| Bernstein, Frank. "Beim Iuppiter, was für ein Circus! Asterix bei den römischen spielen." Asterix und seine Zeit. Die große Welt des kleinen Galliers. Ed. Kai Brodersen. München: C.H. Beck, 2001. 143–58. |
 
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| Berns, Jörg Jochen. "Horribilicinefax: Von geburt und gebaren des daumenkino-flipp-flick-muto-blow- & gaukelbuchs." Die Jagd auf die Nymphe Echo. Zur Technisierung der Wahrnehmung in der Frühen Neuzeit. Presse und Geschichte – Neue Beiträge. Bremen: edition lumière, 2011. 417–26. |
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| Berns, Jörg Jochen. Film vor dem Film: Bewegende und bewegliche bilder als mittel der imaginationssteuerung in mittelalter und früher neuzeit. Marburg: Jonas Verl. 2000. |
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| Berninger, Mark, Jochen Ecke, and Gideon Haberkorn, eds. Comics as a Nexus of Cultures: Essays on the interplay of media, disciplines and international perspectives. Critical Explorations in Science Fiction and Fantasy. Jefferson, London: McFarland, 2010. |
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| Berninger, Mark. "“Scott Pilgrim Gets It Together”: The cultural crossovers of bryan lee o’malley." Transnational Perspectives on Graphic Narratives. Comics at the Crossroads. Eds. Shane Denson, Christina Meyer and Daniel Stein. New York: Bloomsbury, 2013. 243–56. |
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| Added by: joachim 20/04/2013, 00:35 |
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| Berninger, Mark. "Workshop III: Teaching Comics and Literary Studies—Neil Gaiman and Charles Vess’ “A Midsummer Night’s Dream”." Comics as a Nexus of Cultures. Essays on the Interplay of Media, Disciplines and International Perspectives. Eds. Mark Berninger, Jochen Ecke and Gideon Haberkorn. Critical Explorations in Science Fiction and Fantasy. Jefferson, London: McFarland, 2010. 253–64. |
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| Berninger, Mark. "Workshop II: Comics in School." Comics as a Nexus of Cultures. Essays on the Interplay of Media, Disciplines and International Perspectives. Eds. Mark Berninger, Jochen Ecke and Gideon Haberkorn. Critical Explorations in Science Fiction and Fantasy. Jefferson, London: McFarland, 2010. 245–52. |
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| Berning, Nora. Towards a Critical Ethical Narratology: Analyzing value construction in literary non-fiction across media. Handbücher und Studien zur Medienkulturwissenschaft. Trier: Wissenschaftlicher Verlag Trier, 2013. |
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| Berndt, Jaqueline. "A Manifold ‘Flat Battlefield’: The critical potential of manga as seen through okazaki kyoko’s works." LIFE, English Supplement to Exhibition Catatalogue. Ed. Mizuki Takahashi. Contemporary Art Center, Art Tower Mito, 2006. 23–26. |
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| Berndt, Jaqueline. "Ghostly: ‘asian graphic narratives,’ nonnonba, and manga." From Comic Strips to Graphic Novels. Contributions to the Theory and History of Graphic Narrative. Eds. Daniel Stein and Jan-Noël Thon. Narratologia. Berlin u. Boston: de Gruyter, 2013. 363–84. |
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| Berndt, Jaqueline. "Bilderwelten: Popularität des manga und visualitätskultur." Ästhetik und Ästhetisierung in Japan. Ed. Werner Schaumann. München: iudicium, 1993. 41–53. |
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| Added by: joachim 01/04/2019, 13:05 |
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| Berndt, Jaqueline. "Historical Adventures of a Posthistorical Medium: Japan's wartime past as represented in manga." Contested Views of a Common Past. Revisions of History in Contemporary East Asia. Ed. Steffi Richter. Globalgeschichte. Frankfurt am Main: Campus, 2008. 287–320. |
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| Berndt, Jaqueline and Steffi Richter, eds. Reading Manga. Local and Global Perceptions of Japanese Comics. Mitteldeutsche Studien zu Ostasien. Leipzig: Leipziger Universitätsverlag, 2006. |
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| Berndt, Jaqueline. "Eine zeitlos schöne Nation: Das neue geschichtslehrbuch als bildergeschichte." Vergangenheit im Gesellschaftskonflikt. Ein Historikerstreit in Japan. Ed. Steffi Richter. 2003. 191–217. |
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| Berndt, Jaqueline. "Mangamania: Dis/kontinuitäten, perspektivenwechsel, vielfalt." Ga-netchū! Das Manga Anime Syndrom. Eds. Hans-Peter Reichmann and Stephan von der Schulenburg. Frankfurt am Main: Deutsches Filmmuseum/Deutsches Filminstitut, 2008. 12–23. |
