| Onge, Jeff St. "“Comedy before Country”: Engaged levity and absurdist critique in mad magazine." Studies in American Humor (2014): 155–67. |
 
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| Oppolzer, Markus. "Reading Shaun Tan’s The Arrival." Writing Worlds. Welten- und Raummodelle der Fantastik. Eds. Pascal Klenke, et al. Beiträge zur Literaturtheorie und Wissenspoetik. Heidelberg: Winter, 2014. 265–76. |
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| Orbán, Katalin. "A Language of Scratches and Stitches: The graphic novel between hyperreading and print." Critical Inquiry 40. (2014): 169–81. |
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| Ory, Pascal. "The New Disorder." The French Comics Theory Reader. Eds. Ann Miller and Bart Beaty. Studies in European Comics and Graphic Novels. Leuven: Leuven University Press, 2014. 303–12. |
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| Packard, Stephan, ed. Comics & Politik: Comics & politics. Bochum: Ch.A. Bachmann, 2014. |
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| Packard, Stephan. "Wie können Comics politisch sein?." Aus Politik und Zeitgeschichte 64. (2014): 17–23. |
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| Pagliaro, Michael. "Is a Picture Worth a Thousand Words? Determining the criteria for graphic novels with literary merit." English Journal 103. (2014): 31–45. |
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| Pagnoni Berns, Fernando Gabriel. "Liminality and Capitalism in Spider-Woman and Wonder Woman, or: how to make stronger (i.e. male) two super powerful women." Heroines of Comic Books and Literature. Portrayals in Popular Culture. Eds. Maja Bajac-Carter, Norma Jones and Bob Batchelor. Lanham [etc.]: Rowman & Littlefield, 2014. 221–32. |
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| Pagnucci, Gian S. and Alex S. Romagnoli. "Rebooting the Academy: Why universities need to finally start taking comic books seriously." Works & Days 32. (2014–15): 9–21. |
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| Palandt, Ralf. "Comics – Geschichte, Struktur, Interpretation." Visuelle Medien im DaF-Unterricht. Ed. Marc Hieronimus. Materialien Deutsch als Fremdsprache. Göttingen: Universitätsverl. Göttingen, 2014. 77–118. |
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| Palandt, Ralf. "Les rats noirs: Rechtsextreme selbstdarstellung durch comic-figuren." Comics & Politik. Comics & Politics. Ed. Stephan Packard. Berlin: Ch.A. Bachmann, 2014. 345–64. |
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| Palmer, Rebecca. "Combining the rhythms of comics and picturebooks: Thoughts and experiments." Journal of Graphic Novels and Comics 5. (2014): 297–310. |
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| Parasecoli, Fabio. "Gluttonous crimes: chew, comic books, and the ingestion of masculinity." Women’s Studies International Forum 44. (2014): 236–46. |
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| Pellegrin, Annick. "“Ils sont fous ces Gaulois!”: astérix, lucky luke, freedom fries, and the love-hate relationship between france and the united states." Comics as History, Comics as Literature. Roles of the Comic Book in Scholarship, Society, and Entertainment. Ed. Annessa Ann Babic. Madison [etc.]: Fairleigh Dickinson Univ. Press, 2014. 47–64. |
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| Perlmutter, David. America Toons In: A history of television animation. Jefferson, London: McFarland, 2014. |
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| Peters, Tim. "Time Out of Joint In Richard McGuire’s Here." Harper’s Magazine 2014. Accessed 4 Feb. 2015. <http://harpers.org/blog ... -richard-mcguires-here/>. |
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| Petrucci, Michele. "Genius Loci." Caesar, Attila & Co. Comics und die Antike. Ed. Filippo Carlà. Darmstadt: Philipp von Zabern, 2014. 12–21. |
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| Phuc, Nguyen Hong. "Comics in Vietnam: A newly emerging form of storytelling." Kyoto Review of Southeast Asia 16 2014. Accessed 12 Jan. 2016. <http://kyotoreview.org/ ... g-form-of-storytelling/>. |
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| Pinar, Maria Jesus. "Comic Books." Interactions, Images and Texts. A Reader in Multimodality. Eds. Sigrid Norris and Carmen Daniela Maier. Trends in Applied Linguistics. Berlin u. Boston: de Gruyter, 2014. 357–70. |
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| Post, Marco R. S. "R for Reason Gone Rampant? The intricate interplay between madness and rationality in the graphic novel v for vendetta." International Journal of Comic Art 16. (2014): 339–66. |
