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| Beez, Jigal. "They Are Crazy These Swahili: komredi kipepe in the footsteps of asterix. globalization in east african comics." International Journal of Comic Art 5. (2003): 95–114. |
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| Beers Fägersten, Kristy. "The Use of English in the Swedish-Language Comic Strip Rocky." Linguistics and the Study of Comics. Ed. Frank Bramlett. New York [etc.]: Palgrave Macmillan, 2012. 239–63. |
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| Beers Fägersten, Kristy. Language Play in Contemporary Swedish Comic Strips. Language Play and Creativity. Berlin, Boston: De Gruyter Mouton, 2020. |
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| Beers Fägersten, Kristy. "English-language swearing as humor in Swedish comic strips." Journal of Pragmatics 121. (2017): 175–87. |
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| Beerman, Ruth J. "The body unbound: empowered, heroism and body image." Journal of Graphic Novels and Comics 3. (2012): 201–13. |
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| Beer, Andreas. "Just(ice) Smiling? Masks and masking in the occupy-wall street protests." European Journal of American Studies 13. 4 2018. Accessed 25 Feb. 2022. <https://journals.openedition.org/ejas/13982>. |
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| Beer, Ulrich. Geheime Miterzieher der Jugend. Düsseldorf: Rau, 1960. |
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| Beemer, Lawrence. "Superhero Comic Book Narrative and Continuity: From freytag’s pyramid to the sierpienski triangle." International Journal of Comic Art 16. (2014): 513–27. |
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| op de Beeck, Nathalie. "Autobifictionalography: Making do in lynda barry's one hundred demons." Teaching the Graphic Novel. Ed. Stephen E. Tabachnick. Options for Teaching. New York: The Modern Language Assoc. of America, 2009. 163–71. |
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| op de Beeck, Nathalie. "On Comics-Style Picture Books and Picture-Bookish Comics." Children’s Literature Association Quarterly 37. (2012): 468–76. |
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| Bee, Guido. "Hoffnungslose Humoristen: Zum umgang mit krankheit und tod in zeichnungen und texten von wilhelm busch und robert gernhardt." Krankheit, Sterben und Tod im Leben und Schreiben europäischer Schriftstelle. Bd. 1: Das 18. und 19. Jahrhundert. Eds. Robert Berbig, Richard Faber and H. Christof Müller-Busch. Würzburg: Königshausen & Neumann, 2016. |
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| Bee, Andreas. "Über die Kunst des Zeichnens, Gerhard Richter und Bernard Buffet: Ein gespräch." Richter zeichnen. Alexander Roob zeichnet den Auszug des Stammheim-Zyklus von Gerhard Richter. Ein CS-Protokoll. Ed. Andreas Bee. Schriften zur Sammlung des Museums für Moderne Kunst Frankfurt am Main. Köln: Salon, 2001. |
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| Bedenbecker, Karina, et al. "Comic-Journalismus: Zu joe saccos bosnien." Krieg und Literatur / War and Literature 24. (2018): 61–76. |
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| Bedenbecker, Karina. "Im Schatten keiner Türme: Art spiegelmans künstlerisch-literarische auseinandersetzung mit dem terroranschlag 9/11." Krieg und Literatur / War and Literature 25. (2019): 7–46. |
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| Beddows, Emma. "Buffy the Transmedia Hero." Colloquy 24 2012. Accessed 28 Dec. 2012. <http://artsonline.monas ... wenty-four_/beddows.pdf>. |
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| Beckmann, Anna, et al. "de_konstruierte Identität: Aushandlungen von gender in der hure h von anke feuchtenberger und kathrin de vries." Comics an der Grenze. Sub/Versionen von Form und Inhalt. Eds. Matthias Harbeck, Linda-Rabea Heyden and Marie Schröer. Berlin: Ch.A. Bachmann, 2017. |
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| Beckman, Karen and Liliane Weissberg, eds. On Writing with Photography. Minneapolis: Univ. of Minnesota Press, 2013. |
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| Beckman, Frida. "Good Girl Art – facing images of women in David Mack’s Kabuki." Journal of Graphic Novels and Comics 2. (2011): 39–54. |
