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| Sackmann, Eckart. "Addenda [zu: Kaspar Braun: »Der Gockel«]." Deutsche Comicforschung 7. (2011): 143. |
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| Sackmann, Eckart. "Der 1. Internationale Comic-Salon Erlangen 1984." Deutsche Comicforschung 7. (2011): 129–39. |
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| Sackmann, Eckart. "Der frühe Reinhold Escher." Deutsche Comicforschung 7. (2011): 77–91. |
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| Sackmann, Eckart. "Der Sprechblasencomic im Widerstreit der Kulturen, Teil 2." Deutsche Comicforschung 7. (2011): 43–48. |
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| Sackmann, Eckart. "Der Verleger als künstlerischer Entscheider: Caspar Braun." Deutsche Comicforschung 7. (2011): 7–14. |
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| Sackmann, Eckart. "Hellmuth M. Peter." Deutsche Comicforschung 7. (2011): 49–52. |
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| Sackmann, Eckart. "Horst von Möllendorff." Deutsche Comicforschung 7. (2011): 53–63. |
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| Sackmann, Eckart. "Wilhelm-Busch-Nummern." Deutsche Comicforschung 7. (2011): 35–42. |
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| Sadokierski, Zoë. "Disturbing the text: Typographic devices in literary fiction." Book 2.0 1. (2011): 101–25. |
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| Saito, Tamaki. Beautiful Fighting Girl. Minneapolis: Univ. of Minnesota Press, 2011. |
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| Sammond, Nicholas. "Dumbo, Disney, and Difference: Walt disney productions and film as children’s literature." The Oxford Handbook of Children’s Literature. Eds. Julia Mickenberg and Lynne Vallone. Oxford Handbooks. New York: Oxford Univ. Press, 2011. 147–66. |
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| Samson, Jacques. "Images en rappel (Vignettes tirées de divers albums de Tintin)." Déconstruire l’image. Ed. Christophe Genin. Esthétique. Paris: Publications de la Sorbonne, 2011. 51–64. |
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| Sandten, Cecile. "Intermedial fictions of the “new” metropolis: Calcutta, delhi and cairo in the graphic novels of sarnath banerjee and g. willow wilson." Journal of Postcolonial Writing 47. (2011): 510–22. |
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| Sanyal, Sudipto. "Introducing a Little Anarchy: the dark knight and power structures on the verge of a nervous breakdown." Riddle Me This, Batman! Essays on the Universe of the Dark Knight. Eds. Kevin K. Durand and Mary K. Leigh. Jefferson, London: McFarland, 2011. 70–78. |
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| Sarasola, Ignacio Fernández. "¿Héroes o villanos? Comics y derechos fundamentales en estados unidos." Belphégor 10. 2 2011. Accessed 13 Feb. 2012. <http://dalspace.library.dal.ca/handle/10222/47804>. |
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| Sauer, Hans. 205 Years of Beowulf Translations and Adaptations (1805–2010): A bibliography. Trier: Wissenschaftlicher Verlag Trier, 2011. |
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| Saupe, Anja. Kannibalismus und Kultur: Zu einer poetik des tabubruchs in der fiktion – drama, comic und film. Beiträge zur Literatur- und Mediendidaktik. Frankfurt am Main [etc.]: Peter Lang, 2011. |
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| Schaaff, Peter. "»Kein Auftrag wie jeder andere«: Über die arbeit am bildungscomic andi." Rechtsextremismus, Rassismus und Antisemitismus in Comics. Ed. Ralf Palandt. Berlin: Archiv der Jugendkulturen, 2011. 192–203. |
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| Schäfer-Bossert, Stefanie. "Die Hellsing-Animés – ein Meilenstein in der Vampirgeschichte." Überzeichnet. Religion in Comics. Eds. Inge Kirsner, Olaf Seydel and Harald Schroeter-Wittke. POPKULT. Jena: IKS Garamond, 2011. 185–220. |
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| Schieble, Melissa. "A case for interruption in the virtual English classroom with the graphic novel American Born Chinese." Australian Journal of Language and Literacy 34. (2011): 202–18. |
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| Schleicher, Regina. "Asterix und die Stereotype." Rechtsextremismus, Rassismus und Antisemitismus in Comics. Ed. Ralf Palandt. Berlin: Archiv der Jugendkulturen, 2011. 158–61. |
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| Schmid, Heiko. "»Beherrschte Welten« und »Herrscher der Welt«." kritische berichte 39. (2011): 104–13. |
