| Groux, Francis. "Les Tsiganes dans la bande dessinée." Études Tsiganes (2016): 24–79. |
 
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| Grünewald, Dietrich. "Beiwerk oder Basis? Anmerkungen zu illustration und bildgeschichte." Philete (2016). |
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| Grünewald, Dietrich. "Freundesgabe: Friedrich Schillers »Aventuren des neuen Telemachs«." Deutsche Comicforschung 12. (2016): 19–34. |
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| Grünewald, Dietrich, ed. Visuelle Satire: Deutschland im spiegel politisch-satirischer karikaturen und bildergeschichten. Kulturlandschaft Schaumburg. Berlin: Ch.A. Bachmann, 2016. |
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| Grünewald, Dietrich. "Bilderbogen." Kinder- und Jugendliteratur. Ein Lexikon. Eds. Kurt Franz, Günter Lange and Franz-Josef Payrhuber. Meitingen: Corian, 2016. 1–39. |
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| Grünewald, Dietrich. "»Dieses Kupfer stellet dar …«: Geschichte der auf der insul brolingsbrogh errichteten kolonie. eine bildgeschichte des jugendlichen christian august vulpius aus dem jahr 1777." Sprechende Bilder – Besprochene Bilder. Bild, Begriff und Sprachhandeln in der deiktisch-imaginativen Verständigungspraxis. Eds. Alexander Glas, et al. IMAGO. Kunst.Pädagogik.Didaktik. München: kopaed, 2016. 441–62. |
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| Guglielmi, Marina. "«L’orrore di quel volto» da Frankenstein a Duckenstein." Between 6. 12 2016. Accessed 16 Jun. 2017. <http://ojs.unica.it/ind ... tween/article/view/2537>. |
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| Guillaume, Isabelle. "Women W.a.R.P.ing Gender in Comics: Wendy pini’s elfquest as mixed power fantasy." Revue de recherche en civilisation américaine 6 2016. Accessed 3 Mar. 2020. <http://journals.openedition.org/rrca/755>. |
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| Gutiérrez G-H, Julio. "M, John J. Muth’s Adaptation of Lang’s Film: An inference bridge from film to comic." Framescapes. Graphic Narrative Intertexts. Eds. Mikhail Peppas and Sanabelle Ebrahim. Oxford: Inter-Disciplinary Pr. 2016. 63–71. |
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| Gwynne, Joel. "Warrior of Love: Japanese girlhood’s postfeminist asian body in cutie honey (hideaki anno, 2004)." International Cinema and the Girl. Local Issues, Transnational Contexts. Eds. Fiona Handyside and Kate Taylor-Jones. Global Cinema. New York [etc.]: Palgrave Macmillan, 2016. 49–60. |
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| Haddad, Vincent. "Chris Ware’s Building Stories as Deleuzian Fabulation, or How and Why to Read Comics Affectively." ImageTexT 8. 4 2016. Accessed 20 Feb. 2017. <http://www.english.ufl. ... t/archives/v8_4/haddad/>. |
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| Hahne, Kathrin. «Bande dessinée» als Experiment: Dekonstruktion als kompositionsprinzip bei marc-antoine mathieu. Romania Viva. Frankfurt am Main [etc.]: Peter Lang, 2016. |
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| Hall, James C. "“Say ‘Shit’ Chester”: Language, alienation, and the aesthetic in chester brown’s i never liked you: a comic-strip narrative." Canadian Graphic. Picturing Life Narratives. Eds. Candida Rifkind and Linda Warley. Waterloo: Wilfrid Laurier Univ. Press, 2016. 99–126. |
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| Hamann, Volker, ed. Fix & Foxi: Rolf kaukas großer welterfolg. Barmstedt: Edition Alfons, 2016. |
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| Hambro, Matt. "German Comics: Form, content and production." Novel Perspectives on German-Language Comics Studies. History, Pedagogy, Theory. Ed. Lynn Marie Kutch. Lanham [etc.]: Rowman & Littlefield, 2016. 19–36. |
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| Hameter, Wolfgang. "Antikenbezug bei ausgewählten Superheldencomics von Alan Moore." Historische Sozialkunde (2016): 20–25. |
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| Handley, Rich. Watching Time: The unauthorized watchmen chronology. New York: Hasslein, 2016. |
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| Hanegraaff, Wouter J. "Alan Moore’s Promethea: Countercultural gnosis and the end of the world." Gnosis 1. (2016): 234–58. |
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| Harbeck, Matthias and Michael Franke-Maier. "Superman = Persepolis = Naruto? Herausforderungen und probleme der formalen und inhaltlichen vielfalt von comics und comicforschung für die regensburger verbundklassifikation." o-bib 3. 4 2016. Accessed 10 Jan. 2017. <https://www.o-bib.de/article/view/2016H4S186-201>. |
