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Berlatsky, Noah: Wonder Woman. Bondage and Feminism in the Marston/Peter Comics, 1941–1948. (Comics Culture.) New Brunswick: Rutgers Univ. Press, 2015. (232 S.)
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|Resource type: Book
ID no. (ISBN etc.): 978-0-8135-6419-7
BibTeX citation key: Berlatsky2015
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Keywords: "Wonder Woman", Gender, Marston. William Moulton, Superheld, USA
Publisher: Rutgers Univ. Press (New Brunswick)
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William Marston was an unusual man—a psychologist, a soft-porn pulp novelist, more than a bit of a carny, and the (self-declared) inventor of the lie detector. He was also the creator of Wonder Woman, the comic that he used to express two of his greatest passions: feminism and women in bondage.
Comics expert Noah Berlatsky takes us on a wild ride through the Wonder Woman comics of the 1940s, vividly illustrating how Marston’s many quirks and contradictions, along with the odd disproportionate composition created by illustrator Harry Peter, produced a comic that was radically ahead of its time in terms of its bold presentation of female power and sexuality. Himself a committed polyamorist, Marston created a universe that was friendly to queer sexualities and lifestyles, from kink to lesbianism to cross-dressing. Written with a deep affection for the fantastically pulpy elements of the early Wonder Woman comics, from invisible jets to giant multi-lunged space kangaroos, the book also reveals how the comic addressed serious, even taboo issues like rape and incest.
Wonder Woman: Bondage and Feminism in the Marston/Peter Comics 1941–1948reveals how illustrator and writer came together to create a unique, visionary work of art, filled with bizarre ambition, revolutionary fervor, and love, far different from the action hero symbol of the feminist movement many of us recall from television.
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