| Frenzel, Martin. "Zwischen erfundener und erlebter Erinnerung: Die shoah im comic." Weltentwürfe im Comic/film. Mensch, Gesellschaft, Religion. Eds. Theresia Heimerl and Christian Wessely. Religion, Film und Medien. Marburg: Schüren, 2018. 160–92. |
 
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| Frey, Hugo. "Beat-Era Literature and the Graphic Novel." The Cambridge History of the Graphic Novel. Eds. Jan Baetens, Hugo Frey and Stephen E. Tabachnick. The Cambridge Companions to Philosophy, Religion and Culture. Cambridge [etc.]: Cambridge Univ. Press, 2018. 124–38. |
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| Frezza, Gino. Fumetti, anime del visibile. Napoli: Alessandro Polidoro, 2018. |
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| Friant-Kessler, Brigitte. "Unidentified Graphic Objects? Eccentricity and graphic afterlives in contemporary british graphic novels (martin rowson; bryan talbot)." Leaves 6 2018. Accessed 15 Jan. 2021. <https://climas.u-bordea ... brigitte-friant-kessler>. |
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| Friedlander, Keith. "The editor, the author function, and the social function: A methodological survey." Journal of Graphic Novels and Comics 9. (2018): 157–72. |
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| Friesen, Jan, John T. Van Stan, and Skander Elleuche. "Communicating Science through Comics: A method." Publications 6. 3 2018. Accessed 29 Jun. 2020. <https://www.mdpi.com/2304-6775/6/3/38>. |
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| Fugelso, Karl. "A Mickey Mouse Inferno: Medievalist legacies and the marketing of the middle ages." The Year’s Work in Medievalism 33 2018. Accessed 7 Jun. 2020. <https://drive.google.co ... 4fA52CB9A2LteRmgU380B8q>. |
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| Führer, Carolin. "Exemplarischer Versuch einer narratologischen Typenbildung zu Geschichtscomics am Beispiel von Comics und Graphic Novels über die DDR." Geschichte im Comic. Befunde – Theorien – Erzählweisen. Ed. Bernd Dolle-Weinkauff. Berlin: Ch.A. Bachmann, 2018. 129–42. |
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| Gabilliet, Jean-Paul. "Underground Comix and the Invention of Autobiography, History and Reportage." The Cambridge History of the Graphic Novel. Eds. Jan Baetens, Hugo Frey and Stephen E. Tabachnick. The Cambridge Companions to Philosophy, Religion and Culture. Cambridge [etc.]: Cambridge Univ. Press, 2018. 155–70. |
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| Gaete, Tomás. Produciendo Condorito: Génesis y desarrollo del trabajo artístico en la revista. Santiago de Chile: Ocho Libros, 2018. |
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| Galvan, Margaret. "Making space: Jennifer camper, lgbtq anthologies, and queer comics communities." Journal of Lesbian Studies 22. (2018): 373–89. |
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| Galvan, Margaret. "“The Lesbian Norman Rockwell”: Alison bechdel and queer grassroots networks." American Literature 90. (2018): 407–38. |
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| Gamache, Geneviève. "A transcultural comic series caught between nationalism and globalisation." Journal of Graphic Novels and Comics (2018): 1–13. |
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| Gamzou, Assaf and Ken Koltun-Fromm, eds. Comics and Sacred Texts: Reimagining religion and graphic narratives. Jackson: Univ. Press of Mississippi, 2018. |
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| Gandolfo, Amadeo and Pablo Turnes. "Alcatena’s Malón: National identity and cultural work in the american comics industry." International Journal of Comic Art 20. (2018): 204–28. |
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| García, Enrique. "The Latina Superheroine: Protecting the reader from the comic book industry’s racial, gender, ethnic, and nationalist biases." Comics Studies Here and Now. Ed. Frederick Luis Aldama. Routledge Advances in Comics Studies. London: Routledge, 2018. 163–79. |