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| Harbi, Amine. "‘He isn’t an animal, he isn’t a human; he is just different’: Exploring the medium of comics in empowering children’s critical thinking." Journal of Graphic Novels and Comics 7. (2016): 431–44. |
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| Harnett, John. "Shelley’s Progeny: Using the comic to re-animate frankenstein’s vision." Sequential Art. Interdisciplinary Approaches to the Graphic Novel. Eds. Kathrin Muschalik and Florian Fiddrich. Oxford: Inter-Disciplinary Pr. 2016. 11–21. |
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| Harnett, John. "Framing the Subconscious: Envisioning the polysemic narrative of the graphic novel as a reference point for psychoanalytical and semiotic discourse." Framescapes. Graphic Narrative Intertexts. Eds. Mikhail Peppas and Sanabelle Ebrahim. Oxford: Inter-Disciplinary Pr. 2016. 73–83. |
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| Harrison, Richard. "Seeing and Nothingness: Michael nicoll yahgulanaas, haida manga, and a critique of the gutter." Canadian Review of Comparative Literature / Revue Canadienne de Littérature Comparée 43. (2016): 51–74. |
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| Harvey, Robert C. "Outcault, Goddard, the Comics, and the Yellow Kid." The Comics Journal 2016. Accessed 24 Mar. 2022. <https://www.tcj.com/out ... ics-and-the-yellow-kid/>. |
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| Hassler-Forest, Dan A. Science Fiction, Fantasy, and Politics: Transmedia world-building beyond capitalism. Radical Cultural Studies. London: Rowman and Littlefield International, 2016. |
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| Heinrich, Karen. "Kostümwechsel: Weibliche rollendarstellungen im cosplay." Japanische Populärkultur und Gender. Ein Studienbuch. Eds. Michiko Mae, Elisabeth Scherer and Katharina Hülsmann. Geschlecht und Gesellschaft. Wiesbaden: Springer VS, 2016. 237–72. |
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| Held, Jacob M., ed. Wonder Woman and Philosophy: The amazonian mystique. Chichester: Wiley-Blackwell, 2016. |
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| Held, Jacob M. "Wonder Woman, Worship, and Gods Almighty: Purpose in submission to loving authority." Wonder Woman and Philosophy. The Amazonian Mystique. Ed. Jacob M. Held. Chichester: Wiley-Blackwell, 2016. |
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| Henzi, Sarah. "“A Necessary Antidote”: Graphic novels, comics, and indigenous writing." Canadian Review of Comparative Literature / Revue Canadienne de Littérature Comparée 43. (2016): 23–38. |
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| Hescher, Achim. Reading Graphic Novels: Genre and narration. Narratologia. Berlin: de Gruyter, 2016. |
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| Hicks, Olivia and Julia Round. "‘WWWWD: What would Wonder Woman do?’: An interview with trina robbins." Studies in Comics 7. (2016): 288–300. |
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| Hietalahti, Jarno, et al. "Insults, humour and freedom of speech." French Cultural Studies 27. (2016): 245–55. |
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| Hill, Mark C. "Alternative Masculine Performances in American Comics: Brian k. vaughan and pia guerra’s y: the last man." Studies in Popular Culture 38. (2016): 79–98. |
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| Hoberek, Andrew. "“But—what can anyone do about it?”: Modernism, superheroes, and the unfinished business of the common good." Journal of Modern Literature 39. (2016): 115–25. |
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| Holbo, John. "Caricature and Comics." The Routledge Companion to Comics. Eds. Frank Bramlett, Roy T. Cook and Aaron Meskin. London, New York: Routledge, 2016. 367–79. |
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| Holden, Philip. "“Is it manipulative? Sure. But that’s how you tell stories”: The graphic novel, metahistory and the artist in the art of charlie chan hock chye." Journal of Postcolonial Writing 52. (2016): 510–23. |
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| Hollis-Touré, Isabel. "The multidirectional memory of Charlie Hebdo." French Cultural Studies 27. (2016): 293–302. |
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| Hörner, Fernand. "Beflügelte Fantasie: Asterix, die unbeugsamen gallier und der widerstandsmythos." Inflation der Mythen? Zur Vernetzung und Stabilität eines modernen Phänomens. Eds. Stephanie Wodianka and Juliane Ebert. Bielefeld: Transcript, 2016. 163–94. |
