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| Dolle-Weinkauff, Bernd. "Das heimliche Regiment der Sprache im Comic." Comics Anno (1991): 66–78. |
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| Dolle-Weinkauff, Bernd. "Comics für Kinder: Kategorien und aktuelle tendenzen des kinderliterarischen comic." ide 18. (1994): 27–43. |
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| Dolle-Weinkauff, Bernd. "Vom Kuriositätenkabinett zur wissenschaftlichen Sammlung: Das comic-archiv des instituts für jugendbuchforschung der goethe-universität frankfurt/main." Imprimatur N.F. 19. (2005): 209–24. |
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| Dolle-Weinkauff, Bernd. "Zu Bildgeschichte und Comic im Werk Janoschs." ODV-Zeitschrift. Publikationen des Oraner Deutschlehrerverbands (2005): 115–27. |
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| Dolle-Weinkauff, Bernd. "Die Bildgeschichten des Carl August Reinhardt." Deutsche Comicforschung 2. (2006): 22–35. |
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| Dolle-Weinkauff, Bernd. "Pop, Protest und Politik: Die Comics der 68er: Der wendepunkt – von den bescheidenen anfängen in den 1950er jahren zur vielfalt des comic-angebots in der gegenwart." Forschung Frankfurt 26. (2008): 38–45. |
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| Dolle-Weinkauff, Bernd. "Ansichten von Mittelerde in Graphic Novel und Manga: David wenzels the hobbit und die erzählungen des lodoss-zyklus von ryo mizuno." Inklings (2010): 40–61. |
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| Dolle-Weinkauff, Bernd. "Neue Unübersichtlichkeit: Facetten grafischen erzählens für kinder und jugendliche in bild- und schrifttext." JuLit 38. (2012): 3–10. |
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| Dolle-Weinkauff, Bernd. "Was ist ein »Geschichtscomic«? Über historisches erzählen in comic, manga und graphic novel." Comparativ 24. (2014): 29–46. |
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| Dolle-Weinkauff, Bernd. "Können auch Bilder erzählen? Visualität und narrativität im comic." Forschung Frankfurt 34. (2017): 62–67. |
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| Dollhäubl, Carmen. "Ich – eine Comicfigur: Analyseansätze und lektüreanregungen zum autobiographischen comic." kjl&m 61. (2009): 53–60. |
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| Domenico, Michela De. "Develop the Imagery in Architecture. From the Fantastic Architecture of Comics to the Representation of the Idea." Proceedings 1. 9 2017. Accessed 30 Aug. 2020. <https://www.mdpi.com/2504-3900/1/9/938>. |
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| Domínguez Leiva, Antonio. "Apocalypse Zombie: L’invasion des morts-vivants dans le roman graphique contemporain." Frontières 25. (2013): 93–108. |
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| Donadille, Christian. "Entre chien et loup: Incertitude de l’apparence et écriture du silence dans les œuvres illustrées et les images textuelles de patrick modiano." French Cultural Studies 23. (2012): 329–40. |
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| Donald, Diana. "The Power of Print: Graphic images of peterloo." Manchester Region History Review 3. (1989): 21–30. |
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| Dong, Lan. "Thinly Disguised (Autobio)Graphical Stories: Will eisner’s life, in pictures." Shofar 29. (2011): 13–33. |
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| Dong, Lan. "Drawing the troubled artist abroad: Guy delisle’s visual travelogues." East Asian Journal of Popular Culture 2. (2016): 193–208. |
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| Dong, Lan. "Autobiography, Documentary, and History in Comics: the four immigrants manga and citizen13660." Journal of Comics and Culture 2. (2017): 3–28. |
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| Donoso Munita, José Agustín and Mariano Alejandro Penafiel Durruty. "Transmedial Transduction in the Spider-Verse." Palabra Clave 20. (2017): 763–87. |
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| Donovan, Ellen Butler. "The Primacy of Pictures: Reading george dardess’s foreign exchange." Children’s Literature Association Quarterly 23. (1998): 194–201. |
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| Donovan, Barna William. "A Superman For Our Time: How the man of steel tries to make superman relevant again – and why it succeeds." Cinephile 9. (2013): 20–28. |
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| Donovan, Courtney. "Graphic Pathogeographies." Journal of Medical Humanities 35. (2014): 273–99. |
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| Donovan, Courtney. "Representations of Health, Embodiment, and Experience in Graphic Memoir." Configurations 22. (2014): 237–53. |
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| Donovan, Robert J., et al. "Is Trivialisation of Alcohol Consumption a Laughing Matter? Alcohol incidence in a metropolitan daily newspaper's comic strips." Drug and Alcohol Review 28. (2009): 257–62. |