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| Berndt, Jaqueline. "Mangamania: Dis/continuities, perspective changes and diversity." Ga-netchū! The Manga Anime Syndrome. Eds. Hans-Peter Reichmann and Stephan von der Schulenburg. Frankfurt am Main: Deutsches Filmmuseum/Deutsches Filminstitut, 2008. 12–23. |
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| Added by: joachim 15/02/2011, 11:41 |
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| Berndt, Jaqueline. "Permeability and Othering: The relevance of “art” in contemporary japanese manga discourse." Critical Perspectives on Twentieth Century Japanese Thought. Ed. Livia Monnet. Montreal: Montreal Univ. Press, 2001. 349–75. |
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| Berndt, Jaqueline. "Considering Manga Discourse: Location, ambiguity, historicity." Japanese Visual Culture. Explorations in the World of Manga and Anime. Ed. Mark W. MacWilliams. Armonk: M. E. Sharpe, 2008. 351–69. |
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| Berndt, Jaqueline and Bettina Kümmerling-Meibauer, eds. Manga’s Cultural Crossroads. Routledge Advances in Art and Visual Studies. London, New York: Routledge, 2013. |
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| Berndt, Jaqueline. "Manga and ‘Manga’: Contemporary japanese comics and their dis/similarities with hokusai manga." Civilisation of Evolution, Civilisation of Revolution. Metamorphoses in Japan 1900–2000. Eds. Arkadiusz Jabłoński, Stanisław Meyer and Morita Kōji. Kraków: Muzeum Sztuki i Techniki Japońskiej Manggha, 2009. 210–22. |
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| Berndt, Jaqueline. "Von Japan aus gesehen: Comics und Ästhetik." Ästhetik. Aufgabe(n) einer Wissenschaftsdisziplin. Eds. Karin Hirdina and Renate Reschke. Freiburg im Breisgau: Rombach, 2004. 135–44. |
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| Berndt, Jaqueline. "Un/sichtbare Nacktheit. Zur kulturellen und ästhetischen Spezifik japanischer Comics." Nacktheit. Ästhetische Inszenierungen im Kulturvergleich. Ed. Kerstin Gernig. Literatur – Kultur – Geschlecht. Kleine Reihe. Köln, Weimar, Wien: Böhlau, 2002. 327–48. |
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| Berndt, Jaqueline. "‘Real’ Manga: Diversity, hybridity, relationalities." Shinjigen. Manga hyōgen no genzai. Manga Realities. Exploring the Art of Japanese Comics Today. Eds. Yasuko Furuichi and Mito Geijutsukan. Tōkyō: Kokusai Kōryū Kikin, 2010. 203–09. |
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| Berndt, Jaqueline. "Manga für Erwachsene. Maruo Suehiros vampyristische Nostalgie." Szenarien des Comic. Helden und Historien im Medium der Schriftbildlichkeit. Eds. Stefanie Diekmann and Matthias Schneider. Berlin: SuKuLTuR, 2005. 128–42. |
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| Berndt, Jaqueline. "Skim as Girl: Reading a japanese north american graphic novel through manga lenses." Drawing New Color Lines. Transnational Asian American Graphic Narratives. Ed. Monica Chiu. Global Connections. Hong Kong: Hong Kong Univ. Press, 2015. 257–78. |
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| Berndt, Jaqueline. "‘Adult’ Manga: Maruo suehiro's historically ambiguous comics." Reading Manga. Local and Global Perceptions of Japanese Comics. Eds. Jaqueline Berndt and Steffi Richter. Mitteldeutsche Studien zu Ostasien. Leipzig: Leipziger Universitätsverlag, 2006. 107–25. |
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| Berndt, Jaqueline. "The Intercultural Challenge of the “Mangaesque”: Reorienting manga studies after 3/11." Manga’s Cultural Crossroads. Eds. Jaqueline Berndt and Bettina Kümmerling-Meibauer. Routledge Advances in Art and Visual Studies. London, New York: Routledge, 2013. 65–84. |
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| Added by: joachim 14/02/2014, 09:20 |
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| Berndt, Jaqueline. "Manga x Museum in Contemporary Japan." Manhwa, Manga, Manhua. East Asian Comics Studies. Ed. Jaqueline Berndt. Leipziger Ostasien-Studien. Leipzig: Leipziger Universitätsverlag, 2012. 141–50. |
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| Added by: joachim 21/12/2012, 18:39 |
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| Berndt, Jaqueline. "Introduction: Attempts at cross-cultural comics studies." Comics Worlds and the World of Comics. Towards Scholarship on a Global Scale. Ed. Jaqueline Berndt. Global Manga Studies. Kyoto: International Manga Research Center, Kyoto Seika University, 2010. 5–16. |
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| Added by: joachim 25/01/2011, 00:32 |