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| Horstkotte, Silke and Nancy Pedri. "The Body at Work: Subjectivity in graphic memoir." Subjectivity across Media. 2016. 77–91. |
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| Howell, Jennifer. "Comics and the Demystification of France’s Immigration ‘Problem’: Reading christophe dabitch’s immigrants." Modern & Contemporary France 24. (2016): 15–34. |
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| Huard, Pierre. La parodie dans la bande dessinée franco-belge: Critique ou esthétisme? Culture et publics. Québec: Presses de l’Univ. du Québec, 2016. |
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| Huh, Jang Wook. "Josephine Baker Meets a Korean Housewife: Narrative cartoons, women’s labor, and the circulation of modern fetish." Literature Compass 13. 5 2016. Accessed 14 Jun. 2019. <https://onlinelibrary.w ... /abs/10.1111/lic3.12311>. |
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| Hülsmann, Katharina. "Jenseits von Dichotomien: Diversifikation von männlichkeitskonstruktionen in boy’s-love-dōjinshi." Japanische Populärkultur und Gender. Ein Studienbuch. Eds. Michiko Mae, Elisabeth Scherer and Katharina Hülsmann. Geschlecht und Gesellschaft. Wiesbaden: Springer VS, 2016. 179–206. |
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| de la Iglesia, Martin. "The Task of Manga Translation: akira in the west." The Comics Grid 6. 1 2016. Accessed 23 Jan. 2016. <http://www.comicsgrid.com/articles/10.16995/cg.59/>. |
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| Imperatore, Lynn. "See for yourself: Drawing (out) the interiors of vision." Drawing 1. (2016): 37–57. |
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| Ingvarsson, Jonas. "Comics and the Avant-Garde." A Cultural History of the Avant-Garde in the Nordic Countries 1950–1975. Eds. Tania Ørum and Jesper Olsson. Leiden: Brill, 2016. 380–82. |
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| Jacobs, Dale. "“Piece it all together and it’s barely a quarter of the puzzle”: Design, arthrology, and transtextuality in seth’s it’s a good life if you don’t weaken." Journal of Comics and Culture 1. (2016): 1–24. |
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| Jacobs, Dale and Greg Paziuk. "The Chance of Life: Jeff lemire’s essex county trilogy, canadian identity, and the mythos of hockey." Canadian Review of Comparative Literature / Revue Canadienne de Littérature Comparée 43. (2016): 75–86. |
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| Jakli, Timon. "Wenn der Zeichner sich selbst zeichnet: Selbstreferentialität in graphic novels." Zwischen Kanon und Unterhaltung. Interkulturelle und intermediale Aspekte von hoher und niederer Literatur. Between Canon and Entertainment. Intercultural and Intermedial Aspects of Highbrow and Lowbrow Literature. Eds. Annie Bourguignon, Konrad Harrer and Franz Hintereder-Emde. Berlin: Frank & Timme, 2016. 71–88. |
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| Jansen, Henning. "Masks, muscles and monkeys: Feindbilder von deutschen und japanern in den fawcett comics während des zweiten weltkriegs." Closure 3 2016. Accessed 1 Jan. 2017. <http://www.closure.uni-kiel.de/closure3/jansen>. |
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| Jeffery, Scott. The Posthuman Body in Superhero Comics: Human, superhuman, transhuman, post/human. Palgrave Studies in Comics and Graphic Novels. New York [etc.]: Palgrave Macmillan, 2016. |
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| Jeffries, Dru H. "This looks like a blowjob for Superman: Servicing fanboys with superhero porn parodies." Porn Studies 3. (2016): 276–94. |
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| Jenkins, Henry, et al. "Superpowers to the People! How young activists are tapping the civic imagination." Civic Media. Technology, Design, Practice. Eds. Eric Gordon and Paul Mihailidis. Cambridge, London: MIT Press, 2016. 295–319. |
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| Jiménez, Laura M. and Carla K. Meyer. "First Impressions Matter: Navigating graphic novels utilizing linguistic, visual, and spatial resources." Journal of Literacy Research 48. (2016): 423–47. |
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| Johnson, Sara Raup. "Xerxes, Lost City in the Desert: Classical allusions in fullmetal alchemist." Son of Classics and Comics. Eds. George Kovacs and C. W. Marshall. Classical Presences. New York: Oxford Univ. Press, 2016. 95–110. |