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| Beckett, Jennifer. "Acting with Limited Oversight: S.h.i.e.l.d. and the role of intelligence and intervention in the marvel cinematic universe." Assembling the Marvel Cinematic Universe. Essays on the Social, Cultural and Geopolitical Domains. Eds. Julian C. Chambliss, William Svitavsky and Daniel Fandino. Jefferson: McFarland, 2018. 203–18. |
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| Becker, Thomas. "Wo steht die Gegenkultur? Zum unterschied zwischen normativem diskurs und sozialer realität im spiel zwischen high und low." »High« und »low«. Zur Interferenz von Hoch- und Populärkultur in der Gegenwartsliteratur. Eds. Thomas Wegmann and Norbert Christian Wolf. Studien und Texte zur Sozialgeschichte der Literatur. Berlin: de Gruyter, 2012. 43–55. |
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| Becker, Hartmut and Achim Schnurrer. "Zur Archäologie der deutschen Bildergeschichtentradition." Die Kinder des Fliegenden Robert. Beiträge zur Archäologie der deutschen Bildergeschichtentradition. Ed. Achim Schnurrer. Comixene-Materialien. Hannover: Edition Becker & Knigge, 1979. 8–56. |
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| Becker, Romain. "How a German Publisher Appropriates Comics It Did Not Originally Publish." Comics and Agency. Eds. Vanessa Ossa, Jan-Noël Thon and Lukas R. A. Wilde. Comics Studies. Berlin u. Boston: de Gruyter, 2022. 59–80. |
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| Becker, Andreas. "Lady Snowblood (Shurayukihime) und Lone Wolf and Cub (Kozure Ôkami): Ein vergleich zwischen weiblicher und männlicher rache im manga und in der filmadaption." Mörderinnen. Künstlerische und mediale Inszenierungen weiblicher Verbrechen. Eds. Hyunseon Lee and Isabel Maurer Queipo. Bielefeld: Transcript, 2013. 197–218. |
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| Becker, Thomas. "Vom Bubblegum zum Holocaust: Art spiegelmans maus." Mediale Erregungen? Autonomie und Aufmerksamkeit im Literatur- und Kulturbetrieb der Gegenwart. Eds. Markus Joch, et al. Tübingen: Niemeyer, 2009. 309–30. |
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| Becker, Thomas. "Comic – eine illegitime Kunst? Sozioanalyse der lust an einem hybriden medium." Struktur und Geschichte der Comics. Beiträge zur Comicforschung. Ed. Dietrich Grünewald. Bochum: Ch.A. Bachmann, 2010. 309–26. |
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| Becker, Thomas. "Genealogie der autobiografischen Graphic Novel: Zur feldsoziologischen analyse intermedialer strategien gegen ästhetische normalisierungen." Comics. Zur Theorie und Geschichte eines populärkulturellen Mediums. Eds. Stephan Ditschke, Katerina Kroucheva and Daniel Stein. Bielefeld: Transcript, 2009. 239–64. |
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| Becker, Thomas. "Graphic Novel – eine ›illegitime‹ Medienkombination?." Der neue Wettstreit der Künste. Legitimation und Dominanz im Zeichen der Intermedialität. Eds. Uta Degner and Norbert Christian Wolf. Bielefeld: Transcript, 2010. 167–86. |
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| Becker, Michael and Gerald Berse, eds. HIT Comics: Der ultimative führer durch das bsv-chaos. HIT Chronik. Selbstverl. 2010. |
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| Becker, Thomas. "Cool premedialisation as symbolic capital of innovation: On intercultural intermediality between comics, literature, film, manga, and anime." Intercultural Crossovers, Transcultural Flows. Manga/Comics. Ed. Jaqueline Berndt. Global Manga Studies. Kyoto: International Manga Research Center, Kyoto Seika University, 2011. 107–17. |
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| Becker, Thomas. "Fieldwork in aesthetics: On comics’ social legitimacy." Comics Worlds and the World of Comics. Towards Scholarship on a Global Scale. Ed. Jaqueline Berndt. Global Manga Studies. Kyoto: International Manga Research Center, Kyoto Seika University, 2010. 110–22. |
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| Becker, Thomas. "Einführung: Legitimität des comics zwischen interkulturellen und intermedialen transfers." Comic. Intermedialität und Legitimität eines popkulturellen Mediums. Ed. Thomas Becker. Kultur- und Medientheorie. Bochum: Ch.A. Bachmann, 2011. 7–19. |
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| Becker, Thomas. "Comiclibido der Nouvelle Vague und die Folgen: Zur ästhetik der oszillierenden übertreibung im autorenfilm (godard) und autorencomic (moebius)." Comic. Intermedialität und Legitimität eines popkulturellen Mediums. Ed. Thomas Becker. Bochum: Ch.A. Bachmann, 2011. 63–76. |
