| Burke, Liam. "A bigger universe: Marvel studios and transmedia storytelling." Assembling the Marvel Cinematic Universe. Essays on the Social, Cultural and Geopolitical Domains. Eds. Julian C. Chambliss, William Svitavsky and Daniel Fandino. Jefferson: McFarland, 2018. 32–51. |
 
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| Busi Rizzi, Giorgio. "Last Stop: This Town: Sameness, suburbs and spectrality in daniel clowes’s ghost world." Between 8. 15 2018. Accessed 6 Sept. 2018. <http://ojs.unica.it/ind ... tween/article/view/3239>. |
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| Busi Rizzi, Giorgio. "Portrait of the Artist as a Nostalgic: Seth’s it’s a good life if you don’t weaken." Comics Memory. Archives and Styles. Eds. Maaheen Ahmed and Benoît Crucifix. Palgrave Studies in Comics and Graphic Novels. New York [etc.]: Palgrave Macmillan, 2018. 15–36. |
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| Byrne-Smith, Dan. "Harvey Kurtzman and the Influence of Mad Magazine." The Cambridge History of the Graphic Novel. Eds. Jan Baetens, Hugo Frey and Stephen E. Tabachnick. The Cambridge Companions to Philosophy, Religion and Culture. Cambridge [etc.]: Cambridge Univ. Press, 2018. 92–106. |
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| Camden, Vera J. "‘Cartoonish lumps’: The surface appeal of alison bechdel’s are you my mother?." Journal of Graphic Novels and Comics 9. (2018): 93–111. |
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| Campbell, Eddie. The Goat-Getters: Jack johnson, the fight of the century, and how a bunch of raucous cartoonists reinvented comics. Studies in Comics and Cartoons. Columbus: Ohio State Univ. Press, 2018. |
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| Camus, Cyril. Mythe et fabulation dans la fiction fantastique et merveilleuse de Neil Gaiman. Univers anglophones. Rennes: Presses Univ. de Rennes, 2018. |
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| Candel, Daniel. "The rhythms of narrative tension and its cultural satisfaction: Frank miller’s 300." English Text Construction 11. (2018): 169–98. |
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| Capart, Philippe. "Store Memory." Comics Memory. Archives and Styles. Eds. Maaheen Ahmed and Benoît Crucifix. Palgrave Studies in Comics and Graphic Novels. New York [etc.]: Palgrave Macmillan, 2018. 277–80. |
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| Carlson, A. Cheree. "Burke in the Gutter: Dramatistic criticism of comics." ImageTexT 9. 3 2018. Accessed 27 Feb. 2018. <http://www.english.ufl. ... /archives/v9_3/carlson/>. |
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| Carlson, Bryce. "Creating the Graphic Novelization of Do Androids Dream of Electric Sheep?." The Cyberpunk Nexus. Exploring the Blade Runner Universe. Eds. Lou Tambone and Joe Bongiorno. Edwardsville: Sequart Research & Literacy Organization, 2018. 265–74. |
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| Carol, Estelle. "The Chicago Women's Graphics Collective: A memoir." Feminist Studies 44. (2018): 104–24. |
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| Carrington, André. "Desiring Blackness: A queer orientation to marvel’s black panther, 1998–2016." American Literature 90. (2018): 221–50. |
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| Cassell, Dewey. Mike Grell: Life is drawing without an eraser. Raleigh: TwoMorrows, 2018. |
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| Catsam, Derek Charles. "If You’re (Concerned About) White You’re Alt-Right: Racialized conservative responses to black panther." Africology 11. 9 2018. Accessed 9 Jun. 2022. <http://www.jpanafrican. ... 9-special-10-Catsam.pdf>. |
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| Chambliss, Julian C., William Svitavsky, and Daniel Fandino, eds. Assembling the Marvel Cinematic Universe: Essays on the social, cultural and geopolitical domains. Jefferson: McFarland, 2018. |
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| Chaney, Michael A. "Misreading with the President: Re-reading the covers of john lewis’s march." International Journal of Comic Art 20. (2018): 25–42. |
