| Duarte, Matt. "Grabbing the Devil by the Horns: Daredevil and his early rogues gallery." The Devil is in the Details. Examining Matt Murdock and Daredevil. Ed. Ryan K. Lindsay. Edwardsville: Sequart Research & Literacy Organization, 2013. 13–20. |
 
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| Dudzińska, Magdalena. "Zum sprachlichen und kulturellen Potenzial von Comics im Unterricht Deutsch als Fremdsprache in Polen." Convivium (2013): 285–306. |
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| Duncan, Randy and Matthew J. Smith, eds. Icons of the American Comic Book: From captain america to wonder woman. Greenwood Icons. Vol. 1–2. Santa Barbara: Greenwood, 2013. |
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| Dürrenmatt, Jacques. Bande dessinée et littérature. Études de littérature des XXe et XXIe siècles. Paris: Classiques Garnier, 2013. |
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| Earle, Harriet E. H. "Comics and Page Bleeds." Alluvium 2. 5 2013. Accessed 11 Jun. 2014. <http://www.alluvium-jou ... comics-and-page-bleeds/>. |
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| Earle, Harriet E. H. "Comics and the Chronotope: Time-space relationships in traumatic sequential art." HARTS and Minds 1. 2 2013. Accessed 11 Jun. 2014. <http://media.wix.com/ug ... aa4390bb478863d24d6.pdf>. |
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| Earle, Harriet E. H. "Panel Transitions in Trauma Comics." Alluvium 2. 1 2013. Accessed 11 Jun. 2014. <http://www.alluvium-jou ... tions-in-trauma-comics/>. |
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| Easton, Lee. "Saying No to Hetero-Masculinity: The villain in the superhero film." Cinephile 9. (2013): 38–44. |
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| Eaton, Lance. "The Hulking Hyde: How the incredible hulk reinvented the modern jekyll and hyde monster." Fear and Learning. Essays on the Pedagogy of Horror. Eds. Aalya Ahmad and Sean Moreland. Jefferson, London: McFarland, 2013. 138–55. |
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| Ecke, Jochen. "Warren Ellis: Performing the transnational author in the american comics mainstream." Transnational Perspectives on Graphic Narratives. Comics at the Crossroads. Eds. Shane Denson, Christina Meyer and Daniel Stein. New York: Bloomsbury, 2013. 163–79. |
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| Ecke, Jochen. "‘Is that you, our Jack?’: An anatomy of alan moore’s doubling strategies." Alan Moore and the Gothic Tradition. Ed. Matthew J. A. Green. Manchester, New York: Manchester Univ. Press, 2013. 65–83. |
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| Ecke, Jochen. "Grant Morrison’s ‘Fiction Suits’: Comics autobiography as genre fiction/genre fiction as comics autobiography." American Lives. Ed. Alfred Hornung. American Studies – A Monograph Series. Heidelberg: Winter, 2013. 297–312. |
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| Edginton, Ian, I. N. J. Culbard, and Hannah Means-Shannon. "Comics and multimodal adaptation plenary address." Studies in Comics 4. (2013): 35–42. |
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| Edwards, Jordan Z. "Tools of the “En-Eh-Mee”: Grant morrison’s utopia and the means to end there." Thesis Master of Arts. McMaster University, 2013. |
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| El Refaie, Elisabeth. "Transnational Identity as Shape-Shifting: Metaphor and cultural resonance in gene luen yang’s american born chinese." Transnational Perspectives on Graphic Narratives. Comics at the Crossroads. Eds. Shane Denson, Christina Meyer and Daniel Stein. New York: Bloomsbury, 2013. 33–47. |
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| Elsner, Daniela, Sissy Helff, and Britta Viebrock, eds. Films, Graphic Novels & Visuals: Developing multi-literacies in foreign language education – an interdisciplinary approach. Fremdsprachendidaktik in globaler Perspektive. Berlin [etc.]: LIT, 2013. |
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| Engelmann, Jonas. Gerahmter Diskurs: Gesellschaftsbilder im independent-comic. Mainz: Ventil, 2013. |
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| Engelmann, Jonas. "It’s Spring Break!." Jungle World (2013). |
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| Engelns, Markus. »Aquaman Sucks!«: Spezialwissen und die neue popularität der superhelden. Comiqheft / Comiqbook. Bochum: Ch.A. Bachmann, 2013. |
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| Engelns, Markus. "»Eine Literatur der Verbindungen«: Comics als interdiskursive erzählungen über medien?." Erzählen im Comic. Beiträge zur Comicforschung. Eds. Otto Brunken and Felix Giesa. Bochum: Ch.A. Bachmann, 2013. 77–87. |