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| Becker, Thomas. "Enki Bilal’s Woman Trap: Reflections on authorship under the shifting boundaries between order and terror in the cities." Comics and the City. Urban Space in Print, Picture and Sequence. Eds. Jörn Ahrens and Arno Meteling. London, New York: Continuum, 2010. 265–78. |
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| Becker, Thomas. "Wer hat Angst vor der Neunten Kunst? Kurze archäologie eines legitimierungsdiskurses." Triëdere (2012): 5–13. |
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| Becker, Thomas. Die Lust am Unseriösen: Zur politischen unschärfe ästhetischer erfahrung. Fundus. Hamburg: Philo Fine Arts, 2011. |
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| Becker, Thomas, ed. Comic: Intermedialität und legitimität eines popkulturellen mediums. Bochum: Ch.A. Bachmann, 2011. |
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| Becker, Richard A. "The Crisis of Confidence in Comics Adaptations: Why comics are so rarely faithfully adapted to the big screen." International Journal of Comic Art 11. (2009): 436–56. |
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| Becker, Thomas. "Matrix versus The Ghost in the Shell: Die neuen mythen der virtuellen welt sind nicht mehr allein diskursiv analysierbar." Journal Ethnologie 5 2007. Accessed 4 Nov. 2012. <http://www.journal-ethn ... n_the_Shell/index.phtml>. |
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| Becker, Jörg. "Afrikanischer Medienkannibalismus: Karikaturen über medien." Communicatio Socialis 36. (2003): 366–75. |
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| Becker, Walter. Wie schützen wir unsere Jugend vor Schmutz und Schund? Wegweiser für die Jugendhilfe. 2., erw. ed. Gütersloh: Mohn, 1959. |
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| Becker, Stephen. Comic Art in America. New York: Simon and Schuster, 1959. |
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| Beck, Rose Marie. "Popular media for HIV/AIDS prevention? Comparing two comics: kingo and the sara communication initiative." Journal of Modern African Studies 44. (2006): 513–41. |
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| Beck, Rose Marie. "Comic in Swahili or Swahili Comic?." Afrikanistische Arbeitspapiere 60. (1999): 67–101. |
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| Becher, Johannes. "Literarische Traditionen im Comic – am Beispiel der Asterix-Serie." Magisterarbeit M.A. Universität Frankfurt, 1997. |
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| Bechdel, Alison. "Transcript of Alison Bechdel’s talk at the Institut Charles V – Université Paris VII in January 2007." GRAAT on-line 1 2007. Accessed 29 Jul. 2009. <http://www.graat.fr/bechdel004aaaa.pdf>. |
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| Bechdel, Alison. The Indelible Alison Bechdel: Confessions, comix and miscellaneous dykes to watch out for. Ithaca: Firebrand Books, 1998. |
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| Becegato, Vinicius Idalgo. "Colosso às Avessas: A influência de “the colossus of ylourgne” em “almost colossus”, de hellboy." Anais do Seminário Nacional de Literatura, História e Memória 12. (2015). |
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| Becce, Nicolangelo. "Current Graphic Novel Adaptations of Literary Works: A corpus-based analysis." Iperstoria 12 2018. Accessed 23 Feb. 2024. <https://iperstoria.it/article/view/342/377>. |
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| Becattini, Alberto and Jim Vadeboncoeur Jr. "The Matt Baker Checklist: An annotated index of matt baker’s professional work." Matt Baker. The Art of Glamour. Eds. Jim Amash and Eric Nolen-Weathington. Raleigh: TwoMorrows, 2012. 68–95. |
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| Becattini, Alberto, et al. I Disney Italiani. L’arte delle Nuvole. 2 vols. Roma: NPE, 2012. |
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| Becattini, Alberto. "Baker of Cheesecake: An appreciation of matt baker, good girl artist surpreme." Matt Baker. The Art of Glamour. Eds. Jim Amash and Eric Nolen-Weathington. Raleigh: TwoMorrows, 2012. 36–65. |
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| Beauvais, Clémentine. "“A Nightmare Land, A Place of Death”: An exploration of the moon as a motif in hergé’s destination moon (1953) and explorers on the moon (1954)." Children’s Literature in Education 41. (2010): 251–59. |