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| Garland, Tammy S., Nickie Phillips, and Scott Vollum. "Gender Politics and The Walking Dead: Gendered violence and the reestablishment of patriarchy." Feminist Criminology 13. (2018): 59–86. |
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| Gaspers, Nicolas. "Berlin als hybride Projektionsfläche von Gestalt, Raum und Zeit im Comic." Berlin: Bilder einer Metropole in erzählenden Medien für Kinder und Jugendliche. Ed. Sabine Planka. Würzburg: Königshausen & Neumann, 2018. 373–98. |
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| Gavaler, Chris and Leigh Ann Beavers. "Clarifying closure." Journal of Graphic Novels and Comics (2018): 1–30. |
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| Geraghty, Lincoln. "Transmedia Character Building: Textual crossovers in the star wars universe." Star Wars and the History of Transmedia Storytelling. Eds. Sean A. Guynes and Dan A. Hassler-Forest. Transmedia. Amsterdam: Amsterdam Univ. Press, 2018. 117–28. |
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| Ghiggia, María. "What Lies in the Gutter of a Traumatic Past: infancia clandestina [clandestine childhood], animated comics, and the representation of violence." Humanities 7. 1 2018. Accessed 30 Aug. 2020. <https://www.mdpi.com/2076-0787/7/1/22>. |
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| Ghosal, Torsa. "The Page is Local: Planetarity and embodied metaphor in anglophone graphic narratives from south asia." Comics Studies Here and Now. Ed. Frederick Luis Aldama. Routledge Advances in Comics Studies. London: Routledge, 2018. 180–90. |
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| Gianola, Gabriel and Janine Coleman. "The Gwenaissance: Gwen stacy and the progression of women in comics." Gender and the Superhero Narrative. Eds. Michael Goodrum, Tara Prescott and Philip Smith. Jackson: Univ. Press of Mississippi, 2018. 251–84. |
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| Gibson, Mel. "“Yeah, I Think There Is Still Hope”: Youth, ethnicity, faith, feminism, and fandom in ms. marvel." Gender and the Superhero Narrative. Eds. Michael Goodrum, Tara Prescott and Philip Smith. Jackson: Univ. Press of Mississippi, 2018. 23–44. |
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| Giddens, Thomas. On Comics and Legal Aesthetics: Multimodality and the haunted mask of knowing. Discourses of Law. London, New York: Routledge, 2018. |
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| Giebel, Michael. "Latino/a Magical Realism and American Superhero Fiction as Constitutive Agents in the Negotiation of Dominican-American Identity in Junot Díaz’ The Brief Wondrous Life of Oscar Wao." Exploring the Fantastic. Genre, Ideology, and Popular Culture. Eds. Ina Batzke, et al. Bielefeld: Transcript, 2018. 189–210. |
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| Giesa, Felix and Arno Meteling. "Superhelden." Compendium heroicum 2018. Accessed 19 Feb. 2021. <https://www.compendium- ... m.de/lemma/superhelden/>. |
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| Gifford, Denis and Orion Ussner Kidder. "Alan Moore and Anarchist Praxis in Form: Bibliography, remediation, and aesthetic form in v for vendetta and black dossier." Working-Class Comic Book Heroes. Class Conflict and Populist Politics in Comics. Ed. Marc DiPaolo. Jackson: Univ. Press of Mississippi, 2018. 94–125. |
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| Gillingham, Erica. "Representations of same-sex relationships between female characters in all-ages comics: princess princess ever after and lumberjanes." Journal of Lesbian Studies 22. (2018): 390–401. |
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| Gittinger, Juli L. "Hijabi Cosplay: Performances of culture, religion, and fandom." Journal of Religion and Popular Culture 30. (2018): 87–105. |
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| Glaser, Jennifer. "Comics, Race, and the Political Project of Intermediality in Karen Tei Yamashita’s I Hotel." Comics Studies Here and Now. Ed. Frederick Luis Aldama. Routledge Advances in Comics Studies. London: Routledge, 2018. 69–89. |