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| Berndt, Jaqueline. "Hand in Hand: Kouno fumiyos mangaserie kono sekai no katasumi ni (in this corner of the world) im vergleich zur anime-adaptation durch katabuchi sunao." Ästhetik des Gemachten. Interdisziplinäre Beiträge zur Animations- und Comicforschung. Eds. Hans-Joachim Backe, et al. Berlin u. Boston: de Gruyter, 2018. 53–84. |
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| Berndt, Jaqueline. "Manga als Kunst: Zur sprache des comic in der bildenden kunst der 90er jahre." Referate des 10. Deutschsprachigen Japanologentages vom 9. bis 12. Oktober 1996 in München. Eds. Ulrich Apel, Josef Holzapfel and Peter Pörtner. München: Japan-Zentrum der Ludwig-Maximilians-Universität, 1997. 336–41. |
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| Added by: joachim 01/04/2019, 13:18 |
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| Berndt, Jaqueline. "Anime in Academia: Representative object, media form, and japanese studies." Arts 7. 4 2018. Accessed 30 Aug. 2020. <https://www.mdpi.com/2076-0752/7/4/56>. |
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| Last edited by: joachim 30/08/2020, 12:44 |
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| Berndt, Jaqueline. "Reflections: Writing comics into art history in contemporary japan." Konsthistorisk tidskrift/Journal of Art History 86. (2017): 67–74. |
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| Last edited by: joachim 12/03/2018, 19:10 |
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| Berndt, Jaqueline. "'Comfort Women' Comics, Multifaceted: Revisiting the 2014 manhwa exhibit in angoulême from the perspective of manga studies." Orientaliska Studier (2016): 143–69. |
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| Added by: joachim 23/06/2020, 02:11 |
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| Berndt, Jaqueline. Manga: Medium, Kunst und Material: Manga: medium, art and material. Leipzig: Leipziger Universitätsverlag, 2015. |
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| Last edited by: joachim 11/08/2015, 13:07 |
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| Berndt, Jaqueline. "Studying Comics From Southeast Asia." Kyoto Review of Southeast Asia 16 2014. Accessed 6 Jan. 2016. <http://kyotoreview.org/ ... cs-from-southeast-asia/>. |
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| Added by: joachim 07/01/2016, 10:16 |
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| Berndt, Jaqueline. "Manga ist nicht gleich Manga: Plädoyer für eine differenzierung." Aus Politik und Zeitgeschichte 64. (2014): 49–54. |
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| Last edited by: joachim 21/08/2014, 14:54 |
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| Berndt, Jaqueline, ed. Manhwa, Manga, Manhua: East asian comics studies. Leipziger Ostasien-Studien. Leipzig: Leipziger Universitätsverlag, 2012. |
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| Added by: joachim 21/12/2012, 17:38 |
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| Berndt, Jaqueline, ed. Intercultural Crossovers, Transcultural Flows: Manga/comics. Global Manga Studies. Kyoto: International Manga Research Center, Kyoto Seika University, 2012. |
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| Last edited by: joachim 30/05/2012, 22:05 |
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| Berndt, Jaqueline. "Facing the Nuclear Issue in a “Mangaesque” Way: The barefoot gen anime." Cinergie 2 2012. Accessed 20 Apr. 2013. <http://www.cinergie.it/?p=1840>. |
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| Last edited by: joachim 20/04/2013, 19:34 |
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| Berndt, Frauke. "Über die ästhetische Erziehung des Menschen oder: Von Schiller zu Magneto." Figurationen (2011): 81–99. |
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| Last edited by: joachim 17/01/2020, 13:25 |
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| Berndt, Jaqueline, ed. Comics Worlds and the World of Comics: Towards scholarship on a global scale. Global Manga Studies. Kyoto: International Manga Research Center, Kyoto Seika University, 2010. |
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| Added by: joachim 14/06/2017, 12:49 |
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| Berndt, Jaqueline. "Shōjo global: Japanische mädchenmanga zwischen kitsch und kritik." kjl&m 61. (2009): 32–38. |
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| Berndt, Jaqueline. "Traditions of Contemporary Manga (1). Relating Comics to Premodern Art." SIGNs. Studies in Graphic Narratives 1. (2008): 33–47. |