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| Beaulac, Mario, Pierre Fresnault-Deruelle, and Jacques Samson. "Bibliographique sélective: Pour une poétique de la bande dessinée." MEI (2007): 235–38. |
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| Beaudoin, Maria. "Creating a Maxximum Narratology: “the maxx”, comic books, and narrative theory." Images and Imagery. Frames, Borders, Limits – Interdisciplinary Perspectives. Eds. Leslie Boldt-Irons, Corrado Federici and Ernesto Virgulti. Studies of Themes and Motifs in Literature. New York [etc.]: Peter Lang, 2005. 199–212. |
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| Beauchamp, Monte. "Mark Schultz: Keeper of the flame." Classic Comics Illustrators. Frank Frazetta, Russ Heath, Burne Hogarth, Russ Manning, Mark Schultz. The Comics Journal Library. Seattle: Fantagraphics, 2005. 78–101. |
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| Beauchamp, Monte, ed. The Life and Times of R. Crumb: Comments from contemporaries. New York: St. Martin’s Press, 1998. |
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| Beaty, Bart and Benjamin Woo. "From Mass Medium to Niche Medium: Advertising in american comic books, 1934–2014." Comicalités 2021. Accessed 28 May. 2021. <http://journals.openedition.org/comicalites/6468>. |
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| Beaty, Bart and Benjamin Woo. The Greatest Comic Book of All Time: Symbolic capital and the field of american comic books. Palgrave Studies in Comics and Graphic Novels. New York [etc.]: Palgrave Macmillan, 2016. |
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| Beaty, Bart and Stephen Weiner, eds. Manga. Critical Survey of Graphic Novels. Englewood Cliffs: Salem Pr. 2012. |
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| Beaty, Bart and Stephen Weiner, eds. Independents & Underground Classics. Critical Survey of Graphic Novels. 3 vols. Englewood Cliffs: Salem Pr. 2012. |
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| Beaty, Bart and Stephen Weiner, eds. History, Theme, and Technique. Critical Survey of Graphic Novels. Englewood Cliffs: Salem Pr. 2012. |
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| Beaty, Bart and Stephen Weiner, eds. Heroes & Superheroes. Critical Survey of Graphic Novels. 2 vols. Englewood Cliffs: Salem Pr. 2012. |
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| Beaty, Bart. "Some Classics." The Cambridge Companion to the Graphic Novel. Ed. Stephen E. Tabachnick. Cambridge Companions to Literature. Cambridge [etc.]: Cambridge Univ. Press, 2017. 175–91. |
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| Beaty, Bart, Nick Sousanis, and Benjamin Woo. "Two Per Cent of What? Constructing a corpus of typical american comic books." Empirical Comics Research. Digital Multimodal and Cognitive Methods. Eds. Alexander Dunst, Jochen Laubrock and Janina Wildfeuer. Routledge Advances in Comics Studies. London, New York: Routledge, 2018. 27–42. |
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| Beaty, Bart. "The Concept of “Patrimoine” in Contemporary Franco-Belgian Comics Production." History and Politics in French-Language Comics and Graphic Novels. Ed. Mark McKinney. Jackson: Univ. Press of Mississippi, 2008. 69–93. |
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| Beaty, Bart. "The Blockbuster Superhero." The Wiley-Blackwell History of American Film. Eds. Roy Grundmann and Art Simon. Chichester: Wiley-Blackwell, 2011. |
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| Beaty, Bart. "The European Comic Book Industry: A guided tour." The Education of a Comics Artist. Visual Narrative in Cartoons, Graphic Novels, and Beyond. Eds. Michael Dooley and Steven Heller. New York: Allworth Pr. 2005. 141–43. |
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| Beaty, Bart. "Selective Mutual Reinforcement in the Comics of Chester Brown, Joe Matt, and Seth." Graphic Subjects. Critical Essays on Autobiography and Graphic Novels. Ed. Michael A. Chaney. Wisconsin Studies in Autobiography. Madison: Univ. of Wisconsin Press, 2011. 247–59. |
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| Beaty, Bart. "Chris Oliveros, Drawn and Quarterly, and the Expanded Definition of the Graphic Novel." The Cambridge History of the Graphic Novel. Eds. Jan Baetens, Hugo Frey and Stephen E. Tabachnick. The Cambridge Companions to Philosophy, Religion and Culture. Cambridge [etc.]: Cambridge Univ. Press, 2018. 426–42. |