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| Chaney, Michael A. "Will Eisner and the Making of A Contract With God." The Cambridge History of the Graphic Novel. Eds. Jan Baetens, Hugo Frey and Stephen E. Tabachnick. The Cambridge Companions to Philosophy, Religion and Culture. Cambridge [etc.]: Cambridge Univ. Press, 2018. 191–202. |
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| Chappelow, Christian. "Hitler und die Moral der Geschichte: Über mizuki shigeru und seinen manga gekiga hittorâ." Geschichte im Comic. Befunde – Theorien – Erzählweisen. Ed. Bernd Dolle-Weinkauff. Berlin: Ch.A. Bachmann, 2018. 293–306. |
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| Childress, Kirby. "Abjection of the bisexual self: How haptic visuality brings internalized biphobia to screen in collard’s les nuits fauves and kechiche’s la vie d’adèle." Queer Studies in Media & Popular Culture 3. (2018): 335–45. |
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| Chivington, Lauren Elyse. "The Girl, the Man, and the Maus: Holocaust narratives in controversial media." International Journal of Comic Art 20. (2018): 615–48. |
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| Choi, Jinhee. "Webtoons to promote critical thinking in neo-liberal South Korea: A thematic analysis of awl social justice themes." East Asian Journal of Popular Culture 3. (2018): 111–27. |
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| Christopher, Brandon. "Rethinking Comics and Visuality, from the Audio Daredevil to Philipp Meyer's Life." Disability Studies Quarterly 38. 3 2018. Accessed 17 May. 2019. <http://dsq-sds.org/article/view/6477>. |
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| Chute, Hillary. "Feminist Graphic Art." Feminist Studies 44. (2018): 153–70. |
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| Cicci, Matthew. "The Invasion of Loki’s Army? Comics cultures increasing awareness of female fans." The Routledge Companion to Media Fandom. Eds. Melissa A. Click and Suzanne Scott. London, New York: Routledge, 2018. 193–201. |
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| Clark, Daniel D. "Manga's Christian Other in Naoki Urasawa’s 20th Century Boys and Suu Minazuki’s Judas." International Journal of Comic Art 20. (2018): 598–614. |
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| Clarke, M. J. "Fluidity of figure and space in Osamu Tezuka’s Ode to Kirihito." Journal of Graphic Novels and Comics 9. (2018): 23–48. |
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| Clopton, Kay K. "Ha-Fuun and Other Sounds of Enjoyment: How giongo and gitaigo shift from entertainment to lived experience in insufficient direction." International Journal of Comic Art 20. (2018): 563–74. |
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| Cohn, Neil. "Visual Language Theory and the Scientific Study of Comic." Empirical Comics Research. Digital Multimodal and Cognitive Methods. Eds. Alexander Dunst, Jochen Laubrock and Janina Wildfeuer. Routledge Advances in Comics Studies. London, New York: Routledge, 2018. 305–28. |
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| Cointot, Chantal. "Approximate Author-ity: Self-crafting “le bec” and other trondheimian masks." Image [&] Narrative 19. 3 2018. Accessed 21 Feb. 2019. <http://www.imageandnarr ... ative/article/view/1939>. |
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| Collver, Jordan and Emma Weitkamp. "Alter egos: An exploration of the perspectives and identities of science comic creators." Journal of Science Communication 17. 1 2018. Accessed 25 Jan. 2018. <https://jcom.sissa.it/s ... /JCOM_1701_2018_A01.pdf>. |
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| Connerty, Michael. "Selective Memory: Art history and the comic strip work of jack b. yeats." Comics Memory. Archives and Styles. Eds. Maaheen Ahmed and Benoît Crucifix. Palgrave Studies in Comics and Graphic Novels. New York [etc.]: Palgrave Macmillan, 2018. 231–48. |
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| Coody, Elizabeth Rae. "The Ending of Mark as a Page-Turn Reveal." Comics and Sacred Texts. Reimagining Religion and Graphic Narratives. Eds. Assaf Gamzou and Ken Koltun-Fromm. Jackson: Univ. Press of Mississippi, 2018. 98–112. |
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| Coogan, Peter. "Wonder Woman: superheroine, not superhero." Journal of Graphic Novels and Comics 9. (2018): 566–80. |