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| Schmidlechner, Florian. "»Der Jude mit der roten Badehose«: Jüdische helden, stereotypen und antisemitismus im trickfilm bis 1945." Theorien des Comics. Ein Reader. Eds. Barbara Eder, Elisabeth Klar and Ramón Reichert. Kultur- und Medientheorie. Bielefeld: Transcript, 2011. 303–20. |
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| Schmidt, Johann N. "Comic und Architektur: Faszination und alptraum der vertikalen stadt." Theorien des Comics. Ein Reader. Eds. Barbara Eder, Elisabeth Klar and Ramón Reichert. Kultur- und Medientheorie. Bielefeld: Transcript, 2011. 89–107. |
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| Schmitz-Emans, Monika. "The Languages of Music in Comics, Bandes dessinées and Fumetti." Translation & Multilingual Literature. Traduction & Littérature Multilingue. Berlin [etc.]: LIT, 2011. 195–213. |
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| Schmitz-Emans, Monika. "Gleis neundreiviertel, das siebeneinhalbte Stockwerk, die 2,333te Dimension und ein Ausflug nach Tlön: Gebrochene ordnungszahlen als schwellen ins imaginäre." Zahlen, Zeichen und Figuren. Mathematische Inspirationen in Kunst und Literatur. Eds. Andreas Albrecht, Gesa von Essen and Werner Frick. Linguae & litterae. Berlin u. Boston: de Gruyter, 2011. 453–85. |
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| Schmitz-Emans, Monika. "Helmut Heißenbüttel und der Comic." Reden über die Schwierigkeiten der Rede. Das Werk Helmut Heißenbüttels. Eds. Hans-Edwin Friedrich and Sven Hanuschek. NeoAvantgarden. München: edition text + kritik, 2011. 265–93. |
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| Schmitz-Emans, Monika. "Eine andere Art zu erzählen: Literarische text-photo-kombinationen und die frage nach ihrem ›realismus‹." Medialer Realismus. Ed. Daniela Gretz. Rombach Wissenschaften, Reihe Litterae. Freiburg im Breisgau: Rombach, 2011. 271–93. |
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| Schmitz-Emans, Monika. "Die Erfindung der ›neunten Kunst‹: Ansätze zu einer ästhetik des comics." Comparative Arts. Universelle Ästhetik im Fokus der Vergleichenden Literaturwissenschaft. Ed. Achim Hölter. Hermeia. Heidelberg: Synchron, 2011. 243–53. |
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| Schmitz-Emans, Monika. "Das Buch als labyrinthischer Raum: Literarisch-ästhetische versuchsanordnungen." Raum und Gefühl. Der Spatial Turn und die neue Emotionsforschung. Ed. Gertrud Lehnert. Metabasis. Bielefeld: Transcript, 2011. 276–97. |
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| Schneider, Greice. "The Joy and the Burden of the Comics Artist: The role of boredom in the production of comics." Comics Forum 2011. Accessed 4 Mar. 2014. <http://comicsforum.org/ ... cs-by-greice-schneider/>. |
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| Scholz, Michael F. "Wolfgang Altenburger – »… eine neue Bilderzeitschrift …«." Deutsche Comicforschung 7. (2011): 117–28. |
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| Scholz, Alexander. "Man kann niemanden überholen, wenn man in seine Fußstapfen tritt: Filmische reminiszenzen an die ästhetik des comics." Prinzip Synthese: Der Comic. Eds. Mathis Bicker, Ute Friederich and Joachim Trinkwitz. Edition Kritische Ausgabe. Bonn: Weidle, 2011. 53–56. |
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| Schwarz, Gretchen and Christina Crenshaw. "Old Media, New Media: The graphic novel as bildungsroman." Journal of Media Literacy Education 3. 1 2011. Accessed 16 May. 2018. <http://digitalcommons.uri.edu/jmle/vol3/iss1/13>. |
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| Schwenger, Peter. "Abstract comics and the decomposition of horror." Horror Studies 2. (2011): 265–80. |
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| Schwetman, John D. "Sympathetic Geography: Tropes of the cityscape in chris ware’s jimmy corrigan, the smartest kid on earth." International Journal of Comic Art 13. (2011): 642–58. |
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| Screech, Matthew. "Tintin au Pays du Canard enchaîné: Hergé’s hero re-invented in political cartoons of the 1950s and the 1960s." Belphégor 10. 2 2011. Accessed 13 Feb. 2012. <http://dalspace.library.dal.ca/handle/10222/47802>. |
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| Scully, Richard. "The Cartoon Emperor: The impact of louis napoleon bonaparte on european comic art, 1848–1870." European Comic Art 4. (2011): 147–80. |
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| Seeßlen, Georg. Tintin, und wie er die Welt sah: Fast alles über tim, struppi, mühlenhof & den rest des universums. Kultur & Kritik. Berlin: Bertz + Fischer, 2011. |
