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| Kavaloski, Joshua. "Discordant discourses: History and journalism in the graphic novels of joe sacco." Journal of Graphic Novels and Comics (2018): 1–18. |
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| Kelley, James. "Unseen Scars: Recalling traumatic moments in individuals with ptsd in war brothers." Cultures of War in Graphic Novels. Violence, Trauma, and Memory. Eds. Tatiana Prorokova and Nimrod Tal. New Brunswick: Rutgers Univ. Press, 2018. 91–104. |
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| Kelp-Stebbins, Katherine. "Global Comics: Two women’s texts and a critique of cultural imperialism." Feminist Media Histories 4. (2018): 135–56. |
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| Kelp-Stebbins, Katherine. "Comics as Orientation Devices." Comics Studies Here and Now. Ed. Frederick Luis Aldama. Routledge Advances in Comics Studies. London: Routledge, 2018. 211–25. |
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| Kennedy, Martha H. Drawn to Purpose: American women illustrators and cartoonists. Jackson: Univ. Press of Mississippi, 2018. |
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| Kesper-Biermann, Sylvia. "Bildergeschichten gegen den Krieg: Comics und friedensbewegung in den 1970er und 1980er jahren." Geschichte im Comic. Befunde – Theorien – Erzählweisen. Ed. Bernd Dolle-Weinkauff. Berlin: Ch.A. Bachmann, 2018. 307–23. |
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| Khorshidi, Sara. Voices from Necropolis: A critical study of autobiography and subalternity in the works of nafisi & satrapi. Literaturwissenschaft. Berlin [etc.]: LIT, 2018. |
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| Kienzl, Lisa. "Antagonisten, Antihelden und die Suche nach Gott: Inszenierte ambivalenz in preacher." Weltentwürfe im Comic/film. Mensch, Gesellschaft, Religion. Eds. Theresia Heimerl and Christian Wessely. Religion, Film und Medien. Marburg: Schüren, 2018. 302–18. |
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| Kirsner, Inge. "Irgendwie immer das Gleiche? Zur genderkonstruktion in 30 days of night." Weltentwürfe im Comic/film. Mensch, Gesellschaft, Religion. Eds. Theresia Heimerl and Christian Wessely. Religion, Film und Medien. Marburg: Schüren, 2018. 289–301. |
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| Kirtely, Susan. "Once and Again, Ack! epimone, recursion, and variation in guisewite’s cathy." Comics Studies Here and Now. Ed. Frederick Luis Aldama. Routledge Advances in Comics Studies. London: Routledge, 2018. 241–51. |
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| Kirtley, Susan E. "A Word to You Feminist Women: The parallel legacies of feminism and underground comics." The Cambridge History of the Graphic Novel. Eds. Jan Baetens, Hugo Frey and Stephen E. Tabachnick. The Cambridge Companions to Philosophy, Religion and Culture. Cambridge [etc.]: Cambridge Univ. Press, 2018. 269–85. |
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| Kirtley, Clare, et al. "Reading Words and Images: Factors influencing eye movements in comic reading." Empirical Comics Research. Digital Multimodal and Cognitive Methods. Eds. Alexander Dunst, Jochen Laubrock and Janina Wildfeuer. Routledge Advances in Comics Studies. London, New York: Routledge, 2018. 264–83. |
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| Klaehn, Jeffery. "An interview with comic book writer Jeff Parker." Journal of Graphic Novels and Comics (2018): 1–12. |
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| Klimke, Annemarie. "“I’ll break the lock gently so no one will hear me!”: Stabilisierung und subversion von heteronormativen körperdarstellungen wonder womans in ausgewählten comics." M.A. Masterarbeit. Universität Potsdam, 2018. |
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| Knigge, Andreas C. Nick der Weltraumfahrer von Hansrudi Wäscher: Der griff nach den sternen. Hamburg: Comics etc. 2018. |
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| Knopf, Christina M. "Marvel’s Shamrock: Haunted heroine, working woman, guardian of the galaxy." Working-Class Comic Book Heroes. Class Conflict and Populist Politics in Comics. Ed. Marc DiPaolo. Jackson: Univ. Press of Mississippi, 2018. 206–25. |
