| Lavoie, Valérie. "Poétique de la prostitution: L’antiérotisme de nelly arcan et chester brown." Pop en stock 2015. Accessed 29 Nov. 2015. <http://popenstock.ca/do ... -arcan-et-chester-brown>. |
 
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| Lefèvre, Pascal. "Gatekeeping at two main Belgian comics publishers, Dupuis and Lombard, at a time of transition (in the 1980s)." Studies in Comics 6. (2015): 109–19. |
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| Leinfelder, Reinhold, Alexandra Hamann, and Jens Kirstein. "Wissenschaftliche Sachcomics: Multimodale bildsprache, partizipative wissensgenerierung und raumzeitliche gestaltungsmöglichkeiten." Haare hören – Strukturen wissen – Räume agieren. Berichte aus dem Interdisziplinären Labor »Bild Wissen Gestaltung«. Eds. Horst Bredekamp and Wolfgang Schäffner. 2015. 45–60. |
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| Lejeune, Marion. "Le dessin au scalpel: Corps ouverts et curiosités anatomiques dans l’œuvre de thomas ott." Les Langages du corps dans la bande dessinée. Eds. Isabelle Guillaume, et al. Mouvements des Savoirs. Paris: L’Harmattan, 2015. |
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| Lent, John A. Asian Comics. Jackson: Univ. Press of Mississippi, 2015. |
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| Lesage, Sylvain. "Mutation des supports, mutation des publics: La bande dessinée de la presse au livre." Belphégor 13. 1 2015. Accessed 16 May. 2016. <https://belphegor.revues.org/628>. |
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| Lettkemann, Gerd and Eckart Sackmann. "»Zip und Zap« – ein deutscher Comic im Elsass des Jahres 1930." Deutsche Comicforschung 11. (2015). |
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| Levitz, Paul. Will Eisner: Champion of the graphic novel. New York: Abrams, 2015. |
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| Levitz, Paul. "Man, Myth and Cultural Icon." Many More Lives of the Batman. Eds. Roberta E. Pearson, William Uricchio and Will Brooker. London: BFI Palgrave, 2015. 13–20. |
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| Lexe, Heidi. "Coming of Age vor dem Hintergrund der Apokalypse: Zu lukas jüligers graphic novel vakuum." kjl&m 15. (2015). |
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| Lin, Shu-Fen, et al. "Are Science Comics a Good Medium for Science Communication? The Case for Public Learning of Nanotechnology." International Journal of Science Education, Part B 5. (2015): 276–94. |
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| Lind, Stephen J. A Charlie Brown Religion: Exploring the spiritual life and work of charles m. schulz. Great Comics Artists. Jackson: Univ. Press of Mississippi, 2015. |
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| Linton, Joe and Robert Derie. "Facts in the Case of Alan Moore’s Providence: Annotations of h.p. lovecraft comics." 2015. Accessed 11 Jul. 2018. <https://factsprovidence.wordpress.com/>. |
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| Liu, Kuilan. "When the Monkey King Travels across the Pacific and Back: Reading gene luen yang’s american born chinese in china." Drawing New Color Lines. Transnational Asian American Graphic Narratives. Ed. Monica Chiu. Hong Kong: Hong Kong Univ. Press, 2015. 109–24. |
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| Lloyd, Chris. "Judge, jury and executioner: judge dredd, jaques derrida, drones." Graphic Justice. Intersections of Comics and Law. Ed. Thomas Giddens. London, New York: Routledge, 2015. 201–18. |
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| Locke, Simon. "But is it art? The tale of sequentia pannelart." Studies in Comics 6. (2015): 133–44. |
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| Lohse, Rolf. "Die Hörspieladaption von Joann Sfars Le Chat du rabbin." Comics – Übersetzungen und Adaptionen. Ed. Nathalie Mälzer. TRANSÜD. Berlin: Frank & Timme, 2015. 97–112. |
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| Lombard-Cook, Kat. "Jason Shiga’s Meanwhile and digital adaptability of non-traditional narratives in comics." Journal of Graphic Novels and Comics 6. (2015): 15–30. |
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| Lorenz, Detlef. Das Logbuch des Robinson Crusoe. Texte zur Graphischen Literatur. Barmstedt: Edition Alfons, 2015. |
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| Ludwig, Logan. Moving Panels: Translating comics to film. Edwardsville: Sequart Research & Literacy Organization, 2015. |
