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Barbieri, Daniele. Breve storia della letteratura a fumetti. 7th ed. Roma: Carocci, 2021. |
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Barbieri, Daniele. Semiotica del fumetto. Bussole. 4th ed. Roma: Carocci, 2022. |
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Barbieri, Daniele. "Scrivere per immagini: Dino Battaglia tra letteratura e fumetto." Écrire et traduire pour les enfants. Voix, images et mots/Writing and Translating for Children. Voices, Images and Texts. Eds. Elena Di Giovanni, Chiara Elefante and Roberta Pederzoli. Recherches comparatives sur le livre et le multimédia d’enfances. Bern [etc.]: Peter Lang, 2010. |
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Barbieri, Daniele. "Zeit und Rhythmus in der Bilderzählung." Ästhetik des Comic. Eds. Michael Hein, Michael Hüners and Torsten Michaelsen. Berlin: Erich Schmidt, 2002. 125–42. |
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Barbieri, Daniele. "La experiencia de la lectura a través de una historia de Alberto Breccia." deSignis (2015): 65. |
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Barbieri, Daniele. "Tintin et la ligne claire." Tintin, Hergé et la «Belgité». Ed. Anna Soncini Fratta. BelŒil. Bologna: CLUEB, 1994. 261–76. |
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Barbour, Chad A. "When Captain America Was an Indian: Heroic Masculinity, National Identity, and Appropriation." Journal of Popular Culture 48. (2015): 269–84. |
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Barbour, Chad A. From Daniel Boone to Captain America: Playing Indian in American Popular Culture. Jackson: Univ. Press of Mississippi, 2016. |
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Barbour, Loren. "‘Nemeses! Dragons! Symbolism!’: Queering the fantasy hero narrative in Nimona." Journal of Graphic Novels and Comics (2020): 1–13. |
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Barck, Karlheinz. "Max Ernsts Ästhetik des ›dépaysement‹. Ein Beitrag zur Theorie und Praxis dialektischer Bilder." Bild und Text im Dialog. Ed. Klaus Dirscherl. PINK. Passau: Wissenschaftsverl. Rothe, 1993. 255–74. |
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Barcus, Francis E. "The World of Sunday Comics." The Funnies. An American Idiom. Eds. David Manning White and Robert H. Abel. New York: Free Press of Glencoe, 1963. 190–218. |
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Bårdsen, Gunnar. "Carl Barks: A classical economist?." Working Paper Series 5 2005. Accessed 29Aug. 2019. <http://hdl.handle.net/11250/267103>. |
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Bares, William. "Panel Beat: Layout and Timing of Comic Panels." Smart Graphics. Eds. Andreas Butz, et al. Lecture Notes in Computer Science. Berlin, Heidelberg: Springer, 2008. 273–76. |
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Barker, Martin. Comics: Ideology, Power and the Critics. Cultural Politics. Manchester, New York: Manchester Univ. Press, 1989. |
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Barker, Martin. Action: The Story of a Violent Comic. London: Titan Books, 1990. |
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Barker, Martin. A Haunt of Fears: The Strange History of the British Horror Comics Campaign. Studies in Popular Culture. Jackson: Pluto, 1992. |
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Barker, Kenneth. "A Theological Reflection on Krazy Kat." Inks 1. (1994): 6–15. |
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Barker, Martin. "Comic cuts." Cultural Studies 9. (1995): 398–401. |
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Barker, Kenneth. "The Comic Series of Joseph Pulitzer's New York Sunday World: A Checklist." Inks 2. (1995): 26–32. |
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Barker, Kenneth. "The Comic Series of the New York Sunday Herald 1899–1924 and the New York Sunday Tribune 1914–1916, 1919–1924." Inks 3. (1996): 10–19. |
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Barker, Kenneth. "An Introduction to the Canadian Newspaper Comic." Inks 4. (1997): 18–25. |
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Barker, Martin. "Kicked into the Gutters: or, “My Dad Doesn’t Read Comics, He Studies Them”." International Journal of Comic Art 4. (2002): 64–77. |
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Barker, Martin. "The Reception of Joe Sacco’s Palestine." Participations 9. 2 2012. Accessed 8Dec. 2012. <http://www.participatio ... ssue%202/6%20Barker.pdf>. |
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Barker, Kim. "Holy blurring of core copyright principles, Batmobile!." Graphic Justice. Intersections of Comics and Law. London, New York: Routledge, 2015. 19–35. |
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Barker, Martin and Kate Brooks. Knowing Audiences: Judge Dredd, its Friends, Fans, and Foes. Luton: Univ. of Luton Press, 1998. |
