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| Meier, Stefan. "“Truth, Justice, and the Islamic Way”: Conceiving the cosmopolitan muslim superhero in the 99." Transnational Perspectives on Graphic Narratives. Comics at the Crossroads. Eds. Shane Denson, Christina Meyer and Daniel Stein. New York: Bloomsbury, 2013. 181–94. |
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| Mellier, Denis. "Fiction générale et engendrement intermédial: Le cas du steampunk." L’engendrement des images en bande dessinée. Ed. Henri Garric. Iconotextes. Tours: Presses Univ. François-Rabelais, 2013. 157–78. |
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| Meteling, Arno. "To Be Continued …: Zum seriellen erzählen im superhelden-comic." Erzählen im Comic. Beiträge zur Comicforschung. Eds. Otto Brunken and Felix Giesa. Bochum: Ch.A. Bachmann, 2013. 89–112. |
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| Meyer, Uli. "Drawing from the body – the self, the gaze and the other in Boys’ Love manga." Journal of Graphic Novels and Comics 4. (2013): 64–81. |
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| Michel, Chantal Catherine. "Bericht oder Propaganda? Dokumentarische comics über den nahostkonflikt." Der dokumentarische Comic. Reportage und Biografie. Ed. Dietrich Grünewald. Bochum: Ch.A. Bachmann, 2013. 189–206. |
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| Mikkonen, Kai. "Subjectivity and Style in Graphic Narratives." From Comic Strips to Graphic Novels. Contributions to the Theory and History of Graphic Narrative. Eds. Daniel Stein and Jan-Noël Thon. Narratologia. Berlin u. Boston: de Gruyter, 2013. 101–23. |
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| Miyake, Toshio. "Doing Occidentalism in contemporary Japan: Nation anthropomorphism and sexualized parody in “axis powers hetalia”." Transformative Works and Cultures 12 2013. Accessed 2 May. 2013. <http://journal.transfor ... wc/article/view/436/392>. |
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| Moszkowicz, Julia. "Time, Narrative and the Gutter: How philosophical thinking can make something out of nothing." Cultural Excavation and Formal Expression in the Graphic Novel. Eds. Jonathan C. Evans and Thomas Giddens. At the Interface, Probing the Boundaries. Oxford: Inter-Disciplinary Pr. 2013. 197–205. |
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| Murray, Christopher. "More space combat! An interview with grant morrison." Studies in Comics 4. (2013): 219–34. |
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| Murray, Christopher and Kevin Corstorphine. "Co(s)mic Horror." New Critical Essays on H.P. Lovecraft. Ed. David Simmons. New York [etc.]: Palgrave Macmillan, 2013. 157–91. |
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| Murray, Christopher. "‘These are not our Promised Resurrections’: Unearthing the uncanny in alan moore’s a small killing, from hell, and a disease of language." Alan Moore and the Gothic Tradition. Ed. Matthew J. A. Green. Manchester, New York: Manchester Univ. Press, 2013. 215–34. |
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| Murray, Will. "A Different Daredevil." The Devil is in the Details. Examining Matt Murdock and Daredevil. Ed. Ryan K. Lindsay. Edwardsville: Sequart Research & Literacy Organization, 2013. 3–12. |
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| Muth, Laura and Annette Simonis. "Dantes Divina Commedia als Graphic Novel: Seymour chwasts kurzweilige dante-adaption im comic." Dante deutsch. Die deutsche Dante-Rezeption im 20. Jahrhundert in Literatur, Philosophie, Künsten und Medien. Eds. Michael Dallapiazza and Annette Simonis. Jahrbuch für Internationale Germanistik. Reihe A: Kongressberichte. Bern [etc.]: Peter Lang, 2013. 129–45. |
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| Myklebost, Svenn-Arve. "Shakespeare Manga: Early- or post-modern?." ImageTexT 6. 3 2013. Accessed 23 Apr. 2013. <http://www.english.ufl. ... rchives/v6_3/myklebost/>. |
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| Nair, Kartik. "Plummeting to the Pavement: The fall of the body in spider-man." Terror and the Cinematic Sublime. Essays on Violence and the Unrepresentable in Post-9/11 Films. Eds. Todd E. Comer and Lloyd Isaac Vayo. Jefferson, London: McFarland, 2013. 15–28. |
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| Nalbadidacis, Janis. "Comic." Gewalt. Ein interdisziplinäres Handbuch. Eds. Christian Gudehus and Michaela Christ. Stuttgart: Metzler, 2013. 269–76. |
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| Nama, Adilifu. "Staking Out a Blatino Borderlands." Latinos and Narrative Media. Participation and Portrayal. Ed. Frederick Luis Aldama. New York [etc.]: Palgrave Macmillan, 2013. 131–41. |
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| Napolitano, Marc. "“Elementary, My Dear Robin!”: Batman, sherlock holmes, and detective fiction fandom." Fan Phenomena: Batman. Ed. Liam Burke. Fan Phenomena. Bristol, Chicago: Intellect Books, 2013. 142–53. |