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| Added by: joachim 21/06/2020, 02:00 |
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| Johnston, Phillip. "Wordless! Music for Comics and Graphic Novels Turns Time Into Space (and back again)." Southerly 76. (2016): 96–110. |
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| Johnston, Patrick James. "Working with Comics: Labour, neoliberalism and alternative cartooning." PhD Thesis. University of Sussex, 2016. |
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| Jones, Norma. "The Popular Culture Studies Journal Interview with RANDY DUNCAN." Popular Culture Studies Journal 4. (2016): 290–97. |
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| Jones, Stephanie and James F. Woglom. "From Where Do You Read the World? A graphica expansion of literacies for teacher education." Journal of Adolescent & Adult Literacy 59. (2016): 443–73. |
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| Jones, Stephanie and James F. Woglom. On Mutant Pedagogies: Seeking justice and drawing change in teacher education. Doing Arts Thinking. Rotterdam [etc.]: Sense, 2016. |
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| Jozwiak, Alan. "Template for Tomorrow: the fantastic four lee/kirby partnership that birthed the marvel age of comics and, ultimately, the marvel universe." Popular Culture Studies Journal 4. (2016): 301–39. |
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| Jungbluth, Eva. "After Alice: Wonderland’s autonomy in tommy kovac’s and sonny liew’s comic." ‘Tantalizing Alice’. Approaches, Concepts and Case-Studies in Adaptations of a Classic. Eds. Sissy Helff and Nadia Butt. ELCH - Studies in English Literary and Cultural History. Trier: Wissenschaftlicher Verlag Trier, 2016. 155–80. |
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| Juricevic, Igor and Alicia Joleen Horvath. "Analysis of Motions in Comic Book Cover Art: Using pictorial metaphors." The Comics Grid 6. 6 2016. Accessed 14 Jun. 2016. <http://doi.org/10.16995/cg.71>. |
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| Kager, Andrea. "Aufbruch ohne Ankunft - Persepolis, Vincent Paronnaud, Marjane Satrapi, F 2007." Cinépassion – The Sequel. Eine psychoanalytische Filmrevue. Eds. Yvonne Frenzel Ganz and Markus Fäh. 1st ed. Gießen: Psychosozial-Verlag, 2016. 77–86. |
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| Kahn, Ariel. "Pursuing paradise: Jewish travel comics as feminist spiritual quests." Studies in Comics 7. (2016): 237–64. |
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| Karatsu, Rie. "Female Voice and Occidentalism in Mika Ninagawa’s Helter Skelter (2012): Adapting kyoko okazaki to the screen." Journal of Popular Culture 49. (2016): 967–83. |
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| Kartalopoulos, Bill. "Ilan Manouach: Defamiliarizing comics." World Literature Today 90. (2016): 44–47. |
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| Kartalopoulos, Bill. "International Comics: 5 Groundbreaking Publishers." World Literature Today 90. (2016): 60–63. |
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| Kaus, Alaina. "A View from the Vietnamese Diaspora: Memories of warfare and refuge in gb tran’s vietnamerica." Mosaic 49. (2016): 1–19. |
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| Kendall, L. N., et al. "Iconic faces are not real faces: Enhanced emotion detection and altered neural processing as faces become more iconic." Cognitive Research 1. 1 2016. Accessed 29 Dec. 2016. <http://link.springer.co ... .1186/s41235-016-0021-8>. |
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| Kennedy, Harriet. "Sorcerers and supreme chiefs: René lévesque and pierre elliott trudeau in the bojoual le huron kébékois series." Studies in Comics 7. (2016): 73–98. |
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| Khng, Desiree L. "Philosophising gender politics in Y: The Last Man." Journal of Graphic Novels and Comics 7. (2016): 167–77. |
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| Kidder, Orion Ussner. "“Everybody’s Here”: Radical reflexivity in the metafiction of the sandman." Neil Gaiman. Ed. Joseph Michael Sommers. Critical Insights. Englewood Cliffs: Salem Pr. 2016. 146–60. |
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| King, Alyson E. "Adventurous Children: Creating a Canadian Identity in Kayak: Canada’s History Magazine for Kids™." Canadian Review of Comparative Literature / Revue Canadienne de Littérature Comparée 43. (2016): 119–36. |