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| Knopf, Christina M. "The Queen of Burlesque: The subtle (as a hammer) satire of bomb queen." Gender and the Superhero Narrative. Eds. Michael Goodrum, Tara Prescott and Philip Smith. Jackson: Univ. Press of Mississippi, 2018. 101–23. |
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| Knopf, Christina M. "Sinne Fianna Fáil: Women, irish rebellions, and the graphic novels of gerry hunt." Cultures of War in Graphic Novels. Violence, Trauma, and Memory. Eds. Tatiana Prorokova and Nimrod Tal. New Brunswick: Rutgers Univ. Press, 2018. 123–37. |
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| Kopp, Hans. "Penia in Entenhausen: Ökonomische theorie, soziale utopie und politische ideologie bei aristophanes und carl barks." thersites 8 2018. Accessed 20 May. 2019. <http://www.thersites.un ... hp/thr/article/view/106>. |
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| Krantz, Gunnar. "Fanzines and Swedish Comics Memory." Comics Memory. Archives and Styles. Eds. Maaheen Ahmed and Benoît Crucifix. Palgrave Studies in Comics and Graphic Novels. New York [etc.]: Palgrave Macmillan, 2018. 267–76. |
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| Krawczyk-Żywko, Lucyna. "Neo-Victorian Revisions of Inspector Abberline: from hell & ripper street." Crime Fiction. A Critical Casebook. Eds. Stephen Butler and Agnieszka Sienkiewicz-Charlish. Berlin [etc.]: Peter Lang, 2018. 197–210. |
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| Krieger, Swetlana, Julia Machnik, and Wiebke Schmitz. "Tagebuch 14/18 – Vier Geschichten aus Deutschland und Frankreich: Ein beitrag zur transnationalen erinnerungskultur im kontext des 100. jahrestags des ersten weltkriegs." Krieg und Literatur / War and Literature 24. (2018): 45–60. |
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| Kruschwitz, Hans. "Alles hängt an Bildern: Sprach- und bildreflexion in spiegelmans maus." Darstellen, Vermitteln, Aneignen. Gegenwärtige Reflexionen des Holocaust. Eds. Bettina Bannasch and Hans-Joachim Hahn. Poetik, Exegese und Narrative. Göttingen: V&R unipress, 2018. 195–214. |
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| Kuhlman, Martha. "Reinvention of the Form: Chris ware and experimentalism after raw." The Cambridge History of the Graphic Novel. Eds. Jan Baetens, Hugo Frey and Stephen E. Tabachnick. The Cambridge Companions to Philosophy, Religion and Culture. Cambridge [etc.]: Cambridge Univ. Press, 2018. 509–25. |
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| Kujundžić, Nada and Matúš Mišík. "Powering up the Technodrome: Energy sustainability in the 1987 teenage mutant ninja turtles." Journal of Popular Culture 51. (2018): 575–94. |
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| Kukkonen, Karin. "Genre Fiction in the Graphic Novel: The case of science fiction." The Cambridge History of the Graphic Novel. Eds. Jan Baetens, Hugo Frey and Stephen E. Tabachnick. The Cambridge Companions to Philosophy, Religion and Culture. Cambridge [etc.]: Cambridge Univ. Press, 2018. 476–91. |
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| Kunert-Graf, Rachel. "Dehumanized Victims: Analogies and animal avatars for palestinian suffering in waltz with bashir and “war rabbit”." Humanities 7. 3 2018. Accessed 29 Jun. 2020. <https://www.mdpi.com/2076-0787/7/3/79>. |
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| Kunka, Andrew J. Autobiographical Comics. Bloomsbury Comics Studies. New York: Bloomsbury Academic, 2018. |
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| Kunka, Andrew J. "Cranky Bosses, Rebellious Characters, and Suicidal Artists: scribbly, inkie, and pre-underground autobiographical comics." Comics Studies Here and Now. Ed. Frederick Luis Aldama. Routledge Advances in Comics Studies. London: Routledge, 2018. 44–56. |
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| Kunka, Andrew J. "Crime Genre Fiction in the Graphic Novel." The Cambridge History of the Graphic Novel. Eds. Jan Baetens, Hugo Frey and Stephen E. Tabachnick. The Cambridge Companions to Philosophy, Religion and Culture. Cambridge [etc.]: Cambridge Univ. Press, 2018. 457–75. |
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| Kurbjuhn, Charlotte. "Zwischen Naturkunden und Nerd-Ecke: Gelesene literatur in graphic novels." Gelesene Literatur. Populäre Lektüre im Medienwandel. Eds. Steffen Martus and Carlos Spoerhase. Text + Kritik Sonderband. München: edition text + kritik, 2018. 96–110. |
