| Breidenbach, Carla. "Pocho Politics: Language, identity, and discourse in lalo alcaraz’s la cucaracha." Linguistics and the Study of Comics. Ed. Frank Bramlett. New York [etc.]: Palgrave Macmillan, 2012. 210–38. |
 
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| Bremmer, Magnus. "Out of Site: Photography, writing, and displacement in leslie scalapino’s the tango." The Future of Text and Image. Collected Essays on Literary and Visual Conjunctures. Eds. Ofra Amihay and Lauren Walsh. Newcastle upon Tyne: Cambridge Scholars Publ. 2012. 169–98. |
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| Brienza, Casey E. "Taking otaku theory overseas: Comics studies and japan’s theorists of postmodern cultural consumption." Studies in Comics 3. (2012): 213–29. |
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| Brigley-Thompson, Zoë. "Theorizing Sexual Domination in From Hell and Lost Girls: Jack the ripper versus wonderlands of desire." Sexual Ideology in the Works of Alan Moore. Critical Essays on the Graphic Novels. Eds. Todd E. Comer and Joseph Michael Sommers. Jefferson, London: McFarland, 2012. 76–87. |
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| Brock, Jennifer. "‘One Should Never Forget’ : The tangling of history and memory in persepolis." Graphic History. Essays on Graphic Novels And/As History. Ed. Richard Iadonisi. Newcastle upon Tyne: Cambridge Scholars Publ. 2012. 223–41. |
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| Brod, Harry. Superman Is Jewish? How comic book superheroes came to serve truth, justice, and the jewish-american way. New York: Free Press, 2012. |
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| Broderick, James F. "From Hell." Now a Terrifying Motion Picture! Twenty-Five Classic Works of Horror Adapted from Book to Film. Jefferson, London: McFarland, 2012. 78–85. |
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| Brogan, Jacob. "From Comics History to Personal Memory." The Comics Journal 2012. Accessed 3 Jul. 2013. <http://www.tcj.com/from ... ory-to-personal-memory/>. |
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| Brooker, Will. Hunting the Dark Knight: Twenty-first century batman. London, New York: I. B. Tauris, 2012. |
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| Brown, Jeffrey A. "Ethnography: Wearing one’s fandom." Critical Approaches to Comics and Graphic Novels. Theories and Methods. Eds. Matthew J. Smith and Randy Duncan. London, New York: Routledge, 2012. 280–90. |
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| Brunner, Miriam. "Once upon a Time: Temporale strukturen im sequentiellen medium manga." Revisionen – Relektüren – Perspektiven. Eds. Simon Frisch and Tim Raupach. Film- und Fernsehwissenschaftliches Kolloquium. 2012. 81–97. |
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| Buchenberger, Stefan. "Superman and the Corruption of Power." The Ages of Superman. Essays on the Man of Steel in Changing Times. Ed. Joseph J. Darowski. Jefferson, London: McFarland, 2012. 192–98. |
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| Buenaventura, Alvin, ed. The Art of Daniel Clowes: Modern cartoonist. New York: Abrams, 2012. |
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| Bühring, Andrea. "Goethes »Faust« im Comic." M.A. Magisterarbeit. Universität Bonn, 2012. |
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| Bukatman, Scott. The Poetics of Slumberland: Animated spirits and the animating spirit. Berkeley: Univ. of California Press, 2012. |
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| Bukh, Alexander. "Reception of the revisionist historical manga in Japan: A case study of university students." Inter-Asia Cultural Studies 13. (2012): 623–38. |
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| Bulić, Jelena. "The Travelling Cartoonist: Representing the self and the world in guy delisle’s graphic travel narratives." Narodna umjetnost 49. (2012): 61–80. |
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| Bumatay, Michelle. "Humor as a Way to Re-Image and Re-Imagine Gabon and France in La vie de Pahé and Dipoula." European Comic Art 5. (2012): 45–66. |
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| Burke, Liam. "Special Effect: Have film adaptations changed mainstream comics?." Scan. Journal of media arts culture 9. 1 2012. Accessed 3 May. 2013. <http://scan.net.au/scn/ ... number1/Liam-Burke.html>. |
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| Burke, Liam. "‘Superman in Green’: An audience study of comic book film adaptations thor and green lantern." Participations 9. 2 2012. Accessed 8 Dec. 2012. <http://www.participatio ... Issue%202/8%20Burke.pdf>. |