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Barker, Martin. "Seeing how far you can see: On being a ‘fan’ of 2000 AD." Reading Audiences. Young people and the media. Ed. David Buckingham. Manchester, New York: Manchester Univ. Press, 1993. 159–83. |
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Barker, Martin. "Taking the Extreme Case: Understanding a Fascist Fan of Judge Dredd." Trash Aesthetics. Popular Culture and its Audience. Eds. Deborah Cartmell, et al. London: Pluto, 1997. 14–30. |
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Barker, Martin. "Jackie and the Problem of Romance." A Comics Studies Reader. Eds. Jeet Heer and Kent Worcester. Jackson: Univ. Press of Mississippi, 2009. 190–206. |
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Barker, Martin. "Fredric Wertham—The Sad Case of the Unhappy Humanist." Pulp Demons. International Dimensions of the Postwar Anti-Comics Campaign. Ed. John A. Lent. Madison [etc.]: Fairleigh Dickinson Univ. Press, 1999. 215–33. |
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Barker, Martin. "Getting a Conviction: Or, How the British Horror Comics Campaign Only Just Succeeded." Pulp Demons. International Dimensions of the Postwar Anti-Comics Campaign. Ed. John A. Lent. Madison [etc.]: Fairleigh Dickinson Univ. Press, 1999. 69–92. |
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Barker, Martin. "Drawing Attention to the Image: Computers and Comics." The Photographic Image in Digital Culture. Ed. Martin Lister. Comedia. London, New York: Routledge, 1995. 188–214. |
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Barker, Cory, Chris Ryan, and Myc Wiatrowski, eds. Mapping Smallville: Critical Essays on the Series and Its Characters. Jefferson, London: McFarland, 2014. |
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Added by: joachim 07/09/2015, 10:39 |
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Barker, Martin and Roger Sabin. "‘Doonesbury does Iraq’: Garry Trudeau and the politics of an anti-war strip." Journal of Graphic Novels and Comics 3. (2012): 127–42. |
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Barkman, Adam. "Should Athena Really Wear Pink? Japanese Manga, European Mythology and Ultimate Reality." Manga and Philosophy. Fullmetal Metaphysician. Eds. Josef Steiff and Adam Barkman. Popular Culture and Philosophy. Chicago: Open Court, 2010. 69–80. |
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Barkman, Adam. "Did Santa Die on the Cross?." Anime and Philosophy. Wide Eyed Wonder. Eds. Josef Steiff and Tristan D. Tamplin. Popular Culture and Philosophy. Chicago: Open Court, 2010. 105–19. |
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Barkman, Adam. "Superman: From Anti-Christ to Christ-Type." Superman and Philosophy. What Would the Man of Steel Do? Ed. Mark D. White. Blackwell Philosophy and Pop Culture. Chichester: Wiley-Blackwell, 2013. 111–20. |
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Barman, Daisy. "Comics beyond Fun and Thrill: A Critical Reflection on Gender Dynamics and Public Imagination in Select Popular Comics-based Movies." Gnosis Special Issue (2019): 81–91. |
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Barnard, Rita. "Bitterkomix: Notes from the Post-Apartheid Underground." South Atlantic Quarterly 103. (2004): 719–54. |
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Barnes, David. "Time in the Gutter: Temporal Structures in Watchmen." KronoScope 9. (2009): 51–60. |
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Barnes, Rex. "The Implied Spider-Man: Transcreating Religious Imagery and Meaning in Spider-Man: India." The Assimilation of Yogic Religions through Pop Culture. Ed. Paul G. Hackett. Lanham [etc.]: Rowman & Littlefield, 2017. 197–217. |
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Barnes, Spencer. "On the Use of Encapsulation, Parity, and Visual Storytelling in Graphic Medicine." Health Humanities in Application. Eds. Christian Riegel and Katherine M. Robinson. Sustainable Development Goals. New York [etc.]: Palgrave Macmillan, 2023. 265–86. |
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Barnet, Tully and Ben Kooyman. "The Cure Has Killed Us All: Dramatizing Medical Ethics through Zombie and Period Fiction Tropes in The New Deadwardians." The Walking Med. Zombies and The Medical Image. Eds. Lorenzo Servitje and Sherryl Vint. Graphic Medicine. University Park: Penn State Univ. Press, 2016. |
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Added by: joachim Last edited by: joachim 07/09/2019, 20:12 |
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Barnett, Stuart. "Astérix and the Dream of Autochthony." Son of Classics and Comics. Eds. George Kovacs and C. W. Marshall. Classical Presences. New York: Oxford Univ. Press, 2016. 131–42. |
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Barnhill, George B. "Political Cartoons at the American Antiquarian Society." Inks 2. (1995): 33–36. |
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Barnholden, Neale. From Gum Wrappers to Richie Rich: The Materiality of Cheap Comics. Jackson: Univ. Press of Mississippi, 2024. |
