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| Kvaran, Kara M. "SuperGay! Depictions of homosexuality in mainstream superhero comics." Comics as History, Comics as Literature. Roles of the Comic Book in Scholarship, Society, and Entertainment. Ed. Annessa Ann Babic. Madison [etc.]: Fairleigh Dickinson Univ. Press, 2014. 141–56. |
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| Labarre, Nicolas. "From Columbine to Xavier’s: Restaging the media narrative as superhero fiction." The Ages of The X-Men. Essays on the Children of the Atom in Changing Times. Ed. Joseph J. Darowski. Jefferson, London: McFarland, 2014. 189–202. |
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| Lagerwall, Sonia. "Drawing the Written Woman: Philippe druillet’s adaptation of gustave flaubert’s salammbô." European Comic Art 7. (2014): 31–63. |
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| Laser, Björn and Michael Groenewald. "Leichtmetall und Glühende Zukunft: Comics aus der ddr." Reddition (2014). |
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| LaTouche, Jason. "Everything Old Is New Again: Figuring out who the enemy is in the 1980s." The Ages of the Avengers. Essays on the Earth’s Mightiest Heroes in Changing Times. Ed. Joseph J. Darowski. Jefferson: McFarland, 2014. 79–91. |
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| Laurier, Eric. "The Graphic Transcript: Poaching comic book grammar for inscribing the visual, spatial and temporal aspects of action." Geography Compass 8. (2014): 235–48. |
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| Lee, Peter. "Who is Diana Prince? The amazon army nurse of world war ii." Comics as History, Comics as Literature. Roles of the Comic Book in Scholarship, Society, and Entertainment. Ed. Annessa Ann Babic. Madison [etc.]: Fairleigh Dickinson Univ. Press, 2014. 79–92. |
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| Lee, Peter W. "Stung by Stigmatization: Yellowjacket and wasp dis/reassembled in the age of reagan." The Ages of the Avengers. Essays on the Earth’s Mightiest Heroes in Changing Times. Ed. Joseph J. Darowski. Jefferson: McFarland, 2014. 65–78. |
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| Lent, John A., ed. Southeast Asian Cartoon Art: History, trends and problems. Jefferson, London: McFarland, 2014. |
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| Leogrande, Cathy. "Alan Moore and David Lloyd’s V for Vendetta." The Graphic Novel. Ed. Gary Hoppenstand. Critical Insights. Englewood Cliffs: Salem Pr. 2014. 108–22. |
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| Lepore, Jill. The Secret History of Wonder Woman. New York: Alfred A. Knopf, 2014. |
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| Leroy, Fabrice. Sfar So Far: Identity, history, fantasy, and mimesis in joann sfar’s graphic novels. Studies in European Comics and Graphic Novels. Leuven: Leuven Univ. Press, 2014. |
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| Leroy, Fabrice. "Une tragédie de détails: L’architecture de l’infra-ordinaire dans les building stories de chris ware." La mécanique du détail. Approches transversales. Eds. Livio Belloï and Maud Hagelstein. Signes. Lyon: ENS Éditions, 2014. 227–44. |
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| Lesage, Sylvain. "L’édition sans éditeurs ? La bande dessinée franco-belge au prisme de l’auto-édition, années 1970–1980." La bande dessinée en dissidence / Comics in Dissent. Alternative, indépendance, auto-édition / Alternative, Independence, Self-Publishing. Eds. Christophe Dony, Tanguy Habrand and Gert Meesters. ACME. Liège: Presses Univ. de Liège, 2014. |
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| Lethbridge, James C. "Comic Containment: No laughing matter." Comics as History, Comics as Literature. Roles of the Comic Book in Scholarship, Society, and Entertainment. Ed. Annessa Ann Babic. Madison [etc.]: Fairleigh Dickinson Univ. Press, 2014. 107–22. |
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| Lewis, A. David. American Comics, Literary Theory, and Religion: The superhero afterlife. New York [etc.]: Palgrave Macmillan, 2014. |
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| Lightman, Sarah, ed. Graphic Details: Jewish women’s confessional comics in essays and interviews. Jefferson, London: McFarland, 2014. |
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| Link, Alex. "Tulips and Roses in a Global Garden: Speaking local identities in persepolis and tekkon kinkreet." Representing Multiculturalism in Comics and Graphic Novels. Eds. Carolene Ayaka and Ian Hague. Routledge Research in Cultural and Media Studies. London, New York: Routledge, 2014. 240–56. |
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| Lobmeier, Kornelia. "Auf den Spuren der Digedags: Geschichten und geschichte im ddr-comic mosaik." Comparativ 24. (2014): 47–58. |
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| MacLeod, Catriona. "From Wandering Women to Fixed Females: Relations of gendered movement through post-colonial space in lettres d’outremer and le bar du vieux français." Comic Book Geographies. Ed. Jason Dittmer. Media Geography at Mainz. Stuttgart: Franz Steiner, 2014. 75–90. |
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| Magnussen, Anne. "The New Spanish Memory Comics: The example of cuerda de presas." European Comic Art 7. (2014): 56–84. |
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| Magnussen, Anne. "Spanish Comics and Politics: From propaganda and censorship through political activism to cultural reflections." Comics & Politik. Comics & Politics. Ed. Stephan Packard. Bochum: Ch.A. Bachmann, 2014. 157–78. |
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| Maguire, Lori. "“The Avengers always stand ready to do their part”: the avengers and the vietnam war." The Ages of the Avengers. Essays on the Earth’s Mightiest Heroes in Changing Times. Ed. Joseph J. Darowski. Jefferson: McFarland, 2014. 12–24. |
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| Mancini, C. Bruna. "From The Lodger (1913) to From Hell (2001)." Journal of Literature and Art Studies 4. (2014): 1025–36. |
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| Marek, Michael W. and Pin-hsiang Natalie Wu. "20th Century Boys: Blending eastern and western storytelling." Myth in the Modern World. Essays on Intersections with Ideology and Culture. Eds. David Whitt and John Perlich. Jefferson, London: McFarland, 2014. 33–59. |
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| Marsden, Scott. "The Roots of Canadian Identity in Lemire’s Essex County." Graphixia 176 2014. Accessed 13 Aug. 2014. <http://www.graphixia.cs ... n-lemires-essex-county/>. |
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| Martens, David and Christophe Meurée. "Entretien à trois chaises avec Benoît Peeters." Secrets d’écrivains. Enquête sur les entretiens littéraires. Réflexions faites. Bruxelles: Les Impressions Nouvelles, 2014. 250–84. |
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| Martínez-Alfaro, María Jesús. "Caught in the grip of an inherited past: (post)memory and representation in art spiegelman’s maus." Edges of Trauma. Explorations in Visual Art and Literature. Eds. Tamás Bényei and Alexandra Stara. Newcastle upon Tyne: Cambridge Scholars Publ. 2014. 137–48. |
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| Mason, Andy. "The Presidential Penis: Questions of race and representation in south african comic and satirical art." Representing Multiculturalism in Comics and Graphic Novels. Eds. Carolene Ayaka and Ian Hague. Routledge Research in Cultural and Media Studies. London, New York: Routledge, 2014. 49–65. |
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