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| Kurlat Ares, Silvia G. "The Malvinas War in Argentine Memory: Graphic representations of defeat and nationalism, 1982–2015." Cultures of War in Graphic Novels. Violence, Trauma, and Memory. Eds. Tatiana Prorokova and Nimrod Tal. New Brunswick: Rutgers Univ. Press, 2018. 165–87. |
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| Kwa, Shiamin. "The Common Place: The poetics of the pedestrian in kevin huizenga’s walkin’." Comics and Sacred Texts. Reimagining Religion and Graphic Narratives. Eds. Assaf Gamzou and Ken Koltun-Fromm. Jackson: Univ. Press of Mississippi, 2018. 232–48. |
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| Labarre, Nicolas. "Ody-C, Homère re-genré, décalé, excentré." Leaves 6 2018. Accessed 13 Jul. 2020. <https://climas.u-bordea ... xcentre-nicolas-labarre>. |
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| Labarre, Nicolas. "Reading the 2016 US presidential election through Transmetropolitan." Journal of Graphic Novels and Comics (2018): 1–13. |
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| Laffage-Cosnier, Sébastien and Jean-Charles Andrieu de Levis. "Pour une écriture universitaire polymorphe: La transcription de héros ordinaires en héros de bande dessinée." Loisir et Société / Society and Leisure 41. (2018): 280–96. |
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| Lamerichs, Nicolle. Productive Fandom: Intermediality and affective reception in fan cultures. Transmedia. Amsterdam: Amsterdam Univ. Press, 2018. |
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| Lange, Anja. "Daohopak – Eine Comicreihe über Kosaken als Teil der Identitätsbildung der Ukraine." Geschichte im Comic. Befunde – Theorien – Erzählweisen. Ed. Bernd Dolle-Weinkauff. Berlin: Ch.A. Bachmann, 2018. 157–70. |
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| Langsdale, Samantha. "The Dark Phoenix As “Promising Monster” An interdisciplinary approach to teaching marvel’s x-men: the dark phoenix saga." Comics and Sacred Texts. Reimagining Religion and Graphic Narratives. Eds. Assaf Gamzou and Ken Koltun-Fromm. Jackson: Univ. Press of Mississippi, 2018. 153–71. |
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| LaRue, Robert. "‘I Remember You Was Conflicted’ Reflections on black panther, the african american/african divide, and scholarly positionings." Africology 11. 9 2018. Accessed 9 Jun. 2022. <http://www.jpanafrican. ... 1.9-special-9-LaRue.pdf>. |
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| Lavan, Makeba. "To Whom Does Wakanda Belong?." Africology 11. 9 2018. Accessed 5 Sept. 2019. <http://www.jpanafrican. ... 1.9-special-4-Lavan.pdf>. |
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| Le, Thanh Nam, et al. "Subgraph spotting in graph representations of comic book images." Pattern Recognition Letters 112. (2018): 118–24. |
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| Lefèvre, Pascal. "Sports Most Prominently Featured in Belgian Graphic Narratives and in Belgian Society (1954–1964)." European Studies in Sports History 11. (2018): 99–122. |
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| Lefèvre, Pascal and Gert Meesters. "Interpretation of an Evolving Line Drawing." Empirical Comics Research. Digital, Multimodal, and Cognitive Methods. Eds. Alexander Dunst, Jochen Laubrock and Janina Wildfeuer. London, New York: Routledge, 2018. 197–214. |
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| Lemonnier, Jean-Marc, Yohann Fortune, and Frédéric Dutheil. "L’olympe sportif d’un dessinateur de BD: Emil zatopek et marcel couchaux." Loisir et Société / Society and Leisure 41. (2018): 192–213. |
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| Lennon, Tom. "Metal Machine Movies: The lasting influence of heavy metal and métal hurlant on blade runner and the science-fiction cinema of ridley scott." The Cyberpunk Nexus. Exploring the Blade Runner Universe. Eds. Lou Tambone and Joe Bongiorno. Edwardsville: Sequart Research & Literacy Organization, 2018. 71–88. |
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| Lent, John A. "The CRNI as an Antidote to the Perils of Cartooning: An interview with robert “bro” russell." International Journal of Comic Art 20. (2018): 554–62. |