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| Kirkpatrick, Ellen. "Hero-Fans and Fanboy Auteurs: Reflections and realities of superhero fans." Seeing Fans. Representations of Fandom in Media and Popular Culture. Eds. Lucy Bennett and Paul Booth. New York: Bloomsbury Academic, 2016. 127–38. |
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| Kirshenblatt, Matthew. "She Made Them in Their Image: Sebex in the universe of ody-c." Sequart Organization Magazine 2016. Accessed 29 Jun. 2020. <http://sequart.org/maga ... -the-universe-of-ody-c/>. |
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| Kiwan, Nadia. "Freedom of thought in the aftermath of the Charlie Hebdo attacks." French Cultural Studies 27. (2016): 233–44. |
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| Klaehn, Jeffery. "An interview with Chris Ryall, Chief Creative Officer and Editor-in-Chief of IDW Publishing." Journal of Graphic Novels and Comics 7. (2016): 88–92. |
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| Klaehn, Jeffery. "Talking comics with Minimum Wage creator Bob Fingerman." Journal of Graphic Novels and Comics 7. (2016): 210–19. |
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| Klaehn, Jeffery. "‘The important thing, always, is to tell a good story’: An interview with comic book creator erik larsen." Journal of Graphic Novels and Comics 7. (2016): 445–55. |
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| Klasen, Stephanie. "Von der Lust an der Last des Frau-seins: Manga-mitmachfanfiction als raum für gender-experimente?." Japanische Populärkultur und Gender. Ein Studienbuch. Eds. Michiko Mae, Elisabeth Scherer and Katharina Hülsmann. Geschlecht und Gesellschaft. Wiesbaden: Springer VS, 2016. 207–34. |
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| Klug, Brian. "In the heat of the moment: Bringing ‘je suis charlie’ into focus." French Cultural Studies 27. (2016): 223–32. |
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| Kocmarek, Ivan. "Truth, Justice, and the Canadian Way: The war-time comics of bell features publications." Canadian Review of Comparative Literature / Revue Canadienne de Littérature Comparée 43. (2016): 148–65. |
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| Kohn, Jessica. "Women Comics Authors in France and Belgium Before the 1970s: Making them invisible." Revue de recherche en civilisation américaine 6 2016. Accessed 24 Feb. 2017. <http://rrca.revues.org/725>. |
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| Köhn, Stephan. "Magical Girl als alternative Gender-Räume im Anime: Genderkonfigurationen und -konstruktionen am beispiel der fernsehserie »pretty cure«." Japanische Populärkultur und Gender. Ein Studienbuch. Eds. Michiko Mae, Elisabeth Scherer and Katharina Hülsmann. Geschlecht und Gesellschaft. Wiesbaden: Springer VS, 2016. 51–74. |
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| Kontturi, Katja. "Science fiction parody in Don Rosa’s ”Attack of the Hideous Space-Varmints”." Fafnir 3. 4 2016. Accessed 7 Jul. 2017. <http://journal.finfar.o ... hideous-space-varmints/>. |
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| Košenina, Alexander. "»Kontinuierliche Bildergeschichten«: Mit »max und moritz« überwindet wilhelm busch die grenzen von malerei und poesie." Zeitschrift für Germanistik 26. (2016): 386–402. |
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| Kovacs, George. "Mythic Totality in Age of Bronze." Son of Classics and Comics. Eds. George Kovacs and C. W. Marshall. Classical Presences. New York: Oxford Univ. Press, 2016. 33–46. |
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| Kovacs, George and C. W. Marshall, eds. Son of Classics and Comics. Classical Presences. New York: Oxford Univ. Press, 2016. |
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| Kraemer, Christine Hoff. "The Authority of the Image: Sex, religion, and the text/image conflict in craig thompson’s blankets." The Media and Religious Authority. Ed. Stewart Hoover. University Park: Penn State Univ. Press, 2016. 228–52. |
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| Kräling, Katharina. "Superhéroes: Ein bilderbuch für den spanischunterricht im spannungsfeld von komplexität und einfachheit." Einfachheit in der Kinder- und Jugendliteratur. Ein Gewinn für den Fremdsprachenunterricht. Eds. Eva Burwitz-Melzer and Emer O’Sullivan. Kinder- und Jugendliteratur im Sprachenunterricht. Wien: Praesens, 2016. 65–76. |
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| Kutch, Lynn Marie, ed. Novel Perspectives on German-Language Comics Studies: History, pedagogy, theory. Lanham [etc.]: Rowman & Littlefield, 2016. |
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