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| Postema, Barbara. "Following the pictures: Wordless comics for children." Journal of Graphic Novels and Comics 5. (2014): 311–22. |
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| Precup, Mihaela. "The Image of the Foreigner in Historical Romanian Comics under Ceauşescu’s Dictatorship." Representing Multiculturalism in Comics and Graphic Novels. Eds. Carolene Ayaka and Ian Hague. Routledge Research in Cultural and Media Studies. London, New York: Routledge, 2014. 96–112. |
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| Priego Ramirez, Ernesto F. "On Comic Books as Expressive Objects: Notes on the undergrounds and all that jazz." Graphixia 170 2014. Accessed 13 Aug. 2014. <http://www.graphixia.cs ... unds-and-all-that-jazz/>. |
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| Rageul, Anthony. "La bande dessinée saisie par le numérique: Formes et enjeux du récit reconfiguré par l’interactivité." Thèse de doctorat. Université européenne de Bretagne, 2014. |
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| Rageul, Anthony. "La bande dessinée numérique, figures et tensions d’un médium hybride." Hybridations. Les rencontres du texte et de l’image. Ed. Laurent Gerbier. Iconotextes. Tours: Presses Univ. François-Rabelais, 2014. |
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| Raith, Markus. "Gregs Tagebuch: Vom comic-roman zum film." Lesefutter für Groß und Klein. Kinder- und Jugendliteratur nach 2000 und literarisches Lernen im medienintegrativen Deutschunterricht. Eds. Petra Josting and Ricarda Dreier. kjl&m extra. München: kopaed, 2014. 115–23. |
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| Rantala, Oskari. "Hetkien punahehkuiset kopiot: Toistuvat ruudut sarjakuvaromaanissa watchmen." Tarkastelen pro gradu. University of Jyväskylä, 2014. |
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| Rauscher, Andreas. "Auteuristische Strategien der Adaption und Appropriation in Superhelden-Comicverfilmungen." Daumenkino 2014. Accessed 4 Oct. 2014. <http://dkritik.de/schwe ... lden-comicverfilmungen/>. |
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| Rech, Matthew F. "Be Part of the Story: A popular geopolitics of war comics aesthetics and royal air force recruitment." Political Geography 39. (2014): 36–47. |
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| Remonato, Giovanni. "Comics und Propaganda: Der ›kamerad‹ corto maltese." Comics & Politik. Comics & Politics. Ed. Stephan Packard. Berlin: Ch.A. Bachmann, 2014. 179–95. |
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| Reusser-Elzingre, Aurélie and Alain Corbellari, eds. Le Moyen Âge en bulles. Gollion: Infolio, 2014. |
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| Reynolds, William M. "Neo-Post-Urban-Noir Graphic Novels and Critical Literacy: The hard connection." Teaching towards Democracy with Postmodern and Popular Culture Texts. Eds. Patricia Paugh, Tricia Kress and Robert Lake. Imagination and Praxis: Criticality and Creativity in Education and Educational Research. Rotterdam: Sense, 2014. 21–35. |
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| Reyns-Chikuma, C(h)ris. "Entretien avec Catel Muller." Alternative Francophone 1. 7 2014. Accessed 1 Jan. 2018. <https://journals.librar ... p/af/article/view/23057>. |
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| Rhode, Michael G. "Jaime Hernandez Q&A at the Library of Congress’ National Book Festival 2013." International Journal of Comic Art 16. (2014): 398–412. |
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| Ricca, Brad. "Origin of the Species: Popular science, dr. hermann muller, and the x-men." The Ages of The X-Men. Essays on the Children of the Atom in Changing Times. Ed. Joseph J. Darowski. Jefferson, London: McFarland, 2014. 5–16. |
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| Rings, Guido. "Von Rodolphe Töpffer bis Gustave Doré: Parodierungen romantischer ideale im graphischen roman des 19. jahrhunderts." Germanisch-Romanische Monatsschrift 64. (2014): 25–48. |
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| Rioux, Philippe. "Performing Alan Moore: Mise et remises en scène de soi." Pop en stock 2014. Accessed 29 Nov. 2015. <http://popenstock.ca/do ... remises-en-scene-de-soi>. |
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| Ritzer, Ivo. "Der Akt der Adaption – Zur transmedialen Autorenpolitik von Walter Hills Bullet to the Head." Daumenkino 2014. Accessed 21 Aug. 2019. <http://dkritik.de/schwe ... lls-bullet-to-the-head/>. |
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| Robb, Brian J. A Brief Guide to Superheroes: From superman to the avengers, the evolution of comic book legends. Philadelphia: Running Pr. 2014. |