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| Donovan, Courtney and Ebru Ustundag. "Graphic Narratives, Trauma and Social Justice." Studies in Social Justice 11. 2 2017. Accessed 10 Feb. 2019. <https://journals.librar ... p/SSJ/article/view/1598>. |
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| Dony, Christophe. "Trauma, Identity and Memory: The individual/collective dialectic in 9/11-related comics." International Journal of Comic Art 9. (2007): 340–72. |
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| Dony, Christophe. "Towards a vocabulary of displacement and utopian possibilities: Reading shaun tan’s the arrival as a crossover text." Studies in Comics 3. (2012): 83–106. |
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| Dony, Christophe. "Entre Références et Irrévérence: 20 ans de bandes dessinées made in vertigo." Culture, le magazine culturel en ligne de l'Université de Liège 2013. Accessed 29 Nov. 2013. <http://culture.ulg.ac.b ... ssinees-made-in-vertigo>. |
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| Dony, Christophe. "Vertigo’s Archival Impulse as Memorious Discourse." Comics Forum 2013. Accessed 25 Feb. 2019. <https://comicsforum.org ... rse-by-christophe-dony/>. |
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| Dony, Christophe. "The rewriting ethos of the Vertigo imprint: Critical perspectives on memory-making and canon formation in the american comics field." Comicalités 2014. Accessed 22 Apr. 2014. <http://comicalites.revues.org/1918>. |
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| Dony, Christophe. "Second-degree Rewriting Strategies: On jack’s revisions and transfictional crossing from fables to jack of fables." Leaves 11 2021. Accessed 16 Jan. 2021. <https://climas.u-bordea ... -fables-christophe-dony>. |
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| Dooley, Michael. "Elder Statesman of Comics." Voice: AIGA Journal of Design 2008. Accessed 5 Jan. 2010. <http://www.aiga.org/con ... der-statesman-of-comics>. |
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| Dooley, Michael. "Harvey Kurtzman: Mid-century’s mad man of comic book art direction." Voice: AIGA Journal of Design 2009. Accessed 5 Jan. 2010. <http://www.aiga.org/con ... omic-book-art-direction>. |
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| Doolittle, Benjamin R. "Are We the Walking Dead? Burnout as zombie apocalypse." Annals of Family Medicine 14. (2016): 578–80. |
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| Dopico, Pablo. "Esputos De Papel: La historieta ‘underground’ española." Arbor 187. (2011): 169–81. |
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| Dorfman, Ariel. "How we roasted Donald Duck, Disney’s agent of imperialism." The Guardian 5 Oct 2018. |
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| Dormon, James H. "Ethnic Stereotyping in American Popular Culture: The depiction of american ethnics in the cartoon periodicals of the gilded age." Amerikastudien 30. (1985): 489–507. |
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| Dörner, Olaf. "Bildungswelten im Comic. Zum Verhältnis formeller und informeller Bildung Erwachsener in der Comiczeitschrift »Mosaik«." MAGAZIN erwachsenenbildung.at 6 2009. Accessed 27 Jul. 2009. <http://www.erwachsenenb ... /meb09-6_04_doerner.pdf>. |
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| Doughty, Jonathan. "More than Meets the “I”: Chinese transnationality in gene luen yang’s american born chinese." Asian American Literature 1 2010. Accessed 11 Jan. 2021. <https://scholarworks.sjsu.edu/aaldp/vol1/iss1/8/>. |
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| Douglas, Allen and Fedwa Malti-Douglas. "Islamic Classics Illustrated: Regendering medieval philosophy in a modern tunisian strip." International Journal of Comic Art 1. (1999): 98–106. |
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| Douglas, Allen and Fedwa Malti-Douglas. "Tardi and Daeninckx: Comic strips, detective novels, and world war i." International Journal of Comic Art 5. (2003): 134–46. |
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| Douglas, Allen and Fedwa Malti-Douglas. "From the Algerian War to the Armenian Massacres: Memory, trauma, and medicine in petit polio of farid boudjellal." International Journal of Comic Art 10. (2008): 282–307. |
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| Douglass, Jeremy, William Huber, and Lev Manovich. "Understanding scanlation: How to read one million fan-translated manga pages." Image [&] Narrative 12. 1 2011. Accessed 29 Mar. 2011. <http://www.imageandnarr ... rticle/viewFile/133/104>. |
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| Downey, Elizabeth M. and Karen Davidson. "Graphic Novels in Graduate-Level Library and Information Studies Literature and Materials Courses." New Review of Children’s Literature and Librarianship 18. (2012): 67–83. |