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| Berndt, Jaqueline. "Subculture und Otaku – Manga und Anime in Japan als Nischenkulturen." Veröffentlichungen des Japanisch-Deutschen Zentrums Berlin. Reihe 1. Deutsch 54. (2006): 28–41. |
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| Berndt, Jaqueline. "Etikett »Manga«: Comics als alltagsreferenz und exotikum bei gegenwärtigen japanischen künstlern." Ostasiatische Zeitschrift (2006): 19–28. |
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| Berndt, Jaqueline. "Comics an der Uni: Japanisch-deutsche erfahrungen mit japanologie und kunstwissenschaft. erfahrungsbericht zur daad-gastdozentur, universität leipzig/japanologie, ss 2005." 2005. Accessed 4 Aug. 2011. <http://www.uni-leipzig. ... daad_bericht_berndt.pdf>. |
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| Last edited by: joachim 04/08/2011, 19:29 |
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| Berndt, Jaqueline. "Beweglich, flächig, glatt: »japan« und »manga« in den arbeiten des künstlers murakami takashi." Facetten der japanischen Populär- und Medienkultur 1. (2005): 5–36. |
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| Last edited by: joachim 10/11/2011, 15:34 |
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| Berndt, Jaqueline. "The Time of Comics. Reading a Post/historical Art Form from the Perspective of Manga." Aesthetics 11. (2004): 13–19. |
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| Last edited by: joachim 30/07/2009, 15:05 |
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| Berndt, Jaqueline. "»Verkunstung« des Comics. Wo japanische Kunstwissenschaft und Mangastudien sich bislang begegnen." Thesis. Wissenschaftliche Zeitschrift der Bauhaus-Universität Weimar (1998): 52–73. |
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| Berndt, Caroline M. "Popular Culture as Political Protest: Writing the reality of sexual slavery." Journal of Popular Culture 31. (1997): 177–87. |
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| Berndt, Jaqueline. El fenómeno manga. Ediciones Martínez Roca, 1996. |
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| Berndt, Jaqueline. Phänomen Manga: Comic-kultur in japan. Japan-Edition. Berlin: edition q, 1995. |
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| Berndt, Jaqueline. "Japanische Bilderwelten: Popularität des manga und visualitätskultur." Comics Anno (1995): 228–40. |
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| Berndt, Jaqueline. "Japanische Massenkultur im Wandel: Ästhetisch-kulturelle prozesse im gegenwärtigen japan am beispiel massenliterarischer bestseller und manga." Dissertation Dr. phil. Humboldt-Universität zu Berlin, 1990. |
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| Bernardo, Susan M. "Recycling Victims and Villains in Batman Returns." Literature/Film Quarterly (1994): 16–20. |
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| Bernard, Mark and James Bucky Carter. "Alan Moore and the Graphic Novel: Confronting the fourth dimension." ImageTexT 1. 2 2005. Accessed 6 Jul. 2012. <http://www.english.ufl. ... t/archives/v1_2/carter/>. |
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| Bermudez Brataas, Delilah. "Gods and monsters: Authorial creation in gaiman’s sandman and mccreery and del col’s kill shakespeare." Journal of Graphic Novels and Comics (2020): 1–24. |
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| Berman, Laine. "Comics as Social Commentary in Java, Indonesia." Illustrating Asia. Comics, Humor Magazines and Picture Books. Ed. John A. Lent. ConsumAsiaN. Honolulu: Univ. of Hawai‘i Press, 2001. 13–36. |
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| Berman, Margaret Fink. "Imagining an Idiosyncratic Belonging: Representing disability in chris ware’s “building stories”." The Comics of Chris Ware. Drawing is a Way of Thinking. Eds. David M. Ball and Martha B. Kuhlman. Jackson: Univ. Press of Mississippi, 2010. 191–205. |
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| Berling, Anne, Karlheinz Borchert, and Joachim Kaps. "»Der Comic ist die komplexeste aller Formen«: Lorenzo mattotti im gespräch." Comic Almanach (1993): 50–59. |
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| Berlatsky, Eric. "“Does That Change Anything?”: (post)feminist implications of gemma bovery." Drawn from the Classics. Essays on Graphic Adaptations of Literary Works. Eds. Stephen E. Tabachnick and Esther Bendit Saltzman. Jefferson, London: McFarland, 2015. 127–46. |