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| Glaubitz, Nicola. "Der Prozess als Performance: Zur geschichte des schnellzeichnens." Ästhetik des Gemachten. Interdisziplinäre Beiträge zur Animations- und Comicforschung. Eds. Hans-Joachim Backe, et al. Berlin u. Boston: de Gruyter, 2018. 85–108. |
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| Gomes, Ivan Lima. Os novos homens do amanhã: Projetos e disputas em torno dos quadrinhos na américa latina (brasil e chile, anos 1960–1970). Curitiba: Prismas, 2018. |
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| Goodrum, Michael, Tara Prescott, and Philip Smith, eds. Gender and the Superhero Narrative. Jackson: Univ. Press of Mississippi, 2018. |
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| Gordon, Ian, ed. Ben Katchor: Conversations. Conversations with Comic Artists. Jackson: Univ. Press of Mississippi, 2018. |
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| Görmar, Maximilian. "Die Säule des Kommissos: De- und rekonstruktion von geschichte in der comiczeitschrift mosaik von hannes hegen." Geschichte im Comic. Befunde – Theorien – Erzählweisen. Ed. Bernd Dolle-Weinkauff. Berlin: Ch.A. Bachmann, 2018. 145–56. |
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| Gorrara, Claire. "Not seeing Auschwitz: Memory, generation and representations of the holocaust in twenty-first century french comics." Journal of Modern Jewish studies 17. (2018): 111–26. |
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| Gottschalg, Rainer. "Digitalisierung und »Post-Schöpfung« in Ghost in the Shell (1995): Der japanische animationsfilm: ein (theologisch-)anthropologischer diskursort." Weltentwürfe im Comic/film. Mensch, Gesellschaft, Religion. Eds. Theresia Heimerl and Christian Wessely. Religion, Film und Medien. Marburg: Schüren, 2018. 214–35. |
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| Graham, Richard and Colin Beineke. "In Love with Magic and Monsters: The groundbreaking life and work of rose o'neill." Comics Studies Here and Now. Ed. Frederick Luis Aldama. Routledge Advances in Comics Studies. London: Routledge, 2018. 31–43. |
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| Gray van Heerden, Chantelle. "White God: Rethinking human and nonhuman subjectivities through underdog-superhero narratives and ahuman theory." Superheroes and Critical Animal Studies. The Heroic Beasts of Total Liberation. Eds. Sean Parson and J. L. Schatz. Lanham [etc.]: Lexington, 2018. 95–112. |
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| Green, Matthew J. A. "‘An altered view regarding the relationship between dreams and reality’: Magic, politics and the comics medium in alan moore and jacen burrow’s providence." Studies in Comics 8. (2018): 135–56. |
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| Grennan, Simon. "The Marie Duval Archive: Memory and the development of comic strip canon." Comics Memory. Archives and Styles. Eds. Maaheen Ahmed and Benoît Crucifix. Palgrave Studies in Comics and Graphic Novels. New York [etc.]: Palgrave Macmillan, 2018. 251–58. |
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| Grennan, Simon. "The Influence of Manga on the Graphic Novel." The Cambridge History of the Graphic Novel. Eds. Jan Baetens, Hugo Frey and Stephen E. Tabachnick. The Cambridge Companions to Philosophy, Religion and Culture. Cambridge [etc.]: Cambridge Univ. Press, 2018. 320–36. |
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| Grennan, Simon and Ian Hague. "Medium, knowledge, structure: Capacities for choice and the contradiction of medium-specifcity in games and comics." Image [&] Narrative 19. 1 2018. Accessed 12 Jan. 2022. <http://www.imageandnarr ... ative/article/view/1765>. |
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| Grewe, Cordula. "The Arabesque from Kant to Comics." New Literary History 49. (2018): 617–60. |