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| Narcisi, Lara. "The Apocalypse Is Here, Again: Moral ambiguities and human failings in watchmen." A Critical Approach to the Apocalypse. Eds. Alexandra Simon-López and Heidi Yeandle. Oxford: Inter-Disciplinary Pr. 2013. 141–50. |
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| Navasky, Victor S. The Art of Controversy: Political cartoons and their enduring power. New York: Alfred A. Knopf, 2013. |
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| Nayar, Pramod K. "The Rhetoric of Silence/ing: Hush." Margins 3. (2013): 32–44. |
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| Nehrlich, Thomas. "Wenn Identität mittels einer Maske sichtbar wird: Zu geschichte, wesen und ästhetik von superhelden." Ästhetischer Heroismus. Konzeptionelle und figurative Paradigmen des Helden. Eds. Nikolas Immer and Mareen van Marwyck. Bielefeld: Transcript, 2013. 107–28. |
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| Neill, F. Vance. "Gilbert Hernandez as a Rhetor." ImageTexT 7. 1 2013. Accessed 16 Dec. 2014. <http://www.english.ufl. ... xt/archives/v7_1/neill/>. |
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| Neill, F. Vance. "Interface Rhetoric in Shakespearean Comics: A study of the effect of interface on the construction of shakespeare’s play." ImageTexT 6. 3 2013. Accessed 23 Apr. 2013. <http://www.english.ufl. ... xt/archives/v6_3/neill/>. |
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| Nelson, Angela M. "Studying Black Comic Strips: Popular art and discourses of race." Black Comics. Politics of Race and Representation. Eds. Sheena C. Howard and Ronald L. Jackson II. New York: Bloomsbury, 2013. 97–110. |
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| Nevett, Chad, ed. Shot in the Face: A savage journey to the heart of transmetropolitan. Edwardsville: Sequart Research & Literacy Organization, 2013. |
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| Nevins, Jess. Fables Encyclopedia. New York: DC Comics, 2013. |
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| Nishimura, Keiko. "Where program and fantasy meet: Female fans conversing with character bots in japan." Transformative Works and Cultures 12 2013. Accessed 2 May. 2013. <http://journal.transfor ... wc/article/view/457/389>. |
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| Nouailhat, René. "Mourir en bande dessinée." La mort en questions. Approches anthropologiques de la mort et du mourir. Ed. Daniel Faivre. Poche – Espace éthique. Toulouse: ERES, 2013. 393–418. |
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| O’Brien, Sharon. "Showing the Voice of the Body: Brian fies’s mom’s cancer, the graphic illness memoir, and the narrative of hope." Drawing from Life. Memory and Subjectivity in Comic Art. Ed. Jane Tolmie. Jackson: Univ. Press of Mississippi, 2013. 264–87. |
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| O’Cuana, Emmet. "Viddy Well, Brother: An australian comic’s tribute to stanley kubrick." Film International 11. (2013): 37–41. |
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| Odom, Amanda. "Professionalism: Hyperrealism and play." Transformative Works and Cultures 13 2013. Accessed 19 Jun. 2013. <http://journal.transfor ... wc/article/view/459/371>. |
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| Oechslin, Dorothea. "Von Reflexion bis Persuasion – wenn der Sachcomic mehr will als informieren: Resultate einer begleitstudie zu hotnights." Wissen durch Bilder. Sachcomics als Medien von Bildung und Information. Eds. Urs Hangartner, Felix Keller and Dorothea Oechslin. Kultur- und Medientheorie. Bielefeld: Transcript, 2013. 189–214. |
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| Oechslin, Dorothea and Felix Keller. "Diskrepante Botschaften im Sachcomic: Klippen und fallen der wissensvermittlung über bilderzählungen." Unterricht Chemie 24. (2013): 13–18. |
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| Okabe, Tsugumi. "From Sherlock Holmes to ‘Heisei’ Holmes: Counter orientalism and post modern parody in gosho aoyama’s detective conan manga series." International Journal of Comic Art 15. (2013): 230–50. |
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| Oksman, Tahneer. "In search of the whole truth: An interview with vanessa davis." Journal of Graphic Novels and Comics 4. (2013): 179–84. |
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| Oksman, Tahneer. "Stranger in a Strange Land: Self-creation and self-exile in vanessa davis’s make me a woman." Studies in American Jewish Literature 32. (2013): 141–66. |
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| Oppolzer, Markus. "Gothic Liminality in V for Vendetta." Alan Moore and the Gothic Tradition. Ed. Matthew J. A. Green. Manchester, New York: Manchester Univ. Press, 2013. 103–17. |
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| Oppolzer, Markus. "It’s a Bird …: Trauma-arbeit im superheldencomic." Der dokumentarische Comic. Reportage und Biografie. Ed. Dietrich Grünewald. Bochum: Ch.A. Bachmann, 2013. 241–58. |
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| Ormrod, Joan. "Cold War Fantasies: Testing the limits of the familial body." The Ages of Wonder Woman. Essays on the Amazon Princess in Changing Times. Ed. Joseph J. Darowski. Jefferson: McFarland, 2013. 52–65. |