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| Berlatsky, Eric and Sika Dagbovie-Mullins. "The Mixed-Race Child Within: Psychoanalyzing race, trauma, vermin, and spider-man." American Imago 77. (2020): 569–601. |
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| Berlatsky, Eric. "Time and Free Will: Bergson, modernism, superheroes, and watchmen." Understanding Bergson, Understanding Modernism. Eds. Paul Ardoin, S. E. Gontarski and Laci Mattison. London, New York: Continuum, 2013. 256–80. |
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| Berlatsky, Noah. Wonder Woman: Bondage and feminism in the marston/peter comics, 1941–1948. Comics Culture. New Brunswick: Rutgers Univ. Press, 2015. |
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| Berlatsky, Eric. "Between Supermen: Homosociality, misogyny, and triangular desire in the earliest superman stories." Comics Forum 2013. Accessed 12 Apr. 2013. <http://comicsforum.org/ ... ries-by-eric-berlatsky/>. |
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| Berlatsky, Eric. "“Lightning Only Strikes Twice Once, Y’Know”: Phallic mothers, fetishism, and replacement in the comics of los bros hernandez (part ii)." The Hooded Utilitarian 2012. Accessed 6 Oct. 2014. <http://www.hoodedutilit ... bros-hernandez-part-ii/>. |
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| Added by: joachim 06/10/2014, 15:54 |
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| Berlatsky, Eric. "“Lightning Only Strikes Twice Once, Y’Know”: Phallic mothers, fetishism, and replacement in the comics of los bros hernandez (part i)." The Hooded Utilitarian 2012. Accessed 6 Oct. 2014. <http://www.hoodedutilit ... -bros-hernandez-part-i/>. |
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| Berlatsky, Eric. The Real, The True, and the Told: Postmodern historical narrative and the ethics of representation. Theory and Interpretation of Narrative. Columbus: Ohio State University Libraries, 2011. |
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| Berlatsky, Eric, ed. Alan Moore: Conversations. Conversations with Comic Artists. Jackson: Univ. Press of Mississippi, 2011. |
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| Berlatsky, Eric. "Lost in the Gutter: Within and between frames in narrative and narrative theory." Narrative 17. (2009): 162–87. |
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| Berlatsky, Eric. Through Space, Through Time: Four dimensional perspective and the comics. Modernist Studies Association Tenth Annual Conference: 13—16 Nov, 2008. |
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| Berlatsky, Eric. "Lone Woolf and Cubs: Alan moore, postmodern fiction, and third-wave feminist utopianism." The Gay Utopia 2007. Accessed 27 Feb. 2014. <http://gayutopia.blogsp ... woolf-and-cubsalan.html>. |
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| Berlatsky, Noah. "Happiness Is an Unhappy Hipster." The Comics Journal (2005): 172–74. |
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| Berlatsky, Eric. "Memory as Forgetting: The problem of the postmodern in the book of laughter and forgetting and maus." Cultural Critique 55. (2003): 101–51. |
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| Berland, Eti. "The Drama of Coming Out: Censorship and drama by raina telgemeier." Graphic Novels for Children and Young Adults. A Collection of Critical Essays. Eds. Michelle Ann Abate and Gwen Athene Tarbox. Children’s Literature Association Series. Jackson: Univ. Press of Mississippi, 2017. 205–17. |
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| Berkowitz, Drew Emanuel. Framing School Violence and Bullying in Young Adult Manga: Fictional perspectives on a pedagogical problem. New York [etc.]: Palgrave Macmillan, 2020. |
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| Beritela, Gerard F. "Super-Girls and Mild Mannered Men: Gender trouble in metropolis." The Amazing Transforming Superhero! Essays on the Revision of Characters in Comic Books, Film and Television. Jefferson, London: McFarland, 2007. 52–69. |
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| Beringer, Alex. Lost Literacies: Experiments in the nineteenth-century us comic strip. Studies in Comics and Cartoons. Columbus: Ohio State Univ. Press, 2024. |
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| Beringer, Alex. "Transatlantic Picture Stories: Experiments in the antebellum american comic strip." American Literature 87. (2015): 455–88. |
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| Bergstrom, Signe. Wonder Woman: Ambassador of truth. New York: Harper Design, 2017. |
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| Bergmann, Thomas. "Asterix macht Abitur?." Aspekte 4. (1971): 42–46. |