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| Butler, Isaac. "V For Vile." The Hooded Utilitarian 2012. Accessed 9 Jul. 2018. <http://www.hoodedutilit ... com/2012/09/v-for-vile/>. |
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| Bye, Susan. "Spirits of Times Past: Fantasy, tradition and identity in spirited away." Screen Education (2012): 121–28. |
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| Cadle, Lanette. "The Power of the Perky: The feminist rhetoric of death." Feminism in the Worlds of Neil Gaiman. Essays on the Comics, Poetry and Prose. Eds. Tara Prescott and Aaron Drucker. Jefferson, London: McFarland, 2012. 32–46. |
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| Calargé, Carla. "Monsters and Spectacles: A lesson to learn and remember." European Comic Art 5. (2012): 23–44. |
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| Caldwell, Joshua. "Comic panel layout: A peircean analysis." Studies in Comics 2. (2012): 317–38. |
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| Call, Lewis. "Submitting to a Loving Mistress: Bdsm in william moulton marston’s wonder woman comics." BDSM in American Science Fiction and Fantasy. New York [etc.]: Palgrave Macmillan, 2012. 27–57. |
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| Campbell, Hayley. "Small Human Ordinariness: An interview with tom gauld." The Comics Journal 2012. Accessed 12 Oct. 2017. <http://www.tcj.com/smal ... terview-with-tom-gauld/>. |
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| Candelaria, Matthew. "Green Love, Red Sex: The conflation of the flora and the flesh in swamp thing." Sexual Ideology in the Works of Alan Moore. Critical Essays on the Graphic Novels. Eds. Todd E. Comer and Joseph Michael Sommers. Jefferson, London: McFarland, 2012. 28–39. |
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| Cantrell, Sarah. "Feminist Subjectivity in Neil Gaiman’s Black Orchid." Feminism in the Worlds of Neil Gaiman. Essays on the Comics, Poetry and Prose. Eds. Tara Prescott and Aaron Drucker. Jefferson, London: McFarland, 2012. 102–15. |
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| Caron, Tim. "“Black and White and Read All Over”: Representing race in mat johnson and warren pleece’s incognegro: a graphic mystery." Comics and the U.S. South. Eds. Brannon Costello and Qiana J. Whitted. Jackson: Univ. Press of Mississippi, 2012. 138–60. |
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| Carpenter, Greg. "Peeking from Behind the Sofa: The 25th anniversary of violent cases." Sequart Organization Magazine 2012. Accessed 8 Dec. 2014. <http://sequart.org/maga ... rsary-of-violent-cases/>. |
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| Carpenter II, B. Stephen and Kevin Tavin. "Drawing Together or Reflections on How (Not) to Edit Graphic Novels in Art Education." Visual Arts Research 38. (2012): v–x. |
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| Carpenter, Stanford W. "Ethnography of Production: Editor axel alonso and the sale of ideas." Critical Approaches to Comics and Graphic Novels. Theories and Methods. Eds. Matthew J. Smith and Randy Duncan. London, New York: Routledge, 2012. 167–77. |
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| Carrier, David. What Is a Comic? A brief sketch of a new answer to that old question. Comiqheft / Comiqbook. Bochum: Ch.A. Bachmann, 2012. |
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| Carrier, David. "Proust’s In Search of Lost Time: The comics version." The Art of Comics. A Philosophical Approach. Eds. Aaron Meskin and Roy T. Cook. Chichester: Wiley-Blackwell, 2012. 188–202. |
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| Carter, David Ray. "Reinterpreting Myths in Spider-Man: The Animated Series." Web-Spinning Heroics. Critical Essays on the History and Meaning of Spider-Man. Eds. Robert Moses Peaslee and Robert G. Weiner. Jefferson, London: McFarland, 2012. 210–21. |
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| Carter, James Bucky. "Teaching Peter Parker’s Ghosts of Milton: Anxiety of influence, the trace, and platonic knowing in ultimate spider-man volume 1." Web-Spinning Heroics. Critical Essays on the History and Meaning of Spider-Man. Eds. Robert Moses Peaslee and Robert G. Weiner. Jefferson, London: McFarland, 2012. 63–68. |
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| Cassell, Dewey and Aaron Sultan. Marie Severin: The mirthful mistress of comics. Raleigh: TwoMorrows, 2012. |
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| Cassiau-Haurie, Christophe. Quand la BD d’Afrique s’invite en Europe: Répertoire analytique. Lettres Et Linguistique Critiques Et Essais. Paris: L’Harmattan, 2012. |
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| Castells i Talens, Antoni. "Cómic, cultura y política: Detrás de la máscara de tintín." La Palabra y el Hombre (2012): 45–51. |