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| Seeßlen, Georg. "Bilder für die Massen: Die prekäre beziehung von comic und film und die dunkle romantik des neoliberalismus im neueren comic-kino." Theorien des Comics. Ein Reader. Eds. Barbara Eder, Elisabeth Klar and Ramón Reichert. Kultur- und Medientheorie. Bielefeld: Transcript, 2011. 255–62. |
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| Seifert, Andreas. "Der Osten ist bunt: Chinesische comictradition, japanische vorbilder und die vergebliche suche nach einer nationalen ausdrucksform im chinesischen comic zu beginn des 21. jahrhunderts." China, Japan und das Andere. Ostasiatische Identitäten im Zeitalter des Transkulturellen. Eds. Stephan Köhn and Michael Schimmelpfennig. Wiesbaden: Harassowitz, 2011. 113–31. |
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| Sell, Cathy. "Manga Translation and Interculture." Mechademia 6. (2011): 93–108. |
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| Seydel, Olaf. "Freundschaft, Liebe, Hass und Rache: Der preacher und seine »gemeinde«." Überzeichnet. Religion in Comics. Eds. Inge Kirsner, Olaf Seydel and Harald Schroeter-Wittke. POPKULT. Jena: IKS Garamond, 2011. 127–46. |
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| Seydel, Olaf. "Superheroes and me: Biografische einblicke." Überzeichnet. Religion in Comics. Eds. Inge Kirsner, Olaf Seydel and Harald Schroeter-Wittke. POPKULT. Jena: IKS Garamond, 2011. 31–34. |
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| Shadrack, Jasmine. "V versus Hollywood: A discourse on polemic thievery." Studies in Comics 2. (2011): 195–205. |
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| Shaner, Andrew. "Defining Steampunk Through the Films of Hayao Miyazaki." BA Thesis. Pennsylvania State University, 2011. |
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| Shepherd, Kameshia. "The Superhero Genre: Exhibitions which explore the identities, costumes, and missions of the superheroes in contemporary times." kritische berichte 39. (2011): 114–23. |
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| Shin, Hyewon. "Voice and Vision in Oshii Mamoru’s Ghost in the Shell: Beyond cartesian optics." Animation 6. (2011): 7–23. |
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| Shoemaker, Deanna. "Cartoon Transgressions: Citlali, la chicana super hero as community activist." Liminalities 7. 1 2011. Accessed 25 Sept. 2020. <http://liminalities.net/7-1/citali.pdf>. |
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| Shyminsky, Neil. "“Gay” Sidekicks: Queer anxiety and the narrative straightening of the superhero." Men and Masculinities 14. (2011): 288–308. |
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| Sierra Barra, Sebastian. "X-MEN: Evolutionstheoretische spekulationen." kritische berichte 39. (2011): 71–81. |
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| Sihombing, Febriani. "On The Iconic Difference between Couple Characters in Boys Love Manga." Image [&] Narrative 12. 1 2011. Accessed 5 Sept. 2011. <http://www.imageandnarr ... rticle/viewFile/130/101>. |
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| Simmons, David. "‘Nothing too heavy or too light’: Negotiating moore’s tom strong and the academic establishment." Studies in Comics 2. (2011): 57–67. |
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| Simonetti, Paolo. "Translating Comics into Literature and Vice Versa: Intersections between comics and non-graphic narratives in the united states." Translating America. The Circulation of Narratives, Commodities, and Ideas between Italy, Europe, and the United States. Eds. Marina Camboni, et al. Transatlantic Aesthetics and Culture. Bern [etc.]: Peter Lang, 2011. 217–38. |
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| Singer, Marc. "Dark Genesis: Falls from language and returns to eden from ‘pog’ to promethea." Studies in Comics 2. (2011): 93–104. |
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| Singer, Marc. Grant Morrison: Combining the worlds of contemporary comics. Jackson: Univ. Press of Mississippi, 2011. |
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| Sistig, Joachim. "Der französische Comic in Zeiten der Nazi-Propaganda im besetzten Frankreich zwischen 1940 und 1944." Rechtsextremismus, Rassismus und Antisemitismus in Comics. Ed. Ralf Palandt. Berlin: Archiv der Jugendkulturen, 2011. 100–19. |
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| Skidmore, Martin. "Krazy Kat: Modernism and Influence." FA 2011. Accessed 1 Jun. 2014. <http://comiczine-fa.com ... modernism-and-influence>. |
