: Scientific knowledge and the manhattan project in comic books." The Palgrave Handbook of Twentieth and Twenty-First Century Literature and Science. Eds. Neel Ahuja, et al. Palgrave Handbooks of Literature and Science. New York [etc.]: Palgrave Macmillan, 2020. 577–95. |
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| Bancaud, Florence. "Le Roman graphique: Une nouvelle écriture du traumatisme ?." Studia Universitatis Babeş-Bolyai – Philologia 62. (2017): 73–84. |
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| Ban, Toshio. The Osamu Tezuka Story: A life in manga and anime. Berkeley: Stone Bridge Press, 2016. |
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| Bamberger, W. C. "Social Justice and Silver Age Superheroes." The Ages of the Justice League. Essays on America’s Greatest Superheroes in Changing Times. Ed. Joseph J. Darowski. London: McFarland, 2017. 50–57. |
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| Bamberger, W. C. "The Near-Awakening of Diana Prince." The Ages of Wonder Woman. Essays on the Amazon Princess in Changing Times. Ed. Joseph J. Darowski. Jefferson: McFarland, 2013. 117–25. |
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| Balzer, Jens and Lambert Wiesing. Outcault: Die erfindung des comic. yellow. Schriften zur Comicforschung. Bochum: Ch.A. Bachmann, 2010. |
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| Balzer, Jens. "Welches Bild? Welche Bewegung? Über einige Bezüge zwischen Chronophotographie und frühen Comics." Die Mobilisierung des Sehens. Zur Vor- und Frühgeschichte des Films in Literatur und Kunst. Ed. Harro Segeberg. Mediengeschichte des Films. München: Fink, 1996. 279–93. |
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| Balzer, Jens and Jens R. Nielsen. "Die Wahrheit über Shelby." Lexikon der Comics. Ed. Marcus Czerwionka. Meitingen: Corian, 1992. |
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| Balzer, Jens and Jens R. Nielsen. "»Der Autorencomic ist ein mißlungenes Experiment«: Christian gorny." Comic Almanach (1993): 43–48. |
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| Balzer, Jens and Jens R. Nielsen. "Am Scheideweg der Kultur: Ein interview mit hartmut becker." Comic Almanach (1993): 30–41. |
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| Balzer, Jens. "Hemd voller Hieroglyphen: Zur revision der bild-text-beziehungen im frühen comic." Bildtext – Textbild. Probleme der Rede über Text-Bild-Hybride. Eds. Dirck Linck and Stefanie Rentsch. Rombach Cultura. Freiburg im Breisgau: Rombach, 2007. 117–54. |
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| Balzer, Jens. "Der Horizont bei Herriman: Zeit und zeichen zwischen zeitzeichen und zeichenzeit." Ästhetik des Comic. Eds. Michael Hein, Michael Hüners and Torsten Michaelsen. Berlin: Erich Schmidt, 2002. 143–52. |
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| Balzer, Jens. "Wam – Clonk – Chomp – Zow – Bop: Zur physik des geräuschs in den comics." Comic Meets Theatre. Eds. Annegret Hahn and Berit Schuck. Berlin: Theater der Zeit, 2006. 108–15. |
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| Added by: joachim 13/02/2013, 14:59 |
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| Balzer, Jens. "Wam – Clonk – Chomp – Zow – Bop: On the physics of sound in the comics." Comic Meets Theatre. Eds. Annegret Hahn and Berit Schuck. Berlin: Theater der Zeit, 2006. 124–27. |
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| Balzer, Jens. "Ungleichzeitige Gegenwart. Über das Erzählen im Comic.." Mutanten. Die deutschsprachige Comic-Avantgarde der 90er Jahre. Ed. Christian Gasser. Ostfildern-Ruit: Hatje Cantz, 1999. 19–23. |
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| Balzer, Jens. "Träumender Taucher: Martin tom dieck." Mutanten. Die deutschsprachige Comic-Avantgarde der 90er Jahre. Ed. Christian Gasser. Ostfildern-Ruit: Hatje Cantz, 1999. 30–31. |
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| Balzer, Jens and Christian Gasser. "Entgrenzung und Ornament: In der schule von gary panter." Schreibheft (1998): 79–80. |
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| Balzer, Jens and Ole Frahm. "Tragik, Schock, Ratlosigkeit: Zeitgeschichte im comic." Geschichte und Gesellschaft 37. (2011): 47–71. |
