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Bliss, Jennifer Anderson. "Redrawing History: Visual Postmemory in Tardi’s 120, rue de la Gare." Mosaic 49.(2016): 73–92. 
Added by: joachim (26/08/2016, 15:43)   Last edited by: joachim (10/09/2017, 16:40)
Resource type: Journal Article
Language: en: English
Peer reviewed
DOI: 10.1353/mos.2016.0004
BibTeX citation key: Bliss2016
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Categories: General
Keywords: "120 rue de la Gare", Adaptation, France, Identity, Literature, Malet. Léo, Tardi. Jacques, War
Creators: Bliss
Collection: Mosaic
Views: 14/954
Attachments   URLs   https://www.jstor.org/stable/44030497
Abstract
This essay explores ways in which Tardi’s adaptation marks the otherwise apolitical narrative with historical indicators. Through the comics medium and the prolific use of shifting signifiers and monikers, the text grapples with the uneasy notion of a national identity threatened by Nazi occupation and the legacy of WWII.
  
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