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| Catala, Josep. "A Drawing of the World: Documentary and comic book." Scan. Journal of media arts culture 9. 1 2012. Accessed 3 May. 2013. <http://scan.net.au/scn/ ... mber1/Josep-Catala.html>. |
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| Cates, Isaac. "The Diagram of a Life." The Comics Journal 2012. Accessed 6 Jun. 2023. <https://www.tcj.com/the-diagram-of-a-life/>. |
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| Cavallaro, Dani. Art in Anime: The creative quest as theme and metaphor. Jefferson, London: McFarland, 2012. |
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| Cavallaro, Dani. CLAMP in Context: A critical study of the manga and anime. Jefferson, London: McFarland, 2012. |
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| Cavallaro, Dani. Kyoto Animation: A critical study and filmography. Jefferson, London: McFarland, 2012. |
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| Chaganti, Seeta. "Danse macabre and the virtual churchyard." postmedieval 3. (2012): 7–26. |
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| Chandra, Nandini. "The Prehistory of the Superhero Comics in India (1976–1986)." Thesis Eleven 113. (2012): 57–77. |
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| Chapman, Jane and Daniel Ellin. "Multi-panel comic narratives in Australian First World War trench publications as citizen journalism." Australian Journal of Communication 39. (2012): 1–22. |
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| Chase, Gregory. "In the Gutter: Comix theory." Studies in Comics 3. (2012): 107–28. |
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| Chelebourg, Christian. Les Écofictions: Mythologies de la fin du monde. Réflexions faites. Bruxelles: Les Impressions Nouvelles, 2012. |
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| Cheng, Kevin. See What I Mean: How to use comics to communicate ideas. New York: Rosenfeld, 2012. |
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| Chiat, Kevin. "Giant Dawn and Mutant Superheroes: Joss whedon in comics." Joss Whedon. The Complete Companion. Ed. Mary Alice Money. London: Titan Books, 2012. 341–52. |
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| Chute, Hillary. "Comics as Archives: Metametamaus." emisférica 9. 1–2 2012. Accessed 15 Apr. 2016. <http://hemisphericinsti ... en/e-misferica-91/chute>. |
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| Chute, Hillary. "Graphic Narrative." The Routledge Companion to Experimental Literature. Eds. Joe Bray, Alison Gibbons and Brian McHale. Routledge Literature Companions. London, New York: Routledge, 2012. 407–19. |
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| Chute, Hillary and Marianne DeKoven. "Comic books and graphic novels." The Cambridge Companion to Popular Fiction. Eds. David Glover and Scott McCracken. Cambridge Companions to Literature. Cambridge [etc.]: Cambridge Univ. Press, 2012. 175–95. |
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| Cirella-Urrutia, Anne. "Heroes and Heroines of the Great War: The aesthetics of horror in bandes dessinées." Heroisches Elend. Der Erste Weltkrieg im intellektuellen, literarischen und bildnerischen Gedächtnis der europäischen Kulturen. Eds. Gislinde Seybert and Thomas Stauder. Stuttgart: Hirzel, 2012. 1553–73. |
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| Added by: joachim 25/01/2014, 00:59 |
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| Clancy, Shaun. "A great friendship: An interview with friend and artist frank giusto." Matt Baker. The Art of Glamour. Eds. Jim Amash and Eric Nolen-Weathington. Raleigh: TwoMorrows, 2012. 122–35. |
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| Clancy, Shaun. "Sidebar: Elizabeth waller on it rhymes with lust." Matt Baker. The Art of Glamour. Eds. Jim Amash and Eric Nolen-Weathington. Raleigh: TwoMorrows, 2012. 52. |
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| Clancy, Shaun and Dan O’Brien. "The best man for the job: Interviews and correspondence with ray osrin." Matt Baker. The Art of Glamour. Raleigh: TwoMorrows, 2012. 136–51. |
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| Clanton, Jr, Dan W., ed. The End Will Be Graphic: Apocalyptic in comic books and graphic novels. Bible in the Modern World. Sheffield: Sheffield Phoenix, 2012. |
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| Claudio, Esther. "Ergodic texts: In the Shadow of No Towers." The Comics Grid. Journal of Comics Scholarship. Year One. Ed. Ernesto F. Priego Ramirez. London: The Comics Grid Digital First Editions, 2012. 10–12. |