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| Balzer, Jens and Ole Frahm. "Das Projekt »Arbeitsstelle für Graphische Literatur« in Hamburg." Comics Anno (1995): 284–85. |
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| Balzer, Jens and Ole Frahm. "Immer Ärger mit der Identität – Frau, Subjekt, Blick und Bohême [sic] in den Comics von Julie Doucet." kritische berichte 21. (1993): 50–62. |
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| Balzer, Jens and Ole Frahm. "Mumien in der Akademie!? Perspektiven der Comic-Forschung." Comic Almanach (1992): 95–100. |
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| Balzer, Jens. "Rüpel, Mäuse, Superhelden: Wie max und moritz zu den urgestalten der comics wurden." Wilhelm Busch. Das Genie des Humors. Sein Leben, seine Kunst, seine Epoche. Ed. Benedikt Erenz. Hamburg: Zeitverl. Bucerius, 2007. 60–66. |
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| Balzer, Jens. "Dies ist keine Bildergeschichte: Über michel foucault, rené magritte und george herrimans krazy kat-comics." Theorien des Comics. Ein Reader. Eds. Barbara Eder, Elisabeth Klar and Ramón Reichert. Kultur- und Medientheorie. Bielefeld: Transcript, 2011. 187–202. |
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| Added by: joachim 30/09/2011, 17:30 |
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| Balzer, Jens. "Wer hat an der Uhr gedreht? Gefälschtes Gedächtnis, stillstehende Zeit: Über einige motive in den comics von miyazaki hayao, moebius und chris ware." Szenarien des Comic. Helden und Historien im Medium der Schriftbildlichkeit. Eds. Stefanie Diekmann and Matthias Schneider. Berlin: SuKuLTuR, 2005. 144–56. |
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| Balzer, Jens and Martin tom Dieck. "Nicht versöhnt: Bilder und texte im comic." Schreibheft (1998): 47–50. |
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| Balzer, Jens. "Maus quält Katze, Hund kommt immer zu spät: Rückkehr zur zwangswiederholung mit und ohne sherrie levine." Übung, ein Stück Papier zu halten. Festschrift für Kathrin Hoffmann-Curtius zum 60. Geburtstag. Eds. Maike Christadler and Hilla Frübis. Marburg: Jonas Verl. 1997. 20–27. |
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| Balzer, Jens. "The Roses of Coconino: Reading the shōjo in krazy kat." Reading Manga. Local and Global Perceptions of Japanese Comics. Eds. Jaqueline Berndt and Steffi Richter. Mitteldeutsche Studien zu Ostasien. Leipzig: Leipziger Universitätsverlag, 2006. 167–77. |
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| Balzer, Jens. "“Hully Gee, I’m a Hieroglyphe” – Mobilizing the Gaze and the Invention of Comics in New York City, 1895." Comics and the City. Urban Space in Print, Picture and Sequence. Eds. Jörn Ahrens and Arno Meteling. London, New York: Continuum, 2010. 19–31. |
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| Balzer, Jens. "Revue der Erniedrigungen: Winsor mccays dreams of the rarebit fiend." Schreibheft (1999): 159–61. |
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| Balzer, Jens. "Handgriff (A) des seriellen Erzählens: Rube goldberg und seine maschinen." Schreibheft (1999): 189–91. |
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| Balzer, Jens. "Die Schrift in der Vertikalen. Zum »Yellow Kid« von Richard F. Outcault." Testcard (1999): 250–57. |
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| Balzer, Jens. "Montage und Piktogramm: Comics aus arcade und raw." Schreibheft (1998): 55–56. |
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| Balzer, Jens. "Materialität und Geometrie: Comics von »frigo«, »amok« und »l’association«." Schreibheft (1998): 137–38. |
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| Balzer, Jens. "Differenz und Wiederholung: Von tintin zu den oubapoten." Schreibheft (1998): 175–77. |
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| Balzer, Jens. "Das Wesen des Comics: Über dialektik und indifferenz in bild-text-verhältnissen." Magisterarbeit Universität Hamburg, 1996. |
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| Balzer, Jens. "Schrift Bild Kontur: Vorüberlegungen zu einer integrativen comic-ästhetik." Comics Anno (1995): 12–26. |