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| Robbins, Trina. "Wonder Woman: Lesbian or Dyke? Paradise island as a woman’s community." Heroines of Comic Books and Literature. Portrayals in Popular Culture. Eds. Maja Bajac-Carter, Norma Jones and Bob Batchelor. Lanham [etc.]: Rowman & Littlefield, 2014. 145–52. |
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| Robert, Jörg. Einführung in die Intermedialität. Einführungen Germanistik. Darmstadt: Wissenschaftl. Buchgesellschaft, 2014. |
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| Roberts, Dan. Famous Robots and Cyborgs: An encyclopedia of robots from tv, film, literature, comics, toys, and more. New York: Skyhorse, 2014. |
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| Robertson, Benjamin J. "Incommensurate Nostalgias: Changin’ times in watchmen." Write in Tune. Contemporary Music in Fiction. Eds. Erich Hertz and Jeffrey Roessner. New York: Bloomsbury, 2014. |
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| Robinson, Michael G. "Alan Moore and Dave Gibbons’ Watchmen." The Graphic Novel. Ed. Gary Hoppenstand. Critical Insights. Englewood Cliffs: Salem Pr. 2014. 94–107. |
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| Rodriguez, Mario. "Physiognomy and Freakery: The joker on film." Americana 13. 2 2014. Accessed 21 Nov. 2016. <http://www.americanpopu ... fall_2014/rodriguez.htm>. |
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| Roeder, Katherine. Wide Awake in Slumberland: Fantasy, mass culture, and modernism in the art of winsor mccay. Great Comics Artists. Jackson: Univ. Press of Mississippi, 2014. |
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| Rommens, Aarnoud and Pablo Turnes. "Reinstating the Laws of Chance: Breccia’s throw of the dice with ernesto sabato’s informe sobre ciegos." Domínios da Imagem 8. 16 2014. Accessed 3 Mar. 2020. <http://www.uel.br/revis ... agem/article/view/20644>. |
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| Rosenkranz, Patrick. The Mythology of S. Clay Wilson: Pirates in the heartland. Vol. 1. Seattle: Fantagraphics, 2014. |
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| Round, Julia. Gothic in Comics and Graphic Novels: A critical approach. Jefferson, London: McFarland, 2014. |
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| Round, Julia. "The Transformations of Harvey Pekar’s American Splendor: “ordinary life is pretty complex stuff”." Real Lives, Celebrity Stories. Narratives of Ordinary and Extraordinary People Across Media. Eds. Thomas Bronwen and Julia Round. New York: Bloomsbury Academic, 2014. 95–110. |
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| Round, Julia. "We Share Our Mothers’ Health: Temporality and the gothic in comic book landscapes." Comic Book Geographies. Ed. Jason Dittmer. Media Geography at Mainz. Stuttgart: Franz Steiner, 2014. 127–40. |
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| Rueber, Micah. "The Man in the Gray Metal Suit: Dr. doom, the fantastic four, and the costs of conformity." Comics as History, Comics as Literature. Roles of the Comic Book in Scholarship, Society, and Entertainment. Ed. Annessa Ann Babic. Madison [etc.]: Fairleigh Dickinson Univ. Press, 2014. 157–70. |
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| Ruh, Brian. "The Comfort and Disquiet of Transmedia Horror in Higurashi: When They Cry (Higurashi no naku koro ni)." Refractory 23 2014. Accessed 6 Jul. 2014. <http://refractory.unime ... 22/higurashi-brian-ruh/>. |
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| Sabeti, Shari. "The ‘Strange Alteration’ of Hamlet: Comic books, adaptation and constructions of adolescent literacy." Changing English 21. (2014): 182–97. |
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| Sabhaney, Vidyun. "Panels, Registers and Frames: Creative engagements with traditional visual narrative forms." MARG 66. (2014). |
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| Sackmann, Eckart. "2005 bis 2014 – zehn Jahre »Deutsche Comicforschung«." Deutsche Comicforschung 10. (2014): 7–19. |
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| Sackmann, Eckart. "Arpad Schmidhammer bei Jos. Scholz: Der krieg als kinderspiel." Deutsche Comicforschung 10. (2014): 37–45. |
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| Sackmann, Eckart. "Der Sonntagsbraten – eine Kundenzeitschrift." Deutsche Comicforschung 10. (2014): 122–27. |
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| Sackmann, Eckart. "Kino auf Papier – vom Film-Bild-Roman zum Fotocomic." Deutsche Comicforschung 10. (2014): 79–103. |
