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Chaney, Michael A. "Drawing on History in Recent African American Graphic Novels." Melus 32. (2007): 175–200. |
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Cole, Jean Lee. "Rising from the Gutter: Rudolph block, the comic strip, and the ghetto fiction of bruno lessing." Melus 41. (2016): 27–54. |
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Feuer, Menachem. "Everybody is a Star: The affirmation of freaks and schlemiels through caricature in the comics of drew and josh friedman." Melus 32. (2007): 75–101. |
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Glaser, Jennifer. "An Imaginary Ararat: Jewish bodies and jewish homelands in ben katchor’s the jew of new york." Melus 32. (2007): 153–73. |
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de Jesús, Melinda L. "Liminality and Mestiza Consciousness in Lynda Barry’s One Hundred Demons." Melus 29. (2004): 219–52. |
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Oh, Sandra. "Sight Unseen: Adrian tomine’s optic nerve and the politics of recognition." Melus 32. (2007): 129–51. |
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Paparone, Lesley. "Art and Identity in Mark Kalesniko’s Mail Order Bride." Melus 32. (2007): 201–19. |
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Rivera, Lysa. "Appropriate(d) Cyborgs: Diasporic identities in dwayne mcduffie’s deathlok comic book series." Melus 32. (2007): 103–27. |
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Roth, Laurence. "Innovation and Orthodox Comic Books: The case of mahrwood press." Melus 37. (2012): 131–56. |
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Royal, Derek Parker. "Introduction: Coloring America: Multi-ethnic engagements with graphic narrative." Melus 32. (2007): 7–22. |
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Royal, Derek Parker. "Palomar and Beyond: An interview with gilbert hernandez." Melus 32. (2007): 221–46. |
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Staub, Michael E. "The Shoah Goes On and On: Remembrance and representation in art spiegelman’s maus." Melus 20. (1995): 32–46. |
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Zhou, Xiaojing. "Spatial Construction of the “Enemy Race”: Miné okubo’s visual strategies in citizen 13660." Melus 32. (2007): 51–73. |
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