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| Cook, Mike P. and Brandon L. Sams. "A Different Kind of Sponsorship: The influence of graphic narrative composing on ela pre-service teachers’ perceptions of writing and literacy instruction." Journal of Language and Literacy Education 14. 1 2018. Accessed 26 Apr. 2018. <http://jolle.coe.uga.ed ... 8/04/Cook_JoLLE2018.pdf>. |
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| Cordeiro, William and Season Ellison. "Performative Texts and the Pedagogical Theatre: Alison bechdel’s fun home as compositional model." Teaching Graphic Novels in the English Classroom. Pedagogical Possibilities of Multimodal Literacy Engagement. Ed. Alissa Burger. New York [etc.]: Palgrave Macmillan, 2018. 167–86. |
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| Cornell, Carl. "Past into future: The “rewriting” of angoulême’s identity." Contemporary French Civilization 43. (2018): 185–211. |
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| Cornet, Florencia V. "Afro-Caribbean Reflections on the Film Black Panther: Imagining superheroes in the nation-building process of curaçao." Africology 11. 9 2018. Accessed 9 Jun. 2022. <http://www.jpanafrican. ... .9-special-6-Cornet.pdf>. |
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| Costello, Brannon. "The Novel and the Graphic Novel." The Cambridge History of the Graphic Novel. Eds. Jan Baetens, Hugo Frey and Stephen E. Tabachnick. The Cambridge Companions to Philosophy, Religion and Culture. Cambridge [etc.]: Cambridge Univ. Press, 2018. 558–73. |
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| Couser, Thomas G. "Is There a Body in This Text? Embodiment in graphic somatography." a/b: Auto/Biography Studies 33. (2018): 347–73. |
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| Crawshaw, Trisha L. "Truth, Justice, Boobs: Gender in comic book culture." Gender and the Media. Women’s Places. Eds. Marcia Texler Segal and Vasilikie Demos. Advances in Gender Research. Bingley: Emerald, 2018. 89–103. |
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| Cressman, Jodi. "Company, counterbalance, and closure in Ellen Forney’s Marbles." Journal of Graphic Novels and Comics (2018): 1–14. |
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| Crucifix, Benoît. "Comic strips et papier glacé: Rétro-réflexivité et pseudo-sérialité dans little tommy lost." Recherches en communication (2018): 21–36. |
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| Crucifix, Benoît. "From loose to boxed fragments and back again: Seriality and archive in chris ware’s building stories." Journal of Graphic Novels and Comics 9. (2018): 3–22. |
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| Crucifix, Benoît and Björn-Olav Dozo. "E-Graphic Novels." The Cambridge History of the Graphic Novel. Eds. Jan Baetens, Hugo Frey and Stephen E. Tabachnick. The Cambridge Companions to Philosophy, Religion and Culture. Cambridge [etc.]: Cambridge Univ. Press, 2018. 574–90. |
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| Curtis, Neal and Valentina Cardo. "Superheroes and third-wave feminism." Feminist Media Studies 18. (2018): 381–96. |
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| Cutter, Martha J. and Cathy J. Schlund-Vials, eds. Redrawing the Historical Past: History, memory, and multiethnic graphic novels. Athens: Univ. of Georgia Press, 2018. |
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| D’Agostino, Anthony Michael. "“Flesh-to-Flesh Contact”: Marvel comics’ rogue and the queer feminist imagination." American Literature 90. (2018): 251–81. |
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| Daenen, Roel. "The Tremendous Treasure: The curious problem of preserving belgian comic heritage." Comics Memory. Archives and Styles. Eds. Maaheen Ahmed and Benoît Crucifix. Palgrave Studies in Comics and Graphic Novels. New York [etc.]: Palgrave Macmillan, 2018. 259–65. |
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| Dallacqua, Ashley Kaye. "“When I write, I picture it in my head”: Graphic narratives as inspiration for multimodal compositions." Language Arts 95. (2018): 273–86. |