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| Groensteen, Thierry. "Jacques Tardi ou le parti pris de la continuité." Cahiers de Narratologie 34 2018. Accessed 3 Jul. 2020. <https://journals.openedition.org/narratologie/8669>. |
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| Gross, Jessica. "It Doesn’t Add Up: mental illness in paul hornschemeier’s mother, come home." Literatures of Madness. Disability Studies and Mental Health. Ed. Elizabeth J. Donaldson. Literary Disability Studies. New York [etc.]: Palgrave Macmillan, 2018. 215–33. |
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| Groth, Gary, ed. Sparring With Gil Kane: Debating the history and aesthetics of comics. Seattle: Fantagraphics, 2018. |
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| Gundermann, Christine. "Inszenierte Vergangenheit oder wie Geschichte im Comic gemacht wird." Ästhetik des Gemachten. Interdisziplinäre Beiträge zur Animations- und Comicforschung. Eds. Hans-Joachim Backe, et al. Berlin u. Boston: de Gruyter, 2018. 257–84. |
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| Gundermann, Christine. "Zwischen Genre, Gattung und Typus: Geschichtscomics aus geschichtswissenschaftlicher perspektive." Geschichte im Comic. Befunde – Theorien – Erzählweisen. Ed. Bernd Dolle-Weinkauff. Berlin: Ch.A. Bachmann, 2018. 29–44. |
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| Guynes, Sean. "“Am I Doing The Right Thing?”: Milestone comics, black nationalism, and cosmopolitics of static." Comics Studies Here and Now. Ed. Frederick Luis Aldama. Routledge Advances in Comics Studies. London: Routledge, 2018. 298–316. |
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| Häcker, Peter. "Religiöse Bilder in Batman v Superman: Dawn of Justice." Weltentwürfe im Comic/film. Mensch, Gesellschaft, Religion. Eds. Theresia Heimerl and Christian Wessely. Religion, Film und Medien. Marburg: Schüren, 2018. 321–43. |
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| Hagener, Malte. "Digital/digitus: Die geste in den pixar-animationsfilmen." Ästhetik des Gemachten. Interdisziplinäre Beiträge zur Animations- und Comicforschung. Eds. Hans-Joachim Backe, et al. Berlin u. Boston: de Gruyter, 2018. 11–26. |
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| Hall, Justin. "The Secret Origins of LBGTQ Graphic Novels." The Cambridge History of the Graphic Novel. Eds. Jan Baetens, Hugo Frey and Stephen E. Tabachnick. The Cambridge Companions to Philosophy, Religion and Culture. Cambridge [etc.]: Cambridge Univ. Press, 2018. 286–302. |
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| Halsall, Alison. "“What Is the Use of a Book … Without Pictures or Conversations?” Incorporating the graphic novel into the university curriculum." Teaching Graphic Novels in the English Classroom. Pedagogical Possibilities of Multimodal Literacy Engagement. Ed. Alissa Burger. New York [etc.]: Palgrave Macmillan, 2018. 87–101. |
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| Hammonds, Kyle A. "On Superherology." The Phoenix Papers 4. 1 2018. Accessed 21 Jul. 2021. <https://fansconference. ... 10-On-Superherology.pdf>. |
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| Handelman, Susan. "God’s Comics: The hebrew alphabet as graphic narrative." Comics and Sacred Texts. Reimagining Religion and Graphic Narratives. Eds. Assaf Gamzou and Ken Koltun-Fromm. Jackson: Univ. Press of Mississippi, 2018. 25–42. |
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| Hanley, Tim. "The Evolution of Female Readership: Letter columns in superhero comics." Gender and the Superhero Narrative. Eds. Michael Goodrum, Tara Prescott and Philip Smith. Jackson: Univ. Press of Mississippi, 2018. 221–50. |
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| Hänselmann, Matthias C. "Das Gemachte als Bewusst-Gemachtes: Produktive und rezeptive dimensionen von materialität und materialtransparenz im film." Ästhetik des Gemachten. Interdisziplinäre Beiträge zur Animations- und Comicforschung. Eds. Hans-Joachim Backe, et al. Berlin u. Boston: de Gruyter, 2018. 27–52. |