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| Ottaviani, Didier. "Élasticité et temporalité des images." L’engendrement des images en bande dessinée. Ed. Henri Garric. Iconotextes. Tours: Presses Univ. François-Rabelais, 2013. 127–42. |
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| Packard, Stephan. "Superior Unreliability: Thoughts on narrators in comics on the occasion of spider-man 2012/13." Comics Forum 2013. Accessed 31 Aug. 2013. <http://comicsforum.org/ ... 213-by-stephan-packard/>. |
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| Packard, Stephan. "Erzählen Comics?." Erzählen im Comic. Beiträge zur Comicforschung. Eds. Otto Brunken and Felix Giesa. Bochum: Ch.A. Bachmann, 2013. 17–31. |
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| Pagello, Federico. "From Frank Miller to Zack Snyder, and Return: Contemporary superhero comics and post-classical hollywood." Miranda 8 2013. Accessed 27 Dec. 2013. <http://miranda.revues.org/3422>. |
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| Palandt, Ralf. "Jüdische SuperheldInnen in Comics." Nicht nur Bildung, nicht nur Bürger. Juden in der Populärkultur. Ed. Klaus Hödl. Schriften des Centrums für Jüdische Studien. Innsbruck: Studienverlag, 2013. 131–57. |
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| Pantaleo, Sylvia. "Paneling “Matters” in Elementary Students’ Graphic Narratives." Literacy Research and Instruction 52. (2013): 150–71. |
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| Parille, Ken, ed. The Daniel Clowes Reader: A critical edition of ghost world and other stories, with essays, interviews, and annotations. Seattle: Fantagraphics, 2013. |
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| Parisi, Morgane. "L’engendrement des images: Une anthropologie du processus créatif." L’engendrement des images en bande dessinée. Ed. Henri Garric. Iconotextes. Tours: Presses Univ. François-Rabelais, 2013. 193–208. |
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| Parkin, Lance. Magic Words: The extraordinary life of alan moore. London: Aurum, 2013. |
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| Parsons, Amy and Nina Howe. "“This Is Spiderman’s Mask.” “No, It’s Green Goblin's”: Shared meanings during boys’ pretend play with superhero and generic toys." Journal of Research in Childhood Education 27. (2013): 190–207. |
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| Pasamonik, Didier. Les personnages de Lucky Luke et la véritable histoire de la conquête de l’Ouest. Paris: Historia, 2013. |
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| Peaslee, Robert Moses. "Media Conduction: Festivals, networks, and boundaried spaces." International Journal of Communication 7 2013. Accessed 27 Aug. 2014. <http://ijoc.org/index.php/ijoc/article/view/1426>. |
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| Pedri, Nancy. "Graphic Memoir: Neither Fact Nor Fiction." From Comic Strips to Graphic Novels. Contributions to the Theory and History of Graphic Narrative. Eds. Daniel Stein and Jan-Noël Thon. Narratologia. Berlin u. Boston: de Gruyter, 2013. 127–53. |
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| Peeters, Benoît. "Le scénariste et l’engendrement des images." L’engendrement des images en bande dessinée. Ed. Henri Garric. Iconotextes. Tours: Presses Univ. François-Rabelais, 2013. 191–92. |
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| Peirson-Smith, Anne. "Fashioning the Fantastical Self: An examination of the cosplay dress-up phenomenon in southeast asia." Fashion Theory 17. (2013): 77–111. |
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| Pellitteri, Marco. "Die fünf Sinne und Synästhesie in Comics: Annähernde erklärungsversuche über wie und warum das comiclesen nicht nur den sehsinn betrifft." Erzählen im Comic. Beiträge zur Comicforschung. Eds. Otto Brunken and Felix Giesa. Bochum: Ch.A. Bachmann, 2013. 49–59. |
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| Pho, Diana M. "Objectified and Politicized: The dynamics of ideology and consumerism in steampunk subculture." Steaming into a Victorian Future. A Steampunk Anthology. Eds. Julie Anne Taddeo and Cynthia J. Miller. Lanham: Scarecrow, 2013. 185–210. |
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| Picado, Benjamim. "Para além da fixidez do traço no desenho: Representação pictórica e narrativa no humor gráfico." Revista Famecos 20. (2013): 354–71. |
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| Pineda, Antonio and Jesus Jimenez‐Varea. "Popular Culture, Ideology, and the Comics Industry: Steve ditko’s objectivist spider‐man." Journal of Popular Culture 46. (2013): 1156–76. |
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| Pines, Davida. "History, Memory, and Trauma: Confronting dominant interpretations of 9/11 in alissa torres’s american widow and art spiegelman’s in the shadow of no towers." Drawing from Life. Memory and Subjectivity in Comic Art. Ed. Jane Tolmie. Jackson: Univ. Press of Mississippi, 2013. 185–206. |
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