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| Lund, Martin. "“NY 101”: New york city according to brian wood." International Journal of Comic Art 17. (2015): 1–33. |
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| Lund, Martin. "The Mutant Problem: X-men, confirmation bias, and the methodology of comics and identity." European Journal of American Studies 10. 2 2015. Accessed 12 Oct. 2015. <https://ejas.revues.org/10890>. |
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| Lund, Martin. "‘The roaring 30s’: Style, intertextuality, space and history in marvel noir." Studies in Comics 6. (2015): 5–24. |
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| Lund, Martin. "‘X marks the spot’: Urban dystopia, slum voyeurism and failures of identity in district x." Journal of Urban Cultural Studies 2. (2015): 35–56. |
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| Lund, Martin. "“[A] matter of SAVED or LOST”: Difference, salvation, and subjection in chick tracts." Comics and Power. Representing and Questioning Culture, Subjects and Communities. Eds. Rikke Platz Cortsen, Erin La Cour and Anne Magnussen. Newcastle upon Tyne: Cambridge Scholars Publ. 2015. 173–92. |
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| MacArthur, Sian. Gothic Science Fiction: 1818 to the present. New York [etc.]: Palgrave Macmillan, 2015. |
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| Madeley, June M. "Transnational convergence culture: Grassroots and corporate convergence in the conflict over amateur english-translated manga." Journal of Graphic Novels and Comics 6. (2015): 367–81. |
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| Mafe, Diana Adesola. "“We Don’t Need Another Hero”: Agent 355 as an original black female hero in y: the last man." African American Review 48. (2015): 33–48. |
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| Magilow, Daniel and Lisa Silverman. Holocaust Representations in History: An introduction. Perspectives on the Holocaust. New York: Bloomsbury Academic, 2015. |
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| Mälzer, Nathalie, ed. Comics – Übersetzungen und Adaptionen. TRANSÜD. Berlin: Frank & Timme, 2015. |
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| Mälzer, Nathalie. "Taxonomien von Bild-Text-Beziehungen im Comic." Comics – Übersetzungen und Adaptionen. Ed. Nathalie Mälzer. TRANSÜD. Berlin: Frank & Timme, 2015. 47–64. |
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| Mälzer, Nathalie. "Vom Comicübersetzen und -adaptieren als Umcodierungsprozess komplexer Zeichengebilde: Zur einführung." Comics – Übersetzungen und Adaptionen. Ed. Nathalie Mälzer. TRANSÜD. Berlin: Frank & Timme, 2015. 11–21. |
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| Mao, Catherine. "Le corps incivil dans les 676 Apparitions de Killoffer." Les Langages du corps dans la bande dessinée. Eds. Isabelle Guillaume, et al. Mouvements des Savoirs. Paris: L’Harmattan, 2015. |
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| Marshall, Elizabeth and Leigh Gilmore. "Girlhood in the Gutter: Feminist graphic knowledge and the visualization of sexual precarity." Women's Studies Quarterly 43. (2015): 95–114. |
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| Marshall, C. W. "Jonathan Hickman’s Pax Romana and the End of Antiquity." Classical Traditions in Science Fiction. Eds. Brett M. Rogers and Benjamin Eldon Stevens. Classical Presences. New York: Oxford Univ. Press, 2015. 307–25. |
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| Maser, Verena. "Beautiful and Innocent: Female same-sex intimacy in the japanese yuri genre." Dissertation Dr. Universität Trier, 2015. |
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| Maser, Verena. "Nuclear Disasters and the Political Possibilities of Shōjo (Girls’) Manga (Comics): A case study of works by yamagishi ryōko and hagio moto." Journal of Popular Culture 48. (2015): 558–71. |
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| Matly, Michel. "Bande dessinée et transmission du sens: La nature du langage – 1." Comicalités 2015. Accessed 18 Dec. 2015. <http://comicalites.revues.org/2065>. |
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| Matly, Michel. "Dibujando la guerra civil: Representación de la guerra civil (1936–1939) en los cómics publicados desde 1976." Hispania Nova 13 2015. Accessed 12 Dec. 2019. <https://e-revistas.uc3m ... SPNOV/article/view/2397>. |