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| Doyle, Peter. "If Walls Could Talk: Spatialising narrative in the museum." Scan. Journal of media arts culture 5. 2 2008. Accessed 1 Oct. 2009. <http://scan.net.au/scan ... play.php?journal_id=119>. |
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| Doyle, Andrew. "Mice in Masks and Ageing Superheroes: Using graphic novels in the media classroom." Screen Education (2008): 68–74. |
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| Dozier, Ayanna. "Wayward Travels: Racial uplift, black women, and the pursuit of love and travel in torchy in heartbeats by jackie ormes." Feminist Media Histories 4. (2018): 12–29. |
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| Dozo, Björn-Olav. "La bande dessinée francophone contemporaine à la lumière de sa propre critique: Quand une avant-garde esthétique s’interroge sur sa pérennité." Belphégor 6. 2 2007. Accessed 4 Oct. 2013. <http://dalspace.library.dal.ca/handle/10222/47737>. |
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| Dozo, Björn-Olav. "Note sur la bande dessinée de reportage." Textyles (2010): 149–55. |
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| Dozo, Björn-Olav and Fabrice Preyat. "La bande dessinée francophone belge au présent." Textyles (2010): 9–42. |
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| Draper, Bram. "Sandino and Other Superheroes: The function of comic books in revolutionary nicaragua." International Journal of Comic Art 11. (2009): 136–75. |
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| Drewniak, Dagmara. "Addicted to the Holocaust – Bernice Eisenstein’s Ways of Coping with Troublesome Memories in I Was a Child of Holocaust Survivors." Studia Anglica Posnaniensia 50. (2015): 39–50. |
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| Dreyer, Randolph. "Clap If You Believe in Batman The Dark Knight Christopher Nolan (Director)." Perspectives in Psychiatric Care 45. (2009): 80–81. |
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| Driscoll, Mark. "Kobayashi Yoshinori Is Dead: Imperial war / sick liberal peace / neoliberal class war." Mechademia 4. (2009): 290–303. |
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| Drucker, Johanna. "What is Graphic about Graphic Novels?." English Language Notes 46. (2008): 39–55. |
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| Dubbati, Barkuzar. "The Woman in Hijab as a Freak: Super(muslim)woman in deena mohamed’s webcomic qahera." Journal of Graphic Novels and Comics 8. (2017): 433–49. |
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| Dubil, Janwillem. "Blau ist eine warme Farbe – unter vielen: Adaption und variation der comicverfilmung in la vie d’adèle, chapitres 1 & 2." Closure 1 2014. Accessed 17 Nov. 2014. <http://www.closure.uni-kiel.de/closure1/dubil>. |
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| Dubose, Mike S. "Holding Out for a Hero: Reaganism, comic book vigilantes, and captain america." Journal of Popular Culture 40. (2007): 915–35. |
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| Dubreuil, Laurent and Renaud Pasquier. "Du voyou au critique: Parler de la bande dessinée." Labyrinthe 25. (2006): 11–59. |
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| Dudek, Debra. "“Good Relationships Mean Good Lives”: Warrior-survivor identity/ies in david alexander robertson’s 7 generations." Canadian Review of Comparative Literature / Revue Canadienne de Littérature Comparée 43. (2016): 39–50. |
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| Dudenhoeffer, Larrie. "Masks of Infamy: The about-faces in christopher nolan’s the dark knight." FORUM 12 2011. Accessed 8 Aug. 2013. <http://www.forumjournal ... /12/larrie-dudenhoeffer>. |
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| Dudzińska, Magdalena. "Zum sprachlichen und kulturellen Potenzial von Comics im Unterricht Deutsch als Fremdsprache in Polen." Convivium (2013): 285–306. |
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| Duffy, William. "Sing Muse, of the Immortal Hero: Using epic to understand comic books." International Journal of Comic Art 8. (2006): 258–70. |
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| Duffy, Damian. "Learning from Comics on the Wall: Sequential art narrative design in museology and multimodal education." Visual Arts Research 35. (2009): 1–11. |
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| Duffy, Damian. "Remasters of American Comics: Sequential art as new media in the transformative museum context." Scan. Journal of media arts culture 6. 1 2009. Accessed 2 Oct. 2009. <http://scan.net.au/scan ... play.php?journal_id=130>. |
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| Duffy, Damian. "Hyper/Comics/Con/Text: Institutional contexts and interface design in online educational hypercomics." Networking Knowledge 8. 4 2015. Accessed 14 Aug. 2015. <http://ojs.meccsa.org.u ... ow/article/view/390/219>. |
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| Adventures Into Digital Comics. 2008. Robert Nichols. |