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| Skidmore, Martin. "So-Called Critic: Sinner 4." FA 2011. Accessed 1 Jun. 2014. <http://comiczine-fa.com ... -called-critic-sinner-4>. |
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| Smith, Jimmy. "Beyond Maus: The experimental comics of art spiegelman." Book 2.0 1. (2011): 47–56. |
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| Smith, Matthew J. "Lost [and Found] Girls: Teaching a college course in alan moore." SANE journal 1. 2 2011. Accessed 11 Jul. 2016. <http://digitalcommons.unl.edu/sane/vol1/iss2/3>. |
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| Smith, Greg M. "Surveying the World of Contemporary Comics Scholarship: A conversation." Cinema Journal 50. (2011): 135–47. |
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| Smith, Daniel. "With Great Budgets Comes Great Responsibility." Ol3Media 4. 10 2011. Accessed 27 Dec. 2013. <http://host.uniroma3.it ... Media%2010%20Comics.pdf>. |
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| Smith, Sidonie. "Human Rights and Comics: Autobiographical avatars, crisis witnessing, and transnational rescue networks." Graphic Subjects. Critical Essays on Autobiography and Graphic Novels. Ed. Michael A. Chaney. Wisconsin Studies in Autobiography. Madison: Univ. of Wisconsin Press, 2011. 61–72. |
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| Smith, Michael. "“And Doesn’t All the World Love a Clown?”: Finding the joker and the representation of his evil." Riddle Me This, Batman! Essays on the Universe of the Dark Knight. Eds. Kevin K. Durand and Mary K. Leigh. Jefferson, London: McFarland, 2011. 187–200. |
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| Smith, Matthew J. "Die Tyrannei der Schmelztiegel-Metapher: wonder woman als amerikanisierte immigrantin." Theorien des Comics. Ein Reader. Eds. Barbara Eder, Elisabeth Klar and Ramón Reichert. Kultur- und Medientheorie. Bielefeld: Transcript, 2011. 263–81. |
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| Smith, Philip and Michael Goodrum. "‘We have experienced a tragedy which words cannot properly describe’: Representations of trauma in post-9/11 superhero comics." Literature Compass 8. 8 2011. Accessed 14 Jun. 2019. <https://onlinelibrary.w ... .1741-4113.2011.00829.x>. |
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| Smolderen, Thierry. "A Chapter on Methodology." SIGNs. Studies in Graphic Narratives (2011): 1–23. |
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| Smolderen, Thierry. "Töpffer Reloaded: A reevaluation of töpffer’s invention." SIGNs. Studies in Graphic Narratives (2011). |
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| Sobel, Marc. "The Decade in Comics." The Comics Journal (2011): 480–500. |
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| Solte-Gresser, Christiane. "Textbilder und Bildtexte im Angesicht des Unsagbaren: Autopoetische dimensionen in brechts fotoepigrammen, spiegelmans ›comix‹ und herta müllers gedichtcollagen." Comparative Arts. Universelle Ästhetik im Fokus der Vergleichenden Literaturwissenschaft. Ed. Achim Hölter. Hermeia. Heidelberg: Synchron, 2011. 177–87. |
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| Sommerland, Ylva. "Anatomins eko på fiktiva kroppar – bilder av könsskillnader i Manga." Valör (2011): 17–25. |
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| Spanakos, Anthony Peter. "Exceptional Recognition: The u.s. global dilemma in the incredible hulk, iron man, and avatar." The 21st Century Superhero. Essays on Gender, Genre and Globalization in Film. Eds. Richard J. Gray II and Betty Kaklamanidou. Jefferson, London: McFarland, 2011. 15–28. |
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| Spencer, David R. "Ryan Walker, American Radical: A date with history from the bottom up." International Journal of Comic Art 13. (2011): 244–62. |
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| Spiegelman, Art. MetaMaus. London: Viking, 2011. |
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| Stafford, Richard Todd. "Towards an Epistemological Theory of Comics Journalism: Case studies in joe sacco’s war reportage." Public Knowledge Journal 3. 1 2011. Accessed 7 Feb. 2013. <http://pkjournal.org/?page_id=1490>. |
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| Stanton, Domna C. "Photau(gyno)graphy: The work of joanne leonard." Graphic Subjects. Critical Essays on Autobiography and Graphic Novels. Ed. Michael A. Chaney. Wisconsin Studies in Autobiography. Madison: Univ. of Wisconsin Press, 2011. 200–05. |