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Barnholden, Neale. "Boundaries I: Comics and/as literary magazines: “Originally published in magazines”." The Routledge Companion to the British and North American Literary Magazine. Ed. Tim Lanzendörfer. London, New York: Routledge, 2021. 93–102. |
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Baroková, Jana. "Darstellung der Kindheit während der Kriegsjahre in der deutschsprachigen Kinder- und Jugendliteratur: Ein Beispiel der Veränderung des Genres." Brünner Hefte zu Deutsch als Fremdsprache 4. (2011): 2–13. |
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Baron, Lawrence. "X-Men as J-Men: The Jewish Subtext of a Comic Book Movie." Shofar 22. (2003): 44–52. |
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Baron-Carvais, Annie. La Bande Dessinée. Que Sais-Je. 3rd ed. Paris: Presses Univ. de France, 1991. |
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Baroni, Raphaël. "Le récit dans l’image: Séquence, intrigue et configuration." Image [&] Narrative 12. 1 2011. Accessed 6Sept. 2011. <http://www.imageandnarr ... rticle/viewFile/136/107>. |
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Baroni, Raphaël. "L’exploration temporelle comme modalité du voyage imaginaire dans la bande dessinée franco-belge (1930–1980)." Image [&] Narrative 16. 2 2015. Accessed 3Sept. 2015. <http://www.imageandnarr ... rative/article/view/864>. |
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Baroni, Raphaël. "(Un)natural Temporalities in Comics." European Comic Art 9. (2016): 5–23. |
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Baroni, Raphaël. "Le chapitrage dans le roman graphique américain et la bande dessinée européenne: Une segmentation précaire." Cahiers de Narratologie 34 2018. Accessed 2Jul. 2020. <https://journals.openedition.org/narratologie/8594>. |
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Baroni, Raphaël. "Of Mice as Men: A Transmedial Perspective on Fictionality." Narrative 29. (2021): 91–113. |
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Baroni, Raphaël. "Le suspense dans le feuilleton littéraire et dans la bande dessinée." Bédé, ciné, pub et art. D’un média à l’autre. Eds. Philippe Kaenel and Gilles Lugrin. Gollion: Infolio, 2007. 141–65. |
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Baroni, Raphaël, Gaëlle Kovaliv, and Olivier Stucky. "La transition numérique de la bande dessinée franco-belge, une mutation impossible ?." Belphégor 19. 1 2021. Accessed 15Jul. 2023. <https://journals.openedition.org/belphegor/3948>. |
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Barounis, Cynthia. "Alison Bechdel and Crip-Feminist Autobiography." Journal of Modern Literature 39. (2016): 139–61. |
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Barounis, Cynthia. "Survival angst: Reading Hothead Paisan in the Trump era." Journal of Lesbian Studies 22. (2018): 415–23. |
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Barr, Mike W. "Batman in Outer Space." Batman Unauthorized. Vigilantes, Jokers, and Heroes in Gotham City. Eds. Dennis O’Neil and Leah Wilson. Smart Pop. Dallas: Benbella Books, 2008. 127–36. |
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Barr, Terry. "Teaching Maus to a Holocaust Class." Teaching the Graphic Novel. Ed. Stephen E. Tabachnick. Options for Teaching. New York: The Modern Language Assoc. of America, 2009. 76–83. |
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Barrera-Vidal, Albert. "Comics, Fumetti, Bande Dessinée – Semiotik und Didaktik eines Massenmediums." Neusprachliche Mitteilungen aus Wissenschaft und Praxis 39. (1986): 166–73. |
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Barrera-Vidal, Albert. "La BD en Communauté française de Belgique. Essai de présentation systématique." Belgien im Blick: Interkulturelle Bestandsaufnahmen – Regards croisés sur la Belgique contemporaine – Blikken op België: Interculturele Beschouwingen. Ed. Anne Begenat-Neuschäfer. Belgien im Fokus. Frankfurt am Main [etc.]: Peter Lang, 2007. 271–302. |
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Barrera-Vidal, Albert. "Selbstbilder und Fremdbilder in der frankophonen Bande dessinée Belgiens am Beispiel Deutschlands." Comic und Jugendliteratur in Belgien von ihren Anfängen bis heute. Ed. Anne Begenat-Neuschäfer. Belgien im Fokus. Frankfurt am Main [etc.]: Peter Lang, 2008. 121–52. |
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Barrera-Vidal, Albert. "Le Moyen Âge dans la bande dessinée." Bilderwelten – Textwelten – Comicwelten. Romanistische Begegnungen mit der Neunten Kunst. Eds. Frank Leinen and Guido Rings. München: Meidenbauer, 2007. 25–43. |
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Barrera-Vidal, Albert. "Comics und Sprachunterricht." Comics. Katalog der Comics-Ausstellung im Münchner Stadtmuseum vom 2. März bis 6. Mai 1974. Ed. Reinhold C. Reitberger. München: Icon, 1974. |
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Barrero, Manuel. "The Evolution of Children’s Comics in Spain." International Journal of Comic Art 5. (2003): 28–49. |
