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Smith, Philip: "Drawing Vladek, staging Shylock. Art Spiegelman’s Maus in American Holocaust discourse." In: Journal of Graphic Novels and Comics (2018), S. 1–13. 
Added by: joachim (02 Aug 2018 20:09:37 Europe/Berlin)   Last edited by: joachim (02 Aug 2018 21:34:25 Europe/Berlin)
Resource type: Journal Article
Languages: englisch
Peer reviewed
DOI: 10.1080/21504857.2018.1446452
BibTeX citation key: Smith2018
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Categories: General
Keywords: "Maus", Holocaust, Intertextualität, Judentum, Literatur, Shakespeare. William, Spiegelman. Art, Theater, USA
Creators: Smith
Collection: Journal of Graphic Novels and Comics
Views: 20/31
Views index: 3%
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Abstract
This essay explores the parallels between the character of Vladek in Art Spiegelman’s Maus and certain stage incarnations of Shylock from Shakespeare’s The Merchant of Venice. Spiegelman’s Maus, I contend, invokes Shakespeare’s famous Jewish moneylender to challenge dominant American Holocaust memory. Invoking the theatrical tradition of representing Shylock as a credibly complex character, Maus specifically generates a counter-discourse to the paradigmatic representation of the Holocaust survivor as the flat character of hero-saint.
  
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