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| Dallas, Keith and John Wells. Comic Book Implosion: An oral history of dc comics circa 1978. Raleigh: TwoMorrows, 2018. |
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| Dallmann, Christine, et al. Comics: interdisziplinäre perspektiven aus theorie und praxis auf ein stiefkind der medienpädagogik[u]. München: kopaed, 2018. |
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| Dantzler, Perry. "Multiliteracies of the MCU: Continuity literacy and the sophisticated reader(s) of superheroes media." Assembling the Marvel Cinematic Universe. Essays on the Social, Cultural and Geopolitical Domains. Eds. Julian C. Chambliss, William Svitavsky and Daniel Fandino. Jefferson: McFarland, 2018. 14–31. |
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| Dar, Jehanzeb. "Holy Islamophobia, Batman! Demonization of muslims and arabs in mainstream american comic books." Islam and Popular Culture. Ed. Anna Piela. Vol. 4. Critical Concepts in Sociology. London, New York: Routledge, 2018. |
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| Darilek, Marion. "Gezeichnete Tiere: Transfers und transformationen von erzählmustern und wissensbeständen aus tierepos und fabel in benjamin renners fuchs-comic le grand méchant renard." Literaturwissenschaftliches Jahrbuch 59. (2018): 257–88. |
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| Darius, Julian. "On the Marvel Comic-Book Adaptation of Blade Runner." The Cyberpunk Nexus. Exploring the Blade Runner Universe. Eds. Lou Tambone and Joe Bongiorno. Edwardsville: Sequart Research & Literacy Organization, 2018. 250–64. |
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| Davis, Blair. Comic Book Movies. Quick Takes: Movies and Popular Culture. New Brunswick: Rutgers Univ. Press, 2018. |
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| Davis, Blair. "From the Streets to the Swamp: Luke cage, man-thing, and the 1970s class issues of marvel comics." Working-Class Comic Book Heroes. Class Conflict and Populist Politics in Comics. Ed. Marc DiPaolo. Jackson: Univ. Press of Mississippi, 2018. 149–68. |
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| Davis, Julie and Robert Westerfelhaus. "Finding a Place for a Muslimah Heroine in the Post-9/11 Marvel Universe: new x-men’s dust." Islam and Popular Culture. Ed. Anna Piela. Vol. 4. Critical Concepts in Sociology. London, New York: Routledge, 2018. |
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| De Dauw, Esther. "Homonormativity in Marvel’s Young Avengers: Wiccan and hulkling’s gender performance." Journal of Graphic Novels and Comics 9. (2018): 61–74. |
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| De Dauw, Esther. "Homonormativity in Marvel’s Young Avengers: Wiccan and hulkling’s gender performance." Journal of Graphic Novels and Comics 9. (2018): 61–74. |
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| Dean, Zachary Michael Lewis. "Only a Chilling Elegy: An examination of white bodies, colonialism, fascism, genocide, and racism in dragon ball." Comics Studies Here and Now. Ed. Frederick Luis Aldama. Routledge Advances in Comics Studies. London: Routledge, 2018. 267–80. |
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| DeRoss, Jennifer. "Countering the Gaze: The liberatory potential of bitch planet’s exploitation aesthetic." The Middle Spaces 2018. Accessed 5 Sept. 2020. <https://themiddlespaces ... 08/countering-the-gaze/>. |
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| DeRoss, Jennifer. "Not Gay Enough So You’d Notice: Poaching fuffy." Slayage 16. 2 2018. Accessed 3 Feb. 2019. <http://www.whedonstudie ... ross_-_slayage_16.2.pdf>. |
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| Diamond, Aidan Dubhain. "‘I pledge you!’: Disability, monstrosity and sacrifice in wytches." Studies in Comics 8. (2018): 171–86. |
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| DiPaolo, Marc, ed. Working-Class Comic Book Heroes: Class conflict and populist politics in comics. Jackson: Univ. Press of Mississippi, 2018. |
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| DiPaolo, Marc. "Cultivating Empathy: The subversive potential of populist comic books." Working-Class Comic Book Heroes. Class Conflict and Populist Politics in Comics. Ed. Marc DiPaolo. Jackson: Univ. Press of Mississippi, 2018. 3–46. |