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Barrett, Kyle. "The Dark Knight’s Many Stories: Arkham Video Games as Transmedia Pathway." Iperstoria 16 2020. Accessed 23Feb. 2024. <https://iperstoria.it/article/view/917>. |
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Barrett, Matthew. "De-picturing John A. Macdonald: Opportunities and Challenges of Representing Canada’s Past with Graphic History." The Canadian Hiustorical Review 103. (2022): 32–74. |
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Barrier, Michael. The Animated Man: A Life of Walt Disney. Berkeley: Univ. of California Press, 2007. |
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Barrier, Michael. Funnybooks: The Improbable Glories of the Best American Comic Books. Berkeley: Univ. of California Press, 2014. |
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Barrier, Michael and Martin Williams. A Smithsonian Book of Comic-Book Comics. New York: Abrams, 1981. |
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Barris, Jeremy. "Plato, Spider-Man and the Meaning of Life." Comics as Philosophy. Ed. Jeff McLaughlin. Jackson: Univ. Press of Mississippi, 2005. 63–83. |
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Barritt, Leon. How to Draw: A Practical Book of Instruction in the Art of Illustration. With Numerous Reproductions of Original Drawings by America’s Famous Illustrators, Cartoonists and Comic Artists. New York, London: Harper & Brothers, 1904. |
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Barry, Lynda. What It Is. Montreal: Drawn & Quarterly, 2008. |
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Barry, Erin. "Eight-page eroticism: Sexual violence and the construction of normative masculinity in Tijuana Bibles." Journal of Graphic Novels and Comics 8. (2017): 227–37. |
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Barry, Lynda. Making Comics. Montreal: Drawn & Quarterly, 2019. |
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Bartels-Wu, Stella. Mitatemono und kibyôshi: Edition, Bearbeitung und Übersetzung »Myô-kinako kogome Dômyôji« (1805) von Takizawa Bakin. Bunken. Wiesbaden: Harassowitz, 1994. |
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Barthold, Willi Wolfgang. "Problemzone Ostdeutschland: Die Post-DDR-Provinz als Aushandlungsraum des Postmigrantischen in Literatur und Comic." Internationales Archiv für Sozialgeschichte der deutschen Literatur 48. (2023): 417–39. |
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Bartholomae, Joachim, ed. Mal mir mal nen Schwulen: Das Buch zu Ralf König. Hamburg: MännerschwarmSkript, 1996. |
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Bartl, Andrea. "Im Dialog der Künste: Kleists Werk in Bilderbüchern der Gegenwart." Kleist-Jahrbuch (2023): 59–79. |
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Bartlett, Myke. "A Mirror to Changing Times: X-Men and X2." Screen Education (2010): 111–15. |
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Bartlett, Myke. "The Adventures of Tintin: Drawn into Motion." Screen Education (2012): 8–17. |
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Bartley, Aryn. "Staging Cosmopolitanism: The Transnational Encounter in Joe Sacco’s Footnotes in Gaza." Transnational Perspectives on Graphic Narratives. Comics at the Crossroads. Eds. Shane Denson, Christina Meyer and Daniel Stein. New York: Bloomsbury, 2013. 67–82. |
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Barton, Kristin M. "Roamers versus biters: A rhetorical examination of the differences between Woodbury and the Prison Group in The Walking Dead comics." Journal of Graphic Novels and Comics 6. (2015): 260–68. |
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Bartosch, Sebastian. "Understanding comics’ mediality as an actor-network: Some elements of translation in the works of Brian Fies and Dylan Horrocks." Journal of Graphic Novels and Comics 7. (2016): 242–53. |
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Bartosch, Sebastian. "Die Farbe der Reflexivität im Comic." Closure 4.5 2018. Accessed 11May. 2018. <http://www.closure.uni-kiel.de/closure4.5/bartosch>. |
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Bartosch, Sebastian. Die Medien des Comics: Vom Zeitungsstrip bis zum digitalen Comic. Comicstudien. Berlin u. Boston: de Gruyter, 2024. |
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Bartosch, Sebastian. "Genre und Comic." Filmwissenschaftliche Genreanalyse. Eine Einführung. Eds. Markus Kuhn, Irina Scheidgen and Nicola Valeska Weber. De Gruyter Studium. Berlin: de Gruyter, 2013. 381–408. |
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Bartosch, Sebastian and Andreas Stuhlmann. "Reconsidering adaptation as translation: The comic in between." Studies in Comics 4. (2013): 59–74. |
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Bartra, Armando. "Dawn, Noon, and Dusk of a Tumultuous Narrative: The Evolution of Mexican Comic Art." Cartooning in Latin America. Ed. John A. Lent. Cresskill: Hampton, 2005. 253–78. |
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