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| Sackmann, Eckart. "»Nick Knatterton« – die vier verschollenen Folgen." Deutsche Comicforschung 10. (2014): 128–31. |
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| Sackmann, Eckart. "Propaganda im 1. Weltkrieg: Lustige blätter in »ernster zeit«." Deutsche Comicforschung 10. (2014): 18–36. |
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| Sackmann, Eckart, Harald Kiehn, and Gerd Lettkemann. "Charlotte Simon." Deutsche Comicforschung 10. (2014): 58–65. |
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| Sackmann, Eckart, Klaus Spillmann, and Klaus Wintrich. "Rolf Kauka – der lange Weg zu Fix und Foxi." Deutsche Comicforschung 10. (2014): 104–21. |
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| Sacks, Jason. "Earth’s Mightiest (Dysfunctional) Family: The evolution of the avengers under jim shooter." The Ages of the Avengers. Essays on the Earth’s Mightiest Heroes in Changing Times. Ed. Joseph J. Darowski. Jefferson: McFarland, 2014. 31–44. |
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| Santo, Avi. "“Is It a Camel? Is It a Turban? No, It’s The 99”: Branding islamic superheroes as authentic global cultural commodities." Television & New Media 15. (2014): 679–95. |
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| Schäfer, Frank. BLAM! BLAM! BLAM! Ein comic(ver)führer. Meine: Andreas Reiffer, 2014. |
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| Schallegger, René. "Gezeichnete Literatur – Zur Begrifflichkeit des Comics." Visuelle Medien. Eds. Jörg Helbig, Arno Rußegger and Rainer Winter. Klagenfurter Beiträge zur Visuellen Kultur. Köln: Halem, 2014. 233–52. |
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| Schieble, Melissa. "Reading Images in American Born Chinese through Critical Visual Literacy." English Journal 103. (2014): 47–52. |
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| Schlichting, Laura. "Formen und Funktionen von Fotografie in Graphic Novels: Medialisierung und fiktionalisierung am beispiel ausgewählter zeitgenössischer werke." Masterarbeit MA. Justus-Liebig-Universität Gießen, 2014. |
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| Schmidtgall, Thomas. Traumatische Erfahrung im Mediengedächtnis: Zur struktur und interkulturellen rezeption fiktionaler darstellungen des 11. september 2001 in deutschland, frankreich und spanien. Saarbrücker Beiträge zur Vergleichenden Literatur- und Kulturwissenschaft. Würzburg: Königshausen & Neumann, 2014. |
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| Schmitz-Emans, Monika. "Von der Katzensinfonie zur Stripsody: Konvergenzen zwischen bildsequenz und partitur im 19. und 20. jahrhundert." Bildlaute & laute Bilder. Zur ›Audiovisualität‹ von Bilderzählungen. Ed. Christian A. Bachmann. Bochum: Ch.A. Bachmann, 2014. 25–53. |
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| Schneider, Christian W. Framing Fear: The gothic mode in graphic literature. ELCH - Studies in English Literary and Cultural History. Trier: Wissenschaftlicher Verlag Trier, 2014. |
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| Schoell, William. The Horror Comics: Fiends, freaks and fantastic creatures, 1940s–1980s. Jefferson, London: McFarland, 2014. |
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| Schollmeyer, Patrick. "Ein Lied für Kaiser Nero." Caesar, Attila & Co. Comics und die Antike. Ed. Filippo Carlà. Darmstadt: Philipp von Zabern, 2014. 76–85. |
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| Scholz, Michael F. "Comiczeichner in der SBZ/DDR: Eine generationenübersicht." Deutsche Comicforschung 10. (2014): 66–78. |
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| Schulz, Christoph B. "Komposition und Comic: Cathy berberians stripsody." Bildlaute & laute Bilder. Zur ›Audiovisualität‹ von Bilderzählungen. Ed. Christian A. Bachmann. Bochum: Ch.A. Bachmann, 2014. 55–80. |
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| Schulze, Elke. Erich Ohser alias e.o. plauen: Ein deutsches künstlerschicksal. Konstanz: Südverlag, 2014. |
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| Scolari, Carlos. "Don Quixote of La Mancha: Transmedia storytelling in the grey zone." International Journal of Communication 8 2014. Accessed 7 Sept. 2017. <http://ijoc.org/index.php/ijoc/article/view/2576>. |
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| Scolari, Carlos, Paolo Bertetti, and Matthew Freeman. Transmedia Archaeology: Storytelling in the borderlines of science fiction, comics and pulp magazines. New York [etc.]: Palgrave Macmillan, 2014. |