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| Leroux, Marie-Caroline. "Tina Modotti d’Ángel De la Calle: Un imaginaire (auto)(bio)graphique." Itinéraires 2017-1 2018. Accessed 9 Jun. 2021. <https://journals.openedition.org/itineraires/3739>. |
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| Leroy, Fabrice. "European Literary and Genre Fiction: The (à suivre) magazine and the “adventure” and “science fiction” traditions (pratt, tardi, moebius)." The Cambridge History of the Graphic Novel. Eds. Jan Baetens, Hugo Frey and Stephen E. Tabachnick. The Cambridge Companions to Philosophy, Religion and Culture. Cambridge [etc.]: Cambridge Univ. Press, 2018. 251–68. |
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| Leung, Angela Y. M., et al. "Improving health literacy and medication compliance through comic books: A quasi-experimental study of chinese community-dwelling older adults." Global Health Promotion 25. (2018): 67–78. |
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| Levay, Matthew. "Repetition, Recapitulation, Routine: dick tracy and the temporality of daily newspaper comics." Journal of Modern Periodical Studies 9. (2018): 101–22. |
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| Lewis, A. David. "The Seven Traits of Fictoscripture and the Wormhole Sacred." Comics and Sacred Texts. Reimagining Religion and Graphic Narratives. Eds. Assaf Gamzou and Ken Koltun-Fromm. Jackson: Univ. Press of Mississippi, 2018. 56–72. |
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| Licari-Guillaume, Isabelle. "Relocating/Dislocating the Center in Milligan and Fegredo’s Enigma." Leaves 6 2018. Accessed 15 Jan. 2021. <https://climas.u-bordea ... abelle-licari-guillaume>. |
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| Licari-Guillaume, Isabelle. "Transatlantic Exchanges and Cultural Constructs: Vertigo comics and british invasion." International Journal of Comic Art 20. (2018): 189–203. |
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| Limb, Peter and Tejumola Olaniyan, eds. Taking African Cartoons Seriously: Politics, satire, and culture. African Humanities and the Arts. East Lansing: Michigan State Univ. Press, 2018. |
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| Lipenga, Ken Junior. "Intersection of Sex and Violence in Preacher." International Journal of Comic Art 20. (2018): 478–92. |
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| Lockard, Joe. "Nat Turner, Slave Revolts, and Child-Killing in US Graphic Novels." Cultures of War in Graphic Novels. Violence, Trauma, and Memory. Eds. Tatiana Prorokova and Nimrod Tal. New Brunswick: Rutgers Univ. Press, 2018. 105–22. |
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| Löckener, Fabian. "Erlöser in Cape und Kostüm: Religiöse substrukturen bei den männlichen superhelden superman und batman." Weltentwürfe im Comic/film. Mensch, Gesellschaft, Religion. Eds. Theresia Heimerl and Christian Wessely. Religion, Film und Medien. Marburg: Schüren, 2018. 271–88. |
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| Lockhart, Aidan A. "Capes, Cowls, and the Fragments of Ideology: Toward a framework for revealing retributive ideology in film." Journal of Popular Culture 51. (2018): 215–35. |
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| Low, David and Katrina Bartow Jacobs. "Literature Circle Roles for Discussing Graphica in Language Arts Classrooms." Language Arts 95. (2018): 322–31. |
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| Lupinacci, John. "Critical Animal Studies and Comics in the Classroom: Liberation and everyday superheroes." Superheroes and Critical Animal Studies. The Heroic Beasts of Total Liberation. Eds. Sean Parson and J. L. Schatz. Lanham [etc.]: Lexington, 2018. 3–18. |
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| MacInnes, Iain A. "“For He Bestirred Himself to Protect the Land from the Moors” Depicting the medieval reconquista in modern spanish graphic novels." European Comic Art 11. (2018): 48–65. |
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| MacInnes, Iain A. "“I Can Piss on Calais from Dover” Adaptation and medievalism in graphic novel depictions of the hundred years’ war (1337–1453)." From Medievalism to Early-Modernism. Adapting the English Past. Eds. Marina Gerzic and Aidan Norrie. London, New York: Routledge, 2018. 154–70. |