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| Eschenburg, Johann Joachim. Über William Hogarth und seine Erklärer. Edition Wehrhahn. Ed. Till Kinzel. Hannover: Wehrhahn, 2013. |
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| Etter, Lukas. "Autobiographische Graphic Novels: Das beispiel von alison bechdels fun home." Autobiographie. Eine interdisziplinäre Gattung zwischen klassischer Tradition und (post-)moderner Variation. Eds. Uwe Baumann and Karl August Neuhausen. Super alta perennis. Bonn: Bonn Univ. Press, 2013. 533–46. |
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| Etter, Lukas. "The “Big Picture” as a Multitude of Fragments: Jason lutes’s depiction of weimar republic berlin." Transnational Perspectives on Graphic Narratives. Comics at the Crossroads. Eds. Shane Denson, Christina Meyer and Daniel Stein. New York: Bloomsbury, 2013. 229–41. |
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| Etter, Lukas. "On the Drawing Board: The many autobiographical “wedges” of alison bechdel." American Lives. Ed. Alfred Hornung. American Studies – A Monograph Series. Heidelberg: Winter, 2013. 313–26. |
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| Etter, Lukas and Gabriele Rippl. "“Don’t laugh – this ain’t the funny pages” Comics und bildende kunst (alain séchas, raymond pettibon)." Interpiktorialität. Theorie und Geschichte der Bild-Bild-Bezüge. Ed. Guido Isekenmeier. Bielefeld: Transcript, 2013. 261–80. |
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| Evans, Janet. "From comics, graphic novels and picturebooks to fusion texts: A new kid on the block!." Education 3–13 41. (2013): 233–48. |
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| Evans, Jonathan C. and Thomas Giddens, eds. Cultural Excavation and Formal Expression in the Graphic Novel. At the Interface, Probing the Boundaries. Oxford: Inter-Disciplinary Pr. 2013. |
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| Eveleth, Kyle. "Crucial Convergence: scott pilgrim as transmedial test case." Textual Overtures 1 2013. Accessed 8 Jan. 2021. <https://textualoverture ... o_april2013_eveleth.pdf>. |
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| Fagence, Brian. "‘The Fallow Narratives’ and The Pier: Writing for comics within transmedia storytelling." Studies in Comics 4. (2013): 171–84. |
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| Fanning, Charles. "George McManus and Irish America." ImageTexT 7. 2 2013. Accessed 11 Feb. 2014. <http://www.english.ufl. ... /archives/v7_2/fanning/>. |
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| Farghaly, Nadine, ed. Examining Lois Lane: The scoop on superman’s sweetheart. Lanham: Scarecrow, 2013. |
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| Fehrle, Johannes and Philipp Fidler. "‘What’s happened to the American Dream?’: Transnationalism and intertexts in alan moore and dave gibbons’s watchmen." International Journal of Comic Art 13. (2013): 495–527. |
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| Fernández L’Hoeste, Héctor D. "Súper Cholita and Bolivian Comics: In search of cultural and political hegemony." International Journal of Comic Art 15. (2013): 68–83. |
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| Fernández L’Hoeste, Héctor D. "Create Two, Three, Many Latino Superheroes: Latino identity and the us comics industry." Ages of Heroes, Eras of Men. Eds. Julian C. Chambliss, Thomas Donaldson and William Svitavsky. 2013. |
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| Fink, Uri. "Comics in Israel: A brief history." International Journal of Comic Art 15. (2013): 127–45. |
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| Fink, Marty. "It Gets Fatter: Graphic fatness and resilient eating in mariko and jillian tamaki’s skim." Fat Studies 2. (2013): 132–46. |
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| Finn, Michelle R. "William Marston’s Feminist Agenda." The Ages of Wonder Woman. Essays on the Amazon Princess in Changing Times. Ed. Joseph J. Darowski. Jefferson: McFarland, 2013. 7–21. |
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| Fischer, Nina. "Graphic Novels Explore an (Un-)Holy Land." Quest 6 2013. Accessed 11 Jul. 2016. <http://www.quest-cdecjournal.it/focus.php?id=344>. |
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| Flinn, Margaret C. "High Comics Art: The louvre and the bande dessinée." European Comic Art 6. (2013): 69–94. |
