BOBC     Bonner Online-Bibliographie zur Comicforschung

WIKINDX Resources

Worden, Daniel: "The Politics of Comics. Popular Modernism, Abstraction, and Experimentation." In: Literature Compass 12.2 (2015), S. 59–71. 
Added by: joachim (06 Feb 2015 19:09:34 Europe/Berlin)   Last edited by: joachim (08 Feb 2015 10:34:49 Europe/Berlin)
Resource type: Journal Article
Languages: englisch
Peer reviewed
DOI: 10.1111/lic3.12214
BibTeX citation key: Worden2015a
Email resource to friend
View all bibliographic details
Categories: General
Keywords: Abstraktion, Avantgarde, Modernität, Politik, Populärkultur
Creators: Worden
Collection: Literature Compass
Views: 3/214
Views index: 4%
Popularity index: 1%
Comics and graphic novels are now widely accepted to be legitimate aesthetic and literary texts, suitable for study in all manner of university classrooms and scholarly projects. Comics studies scholarship was often preoccupied with arguing for the aesthetic legitimacy and literary complexity of comics and graphic novels, and now that this debate is more or less over, comics studies scholarship has begun to consider not just why and how we should read comics but what comics might mean. The question of meaning is an inherently political question, as it asks us to think of comics in relation to our social world. This essay traces two ways that comics can be read politically: as part of popular modernism, and as a medium for experimentation with genre, narrative, and visual conventions.
wikindx 5.7 ©2018 | Total resources: 12153 | Username: -- | Bibliography: WIKINDX Master Bibliography | Style: Comicforschung-Bibliographie Stil (CFB) | Database queries: 50 | DB execution: 0.27099 secs | Script execution: 0.28983 secs

PHP execution time: 0.01724 s
SQL connection time: 0.00022 s
SQL execution time: 0.27077 s
TPL rendering time: 0.00182 s
Total elapsed time: 0.28983 s
Peak memory usage: 1.7965 MB
Memory at close: 1.7453 MB