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| Claudio, Esther. "It’s a Bird – Steven T. Seagle and Teddy Kristiansen." The Comics Grid. Journal of Comics Scholarship. Year One. Ed. Ernesto F. Priego Ramirez. London: The Comics Grid Digital First Editions, 2012. 42–44. |
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| Added by: joachim 26/12/2012, 11:32 |
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| Claudio, Esther. "Marjane Satrapi’s Elaborate Simplicity." The Comics Grid. Journal of Comics Scholarship. Year One. Ed. Ernesto F. Priego Ramirez. London: The Comics Grid Digital First Editions, 2012. 66–68. |
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| Added by: joachim 31/12/2012, 00:14 |
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| Claudio, Esther. "The cruel beauty of a world without words: Winshluss’ pinocchio." The Comics Grid. Journal of Comics Scholarship. Year One. Ed. Ernesto F. Priego Ramirez. London: The Comics Grid Digital First Editions, 2012. 94–97. |
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| Claudio, Esther. "Would you admit it? (on chris ware’s cut-outs)." The Comics Grid. Journal of Comics Scholarship. Year One. Ed. Ernesto F. Priego Ramirez. London: The Comics Grid Digital First Editions, 2012. 28–30. |
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| Clayton, Aaron. "Evolution and Race on the Island of Caspak: How tarzan and t-rex decode manhood in the comic that time forgot." Global Perspectives on Tarzan. From King of the Jungle to International Icon. Eds. Annette Wannamaker and Michelle Abate. Routledge Research in Cultural and Media Studies. London, New York: Routledge, 2012. 180–97. |
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| Cohn, Neil. "Explaining ‘I Can’t Draw’: Parallels between the structure and development of language and drawing." Human Development 55. (2012): 167–92. |
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| Cohn, Neil. "Comics, Linguistics, and Visual Language: The past and future of a field." Linguistics and the Study of Comics. Ed. Frank Bramlett. New York [etc.]: Palgrave Macmillan, 2012. 92–118. |
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| Cohn, Neil, et al. "(Pea)nuts and bolts of visual narrative: Structure and meaning in sequential image comprehension." Cognitive Psychology 65. (2012): 1–38. |
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| Cohn, Neil, Amaro Taylor-Weiner, and Suzanne Grossman. "Framing attention in Japanese and American comics: Cross-cultural differences in attentional structure." Frontiers in Psychology 3. 349 2012. Accessed 1 Nov. 2013. <http://www.frontiersin. ... syg.2012.00349/abstract>. |
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| Comer, Todd E. "Body Politics: Unearthing an embodied ethics in v for vendetta." Sexual Ideology in the Works of Alan Moore. Critical Essays on the Graphic Novels. Eds. Todd E. Comer and Joseph Michael Sommers. Jefferson, London: McFarland, 2012. 100–10. |
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| Added by: joachim 23/04/2012, 21:43 |
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| Comer, Todd E. and Joseph Michael Sommers, eds. Sexual Ideology in the Works of Alan Moore: Critical essays on the graphic novels. Jefferson, London: McFarland, 2012. |
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| Conard, Sébastien and Tom Lambeens. "Duration in Comics." European Comic Art 5. (2012): 92–113. |
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| Condis, Megan. "Failure to Launch: Not-so-superheroes in gravity’s rainbow and superfolks." Journal of Popular Culture 45. (2012): 1169–88. |
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| Connors, Sean P. "Altering Perspectives: How the implied reader invites us to rethink the difficulty of graphic novels." The Clearing House 85. (2012): 33–37. |
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| Connors, Sean P. "Lessons Learned: Milton caniff’s “dickie dare”." International Journal of Comic Art 14. (2012): 51–65. |
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| Coogan, Peter. "Genre: Reconstructing the superhero in all star superman." Critical Approaches to Comics and Graphic Novels. Theories and Methods. Eds. Matthew J. Smith and Randy Duncan. London, New York: Routledge, 2012. 203–20. |
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| Cook, Roy T. "Drawings of Photographs in Comics." Journal of Aesthetics and Art Criticism 70. (2012): 129–38. |
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| Cook, Roy T. "Schulz, “Peanuts,” and Metafiction." International Journal of Comic Art 14. (2012): 66–92. |
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| Cook, Roy T. "Why Comics Are Not Films: Metacomics and medium‐specific conventions." The Art of Comics. A Philosophical Approach. Eds. Aaron Meskin and Roy T. Cook. Chichester: Wiley-Blackwell, 2012. 165–87. |