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| Balzer, Jens. "Die Sprache des Comic." Auskunft 14. (1994): 33–47. |
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| Baloup, Clément. "Artist’s Statement." European Comic Art 8. (2015): 52–68. |
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| Ballis, Anja. "Dem Fremden begegnen: »die verwandlung« als graphic novel." Deutschunterricht 66. (2013): 20–25. |
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| Ballis, Anja. "Die Überlebenden und ihre Kinder: Die graphic novel »ich war das kind von holocaust-überlebenden« als unterrichtslektüre (klassenstufen 9–10)." Deutschunterricht 65. (2012): 9–10. |
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| Ballhausen, Thomas and Günter Krenn. "Politik der Feindschaft: Notizen zum dunkelsten aller ritter." Comic. Film. Helden. Heldenkonzepte und medienwissenschaftliche Analysen. Ed. Barbara Kainz. Wien: Löcker, 2009. 53–65. |
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| Ballhausen, Thomas. "Die zwei Spuren der Zauberflöte: Von liebeskinds märchen zu russells comicadaption." Mozart im Kino. Ed. Günter Krenn. Edition Film + Text. Wien: Filmarchiv Austria, 2006. 102–17. |
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| Ballhausen, Thomas. "Texturen des Aufbegehrens: Strategien medienpolitischen arbeitens im medium comic." Medienimpulse 61. 3 2023. Accessed 21 Dec. 2023. <https://journals.univie ... hp/mp/article/view/8219>. |
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| Ballhausen, Thomas. "Stählernes Insektenzeitalter: Zu jacques tardis und benjamin legrands tueur de cafards/der kakerlakenkiller." Medienimpulse 51. 3 2013. Accessed 21 Jun. 2016. <http://www.medienimpulse.at/articles/view/566>. |
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| Ballhausen, Thomas. "Stählernes Insektenzeitalter: Zu tardis und legrands der kakerlakenkiller." Reddition 27. (2010): 46–49. |
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| Ballhausen, Thomas. "Die Liebe am Ende (der Zeiten): Adaptive strategien und begehrenskonzepte in a boy and his dog." Reddition 26. (2009): 23–27. |
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| Ballestro, John, ed. The Library’s Guide to Graphic Novels. An ALCTS Monograph. Chicago: American Library Association, 2020. |
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| Ballesteros, Antonio. "L’assassin multiple comme mythe moderne: from hell d’alan moore et eddie campbell." Mythe et bande dessinée. Eds. Danielle Corrado and Viviane Alary. Littératures. Clermont-Ferrand: Presses Univ. Blaise Pascal, 2006. 323–34. |
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| Ball, David M. "Comics Against Themselves: Chris ware’s graphic narratives as literature." The Rise of the American Comics Artist. Creators and Contexts. Eds. Paul Williams and James Lyons. Jackson: Univ. Press of Mississippi, 2010. 103–23. |
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| Last edited by: joachim 29/07/2014, 15:31 |
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| Ball, David M. "Allusive Confessions: The literary lives of alison bechdel’s fun home." Drawing from Life. Memory and Subjectivity in Comic Art. Ed. Jane Tolmie. Jackson: Univ. Press of Mississippi, 2013. 3–25. |
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| Pleasures of Urban Decay. 2000. Liam Romalis. |
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| Ball, David M. and Martha B. Kuhlman, eds. The Comics of Chris Ware: Drawing is a way of thinking. Jackson: Univ. Press of Mississippi, 2010. |
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| Ball, David M. "Chris Ware’s Failures." The Comics of Chris Ware. Drawing is a Way of Thinking. Eds. David M. Ball and Martha B. Kuhlman. Jackson: Univ. Press of Mississippi, 2010. 45–61. |
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| Ball, David M. "World Literature." The Cambridge History of the Graphic Novel. Eds. Jan Baetens, Hugo Frey and Stephen E. Tabachnick. The Cambridge Companions to Philosophy, Religion and Culture. Cambridge [etc.]: Cambridge Univ. Press, 2018. 591–608. |
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| Ball, Philip. The Modern Myths: Adventures in the machinery of the popular imagination. Chicago: Univ. of Chicago Press, 2021. |