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| Forceville, Charles. "Creative visual duality in comics balloons." Creativity and the Agile Mind. A Multi-Disciplinary Exploration of a Multi-Faceted Phenomenon. Eds. Tony Veale, Kurt Feyaerts and Charles Forceville. Berlin, New York: Mouton de Gruyter, 2013. 253–73. |
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| Foster, Caitlin. "Marvel vs. DC: Mergers, acquisitions and corporate rebranding in the new millennium." Cinephile 9. (2013): 12–19. |
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| Foster, David William. "Latino Comics: Javier hernandez’s el muerto as an allegory of chicano identity." Latinos and Narrative Media. Participation and Portrayal. Ed. Frederick Luis Aldama. New York [etc.]: Palgrave Macmillan, 2013. 225–40. |
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| Fournier, Virginie. "L’extase dans l’asservissement, de Réage à Crepax." Pop en stock 2013. Accessed 29 Nov. 2015. <http://popenstock.ca/do ... ssement-de-reage-crepax>. |
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| Fox, Abram. "Exploring the Art in Sequential Art: An art historical approach to teaching comics." Graphic Novels and Comics in the Classroom. Essays on the Educational Power of Sequential Art. Eds. Carrye Kay Syma and Robert G. Weiner. Jefferson, London: McFarland, 2013. 91–100. |
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| Frahm, Ole. "Der Authentizitäts-Fetisch: Hergés biographie eines hundes." Der dokumentarische Comic. Reportage und Biografie. Ed. Dietrich Grünewald. Bochum: Ch.A. Bachmann, 2013. 63–74. |
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| Fraser, Benjamin. Disability Studies and Spanish Culture: Films, novels, the comic and the public exhibition. Chicago: Univ. of Chicago Press, 2013. |
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| Freim, Nicole. "The Dark Amazon Saga: Diana meets the iron age." The Ages of Wonder Woman. Essays on the Amazon Princess in Changing Times. Ed. Joseph J. Darowski. Jefferson: McFarland, 2013. 174–83. |
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| Freund, Michael. "Von distanzierter Sozialsatire zur realistischen Berichterstattung – der Vietnam- und der Irakkrieg in Trudeaus Doonesbury-Strip." Der dokumentarische Comic. Reportage und Biografie. Ed. Dietrich Grünewald. Bochum: Ch.A. Bachmann, 2013. 261–73. |
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| Friederich, Ute. "Nicht nur in der Zeit, auch in der Raumfolge wahrgenommen: Architektur und comic bei chris ware." Kritische Ausgabe 17. (2013): 39–42. |
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| Friederich, Ute. "Fragmentarische Strukturen: Wie art spiegelman und w.g. sebald zeugenschaft und trauma erzählbar machen." Der dokumentarische Comic. Reportage und Biografie. Ed. Dietrich Grünewald. Bochum: Ch.A. Bachmann, 2013. 209–20. |
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| Frome, Jonathan. "Snow White: Critics and criteria for the animated feature film." Quarterly Review of Film and Video 30. (2013): 462–73. |
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| Gabai, Anna. "Zwischen Ich und Wir: Erinnerungen an den libanesischen bürgerkrieg im comic." Der dokumentarische Comic. Reportage und Biografie. Ed. Dietrich Grünewald. Bochum: Ch.A. Bachmann, 2013. 167–78. |
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| Gabilliet, Jean-Paul. "A Disappointing Crossing: The north american reception of asterix and tintin." Transnational Perspectives on Graphic Narratives. Comics at the Crossroads. Eds. Shane Denson, Christina Meyer and Daniel Stein. New York: Bloomsbury, 2013. 257–70. |
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| Gabriel, Fernando and Pagnoni Berns. "War, Foreign Policy and the Media: The rucka years." The Ages of Wonder Woman. Essays on the Amazon Princess in Changing Times. Ed. Joseph J. Darowski. Jefferson: McFarland, 2013. 194–204. |
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| Gardner, Jared. "A History of the Narrative Comic Strip." From Comic Strips to Graphic Novels. Contributions to the Theory and History of Graphic Narrative. Eds. Daniel Stein and Jan-Noël Thon. Narratologia. Berlin u. Boston: de Gruyter, 2013. 241–53. |
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| Garland, Tony W. "Villainous Adoration: The role of foe as fan in batman narratives." Fan Phenomena: Batman. Ed. Liam Burke. Fan Phenomena. Bristol, Chicago: Intellect Books, 2013. 120–29. |
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| Garric, Henri, ed. L’engendrement des images en bande dessinée. Iconotextes. Tours: Presses Univ. François-Rabelais, 2013. |