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| Bergman, Bosse. "I Manhattans nät." Boken om serier. Eds. Elisabet Haglund, et al. Johanneshov: Hammarström & Åberg, 1986. 154–59. |
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| Berglund, Alexandra L. "Drawing (Dis)ability Panel by Panel: A literature review of (dis)ability, comics, and graphic narratives." International Journal of Comic Art 20. (2018): 401–17. |
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| Berger, Arthur Asa. "Pop Culture and Nobrow Culture: From li’l abner to discourse theory and back: a culture critic’s odyssey." When Highbrow Meets Lowbrow. Popular Culture and the Rise of Nobrow. Eds. Peter Swirski and Tero Eljas Vanhanen. 11–28. |
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| Berger, Stephan J. and Robert König. "Zum Gottesbegriff in Dragonball aus christlicher Sicht." Kobuk 1 2011. Accessed 15 Jan. 2013. <http://www.kobuk.org/ar ... _No4_Manga_(1_2011).pdf>. |
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| Berger, Arthur Asa. "Politics in the Comics." Media USA: Process and Effect. Ed. Arthur Asa Berger. Longman Series in Public Communication. New York: Longman, 1988. 31–43. |
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| Berger, Alan L. "Michael Chabon’s The Amazing Adventures of Kavalier & Clay: The return of the golem." Studies in American Jewish Literature 29. (2010): 80–89. |
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| Berger, Richard. "‘Are there anymore at home like you?’: Rewiring superman." Journal of Adaptation in Film & Performance 1. (2008): 87–101. |
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| Berger, Arthur Asa. Li’l Abner: A study in american satire. Jackson: Univ. Press of Mississippi, 2006. |
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| Berger, Arthur Asa. "Krazy Kat and Blackness." Making Sense of Media: Key Texts in Media and Cultural Studies. Hoboken: Wiley, 2004. 162–65. |
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| Added by: joachim 16/12/2009, 03:39 |
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| Berger, Arthur Asa. "Writing My Dissertation on Li'l Abner." Agent in the Agency. Media, Popular Culture, and Everyday Life in America. The Hampton Press Communication Series. Popular Culture. Cresskill: Hampton, 2002. 137–42. |
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| Added by: joachim 16/12/2009, 02:48 |
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| Berger, Arthur Asa. "Is This the Kind of Thing That Serious Academics Do?." International Journal of Comic Art 4. (2002): 40–47. |
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| Added by: Deleted user 04/08/2009, 15:00 |
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| Berger, Alan L. Children of Job: American second-generation witnesses to the holocaust. Albany: SUNY Pr. 1997. |
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| Added by: joachim 08/11/2010, 17:40 |
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| Berger, Arthur Asa. Narratives in Popular Culture, Media, and Everyday Life. Thousand Oaks [etc.]: Sage, 1996. |
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| Added by: joachim 16/12/2009, 01:15 |
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| Berger, Arthur Asa. The Comic-Stripped American: What dick tracy, blondie, daddy warbucks and charlie brown tell us about ourselves. New York: Walker, 1973. |
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| Last edited by: joachim 16/12/2009, 03:17 |
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| Berger, Arthur Asa. "Marvel Language: The comic book and reality." ETC. A Review of General Semantics 29. (1972): 169–80. |
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| Last edited by: joachim 07/06/2020, 13:07 |
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| Berger, Arthur Asa. "Comics and Culture." Journal of Popular Culture 5. (1971): 164–78. |
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| Last edited by: joachim 29/07/2009, 18:09 |
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| Berger, Arthur Asa. "Peanuts: An american pastoral." Journal of Popular Culture 3. (1969): 1–8. |
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| Last edited by: joachim 22/04/2022, 12:27 |
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| Berger, Arthur Asa. "Authority in the comics: Different attitudes toward authority are shown in italian and american comic strips." Society 4. (1966): 22–26. |
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| Added by: joachim 26/10/2009, 02:22 |
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