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| McKenna, Tony. Art, Literature and Culture from a Marxist Perspective. New York [etc.]: Palgrave Macmillan, 2015. |
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| McKinney, Kirsten A. "The Waking Life of Winsor McCay: Social commentary in a pilgrim’s progress by mr. bunion." International Journal of Comic Art 17. (2015): 117–30. |
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| McLelland, Mark J., et al., eds. Boys Love Manga and Beyond: History, culture, and community in japan. Jackson: Univ. Press of Mississippi, 2015. |
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| McNicol, Sarah. "Freedom to teach: Implications of the removal of persepolis from chicago schools." Journal of Graphic Novels and Comics 6. (2015): 31–41. |
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| McWilliams, Sally. "Sex in Yop City: Ivorian femininity and masculinity in abouet and oubrerie’s aya." The Blacker the Ink. Constructions of Black Identity in Comics and Sequential Art. Eds. Frances Gateward and John Jennings. New Brunswick: Rutgers Univ. Press, 2015. 45–62. |
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| Means Coleman, Robin R. and William Lafi Youman. "Graphic Remix: The lateral appropriation of black nationalism in aaron mcgruder’s the boondocks." The Blacker the Ink. Constructions of Black Identity in Comics and Sequential Art. Eds. Frances Gateward and John Jennings. New Brunswick: Rutgers Univ. Press, 2015. 117–34. |
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| Means-Shannon, Hannah. "The Joker Plays the King: Archetypes of the underworld in grant morrison and dave mckean’s arkham asylum: a serious house on serious earth." The Joker. A Serious Study of the Clown Prince of Crime. Eds. Robert Moses Peaslee and Robert G. Weiner. Jackson: Univ. Press of Mississippi, 2015. 194–208. |
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| Meehan, Eileen. "‘Holy Commodity Fetish, Batman!’: The political economy of a commercial intertext." Many More Lives of the Batman. Eds. Roberta E. Pearson, William Uricchio and Will Brooker. London: BFI Palgrave, 2015. 69–87. |
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| Mehta, Binita and Pia Mukherji, eds. Postcolonial Comics: Texts, events, identities. Routledge Research in Postcolonial Literatures. London: Routledge, 2015. |
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| Meier, Stefan. Superman transmedial: Eine pop-ikone im spannungsfeld von medienwandel und serialität. Bielefeld: Transcript, 2015. |
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| Mellette, Justin. "Serialization and Empire in Neil Gaiman’s The Sandman." Studies in the Novel 47. (2015): 319–34. |
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| Melton, J. Gordon and Alysa Hornick. The Vampire in Folklore, History, Literature, Film and Television: A comprehensive bibliography. Jefferson, London: McFarland, 2015. |
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| Méon, Jean-Matthieu. "A War Like Any Other … Or Nobler? The great war in the ec comics." European Comic Art 8. (2015): 61–82. |
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| Mergen, Torsten. "Zeitgeschichte untersuchen und kommentieren." Praxis Deutsch (2015): 46–51. |
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| Merkl, Ulrich. Dinomania: The lost art of winsor mccay, the secret origins of king kong, and the urge to destroy new york. Seattle: Fantagraphics, 2015. |
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| Meunier, Christophe. "Corpospatialité et iconotextualité dans La frontière invisible de Schuiten et Peeters." Les Langages du corps dans la bande dessinée. Eds. Isabelle Guillaume, et al. Mouvements des Savoirs. Paris: L’Harmattan, 2015. |
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| Meyhoff Brink, Dennis. "Fearing Religious Satire: Religious censorship and satirical counter-attacks." Comics and Power. Representing and Questioning Culture, Subjects and Communities. Eds. Rikke Platz Cortsen, Erin La Cour and Anne Magnussen. Newcastle upon Tyne: Cambridge Scholars Publ. 2015. 194–217. |
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| Miczo, Nathan. "Aging Superheroes: Retirement and return in kingdom come and old man logan." Aging Heroes. Growing Old in Popular Culture. Eds. Norma Jones and Bob Batchelor. Lanham [etc.]: Rowman & Littlefield, 2015. 143–55. |
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| Miers, John. "Depiction and demarcation in comics: Towards an account of the medium as a drawing practice." Studies in Comics 6. (2015): 145–56. |