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| Dolle-Weinkauff, Bernd, ed. Geschichte im Comic: Befunde – theorien – erzählweisen. Berlin: Ch.A. Bachmann, 2018. |
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| Dolle-Weinkauff, Bernd. "What Are »Historical Comics«? : On historical storytelling in comics, manga and graphic novels." Geschichte im Comic. Befunde – Theorien – Erzählweisen. Ed. Bernd Dolle-Weinkauff. Berlin: Ch.A. Bachmann, 2018. 11–28. |
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| Donahue, James J. "From the Inner City to the Interstellar: Brian k. vaughan’s comix after 9/11." Comics Studies Here and Now. Ed. Frederick Luis Aldama. Routledge Advances in Comics Studies. London: Routledge, 2018. 281–97. |
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| Dorfman, Ariel. "How we roasted Donald Duck, Disney’s agent of imperialism." The Guardian 5 Oct 2018. |
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| Dozier, Ayanna. "Wayward Travels: Racial uplift, black women, and the pursuit of love and travel in torchy in heartbeats by jackie ormes." Feminist Media Histories 4. (2018): 12–29. |
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| Duncan, Randy and Matthew J. Smith. "From an Informed Fan Culture to an Academic Field." The Cambridge History of the Graphic Novel. Eds. Jan Baetens, Hugo Frey and Stephen E. Tabachnick. The Cambridge Companions to Philosophy, Religion and Culture. Cambridge [etc.]: Cambridge Univ. Press, 2018. 370–86. |
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| Dunst, Alexander and Rita Hartel. "The Quantitative Analysis of Comics: Towards a visual stylometry of graphic narrative." Empirical Comics Research. Digital Multimodal and Cognitive Methods. Eds. Alexander Dunst, Jochen Laubrock and Janina Wildfeuer. Routledge Advances in Comics Studies. London, New York: Routledge, 2018. 43–61. |
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| Dunst, Alexander, Jochen Laubrock, and Janina Wildfeuer, eds. Empirical Comics Research: Digital, multimodal, and cognitive methods. Routledge Advances in Comics Studies. London, New York: Routledge, 2018. |
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| Dunst, Alexander, Jochen Laubrock, and Janina Wildfeuer. "Comics and Empirical Research: An introduction." Empirical Comics Research. Digital Multimodal and Cognitive Methods. Eds. Alexander Dunst, Jochen Laubrock and Janina Wildfeuer. Routledge Advances in Comics Studies. London, New York: Routledge, 2018. 1–24. |
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| Dushane, Allison. "We3 and the Violence of Sentimentality." Superheroes and Critical Animal Studies. The Heroic Beasts of Total Liberation. Eds. Sean Parson and J. L. Schatz. Lanham [etc.]: Lexington, 2018. 83–94. |
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| Earle, Harriet E. H. "A new face for an old fight: Reimagining vietnam in vietnamese-american graphic memoirs." Studies in Comics 9. (2018): 87–105. |
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| Earle, Harriet E. H. "“The Sky Is Darkened by Gods”: Spirituality, strength, and violence in gene luen yang’s boxers and saints." Cultures of War in Graphic Novels. Violence, Trauma, and Memory. Eds. Tatiana Prorokova and Nimrod Tal. New Brunswick: Rutgers Univ. Press, 2018. 75–90. |
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| Eccleston, Sasha-Mae. "Enemies, Foreign and Domestic: Villainy and terrorism in thor." Assembling the Marvel Cinematic Universe. Essays on the Social, Cultural and Geopolitical Domains. Eds. Julian C. Chambliss, William Svitavsky and Daniel Fandino. Jefferson: McFarland, 2018. 168–84. |
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| Eckard, Sandra, ed. Comic Connections: Reflecting on women in popular culture. Lanham [etc.]: Rowman & Littlefield, 2018. |
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| Eder, Barbara. "Weltverlorenheit: Metaphysische (re-)volte und gnostisches exil in graphic novels." Weltentwürfe im Comic/film. Mensch, Gesellschaft, Religion. Eds. Theresia Heimerl and Christian Wessely. Religion, Film und Medien. Marburg: Schüren, 2018. 136–59. |