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| Stein, Eva Kristin. "Schwindel, eine illegitime Erfahrung für Superhelden." Comic. Intermedialität und Legitimität eines popkulturellen Mediums. Ed. Thomas Becker. Bochum: Ch.A. Bachmann, 2011. 91–102. |
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| Stein, Daniel, Christina Meyer, and Micha Edlich. "Introduction: American comic books and graphic novels." Amerikastudien 56. (2011): 501–30. |
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| Steirer, Gregory. "The State of Comics Scholarship: Comics studies and disciplinarity." International Journal of Comic Art 13. (2011): 263–85. |
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| Stenzel, Katharina. "Vater-Sohn-Beziehungen im Jimmy Corrigan – ödipale Konflikte?." Prinzip Synthese: Der Comic. Eds. Mathis Bicker, Ute Friederich and Joachim Trinkwitz. Edition Kritische Ausgabe. Bonn: Weidle, 2011. 39–43. |
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| Stoll, Jeremy. "Rama for Beginners: Bridging indian folk and comics cultures." Folklore Forum 2011. Accessed 31 May. 2013. <http://folkloreforum.ne ... lk-and-comics-cultures/>. |
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| Strömberg, Fredrik. "“Yo, rag-head!”: Arab and muslim superheroes in american comic books after 9/11." Amerikastudien 56. (2011): 573–602. |
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| Strong, Anise K. "A Dream of Augustus: Neil gaiman’s sandman and comics mythology." Classics and Comics. Eds. George Kovacs and C. W. Marshall. Classical Presences. New York: Oxford Univ. Press, 2011. 173–82. |
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| Strouhal, Felix. "Stream of Comicness: Chris wares erzählen in einem medium zwischen massentauglichkeit und exklusivität." Theorien des Comics. Ein Reader. Eds. Barbara Eder, Elisabeth Klar and Ramón Reichert. Kultur- und Medientheorie. Bielefeld: Transcript, 2011. 161–70. |
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| Stumpf, Melanie. "Im Spiegelkabinett von expressionistischem Stummfilm, Film Noir, Manga, Anime und japanischem Computerspiel." Dissertation Universität Hildesheim, 2011. |
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| Sugawa-Shimada, Akiko. "Functions and Possibilities of Female “Essay Manga”: Resistance, negotiation, and pleasure." International Journal of Comic Art 13. (2011): 103–15. |
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| Sugawa-Shimada, Akiko. "Rebel with causes and laughter for relief: ‘essay manga’ of tenten hosokawa and rieko saibara, and japanese female readership." Journal of Graphic Novels and Comics 2. (2011): 169–85. |
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| Sulmicki, Maciej. "The author as the antiquarian: Selling victorian culture to readers of neo-victorian novels and steampunk comics." Otherness 2. 1 2011. Accessed 18 Sept. 2013. <http://www.otherness.dk ... .1/6.MaciejSulmicki.pdf>. |
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| Added by: joachim 25/08/2020, 10:39 |
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| Sulprizio, Chiara. "Eros Conquers All: Sex and love in eric shanower’s age of bronze." Classics and Comics. Eds. George Kovacs and C. W. Marshall. Classical Presences. New York: Oxford Univ. Press, 2011. |
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| Added by: joachim 01/12/2020, 20:27 |
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| Suzuki, Shige (CJ). "Envisioning Alternative Communities through a Popular Medium: Speculative imagination in hagio moto’s girls’ comics." International Journal of Comic Art 13. (2011): 57–74. |
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| Added by: joachim 17/02/2012, 23:38 |
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| Suzuki, Shige (CJ). "Learning from Monsters: Mizuki shigeru's yōkai and war manga." Image [&] Narrative 12. 1 2011. Accessed 6 Sept. 2011. <http://www.imageandnarr ... rticle/viewFile/134/105>. |
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| Added by: joachim 06/09/2011, 13:21 |
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| Szawerna, Michał. "Superpower corruption – the blended universe of Watchmen by Alan Moore, Dave Gibbons, and John Higgins." Papers and Studies in Axiological Linguistics. Philologica Wratislaviensia: Acta et Studia. Wrocław: Wydawnictwo Wyższej Szkoły Filologicznej we Wrocławiu, 2011. 87–101. |
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| Last edited by: joachim 27/09/2019, 14:54 |
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