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| Miettinen, Mervi. "All Men Are Not Created Equal: Identity, power, and resistance in superman: red son." Comics and Power. Representing and Questioning Culture, Subjects and Communities. Eds. Rikke Platz Cortsen, Erin La Cour and Anne Magnussen. Newcastle upon Tyne: Cambridge Scholars Publ. 2015. 285–99. |
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| Mihăilescu, Dana. "A bundle of confessions in Jewish women’s comics: Reconstructing eastern european jewish american life in liana finck’s a bintel brief." Studies in Comics 6. (2015): 271–90. |
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| Mihăilescu, Dana. "Haunting spectres of World War II memories from a transgenerational ethical perspective in Miriam Katin’s We Are on Our Own and Letting It Go." Journal of Graphic Novels and Comics 6. (2015): 154–71. |
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| Miller, Matthew L., ed. Class, Please Open Your Comics: Essays on teaching with graphic narratives. Jefferson, London: McFarland, 2015. |
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| Miodrag, Hannah. "Origins and Definitions: Arguments for a non-essentialist approach." International Journal of Comic Art 17. (2015): 45–56. |
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| Mitaine, Benoît, David Roche, and Isabelle Schmitt-Pitiot, eds. Bande dessinée et adaptation: Littérature, cinéma, tv. Littératures. Clermont-Ferrand: Presses Univ. Blaise Pascal, 2015. |
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| Mitchell, Dale. "Paradoxes and patriarchy: A legal reading of she-hulk." Griffith Law Review 24. (2015): 446–81. |
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| Mizerová, Nikola. "Eine Marginalie: Comic-Adaptionen von literarischen Texten am Beispiel von David Z. Mairowitz und Nicolas Mahler." Brünner Hefte zu Deutsch als Fremdsprache 8. (2015): 36–44. |
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| Monden, Masafumi. "Shōjo Manga Research: The legacy of women critics and their gender-based approach." Comics Forum 2015. Accessed 15 May. 2015. <http://comicsforum.org/ ... ach-by-masafumi-monden/>. |
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| Monnin, Katie. "A Mission: Why should 21st century secondary language arts educators teach reading and writing with graphic novels?." Class, Please Open Your Comics. Essays on Teaching with Graphic Narratives. Ed. Matthew L. Miller. Jefferson: McFarland, 2015. 231–48. |
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| Moynihan, Sinéad. "“Watch me go invisible”: Representing racial passing in mat johnson and warren pleece’s incognegro." South Central Review 32. (2015): 45–69. |
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| Müller, Christian. "Aspekte literarischen Lernens verknüpfen mit der Graphic Novel Vergiss nicht, das Salz auszuwaschen von Sohyun Jung." kjl&m 15. (2015). |
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| Müller, Christian and Ralph Olsen. "Keuner und die Flut als Short Graphic Novel." Praxis Deutsch (2015): 36–38. |
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| Murray, William. "Reimagining Terror in the Graphic Novel: Kyle baker’s nat turner and the cultural imagination." CEA Critic 77. (2015): 329–38. |
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| Naber, Joel. "Der kleine Charlie als gutes Objekt: Was am siebten januar getötet wurde." sans phrase (2015): 171–82. |
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| Naber, Joel. "Melmoth und Mohammed: Ein versuch über die ambivalenz des lachens." literatur konkret (2015/2016): 3–5. |
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| Nadel, Dan. "An Interview with Robert Crumb: “there’s very little reward for the amount of work you put in, in comics”." The Believer (2015). |
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| Nappia, Paolino and Ewa Stańczyk. "Women cross borders: Economic migration in contemporary italian and polish graphic novels." Journal of Graphic Novels and Comics 6. (2015): 230–45. |
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| Narcisi, Lara. "‘A Stronger Loving World’?: destruction, compassion, and megalomaniacs in alan moore’s watchmen." Imagining the End. Interdisciplinary Perspectives on the Apocalypse. Eds. Thomas E. Bishop and Jeremy R. Strong. Oxford: Inter-Disciplinary Pr. 2015. 83–97. |