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| Eedy, Sean. "Four colour anti-fascism: Postwar narratives and the obfuscation of the holocaust in east german comics." Journal of Modern Jewish studies 17. (2018): 24–35. |
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| Egger, Bettina. "Archives and Oral History in Emmanuel Guibert’s Le Photographe." Comics Memory. Archives and Styles. Eds. Maaheen Ahmed and Benoît Crucifix. Palgrave Studies in Comics and Graphic Novels. New York [etc.]: Palgrave Macmillan, 2018. 59–78. |
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| Elliot, Scott S. "Transrendering Biblical Bodies: Reading sex in the action bible and genesis illustrated." Comics and Sacred Texts. Reimagining Religion and Graphic Narratives. Eds. Assaf Gamzou and Ken Koltun-Fromm. Jackson: Univ. Press of Mississippi, 2018. 132–48. |
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| Endres , Johannes. "Totemismus und Gesellschaft: Eisenstein über disney." Scientia Poetica 22. (2018): 83–110. |
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| Escamilla, Mario. "Earth to Earth: The boom! comics." The Cyberpunk Nexus. Exploring the Blade Runner Universe. Eds. Lou Tambone and Joe Bongiorno. Edwardsville: Sequart Research & Literacy Organization, 2018. 275–85. |
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| Estelmann, Frank. "Du weißt nichts, Jacques Tardi: Phantasmagorien des ersten weltkriegs im französischen gegenwartscomic." Geschichte im Comic. Befunde – Theorien – Erzählweisen. Ed. Bernd Dolle-Weinkauff. Berlin: Ch.A. Bachmann, 2018. 275–92. |
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| Etter, Lukas and Jan-Noël Thon. "Erzählen im Comic." Grundthemen der Literaturwissenschaft: Erzählen. Eds. Martin Huber and Wolf Schmid. Grundthemen der Literaturwissenschaft. Berlin, Boston: De Gruyter, 2018. 485–98. |
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| Evans, Matt. "Cyborgs, Compendium Species, and the General Will: The deeply constitutive relationship between bats and batman." Superheroes and Critical Animal Studies. The Heroic Beasts of Total Liberation. Eds. Sean Parson and J. L. Schatz. Lanham [etc.]: Lexington, 2018. 135–50. |
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| Falardeau, Mira. A History of Women Cartoonists. Oakville: Mosaic, 2018. |
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| Fazio, Michele. "Past Lives: Memory and the meaning of work in the walking dead." Working-Class Comic Book Heroes. Class Conflict and Populist Politics in Comics. Ed. Marc DiPaolo. Jackson: Univ. Press of Mississippi, 2018. 49–80. |
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| Feil, Franca. "Kawaii Snow White and an Umbrella Called “Dornröschen”: Manga adaptations of grimms’ fairy tales." International Journal of Comic Art 20. (2018): 98–117. |
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| Femers-Koch, Susanne. "Comic strips für eine ernste Sache? Spielerischer umgang mit text und bild in der wirtschaftskommunikation." Textspiele in der Wirtschaftskommunikation. Texte und Sprache zwischen Normierung und Abweichung. Eds. Susanne Femers-Koch and Stefanie Molthagen-Schnöring. Wiesbaden: Springer VS, 2018. 147–83. |
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| Fink, Moritz. "Of Maus and Gen: Author avatars in nonfiction comics." International Journal of Comic Art 20. (2018): 267–96. |
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| Forni, Kathleen. Beowulf’s Popular Afterlife in Literature, Comic Books, and Film. Routledge Studies in Medieval Literature and Culture. London, New York: Routledge, 2018. |
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| Forry, Diana. "Belonging: The struggle of two worlds and identity." Africology 11. 9 2018. Accessed 9 Jun. 2022. <http://www.jpanafrican. ... .9-special-17-Forry.pdf>. |
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| Frahm, Ole. "Mickey und der Golem: Reflexionen des holocaust im comic." Darstellen, Vermitteln, Aneignen. Gegenwärtige Reflexionen des Holocaust. Eds. Bettina Bannasch and Hans-Joachim Hahn. Poetik, Exegese und Narrative. Göttingen: V&R unipress, 2018. 215–56. |
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| Last edited by: joachim 09/01/2024, 12:21 |
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