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| Garric, Henri. "Imaginaire des auteurs et engendrement des images." L’engendrement des images en bande dessinée. Ed. Henri Garric. Iconotextes. Tours: Presses Univ. François-Rabelais, 2013. 9–18. |
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| Garric, Henri. "L’engendrement du gag dans Gaston Lagaffe de Franquin." L’engendrement des images en bande dessinée. Ed. Henri Garric. Iconotextes. Tours: Presses Univ. François-Rabelais, 2013. 43–54. |
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| Gavaler, Chris. "The Ku Klux Klan and the birth of the superhero." Journal of Graphic Novels and Comics 4. (2013): 191–208. |
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| Gerbier, Laurent. "L’ordre des rêves, des images aux récits." Nocturnos. Le rêve dans la bande dessinée. Ed. Thierry Groensteen. Paris: Citadelles & Mazenod, 2013. 183–96. |
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| Germanà, Monica. "Madness and the City: The collapse of reason and sanity in alan moore’s from hell." Alan Moore and the Gothic Tradition. Ed. Matthew J. A. Green. Manchester, New York: Manchester Univ. Press, 2013. 140–58. |
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| Gheno, Marine. "« Être auteure, ce n’est pas encore être »: La visibilité féminine à travers les bd de judith forest." Alternative Francophone 1. 6 2013. Accessed 1 Jan. 2018. <https://journals.librar ... p/af/article/view/21262>. |
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| Superheroes: A never-ending battle. 2013. Ghostlight Films. |
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| Giaimo, Genie. "Psychological Diffusions: The cognitive turn in alison bechdel’s are you my mother? a comic drama." European Journal of Life Writing 2 2013. Accessed 20 Sept. 2016. <http://ejlw.eu/article/view/57/78>. |
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| Giaimo, Genie Nicole. "Psychological Diffusions: the cognitive turn in alison bechdel’s are you my mother? a comic drama." European Journal of Life Writing 2 2013. Accessed 13 Sept. 2019. <https://ejlw.eu/article/view/31397>. |
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| Giddens, Thomas. "Towards a Metaphysics of Comics." Cultural Excavation and Formal Expression in the Graphic Novel. Eds. Jonathan C. Evans and Thomas Giddens. At the Interface, Probing the Boundaries. Oxford: Inter-Disciplinary Pr. 2013. 207–16. |
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| Giesa, Felix. "Erzählungen von Konflikt und Trauma in amerikanischen Comics nach 9/11." An allen Fronten. Kriege und politische Konflikte in Kinder- und Jugendmedien. Eds. Ingrid Tomkowiak, et al. Vol. 3. Beiträge zur Kinder- und Jugendmedienforschung. Zürich: Chronos, 2013. 127–54. |
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| Gilmore, Leigh and Elizabeth Marshall. "Trauma and Young Adult Literature: Representing adolescence and knowledge in david small’s stitches: a memoir." Prose Studies 35. (2013): 16–38. |
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| Glaser, Jennifer. "Picturing the Transnational in Palomar: Gilbert hernandez and the comics of the borderlands." ImageTexT 7. 1 2013. Accessed 16 Dec. 2014. <http://www.english.ufl. ... t/archives/v7_1/glaser/>. |
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| Glasspool, Lucy Hannah. "Simulation and database society in Japanese role-playing game fandoms: Reading boys’ love dōjinshi online." Transformative Works and Cultures 12 2013. Accessed 2 May. 2013. <http://journal.transfor ... wc/article/view/433/360>. |
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| Goddeeris, Idesbald. "Racism for Beginners: Constructions of chinese in twentieth-century belgian comics." Race and Racism in Modern East Asia. Western and Eastern Constructions. Eds. Rotem Kowner and Walter Demel. Brill’s Series on Modern East Asia in a Global Historical Perspective. Leiden: Brill, 2013. 231–59. |
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| Gohrbandt, Detlev. "Formen des visuellen Erzählens bei Thomas Nast: die 1860er Jahre." Erzählen im Comic. Beiträge zur Comicforschung. Eds. Otto Brunken and Felix Giesa. Bochum: Ch.A. Bachmann, 2013. 221–34. |
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| Gohrbandt, Detlev. "»Worte gehen ja immer daneben«: Der erste weltkrieg in einer bild-text-erzählung: the patriot’s progress von henry williamson und william kermode." Der dokumentarische Comic. Reportage und Biografie. Ed. Dietrich Grünewald. Bochum: Ch.A. Bachmann, 2013. 119–38. |