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| Beaty, Bart. "Jirō Taniguchi: France’s mangaka." Comics Studies Here and Now. Ed. Frederick Luis Aldama. Routledge Advances in Comics Studies. London: Routledge, 2018. 144–60. |
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| Beaty, Bart. "Superhero fan service: Audience strategies in the contemporary interlinked hollywood blockbuster." The Information Society 32. (2016): 318–25. |
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| Beaty, Bart. Twelve-Cent Archie. Comics Culture. New Brunswick: Rutgers Univ. Press, 2015. |
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| Beaty, Bart. "Modernism in Riverdale: Reading the self-evident text ambiguously." Jeunesse 6. 2 2014. Accessed 16 Aug. 2019. <http://jeunessejournal. ... p/yptc/article/view/274>. |
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| Beaty, Bart. Comics Versus Art. Toronto, Buffalo, London: Univ. of Toronto Press, 2012. |
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| Beaty, Bart. "Introduction." Cinema Journal 50. (2011): 106–10. |
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| Beaty, Bart. "A Clear Line to Marcinelle: The importance of line in émile bravo’s spirou à bruxelles." European Comic Art 4. (2011): 199–211. |
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| Beaty, Bart. "The Recession and the American Comic Book Industry: From inelastic cultural good to economic integration." Popular Communication 8. (2010): 203–07. |
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| Beaty, Bart. "Introduction." Transatlantica 1 2010. Accessed 4 Nov. 2010. <http://transatlantica.revues.org/4938>. |
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| Beaty, Bart. "Interview of Jessica Abel and Matt Madden." Transatlantica 1 2010. Accessed 4 Nov. 2010. <http://transatlantica.revues.org/4917>. |
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| Beaty, Bart. "‘C'est pas du tout ce que tu penses’: Improvisational narrative strategies in ruppert and mulot's la maison close." European Comic Art 3. (2010): 81–103. |
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| Beaty, Bart. David Cronenberg’s A History of Violence. Toronto, Buffalo, London: Univ. of Toronto Press, 2008. |
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| Beaty, Bart. Unpopular Culture: Transforming the european comic book in the 1990s. Studies in Book and Print Culture. Toronto, Buffalo, London: Univ. of Toronto Press, 2007. |
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| Beaty, Bart. Fredric Wertham and the Critique of Mass Culture. Jackson: Univ. Press of Mississippi, 2005. |
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| Beaty, Bart. "Roy Lichtenstein’s Tears: Art vs. pop in american culture." Canadian Review of American Studies 34. (2004): 249–68. |
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| Beaty, Bart. "Assessing Contemporary Comics Scholarship." Canadian Journal of Communication 29. (2004): 403–09. |
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| Beaty, Bart. "The Contemporary Field of European Comics: The example of lewis trondheim." International Journal of Comic Art 5. (2003): 168–83. |
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| Beaty, Bart. "Fredric Wertham Faces His Critics: Contextualizing the postwar comics debate." International Journal of Comic Art 3. (2001): 202–21. |
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| Beaty, Bart. "The Search for Comics Exceptionalism." The Comics Journal (1999): 67–72. |
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| Beaty, Bart. "Featuring Stories by the World’s Greatest Authors: Classics illustrated and the “middlebrow problem” in the postwar era." International Journal of Comic Art 1. (1999): 122–39. |
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| Last edited by: joachim 24/02/2012, 13:06 |
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| Beaty, Bart. "All our Innocences: Fredric wertham, mass culture and the rise of the media effects paradigm, 1940–1972." Thesis Doctor of Philosophy. McGiIl University, 1999. |
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| Added by: joachim 04/11/2014, 18:34 |
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