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| Ball, Blake Scott. Charlie Brown’s America: The popular politics of peanuts. New York: Oxford Univ. Press, 2021. |
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| Ball, Blake Scott. "“Snoopy is the hero in Vietnam”: Ambivalence, empathy, and peanuts’ vietnam war." The Sixties 9. (2016): 54–78. |
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| Ball, David M. "Lynd Ward’s Modernist “Novels in Woodcuts”: Graphic narratives lost between art history and literature." Journal of Modern Literature 39. (2016): 126–43. |
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| Joann Sfar Draws from Memory. 2012. |
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| Ball, David M. "Beautifully Failing, Anew." The Comics Journal 2012. Accessed 6 Jun. 2023. <https://www.tcj.com/beautifully-failing-anew/>. |
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| Balisch, Faith. "Lynn Johnston's »Theratoons«: Extending the Limits of the Comic Strip." Images and Imagery. Frames, Borders, Limits – Interdisciplinary Perspectives. Eds. Leslie Boldt-Irons, Corrado Federici and Ernesto Virgulti. Studies of Themes and Motifs in Literature. New York [etc.]: Peter Lang, 2005. 241–54. |
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| Balinisteanu, Tudor. "Goddess Cults in Techno-Worlds: Tank girl and the borg queen." Journal of Feminist Studies in Religion 28. (2012): 5–24. |
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| Balestrino, Alice. "Placing Time, Timing Space: Memory as border and line of (hi)stories in richard mcguire’s graphic narrative here." Review of International American Studies 11. (2018): 67–79. |
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| Baldwin, Summerfield. "A Genius of the Comic Page." Cartoons Magazine 11. (1917): 802–08. |
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| Baldanzi, Jessica and Hussein Rashid, eds. Ms. Marvel’s America: No normal. Jackson: Univ. Press of Mississippi, 2020. |
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| Balaresque, Nicolas. Yves Chaland: L’enfance de l’œil. Étude. Saint-Egrève: Mosquito, 2004. |
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| Bal, Mieke. "Aestheticizing Catastrophe." Reading Charlotte Salomon. Eds. Michael P. Steinberg and Monica Bohm-Duchen. Ithaca: Cornell Univ. Press, 2005. 167–93. |
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| Bakker, Freek. "Hanuman im indischen Animationsfilm und die Entwicklungen im Hinduismus." Weltentwürfe im Comic/film. Mensch, Gesellschaft, Religion. Eds. Theresia Heimerl and Christian Wessely. Religion, Film und Medien. Marburg: Schüren, 2018. 83–97. |
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| Last edited by: joachim 25/08/2018, 13:18 |
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| Bakis, Maureen. The Graphic Novel Classroom: Powerful teaching and learning with images. New York: Skyhorse, 2014. |
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| Last edited by: joachim 28/08/2020, 17:11 |
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| Baker, Bill. "The Essential Sequential Steampunk: A modest survey of the genre within the comic book medium." Steampunk. Eds. Ann VanderMeer and Jeff VanderMeer. San Francisco: Tachyon, 2008. 359–68. |
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| Added by: joachim 17/09/2013, 14:29 |
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| Baker, Anthony D. "Chris Ware’s Postmodern Pictographic Experiments." Teaching the Graphic Novel. Ed. Stephen E. Tabachnick. Options for Teaching. New York: The Modern Language Assoc. of America, 2009. 111–19. |
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| Last edited by: joachim 26/03/2013, 22:07 |
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| Baker, Kaysee and Arthur A. Raney. "Equally Super? Gender-role stereotyping of superheroes in children’s animated programs." Mass Communication and Society 10. (2007): 25–41. |
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| Last edited by: joachim 14/09/2016, 09:40 |
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