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| González, Christopher. "Turf, Tags, and Territory: Spatiality in jaime hernandez’s “vida loca: the death of speedy ortiz”." ImageTexT 7. 1 2013. Accessed 18 Dec. 2014. <http://www.english.ufl. ... archives/v7_1/gonzalez/>. |
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| Goodbrey, Daniel Merlin. "Digital comics – new tools and tropes." Studies in Comics 4. (2013): 185–98. |
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| Goossens, Peter. "Photoalbum, Museum, Katalog: Narrative modelle der neueren erzählliteratur." Bücher als Kunstwerke. Von der Literatur zum Künstlerbuch. Eds. Monika Schmitz-Emans and Christian A. Bachmann. Mirabiblia. Forschungen zum Künstlerbuch. Bochum: Ch.A. Bachmann, 2013. 173–200. |
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| Gordon, Ian. "Comics, Creators, and Copyright: On the ownership of serial narratives by multiple authors." A Companion to Media Authorship. Eds. Jonathan Gray and Derek Johnson. Chichester: Wiley-Blackwell, 2013. 221–36. |
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| Gott, Michael. "Reframing European Diasporas in Contemporary France: ‘second generation’ subjectivity and the road ‘home’ in portugal (2011) and la commedia des ratés (2011)." European Comic Art 6. (2013): 95–125. |
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| Grace, Dominick and Eric Hoffman, eds. Chester Brown: Conversations. Conversations with Comic Artists. Jackson: Univ. Press of Mississippi, 2013. |
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| Gravett, Paul. Comics Art. New York: Tate Publishing, 2013. |
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| Gravett, Paul. "Enki Bilal: Haunted by the future." Comic Heroes Magazine (2013). |
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| Gravett, Paul. "Jaime Hernandez: Breaking every rule." Comic Heroes Magazine (2013). |
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| Gray, Maggie. "A Gothic politics: Alan moore’s swamp thing and radical ecology." Alan Moore and the Gothic Tradition. Ed. Matthew J. A. Green. Manchester, New York: Manchester Univ. Press, 2013. 42–62. |
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| Green, Matthew J. A., ed. Alan Moore and the Gothic Tradition. Manchester, New York: Manchester Univ. Press, 2013. |
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| Green, Michael J. "Teaching with Comics: A course for fourth-year medical students." Journal of Medical Humanities 34. (2013): 471–76. |
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| Green, Matthew J. A. "A Darker Magic: Heterocosms and bricolage in moore’s recent reworkings of lovecraft." Alan Moore and the Gothic Tradition. Ed. Matthew J. A. Green. Manchester, New York: Manchester Univ. Press, 2013. 253–75. |
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| Green, Matthew J. A. "Alan Moore and the Gothic tradition." Alan Moore and the Gothic Tradition. Ed. Matthew J. A. Green. Manchester, New York: Manchester Univ. Press, 2013. 3–20. |
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| Greinecker-Morocutti, Hannelore. "Wie ist die Darstellung des Warschauer Ghettos im Comic möglich? der himmel zwischen den mauern." Der dokumentarische Comic. Reportage und Biografie. Ed. Dietrich Grünewald. Bochum: Ch.A. Bachmann, 2013. 139–52. |
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| Grennan, Simon. "Register in the guise of genre: Instrumental adaptation in the early comics of grennan & sperandio." Studies in Comics 4. (2013): 75–88. |
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| Groensteen, Thierry. Comics and Narration. Jackson: Univ. Press of Mississippi, 2013. |
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| Groensteen, Thierry. "De l’art séquentiel à l’art ludique." Textimage Varia 3 2013. Accessed 26 Jul. 2014. <http://www.revue-textim ... aria_3/groensteen1.html>. |
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| Groensteen, Thierry. Entretiens avec Joann Sfar. Réflexions faites. Bruxelles: Les Impressions Nouvelles, 2013. |
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| Groensteen, Thierry, ed. Nocturnos: Le rêve dans la bande dessinée. Paris: Citadelles & Mazenod, 2013. |
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| Groß, Florian. "Lost in Translation: Narratives of transcultural displacement in the wordless graphic novel." Transnational Perspectives on Graphic Narratives. Comics at the Crossroads. Eds. Shane Denson, Christina Meyer and Daniel Stein. New York: Bloomsbury, 2013. 197–210. |
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