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| MacInnes, Iain A. "“A Clash of Arms to Be Eternally Remembered”: War, chivalry, and the hundred years war in le trône d’argile and crécy." Cultures of War in Graphic Novels. Violence, Trauma, and Memory. Eds. Tatiana Prorokova and Nimrod Tal. New Brunswick: Rutgers Univ. Press, 2018. 23–40. |
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| Mahmutovic, Adnan. "Chronotope in Moore and Gibbons’s Watchmen." Studies in the Novel 50. (2018): 255–76. |
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| Manea, Dragoş. "Western nightmares: manifest destiny and the representation of genocide in weird fiction." Studies in Comics 8. (2018): 157–70. |
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| Manis, Kathryn. "Neoliberal Anxiety and the Post-Apocalypse in US Comic Books: An analysis of y the last man and the private eye." Journal of Popular Culture 51. (2018): 1234–55. |
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| Manning, Scott. "Warriors “Hedgehogged” in Arrows: Crusaders, samurai, and wolverine in medieval chronicles and popular culture." The Year’s Work in Medievalism 33 2018. Accessed 7 Jun. 2020. <https://drive.google.co ... -nhd2qoUrCiyle7ddFGSq5s>. |
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| Marmo, Jennifer. "Who Am I? A discovery of self through comics with buffy, the vampire slayer." Comic Connections. Reflecting on Women in Popular Culture. Ed. Sandra Eckard. Comic Connections. Lanham [etc.]: Rowman & Littlefield, 2018. 55–72. |
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| Martin, Rachel R., ed. Alison Bechdel: Conversations. Conversations with Comic Artists. Jackson: Univ. Press of Mississippi, 2018. |
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| Martin, Côme. "Le travail de classification de l’OuBaPo, ou la mise en normes de l’excentricité." Leaves 6 2018. Accessed 15 Jan. 2021. <https://climas.u-bordea ... xcentricite-come-martin>. |
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| Martin, Daniel. "The Americanization of the Hong Kong Kung Fu Hero: Orientalism and social class in marvel comics iron fist." Journal of Popular Culture 51. (2018): 1521–39. |
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| Martinez, Nicolas. "A Trip Down Memory Lane: Reprints and canonization of morris’ lucky luke series." Comics Memory. Archives and Styles. Eds. Maaheen Ahmed and Benoît Crucifix. Palgrave Studies in Comics and Graphic Novels. New York [etc.]: Palgrave Macmillan, 2018. 211–30. |
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| Martínez, Matías. "Stimmenkonkurrenz und Stimmenkomposition in Marcel Beyers Roman und in Ulli Lusts Graphic Novel Flughunde." Marcel Beyer. Perspektiven auf Autor und Werk. Ed. Christian Klein. Kontemporär. Stuttgart: Metzler, 2018. 111–21. |
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| Maruo-Schröder, Nicole. "“Justice Has a Bad Side” Figurations of law and justice in 21st-century superhero movies." European Journal of American Studies 13. 4 2018. Accessed 25 Feb. 2022. <https://journals.openedition.org/ejas/13817>. |
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| Massey, Erica. "Service Dogs, Code Switching, and Interracial Polyamory: Exploring the reclamation narratives of comic fandom." Comics Studies Here and Now. Ed. Frederick Luis Aldama. Routledge Advances in Comics Studies. London: Routledge, 2018. 226–38. |
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| Máthé, Nóra. "“Are You Thor, the God of Hammers?” – Mixing the Posthuman and Old Norse Mythology in Thor: Ragnarok." Caietele Echinox (2018): 200–06. |
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| Matly, Michel. El cómic sobre la guerra civil. Signo e Imagen. Madrid: Cátedra, 2018. |
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| Maverick, Christopher. "Oracle of the Invisible: Rape in the killing joke." International Journal of Comic Art 20. (2018): 418–29. |
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| McAllister, Matthew P. and Stephanie Orme. "Cinema’s Discovery of the Graphic Novel: Mainstream and independent adaptation." The Cambridge History of the Graphic Novel. Eds. Jan Baetens, Hugo Frey and Stephen E. Tabachnick. The Cambridge Companions to Philosophy, Religion and Culture. Cambridge [etc.]: Cambridge Univ. Press, 2018. 543–57. |
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