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| Dumontet, Carlo. "Comics Collections in the National Art Library, Victoria and Albert Museum, London, England." Inks 3. (1996): 32–36. |
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| Dunaway, Finis. "Gas Masks, Pogo, and the Ecological Indian: Earth day and the visual politics of american environmentalism." American Quarterly 60. (2008): 67–99. |
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| Duncan, Randy. "Toward a Theory of Comic Book Communication." Academic Forum (1999–2000): 71–88. |
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| Duncan, Randy. "The Weaver’s Art: An examination of comic book “writing”." International Journal of Comic Art 4. (2002): 134–42. |
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| Duncan, Sydney. "Lost Girl: Diminishing dorothy of oz." Studies in Popular Culture 31. (2008): 55–67. |
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| Dunley, Kathleen. "Conversations with Seth, Attention Revisited." The Comics Grid 2011. Accessed 21 Jan. 2013. <http://www.comicsgrid.c ... th-attention-revisited/>. |
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| Dunley, Kathleen. "Ben Katchor and What’s Left Behind." The Comics Grid 2012. Accessed 18 Jul. 2012. <http://www.comicsgrid.c ... chor-whats-left-behind/>. |
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| Dunst, Alexander. "How We Read Comics Now: Literary studies, computational criticism, and the rise of the graphic novel." Modern Fiction Studies 67. (2021): 758–84. |
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| Dürrenmatt, Jacques. "From Invisibility to Visibility and Backwards: Punctuation in comics." Visible Language 45. (2011): 21–43. |
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| Dütsch, Linda. "Großzügige Umdeutung: Der comic-künstler flix im interview." JuLit 38. (2012): 11–14. |
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| van Dyk, Michael. "Turkey’s Soprano of Cartooning – Selma Emiroglu-Aykan." International Journal of Comic Art 8. (2006): 466–97. |
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| Dyson, Anne Haas. "Cultural Constellations and Childhood Identities: On greek gods, cartoon heroes, and the social lives of schoolchildren." Harvard Educational Review 66. (1996): 471–96. |
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| Eaglestone, Robert. "Madness or Modernity? The holocaust in two anglo-american comics." Rethinking History 6. (2002): 319–30. |
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| Earle, Harriet E. H. "The Politics of Lace in Kate Evans’ Threads: From the Refugee Crisis (2017)." The Comics Grid Accessed 7 Jun. 2022. <https://doi.org/10.16995/cg.215>. |
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| Earle, Harriet E. H. "Comics and Page Bleeds." Alluvium 2. 5 2013. Accessed 11 Jun. 2014. <http://www.alluvium-jou ... comics-and-page-bleeds/>. |
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| Earle, Harriet E. H. "Comics and the Chronotope: Time-space relationships in traumatic sequential art." HARTS and Minds 1. 2 2013. Accessed 11 Jun. 2014. <http://media.wix.com/ug ... aa4390bb478863d24d6.pdf>. |
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| Earle, Harriet E. H. "Panel Transitions in Trauma Comics." Alluvium 2. 1 2013. Accessed 11 Jun. 2014. <http://www.alluvium-jou ... tions-in-trauma-comics/>. |
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| Earle, Monalesia. "Does 21st Century Feminist Fiction Challenge or Uphold Conventional Notions of the Family? A critique of a mercy and fun home." ImageTexT 7. 4 2014. Accessed 4 Jan. 2015. <http://www.english.ufl. ... xt/archives/v7_4/earle/>. |
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| Earle, Harriet E. H. "Framing Comics Words." Alluvium 3. 2 2014. Accessed 2 Jun. 2016. <https://www.alluvium-jo ... 7/framing-comics-words/>. |
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| Earle, Harriet E. H. "My Friend Dahmer: The comic as bildungsroman." Journal of Graphic Novels and Comics 5. (2014): 429–40. |
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| Earle, Harriet E. H. "Traumatic Analepsis and Ligne Claire in GB Tran’s Vietnamerica." The Comics Grid 4. 9 2014. Accessed 9 Oct. 2014. <http://doi.org/10.5334/cg.at>. |
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| Earle, Harriet E. H. "The Whites of their Eyes: Implied violence and double frames in blazing combat and the ‘nam." Comics Forum 2015. Accessed 15 May. 2015. <http://comicsforum.org/ ... e-nam-by-harriet-earle/>. |
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| Earle, Harriet E. H. "Strange migrations: An essay/interview with shaun tan." Journal of Postcolonial Writing 52. (2016): 385–98. |
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| Earle, Harriet E. H. "Framing Violence and Serial Murder in My Friend Dahmer and Green River Killer." The Comics Grid 7. 5 2017. Accessed 27 Jul. 2017. <https://doi.org/10.16995/cg.99>. |
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