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| Scott, Cord. Comics and Conflict: Patriotism and propaganda from wwii through operation iraqi. Annapolis: Naval Institute Pr. 2014. |
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| Sergi, Valentino. I demoni di Mike Mignola. L’arte delle Nuvole. Roma: NPE, 2014. |
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| Sergi, Joe. The Law for Comic Book Creators: Essential concepts and applications. Jefferson, London: McFarland, 2014. |
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| Serres, Michel. "Laughter: The absent-minded jewels or the bold prima donna." The French Comics Theory Reader. Eds. Ann Miller and Bart Beaty. Studies in European Comics and Graphic Novels. Leuven: Leuven Univ. Press, 2014. 237–49. |
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| Shail, Robert. "Anarchy in the UK: Reading beryl the peril via historic conceptions of childhood." Journal of Graphic Novels and Comics 5. (2014): 257–65. |
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| Shay, Maureen. "Framing refugee time: Perpetuated regression in joe sacco’s footnotes in gaza." Journal of Postcolonial Writing 50. (2014): 202–15. |
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| Sheikh, Faiz. "The Zombie Apocalypse: A fictional state of nature?." Comics as History, Comics as Literature. Roles of the Comic Book in Scholarship, Society, and Entertainment. Ed. Annessa Ann Babic. Madison [etc.]: Fairleigh Dickinson Univ. Press, 2014. 195–208. |
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| Shivener, Rich. "The Crime Narrative and the Graphic Novel." The Graphic Novel. Ed. Gary Hoppenstand. Critical Insights. Englewood Cliffs: Salem Pr. 2014. 29–40. |
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| Sidogi, Pfunzo. "The Emergence of Black Cartoon Animators in South Africa: a spotlight on the work of mdu ntuli." International Journal of Comic Art 16. (2014): 208–22. |
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| Sihombing, Febriani. "Blurring the Boundaries of Comics Classification in Indonesia through Wanara." Kyoto Review of Southeast Asia 16 2014. Accessed 12 Jan. 2016. <http://kyotoreview.org/ ... donesia-through-wanara/>. |
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| Šimko, Dorothée. "Das goldene Halsband – eine römische Provinzstadt erwacht zu neuem Leben." Caesar, Attila & Co. Comics und die Antike. Ed. Filippo Carlà. Darmstadt: Philipp von Zabern, 2014. 86–93. |
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| Sina, Véronique. "Die Korrelation von Comic und Film: Ein einblick in die reziproke entwicklungsgeschichte zweier medien." Closure 1 2014. Accessed 11 Nov. 2014. <http://www.closure.uni-kiel.de/closure1/sina>. |
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| Sina, Véronique. "Sin City: Von Comic und Film zum Comicfilm." Daumenkino 2014. Accessed 6 Oct. 2014. <http://dkritik.de/schwe ... und-film-zum-comicfilm/>. |
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| Singsen, Doug. "An alternative by any other name: Genre-splicing and mainstream genres in alternative comics." Journal of Graphic Novels and Comics 5. (2014): 170–91. |
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| Skordili, Beatrice. "Logicomix and the Enunciatory Apparatus." Comics as History, Comics as Literature. Roles of the Comic Book in Scholarship, Society, and Entertainment. Ed. Annessa Ann Babic. Madison [etc.]: Fairleigh Dickinson Univ. Press, 2014. 209–30. |
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| Slade, Joseph W. "Wally Wood: Picturing adolescent sexuality in mad’s early parodies." Studies in American Humor (2014): 41–56. |
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| Sloan, Will. "What Happened to Dick Tracy?." Hazlitt 2014. Accessed 30 Sept. 2014. <http://penguinrandomhou ... hat-happened-dick-tracy>. |
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| Smith, Philip. "A Priest Dressed as a Man of Letters: Gene luen yang’s boxers and saints and the legacy of father matteo ricci." International Journal of Comic Art 16. (2014): 288–99. |
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| Smith, Philip. "Leslie Chew and Singapore’s Controversial, Online Political Cartoon." International Journal of Comic Art 16. (2014): 608–17. |
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| Added by: joachim 04/08/2015, 09:35 |
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| Smith, Philip. "Maus in the Indonesian Classroom." Comics Forum 2014. Accessed 4 Aug. 2015. <http://comicsforum.org/ ... ssroom-by-philip-smith/>. |
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| Added by: joachim 04/08/2015, 09:14 |
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