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| Harbeck, Matthias. "Comics als Gegenstand der historischen Stereotypenforschung." Geschichte im Comic. Befunde – Theorien – Erzählweisen. Ed. Bernd Dolle-Weinkauff. Berlin: Ch.A. Bachmann, 2018. 253–72. |
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| Harris-Fain, Darren. "The Superhero Graphic Novel." The Cambridge History of the Graphic Novel. Eds. Jan Baetens, Hugo Frey and Stephen E. Tabachnick. The Cambridge Companions to Philosophy, Religion and Culture. Cambridge [etc.]: Cambridge Univ. Press, 2018. 492–508. |
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| Heimann, Andreas. "Ente der Geschichte: Historische ereignisse in don rosas the life and times of scrooge mcduck und ihre narrative funktion." Geschichte im Comic. Befunde – Theorien – Erzählweisen. Ed. Bernd Dolle-Weinkauff. Berlin: Ch.A. Bachmann, 2018. 119–28. |
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| Heimerl, Theresia. "Heldinnen: Affirmation, verweigerung oder transgression von konventionellen geschlechterrollenbildern in ausgewählten comicverfilmungen." Weltentwürfe im Comic/film. Mensch, Gesellschaft, Religion. Eds. Theresia Heimerl and Christian Wessely. Religion, Film und Medien. Marburg: Schüren, 2018. 253–70. |
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| Heimerl, Theresia and Christian Wessely, eds. Weltentwürfe im Comic/film: Mensch, gesellschaft, religion. Religion, Film und Medien. Marburg: Schüren, 2018. |
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| Heindl, Nina. "Opazität und Transparenz: Überlegungen zum poietischen potenzial in chris wares comics und animationen." Ästhetik des Gemachten. Interdisziplinäre Beiträge zur Animations- und Comicforschung. Eds. Hans-Joachim Backe, et al. Berlin u. Boston: de Gruyter, 2018. 177–202. |
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| Helsel, Philip Browning. "Comics and in-Between Kids: Immigration-themed graphic novels as a resource for second-generation adolescents." Pastoral Psychology 67. (2018): 125–39. |
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| Hemovich, Vanessa. "From Princess to Protagonist: Redesigning the video game superhero." Gender and the Superhero Narrative. Eds. Michael Goodrum, Tara Prescott and Philip Smith. Jackson: Univ. Press of Mississippi, 2018. 205–20. |
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| Added by: joachim 24/09/2020, 12:21 |
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| Hernández, Álvaro David Hernández. "The Anime Industry, Networks of Participation, and Environments for the Management of Content in Japan." Arts 7. 3 2018. <https://www.mdpi.com/2076-0752/7/3/42>. |
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| Hernández Nieto, Laura Nallely. "From the Post-revolutionary Mexico to the American Way of Life: Analyzing los superlocos by gabriel vargas." International Journal of Comic Art 20. (2018): 229–41. |
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| Herrmann, Andrew F. "Communication and ritual at the comic book shop: The convergence of organizational and popular cultures." Journal of Organizational Ethnography 7. (2018): 285–301. |
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| Added by: joachim 19/02/2022, 20:15 |
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| Hochman, Leah. "The Ineffability of Form: Speaking and seeing the sacred in tina’s mouth and the rabbi’s cat." Comics and Sacred Texts. Reimagining Religion and Graphic Narratives. Eds. Assaf Gamzou and Ken Koltun-Fromm. Jackson: Univ. Press of Mississippi, 2018. 43–55. |
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| Hoeness-Krupsaw, Susanna. "Teaching March in the Borderlands between Social Justice and Pop Culture." Teaching Graphic Novels in the English Classroom. Pedagogical Possibilities of Multimodal Literacy Engagement. Ed. Alissa Burger. New York [etc.]: Palgrave Macmillan, 2018. 135–47. |