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| Nastali, Daniel. "From Camelot to Kaamelott: The arthurian legend in british, american and french comics." Medieval Afterlives in Contemporary Culture. Ed. Gail Ashton. New York: Bloomsbury Academic, 2015. 301–09. |
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| Nayar, Pramod K. "Communicable Diseases: Graphic medicine and the extreme." Journal of Creative Communications 10. (2015): 161–75. |
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| Neumann, Caryn E. "Babes and Crones: Women growing old in comics." Aging Heroes. Growing Old in Popular Culture. Eds. Norma Jones and Bob Batchelor. Lanham [etc.]: Rowman & Littlefield, 2015. 119–27. |
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| Neumann, Caryn E. and Lori L. Parks. "The fan and the female superhero in comic books." Journal of Fandom Studies 3. (2015): 291–302. |
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| Nichols, Jayms. "Comics and Control: Leading the reading." Writing Visual Culture 7 2015. Accessed 28 Sept. 2016. <http://www.herts.ac.uk/ ... 87/wvc-dc-7-nichols.pdf>. |
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| Nijdam, Elizabeth. "German Comics after Unification: The politics of anke feuchtenberger’s feminist aesthetics." International Journal of Comic Art 17. (2015): 417–45. |
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| Nijdam, Elizabeth. "Coming to Terms with the Past: Teaching german history with the graphic novel." Class, Please Open Your Comics. Essays on Teaching with Graphic Narratives. Ed. Matthew L. Miller. Jefferson: McFarland, 2015. 143–54. |
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| Nijdam, Elizabeth. "Coming to Terms with the Past: Teaching german history with the graphic novel." Class, Please Open Your Comics. Essays on Teaching with Graphic Narratives. Ed. Matthew L. Miller. Jefferson: McFarland, 2015. 143–54. |
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| Nishikawa, Kinohi. "Daddy Cool: Donald goines’s visual novel." The Blacker the Ink. Constructions of Black Identity in Comics and Sequential Art. Eds. Frances Gateward and John Jennings. New Brunswick: Rutgers Univ. Press, 2015. 215–34. |
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| Nishioka, Akane. "Yanase Masamus Proletarische Mangas im Licht seiner Grosz-Rezeption." Kulturkontakte. Szenen und Modelle in deutsch-japanischen Kontexten. Eds. Yuichi Kimura and Thomas Pekar. Bielefeld: Transcript, 2015. 267–90. |
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| Nolan, Val. "Break free: Understanding, reimagining and reclaiming stories in grant morrison’s seven soldiers of victory." Journal of Graphic Novels and Comics 6. (2015): 42–58. |
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| Nostwick, Angela. "Super Power, Power Struggle: captain america, authority, and the atomic bomb." Re:Search 28. 1 2015. Accessed 7 Jun. 2016. <https://www.ideals.illinois.edu/handle/2142/78005>. |
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| Nowotny, Joanna and Bettina Jossen. "Gregor Samsa als Bug Boy: Eine japanische kafka-adaption unter den vorzeichen des hikikomori-diskurses." Graphisches Erzählen. Neue Perspektiven auf Literaturcomics. Eds. Florian Trabert, Mara Stuhlfauth-Trabert and Johannes Waßmer. Bielefeld: Transcript, 2015. 171–88. |
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| Nurse, Angus. "Extreme restorative justice: The politics of vigilantism in vertigo’s 100 bullets." Graphic Justice. Intersections of Comics and Law. Ed. Thomas Giddens. London, New York: Routledge, 2015. 130–46. |
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| Oberreither, Bernhard. "Foto-Texte, Bild-Poesie: Zwei überlegungen zu foto- und bildtheoretischen implikationen von literarischen foto-texten am beispiel von arno geigers die bewohner von château talbot." Journal of Austrian Studies 48. (2015): 73–100. |
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| Odaert, Olivier. "La hantise de l’écriture dans la bande dessinée contemporaine." Les Cahiers du GRIT (2015): 37–48. |
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| Omanga, Duncan. "(Re)Making Enemies: Representations of the terrorists in pre- and post-9/11 editorial cartoons in kenya." 9/11 and its Remediations in Popular Culture and Arts in Africa. Eds. Heike Behrend and Tobias Wendl. Kunst und Visuelle Kulturen Afrikas. African Art and Visual Cultures. Berlin [etc.]: LIT, 2015. 84–97. |
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