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Venezia, Tony. "“He do the police in different voices”: Martin rowson’s pulp modernism." The Comics Grid. Journal of Comics Scholarship. Year One. Ed. Ernesto F. Priego Ramirez. London: The Comics Grid Digital First Editions, 2012. 106–09. Added by: joachim (21/01/2013, 00:30) Last edited by: joachim (01/02/2022, 15:27) |
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| Resource type: Book Chapter Language: en: English BibTeX citation key: Venezia2012 Email resource to friend View all bibliographic details  |
Categories: General Keywords: "The Waste Land", Adaptation, Crime comics, Eliot. T.S., Intertextuality, Literature, Poetry, Rowson. Martin, United Kingdom Creators: Priego Ramirez, Venezia Publisher: The Comics Grid Digital First Editions (London) Collection: The Comics Grid. Journal of Comics Scholarship. Year One |
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Martin Rowson’s graphic adaptation of T.S. Eliot’s The Waste Land maps the themes and motifs of hardboiled detective fiction onto the frame of the poem. By reading Eliot’s notion of historical sense against the grain, Tony Venezia traces a transtextual archive of associations between modernism and popular culture that Rowson rearticulates as pulp modernism.
Added by: joachim |