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| Added by: Okwuchi Mba 18/06/2022, 16:41 |
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| Høigilt, Jacob. Comics in Contemporary Arab Culture: Politics, language and resistance. Library of Modern Middle East Studies. London, New York: I. B. Tauris, 2018. |
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| Horst, Sabine. "Das Loch in deinem Herzen: Trauma, drama und erlösung in populären japanischen animeserien – am beispiel von naruto." Weltentwürfe im Comic/film. Mensch, Gesellschaft, Religion. Eds. Theresia Heimerl and Christian Wessely. Religion, Film und Medien. Marburg: Schüren, 2018. 344–57. |
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| Horstkotte, Silke. "Lesen von Text/Bild-Korrelationen." Grundthemen der Literaturwissenschaft: Lesen. Eds. Alexander Honold and Rolf Parr. Grundthemen der Literaturwissenschaft. Berlin u. Boston: de Gruyter, 2018. 371–82. |
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| Howard, Sheena C. "Situating Cyberzone: Black lesbian identity in comics." Journal of Lesbian Studies 22. (2018): 402–14. |
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| Howard, Yetta. "Unsuitable for Children? Adult-erated age in underground graphic narratives." American Literature 90. (2018): 283–313. |
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| Howe, Andrew and Sean Evans. "The road to Negan: Governance and power in the walking dead." Journal of Popular Television 6. (2018): 323–37. |
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| Huggins, Mike. "Sport in British Comics for Boys, c.1950–1975: Sources and themes." European Studies in Sports History 10. (2018). |
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| Added by: joachim 12/02/2022, 16:55 |
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| Hulshof-Schmidt, Robert. "How Lust Was Lost: Genre, identity, and the neglect of a pioneering comics publication." Comics Studies Here and Now. Ed. Frederick Luis Aldama. Routledge Advances in Comics Studies. London: Routledge, 2018. 57–66. |
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| Hume, Kathryn. "Psychology made visual: the sandman overture by neil gaiman, j.h. williams iii and dave stewart." Journal of Visual Literacy 37. (2018): 103–18. |
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| Huxley, David. Lone Heroes and the Myth of the American West in Comic Books, 1945–1962. Palgrave Studies in Comics and Graphic Novels. Cham: Palgrave Pivot, 2018. |
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| de la Iglesia, Martin. "Has Akira Always Been a Cyberpunk Comic?." Arts 7. 3 2018. Accessed 11 Nov. 2018. <https://www.mdpi.com/2076-0752/7/3/32>. |
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| Iida, Sumiko and Yuki Takeyama. "A brief history of Japanese popular culture in Japanese language education: Using ‘manga’ in the classroom." East Asian Journal of Popular Culture 4. (2018): 153–69. |
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| Imura, Taeko. "A portrait of Japanese popular culture fans who study Japanese at an Australian university: Motivation and activities beyond the classroom." East Asian Journal of Popular Culture 4. (2018): 171–88. |
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| Inge, M. Thomas. "The American Sense of Humor." International Journal of Comic Art 20. (2018): 505–09. |
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| Jaworski, Claudia. "Kein Ausweg aus der Mi-ser(i)e! Das endlose erzählen einer endlichkeit in the walking dead (2010)." Medienobservationen 2018. Accessed 10 Sept. 2018. <https://www.medienobser ... he%20walking%20dead.pdf>. |
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| Jeffries, Dru H. "Four-colour Kubrick: Jack kirby’s 2001: a space odyssey as adaptation and extension." Understanding Kubrick's 2001: A Space Odyssey. Representation and Interpretation. Ed. James Fenwick. Bristol, Chicago: Intellect Books, 2018. 45–58. |
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