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Brogan, Jacob: "Stop/Watch. Repressing History, Adapting Watchmen." In: The Politics of Adaptation. Media Convergence and Ideology. Hrsg. v. Dan A. Hassler-Forest und Pascal Nicklas. New York [etc.]: Palgrave Macmillan, 2015, S. 214–226. 
Added by: joachim (23 Feb 2017 11:25:49 Europe/Berlin)   Last edited by: Deleted user (10 Feb 2019 10:47:27 Europe/Berlin)
Resource type: Book Article
Languages: englisch
DOI: 10.1057/9781137443854_16
BibTeX citation key: Brogan2015
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Categories: General
Keywords: "Watchmen", Adaption, Comic-Verfilmung, Gibbons. Dave, Großbritannien, Moore. Alan
Creators: Brogan, Hassler-Forest, Nicklas
Publisher: Palgrave Macmillan (New York [etc.])
Collection: The Politics of Adaptation. Media Convergence and Ideology
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Abstract
Alan Moore and Dave Gibbons’ 1986 graphic novel Watchmen was long understood to be an unfilmable work. This opinion surely has a great deal to do with the novel’s notorious chronological density: over the course of its 12 chapters, Watchmen’s narrative moves backwards, forwards, and sideways in time, now with jarring suddenness, now with subtle ease. In the process, it weaves together a dizzying array of real and imagined histories in a way ill suited to the limited scope of Hollywood narrative form. Against this playfully plural approach to history, the polarizing 2009 film adaptation defines itself by a fidelity to the original novel’s historical moment so absolute that it all but abolishes the chronological gamesmanship of its source material.
Added by: joachim  Last edited by: Deleted user
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