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| Cortsen, Rikke Platz. "Thirty-Two Floors of Disruption: Time and space in alan moore’s “how things work out”." Crossing Boundaries in Graphic Narrative. Essays on Forms, Series and Genres. Eds. Jake Jakaitis and James F. Wurtz. Jefferson, London: McFarland, 2012. 93–106. |
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| Costello, Brannon. "The Futurama Isn’t What it Used to Be: Embodiment and the “real thing” in howard chaykin’s time2." International Journal of Comic Art 14. (2012): 1–22. |
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| Costello, Brannon. "Southern Super-Patriots and United States Nationalism: Race, region, and nation in captain america." Comics and the U.S. South. Eds. Brannon Costello and Qiana J. Whitted. Jackson: Univ. Press of Mississippi, 2012. 62–88. |
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| Costello, Matthew J. "The Shopping Malls of Empire: Cultural fragmentation, the new media, and consumerism in howard chaykin’s american flagg!." Comic Books and American Cultural History. An Anthology. Ed. Matthew Pustz. London, New York: Continuum, 2012. 152–68. |
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| Costello, Brannon and Qiana J. Whitted, eds. Comics and the U.S. South. Jackson: Univ. Press of Mississippi, 2012. |
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| Couch, N.C. Christopher. "We Shouldn’t Even Have to Say Comics Deserve Respect: Comparative perspectives on teaching sequential art." International Journal of Comic Art 14. (2012): 314–31. |
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| Couser, G. Thomas. Memoir: An introduction. New York: Oxford Univ. Press, 2012. |
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| Covich, Anna-Maria Ruth. "Alter/Ego: Superhero comic book readers, gender and identities." Thesis Master of Arts. University of Canterbury, 2012. |
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| Coward, John M. "Making Sense of Savagery: Native american cartoons in the daily graphic." Visual Communication Quarterly 19. (2012): 200–15. |
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| Crafton, Donald. Shadow of a Mouse: Performance, belief, and world-making in animation. Berkeley: Univ. of California Press, 2012. |
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| Crawley, Karen and Honni van Rijswijk. "Justice in the Gutter: Representing everyday trauma in the graphic novels of art spiegelman." Law Text Culture 16. (2012): 93–118. |
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| Cremins, Brian. "Bumbazine, Blackness, and the Myth of the Redemptive South in Walt Kelly’s Pogo." Comics and the U.S. South. Eds. Brannon Costello and Qiana J. Whitted. Jackson: Univ. Press of Mississippi, 2012. 29–61. |
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| Cunningham, Phillip L. "Donald Glover for Spider-Man." Web-Spinning Heroics. Critical Essays on the History and Meaning of Spider-Man. Eds. Robert Moses Peaslee and Robert G. Weiner. Jefferson, London: McFarland, 2012. 22–28. |
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| Cutrara, Samantha. "Drawn out of History: The representation of women in chester brown’s louis riel: a comic strip biography." Graphic History. Essays on Graphic Novels And/As History. Ed. Richard Iadonisi. Newcastle upon Tyne: Cambridge Scholars Publ. 2012. 121–43. |
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| D’Amore, Laura Mattoon. "The Accidental Supermom: Superheroines and maternal performativity, 1963–1980." Journal of Popular Culture 45. (2012): 1226–48. |
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| Dahlman, Ian. "The Legal Surrealism of George Herriman’s Krazy Kat." Law Text Culture 16. (2012): 35–64. |
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| Dallacqua, Ashley Kay. "Exploring Literary Devices in Graphic Novels." Language Arts 89. (2012): 365–78. |
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| Dalmaso, Renata. "When Superheroes Awaken: The revisionist trope in neil gaiman’s marvel 1602." Feminism in the Worlds of Neil Gaiman. Essays on the Comics, Poetry and Prose. Eds. Tara Prescott and Aaron Drucker. Jefferson, London: McFarland, 2012. 116–30. |
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| Dapena, Xavi M. "Sexo o misoginia según R. Crumb." Tebeosfera 9 2012. Accessed 6 Apr. 2013. <http://www.tebeosfera.c ... inia_segun_r_crumb.html>. |
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| Darius, Julian. And the Universe so Big: Understanding batman: the killing joke. Edwardsville: Sequart Research & Literacy Organization, 2012. |
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